The witches are back, this time with a renewed look. Following the release of the trailer for "Practical Magic 2," anticipation is growing for the long-awaited return of Sandra Bullock and Nicole Kidman.
The sequel reunites the two stars nearly three decades after the original Practical Magic, which became a cult favourite following its release in 1998.
Release Date
The film is scheduled to hit cinemas on 11 September 2026, bringing back the magical world of the Owens family to a new generation of audiences.
Cast and New Faces
The sequel reunites Bullock and Kidman 28 years after the first film. Stockard Channing will also return, reprising her role from the original movie.
New cast members include Maisie Williams, Joey King, and Lee Pace. For Joey King, the film marks her second collaboration with Nicole Kidman following "A Family Affair."
What Will Practical Magic 2 Be About?
Bullock and Kidman will reprise their roles as Sally and Gillian Owens. The original film, based on the 1995 novel by Alice Hoffman, followed the two sisters as they struggled to break a family curse that doomed any man who fell in love with them.
While the exact plot of the sequel has not been fully revealed, it is reportedly inspired by "The Book of Magic," part of Hoffman&rsquo;s Practical Magic book series. The story is expected to explore a multi-generational family of witches attempting to break the centuries-old curse while confronting dark secrets and making difficult sacrifices.
What Will Change in the Story
In the sequel, Sally now has adult daughters who are beginning lives of their own, while Gillian has settled into a quieter life, though trouble soon finds the family again.
A mysterious character played by Lee Pace reportedly draws the sisters away from their peaceful New England town, sending them on a dramatic and magical journey.
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Behind the Scenes
The screenplay for the sequel was written by Akiva Goldsman and Georgia Pritchett. The film is based on Hoffman&rsquo;s 2021 novel "The Book of Magic," the fourth book in the Practical Magic series.
The film is produced by Sandra Bullock and Nicole Kidman alongside Denise Di Novi, while Andrew Kosove, Broderick Johnson, Donald Sabourin, and Alice Hoffman serve as executive producers.
A Director with a Proven Track Record
The sequel is directed by Susanne Bier, who previously worked with Sandra Bullock on the hit film "Bird Box" and with Nicole Kidman on the series "The Perfect Couple."
The original Practical Magic film was directed by Griffin Dunne and released in 1998, eventually gaining cult status among fantasy and romance fans.
Photo Credit: Practical Magic's official page&nbsp;
&nbsp;

“Practical Magic 2” Trailer Breakdown: Plot Clues and What’s Next for The Owens Sisters

More than a decade after his death, Michael Jackson&rsquo;s legacy continues to endure. The King of Pop remains one of the most influential artists in music history, and his upcoming biopic Michael has already attracted global attention.
The film stars Jaafar Jackson, Michael Jackson&rsquo;s nephew, in the lead role, alongside Colman Domingo as Joe Jackson, Nia Long as Katherine Jackson, and Miles Teller as John Branca. It is scheduled for release on 24 April.
Jackson was known not only for his music, but also for pioneering elaborate &ldquo;short film&rdquo; music videos that combined storytelling, choreography and cinematic production.
Ahead of the film&rsquo;s release, here are some of his key tracks.
Thriller
Thriller is widely regarded as one of Jackson&rsquo;s most influential works. Its nearly 14-minute music video, directed by John Landis, features Jackson and his date, played by Ola Ray, being chased by zombies, before a twist ending reveals it as a film within a film.
The video is also known for its choreography, including the graveyard dance sequence, and remains a landmark in pop culture.
<iframe src="//www.youtube.com/embed/sOnqjkJTMaA" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Smooth Criminal
"Smooth Criminal" is featured in the film Moonwalker and follows a narrative involving a woman named Annie who is attacked in her apartment.
The video is known for Jackson&rsquo;s signature &ldquo;anti-gravity lean&rdquo; move, developed with choreographers Vincent Paterson and Jeffrey Daniel. It became one of his most technically distinctive performances.
<iframe src="//www.youtube.com/embed/h_D3VFfhvs4" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Beat It
Beat It was written as a message against gang violence, encouraging young people to avoid confrontation and choose peace.
<iframe src="//www.youtube.com/embed/oRdxUFDoQe0" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Billie Jean
Billie Jean became one of Jackson&rsquo;s defining songs and a global hit during the Thriller era.
It is also associated with his first performance of the &ldquo;moonwalk&rdquo; during the Motown 25 television special in 1983, a moment widely regarded as one of the most iconic in pop music history.
<iframe src="//www.youtube.com/embed/Zi_XLOBDo_Y" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Don&rsquo;t Stop &rsquo;Til You Get Enough
Taken from the Off the Wall album, Don&rsquo;t Stop &rsquo;Til You Get Enough marked a key moment in Jackson&rsquo;s early solo career and helped establish his distinctive visual and performance style.
<iframe src="//www.youtube.com/embed/yURRmWtbTbo" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Bad
The short film for Bad, directed by Martin Scorsese, runs for around 18 minutes and explores themes of identity and urban life.
The album was a major commercial success, producing several hit singles and strengthening Jackson&rsquo;s global status.
<iframe src="//www.youtube.com/embed/dsUXAEzaC3Q" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
They Don&rsquo;t Care About Us
Directed by Spike Lee, They Don&rsquo;t Care About Us was released in two versions, including one filmed in a prison and another in Brazil.
The video drew attention for its strong social commentary and remains one of Jackson&rsquo;s most politically charged works.
<iframe src="//www.youtube.com/embed/QNJL6nfu__Q" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Photo Credit: Michael Jackson's official page&nbsp;
&nbsp;

