One of the most anticipated films of 2026, The Bride, has finally arrived, and it proves well worth the wait. The film revisits one of fiction&rsquo;s most enduring stories while posing a question audiences have long pondered: did Frankenstein&rsquo;s monster ever find someone to love, or was he destined to remain feared and alone forever?
Since the publication of Frankenstein; or The Modern Prometheus in 1818, Mary Shelley&rsquo;s iconic work has inspired hundreds of film and television adaptations. Yet few have focused on the mysterious figure of the bride.
After a five-year break from directing, Maggie Gyllenhaal returns with a bold and imaginative take on the story. Rather than centring solely on the monster or his creator, the film shifts perspective to explore the woman brought to life as his companion.
Starring Christian Bale and Jessie Buckley, the film is set in 1930s Chicago. In this reimagining, a pioneering scientist named Dr. Euphronious resurrects a murdered young woman to serve as a companion for Frankenstein&rsquo;s monster, a decision that leads to consequences neither could have anticipated.
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At its core, The Bride raises a deeply human question: can anyone truly live alone without friends, family, or a partner? For Frankenstein&rsquo;s monster, the answer has always been no. Throughout his existence, he searches for someone like himself, someone who might understand his loneliness. In The Bride, he may finally find that connection.
The film arrives following the release of Frankenstein (2025), directed by Guillermo del Toro and starring Jacob Elordi. Del Toro&rsquo;s interpretation approached the story from the scientist&rsquo;s perspective, exploring the moral and emotional consequences of creation and ambition.
While the two films differ significantly in tone and narrative focus, together they signal a renewed fascination with Shelley&rsquo;s gothic myth. More than two centuries later, the story of Frankenstein continues to find new life.
Final thought For Frankenstein&rsquo;s monster, the search for companionship has always been central to his story. In The Bride, that search takes centre stage, a reminder that even the most misunderstood creature longs for connection.
Photo Credit: Warner Bros. Pictures&rsquo; official page

‘The Bride’ Puts Frankenstein’s Search for Love Centre Stage

According to a statement issued by the Egyptian Ministry of Tourism and Antiquities, TIME magazine has named the Grand Egyptian Museum one of the world's top cultural destinations to visit in 2026, a recognition that arrives just months after the museum completed its historic opening to international visitors.
The ministry's statement noted that the global publication included the Giza museum in its annual list of recommended travel destinations, singling out its Tutankhamun collection as a standout attraction and praising its approach to preserving and presenting antiquities. Exhibition halls are equipped with advanced environmental control systems designed to maintain optimal conditions for the artifacts on display, a detail TIME highlighted as representing a leap forward in how Egypt protects its ancient heritage.
What makes the recognition particularly significant is the timing. On 4 November 2025, after years of anticipation and a phased opening process, the Grand Egyptian Museum threw open its doors in full, marked by three days of celebrations at the foot of the Giza Plateau. It was a moment decades in the making.
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The museum's scale alone is staggering. Spread across more than 500,000 square meters in the shadow of the Great Pyramids, it houses over 100,000 artifacts spanning 7,000 years of history, from pre-dynastic Egypt through the Greek and Roman periods. Its architecture is deliberately symbolic, designed as a bridge between Egypt's ancient past and its contemporary ambitions.
The crown jewel of the collection is the complete Tutankhamun treasury. For the first time in history, all 5,398 artifacts belonging to the boy king are displayed together under one roof, including golden coffins, royal shrines, jeweled ornaments, weapons, and chariots, each piece part of a story that has captivated the world since Howard Carter unsealed the tomb in 1922. Seeing them not in a foreign museum but on Egyptian soil, within sight of the pyramids that defined their era, gives the experience a weight no other venue could offer.
Beyond the ancient treasures, the museum includes a dedicated Children's Museum, offering hands-on and immersive exhibits designed to make Egypt's history accessible to younger visitors, an often-overlooked feature that broadens its appeal well beyond archaeology enthusiasts.
TIME's endorsement, as cited by the ministry, frames the museum not just as a place to see artifacts, but as an experience that combines accessibility with depth, allowing visitors to encounter some of the world's most iconic objects in their original homeland. For Egypt's tourism sector, the recognition is a timely boost. For visitors planning their 2026 travels, it is a compelling reason to make Giza a priority.
Photo Credit: Grand Egyptian Museum&rsquo;s official page
&nbsp;

Grand Egyptian Museum Named One of The Best Places to Visit in 2026 by TIME

Since its release as a single in January 1982, Golden Brown by The Stranglers has never really gone away. More than four decades on, the song continues to find new listeners, contexts, and meaning, a quiet achievement for a track that was always hiding something.
Lifted from the band&rsquo;s 1981 album La Folie, Golden Brown reached number two on the UK charts and quickly became The Stranglers&rsquo; signature song. Built around a distinctive harpsichord melody and an unusual waltz-time signature, it sounded like nothing else in the charts at the time and that strangeness turned out to be its greatest strength.
A Song With Two Faces
Golden Brown is not quite what it seems. For years, listeners sensed there was something more to its hazy, drifting lyrics, and rumours of a hidden meaning related to heroin use followed the song wherever it went. The Stranglers never confirmed or denied it, with Hugh Cornwell often saying the song meant whatever the listener wanted it to mean.
Cairo and the Road East
The song&rsquo;s music video adds another dimension to its identity. Shot with a distinctly Arabian aesthetic, it takes viewers on a journey through some of the ancient world&rsquo;s most striking landscapes. The Pyramids of Giza appear as a backdrop, with Cornwell portrayed broadcasting from a Cairo radio station overlooking the iconic skyline. Additional scenes were filmed at the Mir-i-Arab Madrasah in Bukhara, the Shah Mosque in Isfahan, and among Bedouin riders in the UAE.
The visual language of the video reinforces the song&rsquo;s themes of drift, peace, and escape, a traveller moving through golden light and ancient stone, far from wherever trouble lives.
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A Second Life Online
Decades after its original release, Golden Brown found an entirely new audience on social media. Its atmospheric, emotionally ambiguous quality made it an unlikely but perfect fit for a wide range of content, wedding photographs, sporting defeats, melancholic film scenes, and nostalgic personal montages. Users discovered that the song could hold grief and joy in equal measure, much like the double meaning its writer built into it from the start.
Streaming numbers reflect that renewed appetite. As of February 2026, the original version has surpassed 490.6 million streams. A slowed-down version has added 78.3 million, and a sped-up version a further 7.6 million, bringing the combined total to more than 576 million streams across all versions.
The Band Behind It
The Stranglers formed in 1974, built around drummer Jet Black, bassist Jean-Jacques Burnell, and vocalist-guitarist Hugh Cornwell. Keyboardist Hans W&auml;rmling was an early member but departed after a year, replaced by Dave Greenfield, whose harpsichord playing would go on to define the band&rsquo;s most celebrated moment. The group became one of the most distinctive acts to emerge from the British punk and new wave era, outlasting many contemporaries and leaving behind a catalogue that continues to grow in reputation.
Golden Brown remains the centrepiece of that legacy. More than forty years later, it still hits.
Photo Credit: Stranglers&rsquo; official page

The Story Behind “Golden Brown” and Its Surprising Cairo Connection

More than twenty years after it captured hearts worldwide, "13 Going on 30" is getting a second life. A reboot of the beloved 2004 romantic comedy is officially in development, with Emily Bader and Logan Lerman set to star and Jennifer Garner returning as executive producer, according to <a href="https://deadline.com/2026/03/13-going-on-30-reboot-emily-bader-logan-lerman-netflix-1236764267/">Deadline</a>.
Brett Haley, who previously directed the film "People We Meet on Vacation," is set to helm the project, reuniting him with Bader, who starred in that film. No release date has been confirmed, and plot details remain under wraps.
A Director Who Feels the Weight
Haley was candid about the responsibility of reimagining a film that has meant so much to so many people. "'13 Going on 30' is one of those rare, perfect films. Funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo, and Judy Greer. I'm a longtime fan, so stepping into this reimagining comes with tremendous responsibility," he said in a statement to Deadline.
Garner's involvement as producer carried particular meaning for the director. "Jennifer Garner being on board as an executive producer, after playing such a big part of what made the original special, is especially meaningful," Haley continued. "She and the amazingly talented Logan Lerman are a magical pairing. I feel incredibly lucky to be trusted with something that means so much to so many people."
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What Fans Are Hoping For
The announcement has sparked widespread reaction on social media, with fans expressing clear hopes for what the reboot should deliver. The dominant theme across platforms is a desire for a story that stands on its own rather than retelling the original, one that carries the same emotional warmth and nostalgic tone without simply repeating what came before.
Many fans have also called for a cameo from Garner and Mark Ruffalo, curious to see how their characters Jenna and Matt have lived their lives in the two decades since the original film ended. Others have pointed to the visual identity of the reboot, hoping for soft costume design and a calm cinematic tone that echoes the gentle feeling of the 2004 film.
Why the Original Still Matters
Released in 2004, "13 Going on 30" told the story of a thirteen-year-old girl who wakes up in her thirty-year-old body, navigating love, identity, and the things that matter most. Two decades later, the film continues to find new audiences, with viewers returning to it repeatedly with the same warmth as their first viewing.
It is that lasting emotional connection that makes the reboot both an exciting opportunity and a significant challenge for everyone involved.
Photo Credit: Jennifer Garner&rsquo;s official page

More Than 20 Years Later, “13 Going on 30” Gets a Reboot With a Fresh Cast

What if you woke up alone in space with no memory, and the fate of humanity resting on your shoulders? That&rsquo;s the gripping premise behind Project Hail Mary, which is quickly positioning itself as one of the standout sci-fi releases of 2026.
Opening to an impressive $141 million worldwide, the film has exceeded expectations, delivering one of the strongest box office debuts of the year. It has also earned significant critical acclaim, scoring 95% on Rotten Tomatoes and 8.5/10 on IMDb, firmly establishing itself as both a commercial and critical success.
So, what makes Project Hail Mary stand out?
A Gripping and Intelligent Plot The story follows Ryland Grace, a science teacher who wakes up aboard a spaceship with no memory of who he is or how he got there. As his memories gradually return, he discovers he is humanity&rsquo;s last hope to solve a mysterious threat causing the sun to die.
By blending scientific concepts with suspense, the film builds tension through problem-solving, discovery, and well-timed twists, keeping audiences engaged throughout.
<iframe src="//www.youtube.com/embed/m08TxIsFTRI" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> A Bestselling Book Adaptation The film is based on the novel by Andy Weir, known for making complex science accessible and entertaining. While the adaptation simplifies some of the technical details, it preserves the core spirit of the book.
Weir previously achieved global success with The Martian, which was adapted into a major film directed by Ridley Scott and starring Matt Damon. With Project Hail Mary, he once again demonstrates his strength in crafting compelling, science-driven narratives. A Strong Cast and Creative Team Led by Ryan Gosling, the film delivers a performance that underscores his range and ability to carry emotionally layered roles. He is joined by Sandra H&uuml;ller, while direction comes from Phil Lord and Christopher Miller, a duo known for balancing humor, emotion, and visual inventiveness. Stunning Cinematic Visuals Visually, the film captures the vastness of space through striking cinematography and meticulous production design. Lighting and color grading are used effectively to guide the narrative, enhancing both emotional beats and scientific exposition. These visual choices not only impress but also help translate complex ideas into something accessible for a wider audience. Final Thought Project Hail Mary succeeds by combining intelligent storytelling, strong performances, and high-quality visuals. It appeals to both dedicated sci-fi fans and general audiences, reinforcing the idea that science-driven films can be both intellectually engaging and emotionally resonant.
If early reactions are any indication, it may well become one of the defining sci-fi films of the decade.
Photo Credit: Project Hail Mary's official page&nbsp;

Why “Project Hail Mary” Could Be The Biggest Sci-Fi Hit of 2026

All the latest entertainment news from Nile FM. TV Shows, Movies, Trailers, Clips, International & Arab Celebrity Gossip, Awards, Events & Best Dressed Lists.