Before The Michael Jackson Biopic Hits Theatres: Songs To Listen To First

One of the most anticipated upcoming films, &ldquo;Ezma&rdquo;, is set to hit cinemas on 18 June 2026. The film is based on a novel by Mohamed Sadeq, who also directs, and follows a young man in his thirties who receives a mysterious gift on his birthday from an unexpected person. This moment changes his life completely, pushing him into a series of unusual and life-altering experiences.
The film stars Ahmed Dawood and Salma Abu Deif, and is already generating buzz among audiences eager to see how the novel&rsquo;s mysterious world will be translated onto the big screen.
Before the release of &ldquo;Ezma&rdquo;, Egyptian cinema had already built a strong tradition of adapting novels into films that have left a significant mark on audiences. From psychological thrillers to social dramas, literature has long served as a rich source of storytelling in Egyptian cinema.
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Here are some of the most notable Egyptian novels adapted into films in the 21st century:
Banat El Basha (2025) Adapted from a novel by Noura Nagi, with a screenplay by Mohamed Hesham Obayya. The story begins when Nadia&rsquo;s body is discovered inside a well-known beauty centre in Tanta. While the owner of the centre attempts to cover up the incident, the employees become entangled in a tense race against time to hide the truth. As events unfold, their plan collapses, forcing each character to confront buried secrets and personal fears.
<iframe src="//www.youtube.com/embed/qrMB3J4QVng" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Bada&rsquo;a Sa&rsquo;at Fi Yawman Ma (2024) Based on a novel by Mohamed Sadek. Set over the course of just a few hours, the film follows multiple characters whose lives unexpectedly intersect. As their stories intertwine, the film explores how brief moments can reshape destinies, revealing the fragile connection between love, coincidence, and fate.
<iframe src="//www.youtube.com/embed/rltIoEQ2Fno" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Turab El Mass (2018) Based on a novel by Ahmed Mourad. Taha, a pharmacy worker living a quiet life with his paralysed father, is shaken when he returns home to find his father murdered. What begins as a personal tragedy soon turns into a dark investigation that reveals shocking secrets about his father&rsquo;s past, exposing a hidden world of crime and corruption.
<iframe src="//www.youtube.com/embed/9cO54cwkN1I" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Mawlana (2017) Based on a novel by prominent journalist Ibrahim Eissa. The film follows Sheikh Hatem El Shenawy, a powerful and influential religious preacher who becomes a prominent media figure. However, his credibility begins to crumble due to his controversial relationships and connections with political figures, raising questions about power, religion, and media influence.
<iframe src="//www.youtube.com/embed/jUCmci_6HMA" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Hepta (2016) Based on a novel by Mohamed Sadeq. Hepta presents a series of interconnected emotional stories that explore the many stages of love. Although the characters do not directly interact, each narrative reflects a different dimension of relationships, offering a deep emotional journey through love&rsquo;s complexities.
<iframe src="//www.youtube.com/embed/bt9aW3y2IQM" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
The Blue Elephant (2014) Based on a novel by Ahmed Mourad. Dr Yehia Rashed returns to Abbasiya Mental Health Hospital after five years of isolation. His return takes a dark turn when his first case reconnects him with his old friend Sherif, now a patient accused of murder. This encounter pulls Yehia into a psychological spiral filled with mystery and unsettling truths.
<iframe src="//www.youtube.com/embed/I5Bat3GPqGc" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
The Yacoubian Building (2006) Based on a novel by Alaa Al Aswany, with a screenplay by Wahid Hamed. Set in a historic building in downtown Cairo, the story weaves together the lives of its residents from different social classes and backgrounds. Through their struggles, ambitions, and contradictions, the film paints a layered portrait of Egyptian society.
El Sharaf (2000) Adapted from a novel by Mohamed El-Bisatie, with a screenplay by Mostafa Moharam. In the aftermath of the 1967 war, Samia and her family are displaced and forced to start a new life in another city. Pressured into an unwanted marriage while experiencing a forbidden emotional relationship, her story reflects the deep social and personal tensions of a changing era.
Final Thought From psychological thrillers and social commentaries to emotional love stories, Egyptian cinema continues to draw powerful inspiration from literature. With &ldquo;Ezma&rdquo; joining this growing list of adaptations, audiences can look forward to another cinematic experience where storytelling and imagination come together on screen.
Photo Credit: Ahmed Dawood&rsquo;s official page