Entertainment

By: Yomna Walid
After years of listening to &ldquo;DJ of the Week&rdquo; during his daily routines, DJ Lostboi now finds himself on the other side of the airwaves as this week&rsquo;s featured artist on NileFM.
His journey into music has been gradual, shaped by early experimentation with production and a growing fascination with how DJs influence the energy of a crowd. This Thursday at 10 PM, he brings that experience to radio, sharing both his sound and story.
In this interview, he reflects on his artistic approach, creative process, and what lies ahead.
How would you define DJ Lostboi as an artist, and what sets your sound apart in today&rsquo;s electronic music scene?
I see myself as someone who builds emotion on the dance floor, rather than simply playing tracks. My focus is on taking listeners on a journey through my selections and creating moments they can connect with. I also try to introduce audiences to sounds they may not expect, offering a glimpse into how I experience music.
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What was the moment you decided to become a DJ and music producer?
It wasn&rsquo;t a single moment but a gradual process. I was always interested in music and began producing at a young age. Over time, watching DJs shape the atmosphere of a crowd made me want to take on that role myself.
Can you take us behind the scenes of one of your favourite tracks? What story or emotion shaped it?
One of my favourite projects is an upcoming remix titled &ldquo;FLIGHTLINE,&rdquo; created in collaboration with Cairo-based producer Giggs. The lyrics of the original track played a key role in shaping our interpretation.
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If you had to choose one set or mix that truly represents you as an artist, which would it be, and why?
A recent set at The Rec Room stands out. It was performed without preparation, relying entirely on instinct and interaction with the audience. That spontaneity made it a strong reflection of my approach as an artist.
How does it feel to be featured as DJ of the Week on NileFM?
It feels significant. I have followed the programme for some time, so being featured now marks an important moment for me. It suggests that the work I&rsquo;ve been doing is moving in the right direction.
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What&rsquo;s next for you? Are there any upcoming releases or collaborations your audience should look out for?
The &ldquo;FLIGHTLINE&rdquo; remix will be released soon, and there are additional projects currently in development. I&rsquo;m looking forward to sharing more soon.
Photo Credit: Lostboi's official page&nbsp;
&nbsp;

Exclusive | DJ Lostboi Reflects on His Rise Ahead of NileFM DJ of The Week Feature

By: Yomna Walid
After 16 years in theatre, Egyptian actor Ahmed Radwan continues to surprise audiences this Ramadan, proving his ability to master a wide range of roles.
This season, he stands out as Shaarawy in &ldquo;El Nos El Tany&rdquo; (Season 2), a comedic police officer whose every appearance involves a new disguise, transforming him into a completely different character. In contrast, in &ldquo;Ard wa Talab&rdquo;, he delivers a deeply emotional performance as Gamal, an investigative journalist uncovering a gang involved in illegal organ trade, leaving viewers both moved and on edge.
Radwan has impressed audiences this year with his versatility, bringing distinct energy to each project, from &ldquo;El Sett&rdquo; and &ldquo;Al Sada Al Afadel&rdquo; to &ldquo;Single Mother Father&rdquo;, &ldquo;El Nos El Tany&rdquo;, and &ldquo;Ard wa Talab.&rdquo;
NileFM goes behind the scenes with Radwan to explore his preparation for Shaarawy in &ldquo;El Nos El Tany&rdquo;, Gamal in &ldquo;Ard wa Talab&rdquo;, and the surprise he has in store as he takes on directing for the first time in his upcoming theatre production.
Shaarawy is full of mystery and suspense. What attracted you to this character from the start?
What drew me to Shaarawy was the idea of someone who appears one way, while we don&rsquo;t really know who he is, only to discover later that he plays a heroic and patriotic role. I found that very engaging, especially working with Ahmed Amin, as the character in the script is quite rebellious and wants to do things her own way.
Having someone guide her to think about the country&rsquo;s interest created a very enjoyable dynamic between us. Our scenes together had strong, fun energy.
I was also drawn to the idea of disguises. Every time he appears, he takes on a different form, making him unrecognisable. That aspect was particularly enjoyable and reminded me of my early days in acting, when I would take on multiple personas, almost as if playing several characters at once.
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Did you add anything new to Shaarawy&rsquo;s character that wasn&rsquo;t in the script?
Yes. Developing characters and adding details has always been part of my process. I usually build a backstory, where the character comes from, their life, and their defining traits.
When I worked with director Hossam Ali, he added historical context about the character and the role of officers at that time, which encouraged me to research further.
We also explored the character creatively, even describing him through animal traits. We found that Shaarawy resembled an owl, focused, observant, and slightly suspicious.
Another layer came from working with Ahmed Amin on dialogue. We discovered a playful dynamic through improvisation, particularly in how the characters persuade and challenge each other. That process added something new to the role.
Shaarawy is an officer with hidden patriotic motivations. How did you prepare for the role?
What fascinated me was how some people at the time worked under occupation yet secretly carried out patriotic acts that could put their lives at risk.
I explored this historical aspect through research and documentaries. At the same time, we introduced a comedic tone into the script to balance the character.
The series blends history, espionage, and comedy. How did you balance seriousness and humour?
From the beginning, I agreed with Ahmed Amin that comedy should come naturally from the character and the situation.
It was a challenge, as the cast is highly skilled in comedy. But working with Ahmed Amin and Mohamed Nasser made it easier. My focus was building the character seriously, while they helped shape how humour could flow within the scenes.
What was the most challenging scene for you?
In &ldquo;El Nos El Tany&rdquo;, there weren&rsquo;t difficult scenes. Most were enjoyable, filled with humour, disguises, and playful acting.
One memorable moment was performing as a licorice vendor, where I focused on mastering the physical movements and sounds. It was fun rather than difficult.
The more demanding scenes were in &ldquo;Ard wa Talab&rdquo;, which required intense emotional and physical effort.
What do you hope audiences take away from &ldquo;El Nos El Tany&rdquo;?
I hope they enjoy it. The series already had a strong foundation, and I wanted to contribute positively and integrate well with the team.
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The two roles are very different. How did you separate them?
It was exciting to play two contrasting characters during Ramadan, one comedic and one dramatic.
In &ldquo;Ard wa Talab," I played Gamal, a journalist who goes undercover as a kidney donor to expose a criminal network. In &ldquo;El Nos El Tany&rdquo;, I played an officer using disguises for patriotic purposes.
Each role had its own complexity. One relied on humour and disguise, the other on tension and emotional depth. Exploring both sides is what makes acting fulfilling for me.
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Was there a memorable behind-the-scenes moment?
On &ldquo;Ard wa Talab," despite the heavy themes, the atmosphere was always light-hearted. The cast, including Salma Abu Deif, Ali Sobhy, Mostafa Abu Sriea, Alaa Morsi, and Rahma Ahmed, brought a lot of humour off camera.
Even during intense scenes, there was always laughter behind the scenes.
Did any scene affect you personally?
There is a major scene in the final episode that was emotionally and physically exhausting. I cannot discuss it yet, but I hope it resonates with audiences.
How does the series raise awareness about organ donation?
I&rsquo;m very proud of &ldquo;Ard wa Talab&rdquo;. It doesn&rsquo;t present issues directly, but weaves them into the narrative, allowing viewers to reflect naturally.
This subtle approach makes the message more powerful.
<a href="https://ibb.co/0pHPcFsZ"><img src="https://i.ibb.co/9mQRNVZ2/4.png" alt="4" border="0" /></a>&nbsp;
Tell us about your experience in &ldquo;El Sett.&rdquo;
Working with Marwan Hamed is a dream for any actor. I was fortunate to have a significant role as El Desouki.
Working with Mona Zaki was also a highlight. She is incredibly professional, humble, and supportive.
How does theatre differ from film and television for you?
Theatre offers a unique experience, the preparation, the tension before stepping on stage, and the direct connection with the audience.
Film and television allow for multiple takes and collaboration, but they lack that immediate energy.
What&rsquo;s next for you?
I am currently preparing for a theatre production that I will direct for the first time. It is set to premiere in April.
Beyond that, I am continuing my improvisational theatre work with my team &ldquo;Maktoob Alina," and I&rsquo;m looking forward to future opportunities.
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Photo Credit: Ahmed Radwan's official page&nbsp;

Exclusive | Ahmed Radwan Reveals Behind the Scenes of “El Nos El Tany” and “Ard wa Talab”

By: Yomna Walid&nbsp;
Never failing to surprise audiences with her performances, Egyptian actress Hana Ghoneim continues to leave a strong impression every time she appears on screen.
This Ramadan season, Ghoneim delivers a remarkable performance in the series &ldquo;Kan Ya Makan,&rdquo; starring Maged El Kedwany and Yosra El Lozy. She portrays Maya, a kind-hearted chef who finds herself in a toxic relationship after unknowingly falling in love with a married man. The character quickly became one of the most talked-about storylines in the series, which explores the emotional complexities of life after divorce.
But acting is only one side of Ghoneim&rsquo;s artistic journey. She is also an Egyptian singer and performing artist whose career path took an unexpected turn.
Although she initially began her career as an athlete specializing in the high jump and dreamed of representing Egypt at the Olympic Games, a severe foot injury during training ended her sporting ambitions. That turning point redirected her life toward the world of music and performing arts.
Before &ldquo;Kan Ya Makan,&rdquo; Ghoneim appeared in several television projects, including &ldquo;Tel3et Rohi,&rdquo; &ldquo;Wanesni,&rdquo; and &ldquo;Mystery Box.&rdquo;
In an exclusive interview with NileFM, Ghoneim opens about portraying Maya, navigating emotionally intense roles, and her new original music.
1. Your role as Maya in "Kan Ya Makan" is emotionally intense and complex. What made you say yes to this character from the beginning?
I loved Maya the minute I read the audition scenes. She&rsquo;s so full of life, so unapologetically herself, and she goes through life doing what she loves. She&rsquo;s driven by passion.
She kind of reminds me of me, or maybe the version of myself I aspire to be more like. When I read the full script, I fell even more in love with her motives and what drives her. She reminds me of the version of myself I want to be, someone who lives honestly, passionately, and fully.
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2. Maya goes through betrayal and emotional shock after discovering Seif&rsquo;s secret marriage. As a woman, how did you emotionally prepare yourself to portray that pain authentically?
When preparing a character, you must build their entire world, their morals, motives, intentions, and emotional logic. So, I had to understand Maya as a person first, and then draw from my own experiences as Hana, from different kinds of betrayals or emotional disappointments.
It&rsquo;s never easy to tap into those feelings, but unfortunately, these situations happen so often around us that you almost become familiar with the emotional landscape of it and how differently people react to betrayal.
Maya, to me, is the type of person who, when betrayed, would obviously be devastated, but at the same time would feel a responsibility to protect the other woman who is also a victim in the situation and warn her.
3. The series highlights toxic relationships. If Maya met someone like Seif in real life, what signs should she look for to recognize toxicity early?
Sometimes, unfortunately, it&rsquo;s almost impossible to detect early on. But I do believe it&rsquo;s always important in relationships to take things slow and steady. Really get to know the person before taking bigger steps.
You need to go through life situations together and observe how they act because actions always speak louder than words. Meet their friends as well, because that often gives you a mirror of the person&rsquo;s personality and values.
In Maya&rsquo;s case, the relationship was still quite new, and she had mostly spent time with Seif alone. In a way, it&rsquo;s good that she discovered the truth before things got even more serious between them.
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4. Many viewers expressed support and sympathy for Maya&rsquo;s journey. Why do you think the audience connected so strongly with her story?
I believe it&rsquo;s because she represents a big portion of girls. She&rsquo;s very relatable, just a sweet girl going about her life and falling for someone who is concealing the truth from her.
What was interesting, though, was that the audience was quite divided when it came to Maya&rsquo;s reaction. Some people really connected with her pain and supported her decision to warn her wife, especially considering the wife was pregnant and completely unaware.
But others called Maya a home wrecker simply for telling the wife the truth, even though Seif had already made it clear he wasn&rsquo;t ending things, even after finding out his wife was pregnant.
That reaction honestly shocked me a little bit. Blaming the victim woman instead of assigning responsibility to the actual perpetrator, which is Seif, is unfair. He alone is responsible for his actions.
I think this reaction reflects a larger societal issue, where, unfortunately, the woman is often blamed in relationship dynamics. &ldquo;She stole him,&rdquo; &ldquo;she seduced him,&rdquo; &ldquo;she told the wife because she wants him for herself.&rdquo; In Maya&rsquo;s case, none of that was true, but some people still chose to see it that way.
5. You moved from musical theatre to intense drama. What part of you had to grow up to carry a role like this?
Honestly, I believe art is art. Musical theatre can also be extremely emotionally intense; it&rsquo;s just expressed through a different medium.
So, for me, it wasn&rsquo;t about &ldquo;growing up&rdquo; as much as it was about expressing emotions differently. Of course, over the years I&rsquo;ve lived through experiences that gave me more perspective on life, and that naturally deepens you as an artist.
I&rsquo;ve matured as a person, and I think that maturity will reflect in whatever project I participate in, whether it&rsquo;s a musical or a drama series.
6. What were the biggest challenges you faced transitioning from musical theatre to television drama?
Just to give a bit of context, &ldquo;Kan Ya Makan&rdquo; isn&rsquo;t my first TV acting experience. I was previously cast in &ldquo;Tel3et Rohi,&rdquo; &ldquo;Wanesni,&rdquo; and &ldquo;Mystery Box,&rdquo; so I do have some experience with television.
Over the years, I&rsquo;ve also been consistently taking acting workshops, and I truly believe they have helped prepare me for projects like this. Every role teaches you something new, and I feel like with each project I&rsquo;m refining my tools a little more.
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7. The series tackles sensitive social issues such as marriage, divorce, family conflict, and the emotional impact on children. Which issue resonated with you the most personally, and why?
What resonated with me the most was the idea of how the actions of adults can deeply affect innocent people around them, especially children.
When relationships are built on lies, betrayal, or dishonesty, the damage rarely stays between just two people. It spreads outward and affects families and children who had nothing to do with the situation.
That ripple effect was something I found very powerful in the story, and it really stayed with me.
8. Working alongside Maged El Kedwany must have been a valuable experience. What did you learn from him on set?
Maged El Kedwany is honestly such a sweet and warm person. I truly loved him from the moment we started talking. He was very welcoming and encouraging of my participation, and he already knew that I sing and was complimenting me on that.
That kind of encouragement really gives you a boost of confidence as an artist, and it had a positive impact on my performance.
He&rsquo;s an example of an artist who is extremely grounded and down to earth, someone who clearly loves what he does and makes everyone around him feel seen and appreciated.
As an actor, he&rsquo;s incredibly disciplined, unbelievably talented, and very emotionally intelligent. He&rsquo;s very in tune with his emotions and aware of his surroundings, and I think that translates directly into the amazing actor we all know and admire.
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9. Many scenes in the series are emotionally heavy. How do you disconnect from the character after filming intense moments?
It can be emotionally draining sometimes. But I try to remind myself that once the director says &ldquo;cut,&rdquo; the character stays on set.
What helps a lot is the atmosphere behind the scenes. Between takes, we were always laughing, chatting, and keeping things light, which helped balance the heaviness of some scenes.
I think having that separation between you and the character is important; it can become overwhelming.
10. Behind the scenes, what was the atmosphere like among the cast? Do you have a memorable moment from filming that you can share?
It was so much fun! The crew was amazing, super supportive, very helpful, and just fun to be around. There was always a lot of laughter on set.
Many of the crew members were already fans of Locken products, which made me so happy. I started bringing them some of our newest launches for them to try, and it became a fun little tradition while we were filming.
11. After your debut in Ramadan drama, what type of roles are you hoping to explore next? And do you have any upcoming projects you can tell us about?
I&rsquo;m really hoping to get more opportunities in television and explore more complex, emotionally charged characters, especially characters that are very different from my own personality. I love the challenge of stepping into someone else&rsquo;s world completely.
Now, I&rsquo;m continuing to work on myself and strengthen my acting tools through workshops and training.
And on the music side, I&rsquo;m currently working on new original music that I&rsquo;m really excited about and hoping to release soon.
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Photo Credit: Yango Play's Official Page&nbsp;