Before “Ezma”: Egyptian Novels That Were Turned into Films in The 21st Century

The Coachella Valley Music and Arts Festival returned this year with unforgettable performances, nostalgic moments, and major surprise appearances. Held across two weekends, April 10&ndash;12 and April 17&ndash;19, the iconic California festival featured headline performances from Justin Bieber, Sabrina Carpenter, and Karol G.
From surprise collaborations to historic milestones, the 2026 edition delivered some of the most talked-about moments of the festival so far.
Justin Bieber&rsquo;s Viral Comeback Performance Justin Bieber delivered one of the most anticipated sets of the festival, performing several of his biggest hits including &ldquo;Baby,&rdquo; &ldquo;Beauty and a Beat,&rdquo; and &ldquo;Sorry.&rdquo;
The nostalgic set quickly went viral online, bringing fans back to the early days of Bieber&rsquo;s career while also showcasing tracks from his latest album SWAG.
The surprises did not stop there. During the second weekend, SZA joined Bieber on stage to perform their hit collaboration &ldquo;Snooze,&rdquo; exciting thousands of festival attendees.
<iframe src="//www.youtube.com/embed/He9WmjUvpJ8" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Billie Eilish Joins Bieber on Stage Another highlight of the second weekend came when Billie Eilish made a surprise appearance during Bieber&rsquo;s performance of &ldquo;One Less Lonely Girl.&rdquo;
Eilish first performed at Coachella in 2019, later returning in 2022 as the youngest headliner in the festival&rsquo;s history at age 20. Her appearance this year highlighted her long-standing friendship with Bieber, with whom she previously collaborated on a remix of &ldquo;Bad Guy.&rdquo;
Karol G Makes Coachella History Colombian superstar Karol G also made history at the festival, becoming the first Latina artist to headline Coachella.
She closed the first weekend on April 12, 2026, delivering a high-energy performance that celebrated Latin music and culture while marking an important milestone for representation on the global stage.
What&rsquo;s Next at Coachella As the second weekend concluded on April 19, fans were still anticipating more viral performances, surprise collaborations, and standout fashion moments that traditionally define the festival.
With Coachella continuing to shape global pop culture, music fans around the world are already watching closely to see which performances and unexpected guests will dominate headlines next.
Photo Credit: Coachella's official page&nbsp;
&nbsp;

Coachella Recap | Justin Bieber’s Hits and Surprise Appearances Steal The Show

Listeners tuning in later today will hear DJ of the Week, hosted by DJ Yasmine Wahby, in a set that reflects a journey shaped by classical training, electronic exploration, and entrepreneurial drive. From piano keys to DJ decks, her sound has evolved through discipline, emotion, and creative reinvention.
Speaking to NileFM, Yasmine Wahby reflects on her path from pianist to DJ and music producer. This transition began during the pandemic, opening the door to a more exploratory approach to sound. Alongside her music career, she also shares the inspiration behind Travelitegypt, a venture born from personal experience as a mother and a desire to simplify travel for families.
In this interview, she discusses the emotions she aims to evoke through her selections, the impact of being featured as &ldquo;DJ of the Week,&rdquo; and what lies ahead in her growing musical journey.
What does music represent to you? Music is the most honest form of expression I have. It&rsquo;s how I process emotions I can&rsquo;t always put into words. My whole life, music and songs have been tied to memories, events, stories, and even simple moments like car rides.
How did the transition from being a pianist to becoming a DJ happen? It wasn&rsquo;t a sudden shift; it was a natural progression. Piano was my foundation; it taught me discipline and how to truly understand music. During COVID, I took a music production course, and that&rsquo;s where things really shifted. I moved from interpreting music to creating it. DJing came naturally after that; it gave me freedom to explore crazy mashup ideas and blend melodically in any set I play.
How did you succeed in combining your passion for music with your love for exploration and travel? When I became a mother, I realized how complicated travel can feel, especially for women. That&rsquo;s where Travelitegypt came from; it wasn&rsquo;t just a business idea, it was a real need I experienced myself. I wanted to make travel lighter and more accessible for families.
<a href="https://ibb.co/dwwH1b2r"><img src="https://i.ibb.co/tTT1kZs4/Grey-and-Black-Quotes-Instagram-Post-1.jpg" alt="Grey-and-Black-Quotes-Instagram-Post-1" border="0" /></a>&nbsp;What emotions do you always aim to convey to listeners through your selections? I don&rsquo;t aim for just one emotion; I aim for a journey. I want people to feel something real, whether it&rsquo;s nostalgia or excitement. The goal is connection. If someone hears a track and it takes them somewhere mentally or emotionally, then I&rsquo;ve done my job. Not everyone comes to a gig feeling their best, and I love the idea that through music, I can shift that. If someone walks in carrying something heavy and leaves a little lighter, that&rsquo;s the most meaningful part of what I do.
&nbsp;<a href="https://ibb.co/KcbqM9Fs"><img src="https://i.ibb.co/JWm7fz5p/Black-White-Minimalist-Motivational-Quotes-Instagram-Post.png" alt="Black-White-Minimalist-Motivational-Quotes-Instagram-Post" border="0" /></a>What do you hope people discover about themselves through music? I hope they discover parts of themselves they don&rsquo;t usually access in their daily lives. Music has a way of breaking emotional and mental barriers. Sometimes it allows people to feel more, sometimes to let go. Either way, it creates space for honesty.
How did you feel when you were selected as &ldquo;DJ of the Week&rdquo; on NileFM? It felt so rewarding, not just as recognition, but as validation of the journey. Being featured on NileFM meant a lot to me; it&rsquo;s a platform I&rsquo;ve always respected, so the recognition felt truly significant. A lot of what I do is very personal and intuitive, so being recognized on a platform like NileFM means it&rsquo;s resonating beyond my own space. That reassurance meant a lot, and it pushed me to keep going and stay true to my sound.
What&rsquo;s next for you? Are there any upcoming releases or collaborations your audience should look forward to? Right now, I&rsquo;m focused on pushing my sound further, both in my DJ sets and music production. I&rsquo;m working on a few collaborations that I&rsquo;m really excited about with Crazy Mashups.

Exclusive | DJ of the Week: Yasmine Wahby, From Piano Keys to DJ Sets

All the latest entertainment news from Nile FM. TV Shows, Movies, Trailers, Clips, International & Arab Celebrity Gossip, Awards, Events & Best Dressed Lists.