Exclusive | Hana Ghoneim Opens Up About Her Emotional Role in “Kan Ya Makan”

By: Yomna Walid
As Ramadan draws to a close, one of the season&rsquo;s most cherished traditions quietly fades from the streets. The Mesaharati is the drummer who walks neighbourhoods at night, waking families for suhoor, the pre-dawn meal, and keeping a centuries-old tradition alive.
For thirty nights, this historic figure weaves through sleeping streets, beating a drum, or sometimes playing a flute, chanting hymns and calling out names. The role blends devotion, community spirit, and the rhythm of Ramadan heritage.
Some trace the tradition back to the time of Prophet Muhammad when Bilal bin Rabah would wake people for suhoor. Others link it to the Fatimid era in Egypt. Regardless of its origins, the Mesaharati remains a beloved symbol of Ramadan across neighbourhoods.
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A Family Tradition Passed Down
Sayed Mahmoud Ismail from Al-Sharqia is one of Egypt&rsquo;s long-serving Mesaharatis. His family has carried the tradition for generations.
&ldquo;My name is Sayed Mahmoud Ismail, from Al-Sharqia. The profession of the Mesaharati is hereditary in my family, passed down from my grandfather to my father, and now I pass it to my children. I hold a bachelor's degree in education, Social Service Department, and I am 42 years old. I have been working as a Mesaharati for more than 20 years,&rdquo; he says.
&ldquo;The whole family has been involved in Mesaharati for a long time. When my son grew up, I wanted to give him a break, so I would go in his place. We inherited the profession together with my siblings.&rdquo;
&ldquo;The first night in the street is full of joy and happiness. The joy of Ramadan is completed with the Mesaharati walking through the streets. When I perform the suhoor rounds, I feel as if Ramadan has come again in all its celebrations, drums, and excitement. It is a feeling of disappearing from the world for a year, fully immersed in the streets.&rdquo;
Keeping the Tradition Alive in Modern Times
&ldquo;Back in the day, there was no electricity and everything was dark. Today, there are lanterns. Back then, the lanterns were made of wax. Ramadan today is different. It is more modern, and children want to hit the drum and participate,&rdquo; Sayed says with a smile.
He explains the essence of the tradition. &ldquo;The secrets of this tradition are rooted in loving people. I love people, and they love me. When a child becomes attached to me, and later has children of their own, they tell them, &lsquo;I grew up with him; he used to walk with me during suhoor.&rsquo;&rdquo;
The role comes with challenges. Families sometimes request specific names to be called, which can be difficult to remember. Others go to sleep early because of work, asking him to wait and make sure they are awake.
&ldquo;The hardest night is the last night. The joy of the children, the drumbeats. It feels like saying goodbye. And if it rains or there is a power outage, I must walk with great effort. People still remember my grandfather and father, and they love us, my children and me. The last night is the hardest because I wonder will I be here next year and will the people still be there.&rdquo;
Advice for the Next Generation
Sayed says the tradition is not just about drumming but about connection and care.
&ldquo;The most important thing is to love people. No child should feel hurt if they want to participate. Everyone should be given their chance, with manners and respect. If someone wants their name to be called, do it.&rdquo;
He adds, &ldquo;I watch the dawn and go out before Fajr. One of the challenges we faced was during COVID-19. We decided not to go out for one year, but people came to the house, insisting we perform the suhoor rounds. It is Ramadan.&rdquo;
A History That Resonates Today
The Mesaharati tradition dates back centuries. Historical accounts mention Otbat Bin Ishaq, an Abbasid-era administrator in Egypt, who reportedly walked through Cairo at night to remind people of the approaching suhoor.
Later, during the Fatimid caliphate, the ruler Al-Hakim Bi Amrillah encouraged people to sleep early after Taraweeh prayers. Military officers were tasked with waking residents by knocking on doors.
Over time, rulers began appointing individuals specifically for the role. Known as Mesaharatis, they would walk through towns and cities, tapping doors with sticks or beating drums to wake households, turning quiet streets into a rhythm of Ramadan tradition.
Photo Credits: Freepik; featured image by Sayed Mahmoud Ismail
&nbsp;

In Focus | The Last Nights of Ramadan Meet Sayed, Egypt’s Mesaharati

By: Yomna Walid&nbsp;
Jordanian singer-songwriter Aziz Maraka speaks to NileFM about his viral visit to Al-Matariya&rsquo;s Ramadan Iftar, performing in Egypt&rsquo;s streets, the stories behind his hit songs, and his upcoming collaborations and children&rsquo;s project.
In Korba, or almost anywhere in Egypt, it is easy to stumble upon a small crowd gathered around someone playing the ukulele. Look a little closer, and you might discover it is the Jordanian composer and singer Aziz Maraka, who has a remarkable ability to draw people in and turn an ordinary moment into something joyful and memorable.
Aziz never fails to surprise his fans, whether by releasing a new song or appearing spontaneously in public spaces. Most recently, he attended the famous Matariya Iftar, where he stood on a balcony to greet and delight Egyptians, showing his genuine affection for the country and its people. Through moments like these, he continues to create shared experiences with his audience, turning music into something communal and heartfelt.
NileFM spoke with Aziz Maraka about his recent collaborations with Houda and Ghaliaa, the stories behind some of his most popular songs, his deep connection with Egypt, and his plans for a children&rsquo;s channel set to launch after Ramadan.
This year, you participated in Iftar in Al-Matariya with the community. Can you tell us about this experience? What caught your attention the most?
I was experiencing Ramadan in Egypt for the first time, so I was excited to see what I could do during Ramadan as both a visitor and someone trying to live the experience like a local. I asked my audience what I should do, and they suggested visiting Al-Matariya and Al-Muizz. The first place we went to was Al-Matariya.
It was an amazing experience, and the most beautiful thing was the generosity of the people. The idea that people welcome you into their homes, even if they do not know you, and insist that you eat with them during Iftar is something you cannot truly believe until you witness it yourself.
One of the most touching things I saw there, as a human being, was that generosity. Some people who follow me on social media recognised me. I spent time greeting them and taking photos. It felt wonderful to be among friends and loved ones. When I shared the experience, it went viral, not only among Egyptians but around the world, including people who had attended the Al-Matariya Iftar before and others who were eager to experience it themselves.
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We saw you in the video standing on a balcony among the people in Al-Matariya. What were the behind-the-scenes moments like? How did you feel about people&rsquo;s reactions?
From the moment I arrived in Al-Matariya, we were coordinating with the organisers. Some people were not sure what exactly was going to happen. I even brought the instrument I usually play when performing on the streets, but the setup did not really allow for a place to stand and sing.
I could not immediately see what the organisers had planned. They took me to several balconies and rooftops. On one rooftop, I even met people from Indonesia and Turkey. People from all over the world had come to witness this experience. Honestly, I trusted the organisers completely in Al-Matariya, and they showed me everything happening around us.&nbsp;
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You are known for your love of Egypt, and you previously shot &ldquo;Ma Tegy Sekka&rdquo; in Al-Korba. What is your favourite place in Egypt that gives you a different kind of energy?
Al-Korba is very special to me because I filmed a song there. I have a deep love for it, and I cannot describe how challenging it was to bring out pianos, play them in the streets, and take photos with people.
Working with Asmaa Abulyazeid was also a great choice because she is a very loved person. It was the energy of Al-Korba combined with her energy. I also love Old Cairo, Downtown, and Zamalek. Personally, I spend time in Maadi. People who know Egypt from old films often look for that classic image of Egypt there.
I also have a special love for Alexandria because of its audience, and I personally love Dahab as well.
&ldquo;Ma Fi Minnk&rdquo; is one of your most famous songs. Can you share its behind-the-scenes story? Did you expect its huge success?
I can talk about two parts. First, while I was writing the song, I was already addicted to it even before finishing the lyrics. Once the melody came out, I knew I loved it and wanted to release it for the whole world to hear. I used to walk around backstage among musicians and play it for them repeatedly. One day, I will never forget when Yazan Rousan, one of the founders of Autostrad, told me, &ldquo;Please go and record it.&rdquo;
The second part is that we wanted to produce a professional studio version, and we did, but I felt it lost something because I was used to singing it among people. So I suggested recording it in the streets to see whether people would feel the same positive emotion I feel when singing it.
That theory worked, even with multilingual audiences, because the lyrics were not the main factor in the song&rsquo;s success. We shot the video in Istanbul from morning until night. It was exhausting, but we barely felt the fatigue because we were focused on conveying the feeling. That day, I sang the song about 120 times, and each time I enjoyed it. It proved that an artist can deliver emotion to the audience beyond studio recordings and playback.
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In your new songs &ldquo;Ma Tegy Sekka&rdquo; and &ldquo;Shaifa Eih&rdquo;, you again involve your fans. What drives you to include them in your work? Any behind-the-scenes moments they might not know about?
I always try, with every song or project, to involve young communities. I have always liked transforming artistic work into a project that can involve as many talented people or fans as possible.
For &ldquo;Ma Tegy Sekka&rdquo;, we launched the idea on Instagram for fans to join us. They stayed with us until 10 pm, and another group arrived at 9 am and stayed until 11 am. The shoot itself went from 10 pm until noon the following day. It was exhausting because once it ended, I had to go home, pack, and travel to Jordan on the same day.
For &ldquo;Shaifa Eih&rdquo; in Beirut, we did the same thing. One of the most memorable moments happened after a long day when we were all exhausted and trying to hold ourselves together. One fan looked at me and said, &ldquo;I understand how much we love you.&rdquo; I replied, &ldquo;Yes, you understood.&rdquo; That was the first time I truly felt that my audience was not just following songs as a trend. They genuinely make an effort, and I am very grateful for that.
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You recently released the duet &ldquo;Lolaki&rdquo; with Joseph Attieh. How did this collaboration come about?
Initially, there were discussions between Joseph Attieh&rsquo;s manager and me about working together. I have always admired Joseph&rsquo;s voice. It is powerful, and he is also a very fun and light-hearted person. I wanted to collaborate with him separately from other projects.
One day, I was listening to the original &ldquo;Lolaki&rdquo; and felt inspired to create something new from it. Of course, obtaining the rights was complicated. The real challenge was convincing the composer to allow a different version of the song.
At one point, we even filmed the video before the final agreement was in place, which made the process complicated. After releasing the song, the composer eventually agreed that the idea was good.
Soon you will hear a new version of &ldquo;Lolaki&rdquo;, where I can finally sing &ldquo;Lola, Lola, Lola&rdquo;. That was the biggest challenge because we were not sure we could include that phrase due to production constraints and rights issues. Thankfully, it was approved, and the song will soon be heard in a fresh voice and style.
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You have performed some songs with a new spirit. Will we see you reinterpreting older songs in the future?
I have done several experiments before, such as performing &ldquo;An Jadd&rdquo; by Ragheb Alama and &ldquo;Gany&rdquo; by Hakim. I enjoy taking a song and presenting it in a different way.
My university specialisation was music composition. Over the years, I have worked in composition, arrangement, and soundtracks. I enjoy transforming melodies, for example turning a popular song into a piano version or reinterpreting a Cairokee song on the guitar. I simply enjoy experimenting and interacting with other artists&rsquo; work.
Your songs often take listeners on different emotional journeys. How do you reflect those feelings in your music?
Feeling, in general, is about taste. Whether someone is building something, cooking, or simply living everyday life, there is always art and taste involved. I search for the first thing that moves me emotionally. I believe others who share similar feelings will connect with it in the same way.
I try to leave space for listeners to imagine their own images while listening, depending on their mood. The idea is always to maintain good taste in what I choose to share.
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Your music has a unique style mixing pop with Eastern vibes. How did you create this identity?
I never tried to create an identity deliberately; it comes naturally. Everyone is influenced by Western and Eastern music, jazz, and rock. I grew up in Tunisia, lived in America, the southern US, and Jordan. I was part of the underground music scene, and in the last five years in Egypt, I learned the Egyptian musical vibe. An artist searching for identity all the time can get lost. Identity comes from life experience, and music reflects it.
After visiting Al-Matariya and your love for Egypt, could we see a full song inspired by Egyptian streets or culture?
This is what I aim for. In my career, I try to reflect the place I&rsquo;m in. Some of my songs already reflect Egyptian music, like &ldquo;Ahla Wahda&rdquo; (lyrics by Menna Elkiey), &ldquo;Miganinani&rdquo; (lyrics by Mohamed El-Shafie), and &ldquo;Ma Tegy Sekka&rdquo; (lyrics by Mohamed Bahiri). I love authentically making collaborations like this. I don&rsquo;t like it when someone comes from outside Egypt, hasn&rsquo;t lived there, hasn&rsquo;t experienced places like Alexandria, Aswan, or Damietta, and hasn&rsquo;t felt the Nile, and then tries to sing Egyptian music. I&rsquo;ve immersed myself in the culture, even experiencing the Nile in Aswan firsthand. My philosophy is that anyone who wants to sing Egyptian music must live it; only then can they capture the authentic sound of Egypt. That&rsquo;s what I&rsquo;m doing now.
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Many artists only do concerts, but you perform on the streets and with fans. Is this part of your philosophy that music must be close to the people?
Yes. Concerts are important for income, but I feel emptiness when I&rsquo;m far from fans. Going into the streets allows me to see how people interact with music, hear their stories, and write songs inspired by them. It&rsquo;s one of the richest experiences in life.
If you were to choose a song representing your personality, which one would it be?
All my songs collectively reflect my identity, and I&rsquo;m still discovering myself through them. For example, I have a song that wasn&rsquo;t very popular called &ldquo;The Beginning of the End.&rdquo; It tells the story of someone who hears a voice saying the Earth is about to end, literally. When I wrote the song, I was just entertaining myself, writing about the end of the world, and while writing it I felt distant but convinced I was writing about the idea of the world ending. Four years later, I realised that what I was really expressing was my desire to leave Jordan and move to America to start my future over. This was more than ten years ago. Thankfully, now I&rsquo;m happy in my Arab homeland, but at that time I wanted to leave Jordan and immigrate to the U.S., and I did. Three years later, I discovered the song wasn&rsquo;t about the end of the world; it was about the feeling of leaving my country, which at the time almost felt like the end of the world. Sometimes, an artist writes a song and only later realises why they wrote it.
What new works or collaborations are you preparing? Any upcoming collaborations with Egyptian artists?
Several songs and collaborations are in progress. Recently, I worked with Houda, merging our styles. There&rsquo;s also a collaboration with Anthony from Adonis in Lebanon, and with Ghaliaa. This year is about collaborations.
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I&rsquo;m also launching new children&rsquo;s content on the &ldquo;Batatis&rdquo; channel, including songs and a puppet show featuring celebrities like Sarah Abdelrahman, Youssef Hashish, Youssef Gabriel, and Ola Roshdy. We&rsquo;ve been preparing this for two years, and I&rsquo;m very excited.
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If you could go back to the start of your career, what advice would you give your younger self?
I wouldn&rsquo;t change anything because the lessons from failure made me strong and capable. But I&rsquo;d advise any new artist to embrace failure quickly, release projects without waiting for perfection, and learn from mistakes. The sooner you fail, the faster you understand the elements of success.
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Photo Credit: Aziz Marak's official page&nbsp;

Exclusive | Aziz Maraka on Music, Egypt, and The Stories Behind His Biggest Hits

Nile FM Exclusive  

More than 40 years after it first captured audiences, the song &ldquo;Wallah We Leab El Hawa&rdquo; has returned to the spotlight through the television series "Hiya Chemya." Performed by singer and actor Mohamed Diab, the track forms part of the celebrated repertoire of Ahmed Adaweyah, one of the defining voices of Egypt&rsquo;s popular music scene.
The decision to revive the song has resonated with viewers, many of whom associate it with Adaweyah&rsquo;s rise in the 1970s and 1980s and his role in shaping the shaabi genre. The track previously featured in the 1984 film "Yarab Walad," helping to cement its place in Egypt&rsquo;s cultural memory. Its reappearance in a contemporary drama introduces the song to younger audiences while rekindling nostalgia among older listeners.
"Hiya Chemya" blends comedy and drama, centring on family relationships tested by sudden and unexpected events. Diab&rsquo;s character finds his life unsettled when a long-lost relative appears at a funeral before mysteriously disappearing, setting off a chain of complications that challenge personal and familial stability. Within this narrative, the revival of a well-known classic underscores the series&rsquo; broader theme: the way the past can intrude upon, and reshape, the present.
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The cast includes Mostafa Gharieb, Mariam El Gendy, Mimi Gamal, and Farah Youssef, with the production drawing attention for its integration of music into the storyline. By reintroducing one of Adaweya&rsquo;s most recognisable songs, the series demonstrates how contemporary drama can reinterpret cultural heritage without detaching it from its original context.
In revisiting a track that first gained prominence more than four decades ago, "Hiya Chemya" reflects a wider trend in Egyptian television: a renewed engagement with the country&rsquo;s artistic legacy, presented in forms designed to speak to new generations.
Photo Credit: MBC Shahid's official page

Four Decades On, Mohamed Diab Reintroduces Ahmed Adaweyah Classic in "Hiya Chemya"

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

Beats

Nesma Mostafa, Head of MENA Higher Education Insights and Student Mobility at the British Council, joined Rob and Sally on &ldquo;The Big Fast&rdquo; this Tuesday to discuss the evolving landscape of higher education in Egypt and the MENA region. Airing from 8 to 10 AM, the conversation explored international collaboration, student mobility, and the benefits of transnational education for learners seeking global opportunities without leaving home.
Defining Herself as an Educator
Nesma shared her personal perspective on her role: &ldquo;So I&rsquo;m at the British Council, but how I define myself is as an educator, an education researcher. I&rsquo;ve been working in higher education for 15 years, which technically means research around higher education opportunities within the region, with the aim of informing the UK sector of these opportunities and then bridging, making connections, and building these relationships between the UK, Egypt, and beyond.&rdquo;
When asked why education is such a passion, she said, &ldquo;I&rsquo;ve always been a lifelong learner. Education is at the core of development, supporting people to find what they&rsquo;re meant to do and helping nations meet their goals. Knowledge is power, regardless of where it comes from.&rdquo;
What is Transnational Education?
The discussion then turned to transnational education (TNE). Nesma explained: &ldquo;Transnational education is when a university in one country offers a programme or a degree in another country, physically moving to meet students where they are. Instead of Egyptian students travelling to get a degree in the UK, the UK institution comes to Egypt and delivers that in-country through different models.&rdquo;
She highlighted the accessibility of this model: &ldquo;This increases access to international education for students who can&rsquo;t travel for personal, family, or financial reasons. You get the benefits of an international degree without ever having to leave home.&rdquo;
Models of Transnational Education
On international branch campuses: &ldquo;This is one of the independent models of transnational education where a university expands to a new country, offering the same programmes and teaching methods, and bringing its expertise into a new context. Students graduate with one international degree that is very similar to what they would receive if they studied abroad.&rdquo;
On joint degrees: &ldquo;Joint degrees are when two universities come together to develop a programme. You have international expertise alongside local knowledge, creating something relevant to students and their context. It&rsquo;s co-created, combining the strengths of both institutions into one degree accredited by both.&rdquo;
On digital learning: &ldquo;This could be fully online learning, where you&rsquo;re in Egypt studying at a university abroad, which is still transnational education. There are also blended models combining online and face-to-face learning, usually involving a local partner and an international partner. The international side may develop the virtual learning environment and resources, while local expertise ensures the content is contextualised. Exams, for example, may take place in Egypt, even if systems are hosted abroad.&rdquo;
Why Egypt is a Key Destination
Egypt has become the fourth-largest host country globally for UK transnational education programmes, with around 38,000 students enrolled. Nesma explained the appeal: &ldquo;Egypt has 3.8 million students in higher education, expected to grow to 5 million by 2030. There&rsquo;s strong demand, and universities in Egypt are keen to partner with international counterparts. Students trust UK institutions, and government strategies highlight internationalisation as a priority.&rdquo;
The Benefits for Students
The advantages extend beyond studying locally. Nesma highlighted global recognition and employability: &ldquo;You get a degree that can be used anywhere in the world without needing revalidation. Students also develop critical thinking, leadership, communication, and intercultural skills that are highly valued by employers.&rdquo;
She also emphasised the British Council&rsquo;s role: &ldquo;We work with governments, institutions, and learners. We help ensure supportive regulations, bring stakeholders together through networking, and guide students on accessing opportunities. Everything we do is research-driven to continuously improve partnerships.&rdquo;
Regional Collaboration through Deep Dialogues
Nesma discussed the recent regional Deep Dialogue in Cairo: &ldquo;Participants from 11 countries came together to learn from different models of transnational education. Mature ecosystems like Egypt shared insights with countries still developing their frameworks. We discussed regulation, quality assurance, and engaged directly with students to understand their experiences.&rdquo;
She added, &ldquo;These dialogues build a community of practice. Connections continue beyond the event, creating sustainable networks that support education across the region.&rdquo;
Looking Ahead
Nesma concluded with a forward-looking perspective: &ldquo;Successful models in more developed systems can help guide countries in earlier stages. At its core, this is about improving education, expanding opportunities, and empowering students to reach their potential while contributing to society. The British Council plays a key role in building the connections, understanding, and trust needed to make this ecosystem sustainable.&rdquo;
&nbsp;

Nesma Mostafa on Transnational Education: Bringing Global Degrees Closer to Egyptian Students