Entertainment

By: Yomna Walid
The countdown has begun and Egyptians have been holding their breath for a chance to see the Pharaohs at the 2026 World Cup. After their last appearance in 2018, the Egypt national team is entering a decisive phase under head coach Hossam Hassan and team director Ibrahim Hassan.
With new players joining the squad, friendlies against leading international sides planned, and expectations rising among fans, the Pharaohs are working to build a team capable of competing on the global stage.
In an exclusive interview with Mohamed Morad on NileFM, the media coordinator of the Egypt national football team takes us behind the scenes of the preparations for the upcoming training camp, the possibility of dual-nationality players joining, and how the team is handling media pressure and rumours. He also reflects on recent results against Saudi Arabia and Spain, the importance of the upcoming friendly with Brazil, and the role of captain Mohamed Salah as Egypt prepares for its World Cup campaign.
When will the final squad list be announced?
The technical staff, led by head coach Hossam Hassan, is monitoring players across all clubs, and the evidence is that new players join the national team at every camp. The latest additions were Islam Issa, Haissem Hassan, Mohamed Alaa, the El Gouna goalkeeper, and Tarek Alaa of Zamalek. There is also a camp at the end of May for final preparations before the World Cup.
<a href="https://ibb.co/rR0s4ZDP"><img src="https://i.ibb.co/DHWp570X/1.png" alt="1" border="0" /></a>&nbsp;
Following Haissem Hassan&rsquo;s inclusion, could we see dual-nationality players join the squad? Who is closest?
Haissem Hassan&rsquo;s addition is a boost for both the player and the national team. His call-up came after more than five years of discussions under previous coaches, but the credit goes to Hossam Hassan and Ibrahim Hassan.
Naturally, the Egypt national team is tracking a large number of dual-nationality professionals who have been monitored for a long time. Hossam Hassan requires his staff to prepare initial reports on these players, but whether they join the next camp ahead of the World Cup ultimately depends on the technical staff&rsquo;s view.
When will Egypt&rsquo;s World Cup training camp begin, and what are the key parts of the preparation programme?
The camp will start at the end of May. Coordination is under way between Ibrahim Hassan, the Football Association and the clubs&rsquo; league to confirm the final date, especially as the league season will end on 15 May for the teams competing for the title. There is also coordination to arrange a friendly in Egypt before travelling to the United States to face Brazil on 7 June.
There have been reports of offers received by Hossam Hassan. Is that true? How does he handle such offers while focusing on the national team?
A major European marketing company did approach Hossam and Ibrahim Hassan about a deal and confirmed there were two offers from national teams that will take part in the World Cup. However, the matter is closed as far as the technical staff are concerned. The focus remains entirely on Egypt&rsquo;s World Cup campaign.
<a href="https://ibb.co/ksCG9rXd"><img src="https://i.ibb.co/XrRW3dtw/2.png" alt="2" border="0" /></a>&nbsp;
The Egypt national team is always under pressure from fans and the media. How do you handle that inside the camp?
Fan and media pressure is normal for a team of Egypt&rsquo;s stature. Thankfully, we have a strong technical staff who have been through many similar situations with the national team, Al Ahly and Zamalek, and the same applies to the experienced players, including the overseas-based professionals. Everyone inside the camp is doing their utmost to present the best possible image. The clearest example was the 2025 Africa Cup of Nations in Morocco, where the camp was professional and exemplary in all administrative and media matters.
After the win over Saudi Arabia and the draw with Spain, how have those results affected the players&rsquo; confidence and World Cup readiness?
Winning 4-0 against Saudi Arabia in Jeddah, in front of their own fans, and drawing with Spain, one of the world&rsquo;s best sides, is a huge achievement. It reflects well on both staff and players and has given them a significant morale boost ahead of the World Cup.
Could we see surprises in the squad list? Are there players who might appear for the first time?
Hossam Hassan has said in many press conferences: &ldquo;The door of the national team is open to any player who shines and proves himself.&rdquo; The evidence is the new faces who have joined under him, more than 20 players, including Mostafa Shobeir, Hossam Abdelmaguid, Ahmed Eid, Mahmoud Saber, Mohamed Shehata, Haissem Hassan, Ahmed Nabil Koka, Islam Issa, Osama Faisal, Mohamed Ismail, Zlaka, Khaled Sobhi, Marwan Othman, Mohamed Rabia, Mohamed Alaa, Tarek Alaa, Amr El-Gazzar, Nasser Mansy and Ahmed Oufa.
<a href="https://ibb.co/LXvNPGQb"><img src="https://i.ibb.co/B5wnP14d/3.png" alt="3" border="0" /></a>&nbsp;
Hossam Hassan has a strong influence on the players. What is the dynamic like behind the scenes?
The relationship between Hossam and Ibrahim Hassan and the players is like that of brothers. The two are among the legends of Egyptian football and have been through many of these situations as players themselves, so they know very well how to relate to and manage players in the national team environment.
How does the team handle media controversy around certain star players at their clubs, particularly Mohamed Salah?
The national team operates according to a specific media system. Every individual within the team knows their media rights and responsibilities, and there is full coordination through team director Ibrahim Hassan and the media coordinator. A player of Mohamed Salah&rsquo;s stature knows his own rights and duties when it comes to the media and handles such matters professionally.
<a href="https://ibb.co/V0x2gNHw"><img src="https://i.ibb.co/DPY59bGr/4.png" alt="4" border="0" /></a>&nbsp;
Egypt&rsquo;s friendly against Brazil is seen as the final rehearsal before the World Cup. What are the technical and media objectives of that match?
The technical staff always pushes for matches against leading national teams. In their very first camp, the staff faced Croatia, who were third in the world at the time, and more recently played Spain in a goalless draw in Spain. The Brazil friendly will serve as the final preparation before the World Cup.
Hours before important matches, rumours often spread about player transfers or club disputes. How do you keep the team focused?
The technical staff always separates players from any matters outside the camp. The players are experienced enough to set aside rumours and stay focused, especially in a major tournament like the World Cup.
What would you like to say to Egyptian fans ahead of the team&rsquo;s World Cup journey?
My message to Egyptian fans, the national team&rsquo;s number one support, is that I am always happy to see them in the stands. They provide an enormous boost to the team and the players, as we saw in many matches, most recently in the Egypt-Saudi Arabia friendly in Jeddah. The strong presence of the Egyptian community there had a major impact on our 4-0 win. I hope they continue to back us, attend the matches and support their national team through it all.
<a href="https://ibb.co/qYgMB1K1"><img src="https://i.ibb.co/VYCWVBRB/5.png" alt="5" border="0" /></a>&nbsp;
Photo Credit: Mohamed Morad's official page