By: Yomna Walid
Alexandria-born DJ and producer Rafik Salama, known professionally as DJ Roofy&rsquo;s, has been named NileFM&rsquo;s DJ of the Week, , a recognition that highlights a steadily evolving career rooted in passion and persistence.
Roofy&rsquo;s began his musical journey at the age of eight, first picking up a guitar before later gravitating towards electronic music and DJing. What started as a personal passion soon evolved into a professional pursuit, driven by what he describes as music&rsquo;s power to connect people.
Based in Alexandria, Roofy&rsquo;s went on to study sound design, refining a style that blends high-energy rhythms with narrative-driven sets. His performances are known for their emotional intensity, aiming not just to move dance floors but to tell stories through sound.
In a conversation with NileFM, Roofy&rsquo;s reflected on the challenges of carving out a space in the music industry, the discipline required to turn passion into a profession, and the creative vision that continues to shape his work.
Let&rsquo;s start from the beginning. Who is Rafik Salama beyond the DJ booth? I&rsquo;m Rafik Salama, a musician at heart. I fell in love with music at the age of eight when I started playing guitar, that&rsquo;s where I first understood how powerful sound and emotion can be. In my 20&rsquo;s, I discovered house music, and it instantly connected with me. The energy, the groove, the feeling, it made me realize I didn&rsquo;t just want to listen to music, I wanted to create moments with it. That&rsquo;s when I decided to become a DJ and follow this path seriously.
<a href="https://ibb.co/zp1nvYv"><img src="https://i.ibb.co/DhNV2y2/1.png" alt="1" border="0" /></a> What inspired you to become a DJ? Was there a specific moment, artist, or experience that pushed you toward this path? It wasn&rsquo;t one single moment. It was a feeling. The first time I saw how a DJ could control the entire mood of a room. How one transition could change hundreds of people&rsquo;s emotions at once, that power fascinated me. House music especially made me feel something spiritual. It wasn&rsquo;t just beats; it was connection. Why did you choose the stage name DJ Roofy&rsquo;s, and what does it represent for you? That was always my nickname in middle school, and I think it&rsquo;s very catchy, and no one in the scene got this name, so definitely that was my choice; people these days don&rsquo;t know my real name. How did you feel when you were named NileFM&rsquo;s DJ of the Week? What does this recognition mean to you at this stage of your journey? It honestly felt exciting. NileFM is a big name radio station, so the opportunity meant a lot to me. It pushed me to say, Let&rsquo;s do it! Your music often feels emotional and deeply connected to the listener. How do you create sets that resonate with the soul? I don&rsquo;t just mix tracks. I build journeys If I don&rsquo;t feel goosebumps while preparing a transition, I won&rsquo;t play it. Energy first, technique second!
<a href="https://ibb.co/C5Ws8cWV"><img src="https://i.ibb.co/xS38Lk3z/2.png" alt="2" border="0" /></a> Every creative journey comes with obstacles. What have been the biggest challenges you&rsquo;ve faced as a DJ, and how did you overcome them? Definitely one of the biggest challenges was getting recognized in Egypt, specifically in Cairo. Promoters here often believe in DJs who already bring a big crowd, whether they play good music or not. Being born and raised in Alexandria made it even more challenging for me to build a following in Cairo. It&rsquo;s not just about talent here; it&rsquo;s about visibility, connections, and proving yourself over and over again. But that challenge pushed me to work harder, stay consistent, and let the music speak until people started listening. Many people see DJing as a passion project before it becomes a career. When did you realize this wasn&rsquo;t just a hobby but your true profession? The moment I realized I was thinking about music 24/7. When gigs weren&rsquo;t &ldquo;fun nights&rdquo; anymore, they were responsibilities. When I started investing in my craft seriously, equipment, branding, and networking. That&rsquo;s when it became a profession. Walk us through your creative process. How do you prepare your set before going live or performing for a crowd? Before going live, I don&rsquo;t really deal with fear; performing has never been intimidating for me. As a guitarist, I&rsquo;ve played in front of crowds of over 1,000 people, so being on stage feels natural. When I transitioned into DJing, mixing itself felt easy. What matters more to me isn&rsquo;t the technical side; it&rsquo;s the energy. I focus on reading the crowd, building a journey, and creating moments that people will remember. What can the NileFM audience expect from your sound? Any surprises you&rsquo;re planning for listeners? NileFM should expect a fresh set, which I really recorded with passion and heart dancing. The music industry is constantly evolving. How do you stay fresh and continue developing your style while keeping your signature identity? I listen outside my genre. I study sound design. I watch how global DJs evolve. But I always ask! Does this still sound like Roofy&rsquo;s? If the answer is no, I don&rsquo;t play it. Finally, what advice would you give to aspiring DJs who want to turn their love for music into a successful career? Don&rsquo;t chase fame; chase skill. Don&rsquo;t copy trends; build identity. And most importantly, learn to read energy, not just BPM. The crowd doesn&rsquo;t remember transitions. They remember how you made them feel.
<a href="https://ibb.co/8gTrHdK3"><img src="https://i.ibb.co/MkWcmG2T/3.png" alt="3" border="0" /></a> Photo Credit: Roofy&rsquo;s official page
&nbsp;

Exclusive | DJ Roofy’s on Music, Persistence and Being Named NileFM’s DJ of The Week

The final putt has dropped, the leaderboard is set, and the excitement that filled Madinaty Golf Club has reached its grand conclusion. After days of intense competition and standout performances, Juan Salama emerged victorious, securing the title at the last leg of the MENA Golf Tour.
Golf fans and players gathered to witness a tournament defined by precision, focus, and remarkable sportsmanship. From powerful drives to nerve-steadying putts, the course challenged competitors while delivering unforgettable moments for spectators.
Salama&rsquo;s performance stood out among a field of talented golfers, reflecting consistency and determination throughout the tournament. His win marks a fitting finale to a thrilling leg that showcased the rising level of competition on the MENA Golf Tour.
The event brought together great players from across the region and beyond, transforming Madinaty Golf Club into a vibrant stage for world-class golf. As the tournament wrapped up, it left behind not only a champion but also lasting memories of exceptional talent and inspiring play.
Salama&rsquo;s victory brought the final leg of the MENA Golf Tour to a close, rounding off a tournament marked by strong performances and high-level competition.

Juan Salama Claims Victory at The Final Leg of The MENA Golf Tour in Madinaty

By: Yomna Walid&nbsp;
Music has the power to alter mood in an instant. Creating an experience that listeners can fully inhabit, however, is a more elusive skill; one that only a handful of artists&nbsp;master. This Thursday at 10:00 pm, NileFM&rsquo;s DJ of the Week welcomes Joe Noise, the Egyptian DJ and curator known for his emotionally driven blend of melodic techno and progressive trance. His sound is designed to move people, not just physically, but emotionally. Joe Noise&rsquo;s passion for DJing was sparked by watching how people react to music and fully lose themselves in it. That moment made him realize that sharing emotion and creating impact through sound was his true purpose. NileFM goes behind the decks with Joe Noise for a one-hour set that promises to linger long after it ends, a cinematic experience where listeners feel part of the story and the heroes of it. 1. For listeners discovering you for the first time, who is Joe Noise? And how did your journey behind the decks begin? Joe Noise is an Egyptian DJ and curator focused on melodic techno, progressive trance, and emotionally driven electronic music. My journey started from pure passion. I was always deeply connected to music, not just listening to it but analyzing it, understanding its structure and emotion. That curiosity pushed me behind the decks. What began as a personal exploration evolved into performing at venues like Kanji and launching projects like DeepWave and TranceMission, where the goal has always been to create a musical journey rather than just play tracks.
<a href="https://ibb.co/C5hsXpyQ"><img src="https://i.ibb.co/zhGHLWgZ/1-36.png" alt="1-36" border="0" /></a> 2. Did DJing start as a passion, or was it always a career ambition? Was there a defining moment when you knew this was the path for you? It started as a passion, completely. There was no business plan in the beginning, just an obsession with sound and atmosphere. The defining moment came when I saw how people reacted to a set I played, watching strangers connect, forget their worries, and fully surrender to the music. That was when I realized this isn&rsquo;t just something I enjoy; it&rsquo;s something I&rsquo;m meant to do. From that point forward, I treated it seriously, investing in my craft, building my identity, and shaping my own platforms. 3. Your sound is often described as emotionally rich. How do you channel feeling into a live set and build that connection with a crowd? For me, emotion often starts with vocals. I&rsquo;m very selective about the vocal tracks I play, whether it&rsquo;s trance or melodic techno with subtle, haunting phrases. The voice carries vulnerability, and that creates an instant human connection. I build my sets like emotional waves. I start with atmosphere, then introduce vocals at the right moment to create a memory. I think in chapters, tension and release, depth and light, carefully aligning melodies, harmonics, and breakdowns so the journey feels natural and progressive. It&rsquo;s not just about energy. It&rsquo;s about intention and storytelling. When the crowd closes their eyes, sings along, or feels goosebumps, that&rsquo;s when you know the connection is real. 4. You&rsquo;re closely associated with trance and melodic techno. What first drew you to these genres, and how do they reflect who you are as an artist? Trance was my foundation. Producers like Paul van Dyk, Armin van Buuren, Ferry Corsten, Markus Schulz, and Alexander Popov taught me what emotional build-up truly means. Their music isn&rsquo;t just energetic, it&rsquo;s spiritual, uplifting, and powerful. Trance gave me discipline in structure and melody. Melodic techno later gave me space. It expanded my sonic palette, deeper atmospheres, darker textures, longer transitions. It allows me to blend emotional vocals with hypnotic grooves and gives me a wider range to take the audience on different journeys within the same set. Now, my sound sits between those worlds, emotional trance energy with cinematic melodic techno depth. 5. Projects like DeepWave and TranceMission feel immersive, almost cinematic. How do you approach crafting a musical journey rather than simply selecting tracks? When I craft DeepWave or TranceMission, I approach them as storytelling experiences. I select tracks not based on popularity, but on key, mood, vocal presence, and emotional weight, making sure every transition feels natural, especially when blending trance with melodic techno. TranceMission leans more into trance and melodic techno, focusing on emotional build-ups, powerful vocals, and uplifting climaxes. DeepWave, on the other hand, is where I explore wider realms, blending deep trance, house, tech, afro influences, and deep melodic sounds, all connected through melodic tension and atmosphere. Both projects are structured like a film, intro, build-up, peak, reflection, and resolution, designed to give the audience not just energy, but a complete journey. 6. Every artist faces challenges along the way. What have been some of the toughest moments in your journey, and how have they shaped your sound or mindset? I started playing back in 2010 and stayed deeply committed to trance until around 2015. It was my foundation and the sound that shaped me as an artist. But at one point, I decided to step away. Still, I couldn&rsquo;t stay away from music for long; it&rsquo;s part of who I am. That time away actually gave me perspective. When I came back, it was with a different mindset. I began exploring wider musical realms, melodic techno, deeper progressive sounds, and different textures, blending them with the trance foundation I&rsquo;ve always loved. One of the toughest lessons was learning to evolve without losing authenticity. Instead of chasing trends, I chose growth. That journey shaped my identity and allowed me to return stronger, offering audiences a more refined and dynamic experience. <a href="https://ibb.co/fYdDsrpD"><img src="https://i.ibb.co/LzdN39tN/2-23.png" alt="2-23" border="0" /></a> 7. You&rsquo;ve recently been named NileFM&rsquo;s DJ of the Week, a significant milestone. What does that recognition mean to you at this point in your career? It&rsquo;s truly an honor. I&rsquo;ve been a huge fan of NileFM since the beginning. I&rsquo;ve always respected how the station gives artists a platform to shine. Seeing that growing up made me ambitious, so being chosen as DJ of the Week feels very meaningful. It validates years of consistency and dedication to my sound. At this stage in my career, it feels like momentum, a sign that what I&rsquo;m building through DeepWave, TranceMission, and my curated events is resonating beyond the club scene. It motivates me to keep evolving and raising the standard even further. 8. When you&rsquo;re preparing a set, how much is planned in advance, and how much is shaped by the energy in the room? How do you balance structure with spontaneity? When preparing DeepWave and TranceMission, track selection is both the hardest and the most exciting part. Choosing the right vocals, melodies, and energy levels to shape a journey requires precision and instinct. The right vocal at the right moment can define the entire experience, and that challenge keeps me constantly inspired to build new sets. I create a structured backbone, focusing on key transitions, emotional flow, and energy mapping, but I never lock myself into a rigid playlist. That preparation strengthens my live performances, giving me confidence and direction. 9. For aspiring DJs listening right now, what advice would you give on breaking into the scene and developing a distinctive sound? Focus on identity before popularity. Learn your craft deeply, mixing, phrasing, and harmonic transitions, but also ask yourself: what do you want people to feel when they hear your name? Don&rsquo;t rush visibility. Build taste, build discipline, build patience. Trends fade; identity lasts.
<a href="https://ibb.co/My15LK2y"><img src="https://i.ibb.co/20MYBRn0/3-78.png" alt="3-78" border="0" /></a> 10. And finally, what can listeners expect from your DJ of the Week set today? Any surprises we should be listening out for? Listeners can expect a journey that reflects both my trance roots and my melodic evolution. There will be emotionally powerful melodies combined with deeper melodic techno atmospheres that create tension and space. The set will feature tracks from artists such as Andrew Rayel, Ferry Corsten, Alexander Popov, MORTEN &amp; David Guetta, blending uplifting energy with modern melodic intensity. You&rsquo;ll hear carefully selected vocal moments, progressive builds, and unexpected transitions that connect different eras of electronic music into one cohesive story. It&rsquo;s a set designed to make you feel something, not just dance. Photo Credit: Joe Noise&rsquo;s official page

Exclusive | Meet Joe Noise: NileFM’s DJ of The Week Bringing Melodic Techno to Life

Nile FM's Guests

Egypt&rsquo;s athletes continued to impress on the international stage, with Mohamed Elsayed securing bronze in the &eacute;p&eacute;e at the Fencing World Cup in Kazakhstan, while the nation&rsquo;s judokas captured multiple medals at the African Open Championship in Senegal.
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Sports Minister Gohar Nabil congratulated Elsayed and the Egyptian Fencing Federation, led by Tarek El Husseiny, praising the performance as a sign of the growing strength of Egyptian fencing.
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In judo, Ali El Ramly and Dalida El Gharbawy each claimed gold, while Yasmin Mohamed earned silver, all bolstering their bids for qualification to the Dakar 2026 Summer Youth Olympics. Nabil highlighted these results as evidence of the continued progress of Egyptian sport, attributing success to the athletes&rsquo; dedication and the support provided to national teams.
Photo Credit: Mohamed Elsayed's official page&nbsp;

Egypt Shines Abroad as Mohamed Elsayed Wins Fencing Bronze and Judo Athletes Claim Golds in Senegal

The US dollar rose against the Egyptian pound on Sunday, 29 March 2026, according to the latest figures from the National Bank of Egypt (NBE). The dollar traded at EGP 53.44, up from EGP 52.69 in the previous session, reflecting a slight depreciation of the Egyptian pound. The move comes amid relatively subdued activity in the foreign exchange market.
<a href="https://ibb.co/4gS78w7v"><img src="https://i.ibb.co/mFyG9rGZ/Egypt-Weather-2026-03-29-T111143-078.png" alt="Egypt-Weather-2026-03-29-T111143-078" border="0" /></a> Photo Credit: Freepik

Exchange Rates | Dollar Rises to EGP 53.44 as Egyptian Pound Weakens — 29 March

Egypt is set to experience warm to hot conditions during the day across most areas, turning cold at night on Sunday, 29 March 2026, according to the Egyptian Meteorological Authority (EMA). Meanwhile, rainy clouds continue over eastern and southern Cairo, the Suez Canal cities, the Gulf of Suez, parts of Sinai, and northern Upper Egypt. Rainy clouds are also beginning to push into parts of the northwestern coast and the northern Nile Delta region. Variable-intensity rainfall is expected to accompany these clouds as the day progresses. EMA also noted that rainfall may turn heavy at times over parts of the North Coast, Lower Egypt, and the Suez Canal cities, with approximately a 20% chance of heavy rain in some areas. Moderate to light rain is also possible at intervals across parts of Sinai, Greater Cairo, northern Upper Egypt, and the Western Desert. Strong wind activity is expected across most of the country, potentially stirring up sand and dust in parts of central and southern Upper Egypt and the northern Red Sea Governorate.
<a href="https://ibb.co/nM79DDhV"><img src="https://i.ibb.co/tpqgbbyN/Egypt-Weather-2026-03-29-T085005-044.png" alt="Egypt-Weather-2026-03-29-T085005-044" border="0" /></a> Photo Credit: Freepik

Egypt Weather | Heavy Rain, Strong Winds Hit Cairo and Suez Canal Cities – 29 March

Authorities in Cairo and Giza suspended school operations across both governorates on Sunday, citing deteriorating weather conditions and prioritizing student safety amid a wave of unstable weather sweeping the country.
Cairo Governor Dr. Ibrahim Saber announced that all schools in the capital would remain closed for the day, granting a full holiday for students, teachers, and administrative staff.
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In Giza, Governor Dr. Ahmed Al-Ansari issued a similar directive, ordering a one-day suspension of classes across all schools in the governorate. The decision followed ongoing monitoring of reports from the Egyptian Meteorological Authority, which warned of unsettled conditions, including intermittent rainfall and strong winds; factors likely to disrupt the school day and pose safety risks.
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Al-Ansari added that all executive bodies remain on high alert through the National Emergency and Public Safety Network&rsquo;s control center, ensuring continuous monitoring and rapid response to any weather-related incidents.
He also directed maximum readiness across districts, cities, and administrative centers, in coordination with utility services, particularly the drinking water and sewage authority. Water-pumping vehicles and essential equipment have been deployed to swiftly address rainwater accumulation on streets and public areas.
Photo Credit: Freepik

Cairo, Giza Schools Closed as Severe Weather Hits Egypt’s Capital Region

Egypt recorded two deaths and two injuries on Thursday as severe weather swept across the country, with the Health Ministry reporting the situation remains stable nationwide and emergency teams on full alert.
According to a statement from the Health Ministry, Health Minister Khaled Abdel Ghaffar was briefed by the Egyptian Ambulance Authority on the health impact of the storm as Egypt entered its first day of unstable conditions.
The ministry credited the low casualty numbers to the public&rsquo;s responsible response to prior warnings, saying citizen awareness was key in preventing a surge in weather-related incidents.
Spokesman Hossam Abdel Ghaffar commended ambulance and emergency teams for staying on continuous alert throughout the day and responding promptly to every reported case. The ministry pledged to maintain close coordination with relevant agencies and keep all medical teams at peak readiness for the remainder of the weather event.
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Residents were urged to dress warmly in waterproof, layered clothing and to limit time outdoors during peak wind and rain. Wet clothes should be changed immediately, and windows and doors kept tightly closed. Those venturing outside were advised to wear a mask and wash their face and eyes thoroughly upon returning home.
Vulnerable groups, including children, the elderly, and people with respiratory or heart conditions, were advised to follow prescribed medication, avoid physical exertion, and drink warm fluids regularly. The public was also warned to avoid flooded areas, lamp posts, trees, and metal structures during strong winds.
For emergencies, the Health Ministry&rsquo;s crisis hotline can be reached on 137 and the Ambulance Authority on 123.
Photo Credit: The Ministry of Health and Population of Egypt&rsquo;s official page

Egypt Health Ministry Reports Minimal Casualties as Severe Weather Hits

The US dollar rose against the Egyptian pound on Thursday, 26 March 2026, according to the latest figures from the National Bank of Egypt (NBE).
The dollar traded at EGP 52.69, up from EGP 52.63 in the previous session, reflecting a slight depreciation of the Egyptian pound.
The move comes amid relatively subdued activity in the foreign exchange market.
<a href="https://ibb.co/6Rwmqn6f"><img src="https://i.ibb.co/N6CsGVwH/Egypt-Weather-37.png" alt="Egypt-Weather-37" border="0" /></a>
Photo Credit: Freepik&nbsp;
&nbsp;

Exchange Rates | Dollar Extends Gains Against Egyptian Pound, Hits EGP 52.69 — 26 March

Egypt is set to witness moderate rainfall across scattered areas of the northern coast, northern Lower Egypt, North Sinai, the Gulf of Suez, and the northern Red Sea governorate on Thursday, 26 March, according to the Egyptian Meteorological Authority (EMA).
Rain may be heavy at times and accompanied by thunderstorms in some areas, particularly along the northeastern coast, before gradually decreasing in intensity during the day.
Light to moderate rain is also forecast in parts of southern Lower Egypt, Greater Cairo, the Suez Canal cities, central and southern Sinai, and northern Upper Egypt, with conditions expected to ease as the day progresses. Light rain is additionally anticipated in parts of central and southern Upper Egypt, as well as the southern Red Sea governorate.
Winds are expected to be active across most regions, with speeds ranging between 30 and 50 km/h. These winds will intensify the cold conditions and may trigger sand and dust storms, with visibility potentially dropping below 1,000 metres in parts of the Western Desert, southern Upper Egypt, and the Red Sea governorate.
The EMA has also issued a thunderstorm warning, indicating an approximately 30% probability of associated hazards, including strong downdraft winds from thunderclouds, lightning strikes, and possible hail in some areas. Residents are advised to avoid standing under trees, billboards, and unstable structures.
Snow is also possible on the high elevations of Saint Catherine in South Sinai.
<a href="https://ibb.co/6cjKwJv2"><img src="https://i.ibb.co/BH0h3K4m/Egypt-Weather-36.png" alt="Egypt-Weather-36" border="0" /></a>
Photo Credit: Freepik&nbsp;

Egypt Weather | Rain, Thunderstorms, And Strong Winds To Hit Multiple Regions – 26 March

Egypt&rsquo;s Cabinet Media Center has said there is no evidence that the country has been affected by any radiation leaks, following reports linked to ongoing regional developments.
In a statement, the centre said it had contacted the Nuclear and Radiological Regulatory Authority (NRRA), which confirmed there had been no increase in radiation background levels anywhere in Egypt.
The authority said it continues to monitor radiation levels around the clock through a nationwide early warning network equipped with advanced detection systems.
It added that it is also tracking the status of nuclear facilities across the region, based on updates from the International Atomic Energy Agency (IAEA).
Officials said coordination is ongoing with relevant national bodies and urged the public to rely on official sources for accurate information.
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Photo Credit: Cabinet of Egypt's official page&nbsp;

Egypt Says No Evidence Of Radiation Risk Amid Regional Concerns

Egypt&rsquo;s Ministry of Transport activated its crisis management room and placed all transport sectors on alert on Wednesday as a wave of bad weather swept across the country, forcing train slowdowns, ferry suspensions, and emergency road deployments, according to an official statement from the ministry.
Transport Minister Engineer Kamel El-Wazir is personally monitoring developments through the ministry&rsquo;s crisis room, receiving continuous updates from the heads of all affiliated transport authorities.
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Metro, Roads, And Waterways
Metro services on all three Cairo lines are operating normally, though precautionary measures have been applied at surface stations on Line 1. The Light Rail Transit (LRT) is running at a reduced top speed of 100 km/h, down from 120 km/h.
Emergency teams have been deployed across roads under the Roads and Bridges Authority, with crews assigned to clear water accumulations and coordinate with traffic police to manage congestion.
All seaports are operating normally. However, river ferry services have been suspended in six governorates; Damietta, Dakahlia, Kafr El Sheikh, Beheira, Menoufia, and Beni Suef, as a public safety precaution.
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Railways
The Egyptian National Railways (ENR) issued a separate statement confirming that train speeds have been reduced across its network in both Upper and Lower Egypt, resulting in delays on several lines. The authority stressed that the delays are outside its control and will continue until weather conditions improve.
&ldquo;These measures come within the framework of full commitment to the safety of passengers and operating crews,&rdquo; ENR said, adding that it is applying all necessary technical and operational measures to keep services running safely. The authority apologised to passengers for any inconvenience caused.
Photo Credit: Egyptian National Railways&rsquo; official page

Egypt’s Transport Ministry Activates Crisis Response As Bad Weather Disrupts Ferry And Rail Services

Top News 
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News

In a moment that marks the end of a defining chapter in modern football, Egyptian superstar Mohamed Salah has officially announced that he will leave Liverpool FC at the end of the current season.
The news came in an emotional video message that left fans around the world saddened, as Salah said: &ldquo;Hello everyone, unfortunately the day has come. This is the first part of my farewell. I will be leaving Liverpool at the end of the season.&rdquo;
Reflecting on his journey with the club, he added: &ldquo;We won the most important trophies, and we fought together through the hardest time in my life. I want to thank everyone who has been part of this club throughout my time here.&rdquo;
The Egyptian forward, a global icon and a model of consistency and excellence, expressed deep gratitude to supporters who stood by him throughout his highs and lows. &ldquo;I don&rsquo;t have enough words. The support you showed me through the best times of my career, and you stood by me in my toughest times. I will never forget.&rdquo;
He continued with a message that captured the emotional weight of his departure: &ldquo;Leaving is never easy. I will always be one of you, and this club will always be home to me and my family. Thank you for everything. Because of all of you, I will never walk alone.&rdquo;
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Since joining Liverpool in 2017, Salah has cemented his place among the club&rsquo;s all-time greats. Over nine remarkable years, he made 435 appearances across all competitions, scoring 255 goals and providing 119 assists; figures that underline his extraordinary impact.
During his time at Anfield, Salah lifted every major trophy available, including two Premier League titles, the UEFA Champions League, the FA Cup, two Carabao Cups, the UEFA Super Cup, and the FIFA Club World Cup.
Despite a season below his own high standards, Salah&rsquo;s legacy remains beyond doubt. His departure will leave a void that many believe cannot be filled, both on and off the pitch.
As fans prepare to say goodbye, attention now turns to cherishing every remaining moment of a player who defined an era at Liverpool.
In his final words, Salah reflected on the bond he built with the club and the city: &ldquo;I never imagined how deeply this club, this city and the people would become part of my life. Liverpool is not just a football club. It is a passion, a history, a spirit. I can&rsquo;t explain it in words.&rdquo;
With his farewell, Anfield prepares to bid goodbye to one of its modern greats, but his legacy will endure for generations to come.
Photo Credit: Mohamed Salah's official page&nbsp;

End of an Era: Mohamed Salah Announces Liverpool Farewell in Emotional Message

The Egyptian national fencing team has returned home as continental champions after securing 42 medals at the African Junior and Youth Championships, held in Senegal from 16 to 21 February.
The delegation was officially received by Minister of Youth and Sports Gohar Nabil, alongside Egyptian Fencing Federation President Tariq Al-Hussaini and mission head Ahmed Samir Al-Maidani, marking the team&rsquo;s first-place finish in the overall standings.
Medal tally
Egypt collected 22 gold, 9 silver, and 11 bronze medals, placing it firmly at the top of the rankings across all youth categories.
Official reaction
Minister Gohar Nabil praised the fencers&rsquo; technical level and competitive spirit, saying the result reflected sustained state investment in sport and long-term preparation programmes implemented by the federation.
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Prospects
He added that fencing remains one of the country&rsquo;s strongest disciplines internationally and expressed confidence that the athletes would continue to perform strongly in forthcoming global competitions.
&nbsp;Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt Tops African Fencing Championships 2026 with 22 Gold Medals

By: Yomna Walid
Camel racing is far from easy. Being a woman and a mother competing in such a demanding sport makes it even more challenging. Nahla Al Kordy has become the first Egyptian woman to participate in camel racing, encouraging Egyptian women not to stop dreaming. She believes that motherhood does not prevent women from achieving their dreams; in fact, it becomes their greatest source of strength and motivation. After training in camel racing for less than two months, Nahla participated in the Open Masters Games Abu Dhabi 2026 on 14 February 2026. NileFM dives deeper with Nahla to learn how her journey began, how she balanced motherhood with her bold decision to become a camel racer, and the details behind stepping into this unique world. Tell us more about Nahla Al Kordy beyond camel racing. Nahla Al Kordy is someone who believes that a person does not have to walk the expected path. I am a mother, an abstract artist, and an athlete, but before any titles, I am a human being with a constant curiosity to discover my true limits. I choose unconventional paths not simply to be different, but because I believe the greatest version of a person is created outside their comfort zone. My personality has been shaped by discipline, passion, perseverance, and a deep faith that a person&rsquo;s true value appears in the moments when they challenge themselves, with God&rsquo;s guidance.
<a href="https://ibb.co/v4JVNjWP"><img src="https://i.ibb.co/0yfm0GLM/1.png" alt="1" border="0" /></a> What drew you to the world of camel racing and pushed you to make such a bold decision? What attracted me was the feeling of awe and respect at the same time. Camel racing is not just a sport; it is a world with its own prestige, history, and rules. The first time I approached camels, I felt I was standing before a force that I needed to learn to communicate with, not control. The decision was not impulsive; it was a response to an inner calling telling me there was an experience I had to live. I do not seek comfort; I seek growth.
<a href="https://ibb.co/zTyNkbmk"><img src="https://i.ibb.co/ksRMd0Gd/2.png" alt="2" border="0" /></a> When did you start training? What was your first time riding a camel like? I began training on January 8, 2026, and my first experience was unforgettable. Sitting on top of a creature of that size, strength, and willpower changes your entire perspective. At first, there was fear, but it quickly transformed into focus. I realized that the relationship between rider and camel is built on trust, not control. What were the toughest challenges you faced during training or preparation? The hardest challenge was not physical; it was mental. Training yourself to accept that you are not in complete control and learning how to be fully present in the moment is not easy. Physically, the training was demanding, especially with the balance and movement required. But the real challenge was building a mindset capable of suffering pressure, fear, and responsibility.
<a href="https://ibb.co/H1ZR75n"><img src="https://i.ibb.co/2mJRqGg/3.png" alt="3" border="0" /></a> As the first Egyptian woman to take on this experience, did you feel extra responsibility or pressure? Absolutely. When you represent your country, it shifts from being a personal experience to something much bigger. But I chose to see it as an honor, not pressure. I am not only representing myself; I also represent the idea that Egyptian women are capable of entering any field, no matter how unconventional. How did your family and friends react when they learned you would participate in camel racing? At first, there was surprise. Some even joked that I was going through a midlife crisis because the decision was unexpected. But the people who truly know me understand that my decisions are always thoughtful, even if they appear bold. Over time, surprise turned into support and pride, and that became a great source of strength for me. How did you balance being a mother of two with preparing for such a demanding race? Motherhood is not an obstacle; it is a source of strength. My children were my greatest motivation. Balance came through discipline, time management, and understanding that pursuing my dream is also a message to them: that a person must be brave enough to live truthfully. I would drop them off at school, begin my training, and return before they did.
<a href="https://ibb.co/JJXVcSG"><img src="https://i.ibb.co/mWQkRP2/4.png" alt="4" border="0" /></a> Before the race, what occupies your mind the most? What excites you? I am excited about the starting moment, the moment when all the training, the silence, and the challenges turn into reality. I am also deeply aware that this is a defining moment, one that marks the beginning of a new chapter in my life. What message would you give to every woman who believes motherhood might stop her from achieving her dreams? Motherhood does not end a woman; it reshapes her. The strength a woman gains when she becomes a mother is incomparable. Your dream does not conflict with your motherhood; it can be an extension of it. Do not let fear convince you that time has passed. Sometimes, the true beginning comes after you become a mother. After this step, do you see yourself continuing in camel racing, or are there other challenges you want to pursue? Camel racing is not the end; it is the beginning. Of course, I aspire to develop as a camel racer and, God willing, achieve winning positions. But I do not see myself tied to one challenge. I am committed to a lifestyle built on continuous growth. I will continue, and I will take on new challenges, because my goal is not to reach a certain point; it is to keep moving forward and discovering what I am capable of becoming.
<a href="https://ibb.co/7JjL3T2H"><img src="https://i.ibb.co/zhQD3LG1/5.png" alt="5" border="0" /></a> Photo Credit: Nahla Al Kordy&rsquo;s official page
&nbsp;

Exclusive | Nahla Al Kordy, The First Egyptian Woman to Participate in Camel Racing, on Motherhood and Breaking Barriers

Tonight at 6:30pm, football fans in Egypt will be glued to screens for a high-profile Premier League encounter between Liverpool and Manchester City. All eyes will be on the Egyptian internationals, Mohamed Salah for Liverpool and Omar Marmoush for Manchester City, both pivotal figures for the national team. Salah, widely regarded as a mentor for younger players, has been a supportive presence for Marmoush throughout his career, adding extra significance to this matchup for Egyptian supporters.
Premier League Spotlights Egyptian Talent
Earlier this week, the Premier League drew attention to Egypt&rsquo;s footballing talent by sharing a photo featuring Salah, Marmoush and Youssef El Sherif. El Sherif is known for his 2009 role in the Egyptian film &lsquo;Al-Alamy&rsquo;, in which he played &lsquo;Malek&rsquo;, a young footballer chasing his dreams. The story struck a chord with many fans, reflecting the journey from local clubs to international stardom. Viewers often draw parallels between the film and the real-life achievements of Salah and Marmoush, highlighting Egypt&rsquo;s growing influence in top European leagues.
The Stakes
Manchester City currently sits second in the Premier League table, seeking to overtake Arsenal at the summit. Liverpool, in sixth, will be eager to climb back into contention. For Egyptian fans, the fixture is more than a battle between elite clubs; it is also a celebration of national talent performing on one of football&rsquo;s biggest stages.
With Salah and Marmoush going head-to-head tonight, supporters can expect a display of skill, determination and pride, with Premier League drama unfolding in real time.
Photo Credit: TotalEnergies Africa Cup of Nations&rsquo; official page

Salah vs Marmoush: Egyptian Stars Shine in Liverpool vs Manchester City Clash

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Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has announced the launch of a nationwide medical and ambulance plan for Eid al-Fitr 2026, aimed at ensuring readiness across the health system during the holiday period.
The ministry said more than 700 government hospitals have increased emergency preparedness, with emergency departments and operating theatres functioning around the clock as travel and public gatherings rise.
Ambulance Services and Rapid Response
The plan includes enhanced deployment by the Egyptian Ambulance Authority, with around 3,000 ambulances operating across governorates and an additional 1,200 vehicles positioned at key locations.
Ambulances have been stationed near main roads, public squares, mosques, Eid prayer areas, parks, and other gathering points. Twenty-seven emergency rooms are linked to a central control centre to enable real-time monitoring and dispatch, while regional officials oversee high-traffic areas.
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Focus on Major Roads
Authorities say priority has been given to major routes, including the coastal road between Damietta and Matrouh, the Cairo-Alexandria desert road, the agricultural road, as well as routes in South Sinai, the Red Sea, and Upper Egypt.
More than 600 fixed and mobile ambulance points have been deployed along these roads to allow rapid response to accidents.
Hospital Preparedness
Hospitals have also increased capacity in emergency and intensive care units. Around 250 facilities have been designated as primary referral centres on highways, supported by 54 rapid response teams for large-scale incidents.
Blood banks have been supplied with an additional 40,000 units, and medical stocks have been reinforced to meet potential demand.
Public Health Measures
The preventive medicine sector has intensified inspections of more than 35,000 food outlets, including sweet shops, restaurants, hotels, parks, and public transport hubs.
Around 1,200 inspection teams have been deployed to monitor compliance with health and safety standards.
Monitoring and Public Guidance
A central operations room will operate круглосуточно to monitor implementation of the plan.
The ministry has also urged the public to follow health guidelines, with the hotline 137 available for medical enquiries and emergency assistance throughout the Eid holiday.
Photo Credit: The Ministry of Health and Population of Egypt&rsquo;s official page

Egypt Rolls Out Nationwide Health and Ambulance Plan for Eid

Every year, as Ramadan approaches, social media platforms are flooded with posts, discussions, and reviews about the season&rsquo;s most popular series. Fans eagerly share their favourite shows, sparking debates that highlight the diversity of tastes among viewers.
A Variety of Genres for Every Taste
Ramadan series dominate online conversations because everyone has their own preferences. Some viewers are drawn to action and thrillers, while others prefer light-hearted comedies or romantic dramas. This wide variety ensures there is something for everyone, keeping discussions lively and inclusive.
Social Media Amplifies the Experience
Social media plays a crucial role in shaping the Ramadan viewing experience. Fans use it to share reviews, recommend shows, and react instantly to plot twists, memorable performances, or funny scenes. It doesn&rsquo;t just reflect audience opinions; it influences them, helping certain series gain momentum and become cultural talking points.
However, this immediacy can have downsides. Spoilers often appear online before some viewers have had a chance to watch, causing disappointment or rushing people to catch up. The &ldquo;spoiler alert&rdquo; dilemma has become a recurring challenge, as social media&rsquo;s fast pace can sometimes take away the element of surprise that makes watching a series so enjoyable.
Beyond Entertainment: A Shared Cultural Experience
Ultimately, the combination of Ramadan&rsquo;s communal spirit and the rise of social media have turned TV series into more than just entertainment. They have become shared cultural experiences, where fans across the region engage, debate, and celebrate their favourite moments together, while also navigating the occasional spoiler.
Photo Credit: Freepik

Why Ramadan Series Take Over Social Media Every Year

Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has praised the humanitarian and medical achievements of the Magdi Yacoub Heart Foundation, highlighting its role in supporting the country&rsquo;s healthcare system and saving thousands of lives.
Speaking on behalf of Prime Minister Mostafa Madbouly, Abdel Ghaffar emphasized the importance of partnerships between the government and civil society organizations in strengthening healthcare services across Egypt.
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The minister described the foundation as a leading model of charitable medical work in the country and the region, pointing to the achievements of the Aswan Heart Centre. The centre combines advanced medical treatment with scientific research and has provided life-saving care to thousands of children and patients free of charge.
Abdel Ghaffar also noted the upcoming opening of the Magdi Yacoub Global Heart Centre, which is expected to expand access to advanced cardiac research and treatment in Egypt.
He described renowned heart surgeon Magdi Yacoub as a global example of dedication and humanitarian commitment, embodying the spirit of a &ldquo;humanitarian doctor.&rdquo;
For his part, Yacoub expressed appreciation for the government&rsquo;s support, saying the foundation&rsquo;s achievements are driven by a shared belief that everyone deserves access to life-saving treatment, regardless of financial ability. He added that the new Cairo research centre will represent a major step toward building a healthier future for upcoming generations.
Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt’s Health Minister Hails Magdi Yacoub Foundation for Life-Saving Cardiac Work

Egypt&rsquo;s General Authority for Healthcare Accreditation and Regulation (GAHAR) has granted full and preliminary accreditation to 32 health facilities across the country, according to decisions issued by the Supreme Committee for the Accreditation of Health Facilities.
The move is part of efforts to strengthen quality and patient safety standards in line with internationally recognised benchmarks set by the International Society for Quality in Health Care (ISQua).
Officials say the accreditations aim to improve the efficiency of healthcare institutions and prepare them for integration into Egypt&rsquo;s Universal Health Insurance system, which seeks to expand access to safe and high-quality medical services nationwide.
As part of preparations for the system&rsquo;s second phase, Minya Governorate is expected to be among the first areas to implement the programme. The Supreme Committee renewed preliminary accreditation for Minya Oncology Center and granted preliminary accreditation to several hospitals in the governorate, including Samalut Oncology Hospital, El Adwa Central Hospital and Mallawi Liver and Gastroenterology Hospital.
The General Military Hospital in Alexandria, affiliated with the Armed Forces Medical Services, also received preliminary accreditation in accordance with GAHAR standards, reflecting ongoing efforts to strengthen quality and patient safety in healthcare delivery.
Officials say the latest accreditations represent another step in Egypt&rsquo;s broader strategy to standardise healthcare services, improve patient outcomes and prepare facilities for nationwide implementation of the Universal Health Insurance system.
Photo Credit: Freepik&nbsp;

Egypt Accredits 32 Health Facilities as Part of Insurance Expansion

Under the &ldquo;Rabies-Free Egypt 2030&rdquo; strategy, 293 stray dogs were vaccinated in a single day, as authorities shift from crisis management to long-term solutions. Egypt&rsquo;s Ministry of Agriculture and Land Reclamation has launched the first field phase of its national campaign to vaccinate and sterilize stray dogs, starting in the Ain Shams district of Cairo, in a move aimed at protecting public health and addressing the stray dog issue through sustainable and humane measures. The campaign is part of the national strategy &ldquo;Rabies-Free Egypt 2030&rdquo; and reflects a clear policy shift from short-term crisis management to science-based, long-term solutions. Ain Shams was chosen as the starting point due to repeated public complaints and the need for early intervention to reduce health risks associated with rabies.
<a href="https://ibb.co/JWsns0Bt"><img src="https://i.ibb.co/35C1CGrd/Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1.png" alt="Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1" border="0" /></a> From Crisis Management to Sustainable Solutions Minister of Agriculture Alaa Farouk said the initiative marks a transition toward root solutions, emphasizing that the campaign follows internationally recognized standards and prioritizes cooperation between government institutions and civil society. The field operations are being implemented under the supervision of the General Organization of Veterinary Services, in coordination with the General Administration of Animal Welfare and Licensing, and in cooperation with the Federation of Animal Welfare Associations.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid05FdszQCgiwtgSm1nbRSzVjCPe32zHrAFVWgohq86NmSVrQVunqh5U7mTCJfbqvqFl&amp;show_text=true&amp;width=500" width="500" height="250" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> On the first day of the campaign, veterinary teams vaccinated 293 stray dogs against rabies, while 25 dogs were transferred to designated shelters to undergo surgical sterilization before being safely returned to their original environment. Officials said this approach helps maintain ecological balance and prevents the spread of disease by limiting the entry of unvaccinated animals into treated areas. Alongside vaccination efforts, veterinary awareness teams launched an on-ground community outreach campaign to educate residents on safe interaction with stray dogs and methods of preventing zoonotic diseases. The ministry confirmed that the Ain Shams phase represents the foundation of a nationwide rollout, which will be gradually expanded across all governorates according to a set timeline, in line with Egypt&rsquo;s goal of eliminating rabies by 2030.
Photo Credit: Egyptian Cabinet's official page&nbsp;

Infographic | Egypt Begins Nationwide Stray Dog Vaccination Drive Under ‘Rabies-Free Egypt 2030’ Strategy

CEO Women has announced the launch of She FinTech, a major competitive initiative aimed at empowering women in FinTech and Digital Innovation. The competition comes as part of CEO Women&rsquo;s ongoing commitment to supporting female entrepreneurs across the region and builds on the success of the Entrepreneur Zone featured within CEO Women&rsquo;s flagship events.
The initiative offers total awards of USD 120,000, including USD 50,000 in financial support and USD 70,000 in technical support, designed to fuel innovative ideas and accelerate the growth of women-led ventures. The initiative reflects CEO Women&rsquo;s strong belief that investing in women&rsquo;s creativity is essential to driving economic and social development.
Mona Morad, Founder and CEO of CEO Women, highlighted the significance of the competition, stating: &ldquo;She FinTech represents a vital platform to advance women&rsquo;s presence in both digital and financial sectors. We are committed to creating opportunities for visibility, growth, and regional expansion for women-led businesses.&rdquo;
The competition expands regionally to include participants from across the Middle East and North Africa, establishing She FinTech as a leading platform that brings together women innovators and fosters collaboration and knowledge exchange across the region.
The winning companies will be announced during a special ceremony held at the closing of the CEO Women 2026 events in Cairo, in the presence of distinguished leaders, experts, and key figures from the financial and technology sectors.
CEO Women invites female entrepreneurs in FinTech and Digital Innovation to participate in the competition and benefit from the financial and technical support offered. Further details about the application process will be shared in the upcoming announcements.

CEO Women Launches “She FinTech” Competition to Empower Women in FinTech and Digital Innovation with Total Awards of USD 120,000

At just 23, Wednesday star Jenna Ortega has become the youngest jury member in the history of the Marrakech Film Festival, joining an international panel that includes Bong Joon Ho, Palme d&rsquo;Or winner Julia Ducournau, and Oscar nominee Celine Song.
Speaking about the responsibility, Ortega said she refuses to let pressure overshadow the moment. &ldquo;I&rsquo;m not intimidated because I&rsquo;m so overwhelmed with gratitude,&rdquo; she noted. &ldquo;It would be a shame to come into this experience weighed down by external pressure. At the end of the day, we&rsquo;re all on the same team.&rdquo; Known for her forthrightness, she added: &ldquo;It&rsquo;s very hard for me to put up a front. More than anything, I just want to be as present as possible.&rdquo;
Her presence adds a candid and youthful perspective to a jury reviewing 14 debut and second features, including Akinola Davies Jr.&rsquo;s My Father&rsquo;s Shadow, Zamo Mkhwanazi&rsquo;s Laundry and Morad Mostafa&rsquo;s Aisha Can&rsquo;t Fly Away. Alongside fellow jurors Anya Taylor-Joy, Karim A&iuml;nouz, and Hakim Belabbes, Ortega&rsquo;s role signals how emerging voices are increasingly shaping global cinema conversations.
Fresh Eyes on AI and Storytelling
During a press briefing, Ortega reflected on artificial intelligence in film, referencing her work in Taika Waititi&rsquo;s Klara and the Sun, where she acted opposite a solar-powered AI robot capable of expressing human emotion. Describing AI as &ldquo;a Pandora&rsquo;s box,&rdquo; she said the experience pushed her to consider how technology is redefining narrative, performance, and the boundaries between human and machine.
Facing Challenges Head-On
Ortega also spoke openly about navigating challenges. &ldquo;The only way to deal with these hardships is to face them forward,&rdquo; she said, underlining an approach rooted in honesty and presence. These qualities, she suggested, shape both her craft and her contribution to the jury.
With her blend of modern perspective, transparency, and fearlessness, Jenna Ortega is showing that a younger generation can offer not just fresh insight, but meaningful influence at one of the world&rsquo;s leading film festivals.
Photo Credit: Jenna Ortega's official page&nbsp;

Jenna Ortega at The Marrakech Film Festival: AI, Cinema and Fearlessness

For years, fibromyalgia was that invisible ghost of pain that people whispered about but never really understood. That changed when Montahy Al Salahya&mdash;Farrag&rsquo;s Ramadan series&mdash;threw it into the mainstream, finally showing the exhaustion, confusion and daily battle of living with a condition that has no obvious scars. It was raw, relatable and sparked the question millions have quietly asked: what is&nbsp;fibromyalgia?
 And now, for the first time in nearly 15 years, there&rsquo;s an answer that feels hopeful. The U.S. Food and Drug Administration has approved Tonmya&nbsp;(cyclobenzaprine HCl sublingual tablets), the first new treatment for fibromyalgia since the late 2000s. Unlike older medications that only offered partial relief, this one&rsquo;s non-opioid, placed under the tongue and taken at bedtime&mdash;targeting both chronic pain and sleep disruption, two of the condition&rsquo;s most frustrating hallmarks.
 Clinical trials showed promising results: participants reported a 30 percent or greater drop in pain levels, and their sleep noticeably improved. Sure, side-effects like drowsiness and numbness appeared, but they were mild compared to what patients have endured on previous treatments.
 But let&rsquo;s be honest&mdash;it&rsquo;s not a miracle cure. Fibromyalgia is complex. It messes with sleep, focus, mood and the nervous system all at once. Tonmya&nbsp;may not end the fight, but it finally feels like medicine is taking this battle seriously. The drug is expected to hit pharmacies by late 2025, and when it does, it could redefine what hope looks like for millions living in quiet pain.
 For once, the conversation about fibromyalgia isn&rsquo;t being spoken over&nbsp;patients&mdash;it&rsquo;s being spoken with&nbsp;them.
Photo Credit:&nbsp;geralt, Creative Commons Zero, Public Domain Dedication
&nbsp;

Fibromyalgia Finally Has a New Treatment After 15 Years

In line with President Abdel Fattah El-Sisi&rsquo;s directives, Egypt is intensifying efforts to integrate artificial intelligence (AI) into education through expanded international cooperation with Japan, new training programs, and curriculum reforms.
Training Teachers and &ldquo;Ambassadors of Development&rdquo; The initiative will prioritize training computer science teachers, supervisors, subject advisors, and members of the technology development team&mdash;known as the &ldquo;Ambassadors of Development.&rdquo; This training is part of Egypt&ndash;Japan cooperation aimed at strengthening digital education.
Opportunities for Outstanding Students Exceptional students from governorates across Egypt will be selected to participate in specialized training sessions with leading Japanese companies via video conferencing. These opportunities will expose students to global expertise, help them develop practical skills, and enhance their competitiveness in the labor market.
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AI Education Beyond the Classroom Officials highlighted that teaching AI and programming not only enhances critical thinking and problem-solving skills but also contributes to Egypt&rsquo;s national economy and supports sustainable development goals.
Integrating AI into School Curricula Minister of Education and Technical Education Mohamed Abdel Latif announced that AI curricula will be introduced in selected school grades beginning in the 2025&ndash;2026 academic year. A matrix of standards and indicators for AI has been developed for both preparatory and secondary levels, with elements of AI education also incorporated into basic education.
Preparing Teachers and Infrastructure The Minister emphasized that well-trained teachers and specialists are essential to the success of this transformation. Efforts are also underway to strengthen technological infrastructure, including the development of specialized labs, to fully support AI integration into schools.
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Photo Credit: Ministry of Education and Technical Education's official page
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Egypt and Japan Partner to Advance AI and Programming Education

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris&mdash;an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
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Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
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Let’s Dance 




Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Some say &ldquo;They don't make them like they used to", and we certainly agree. For one hour we spin out all your favorite classic hits from the 60s through the 90s that bring back those good oldies. Fridays and Saturdays from 7 to 11 am, it's the time for some serious nostalgia.

Flashback

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Join Zeinab &amp; Sami every weekday afternoon for &ldquo;The Big Drive&rdquo;! Your best companion on your journey home from work or school. The best music, the funniest games and lots more as they help you shake off your Cairo traffic blues! Zeinab and Samy will keep you entertained every day from 5 to 7 PM.
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The Big Drive

Girls Talk is a vibrant, empowering show that creates a safe and relatable space for women&rsquo;s voices, stories, and real-life conversations. Presented in rotation by Nadine, Nancy, and Gaz, the show blends friendship-style chats with honest discussions on relationships, self-care, careers, and pop culture. It invites listeners to join the conversation, share their stories, and connect over experiences that truly resonate.

Girls Talk 

Your morning commute has never been this fun! An endlessly entertaining blend of games, news tidbits, and the latest hits, &ldquo;The Morning show&rdquo; is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Rob &amp; Sally are here to make sure you are fresh and ready to conquer the day!

The Morning Show

Hip-Hop &amp; RnB &ldquo;FLAVAS!&rdquo; from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your weekly dose of all the newest hip-hop releases, the best old-school jams, East Coast/West Coast, Shack Town, the dirty South &amp; the Middle East just got a whole lot more flavorful with DJ Feedo!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Kenzy will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt Live

Unlike any other show, Basmah will give you a variety of different segments throughout the weekdays for one hour! Basmah will keep you company with plenty of chat, fun, music &amp; games, along with all the latest entertainment news and much more!

Brain Busters

Every Monday and Wednesday from 3-4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, nonstop! All the latest tracks for one hour straight, no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!
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Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counts down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop-culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

A curated playlist of the best tunes from the 90s &amp; the 2000s! Join veteran music man Simon Ramsden as he helps you bring your busy work week to a close and prepares you for the weekend&rsquo;s parties! Every Thursday, Simon&rsquo;s power hour aims to kickstart your weekend with an hour full of the best of all time and new tracks to make you feel good!

Feel Good Thursday

Step into a world of calm and culture with Nile Bazar with Safi. Featuring oriental-inspired music and thoughtfully curated lifestyle content, the show offers a serene backdrop for reflection, discovery, and an immersive taste of local flavor. Every Thursday from 11 AM to 1 PM, with a chance to catch it on Saturday later from 10 to 11 PM.
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