Exclusive | Mohamed Mourad Reveals Egypt’s World Cup Camp Plans

By: Yomna Walid&nbsp;
Listeners tuning in for DJ of the Week were treated to a high-energy mix of house and dance. After the broadcast, attention quickly turned to the name behind the one-hour set. It was Egyptian DJ Mo Amer, who delivered a selection marked by both rhythm and range.
Speaking to NileFM, Mo Amer reflects on an unusual dual career as both a professional pilot and a DJ, bringing together precision and creativity in equal measure.
You started playing the piano at just six years old. Can you take us back to the moment when music first became a serious passion for you?
I actually started with music very early, learning piano and reading notes as a kid. But at some point, life took over, with work, responsibilities, and getting married&hellip; music slowly faded into the background.
The real turning point came in 2011, when my wife surprised me with a synthesizer for my birthday. It wasn&rsquo;t just a gift, it felt like she was reconnecting me with a part of myself I had almost forgotten.
From that point on, I started coming back to music, but it was on and off for a few years as I was still balancing work and life commitments.
Then COVID hit. As a pilot, I suddenly had time I&rsquo;d never had before, and I made a decision to either take this seriously, or let it go again.
That&rsquo;s when I committed fully. I went back to learning from scratch, studied production, took one-on-one sessions with professionals, and built everything step by step. That period is really when music stopped being a memory&hellip; and became part of my identity again.
<a href="https://ibb.co/9H0SzZH5"><img src="https://i.ibb.co/5h3wtKhH/1.png" alt="1" border="0" /></a>&nbsp;
You grew up during the golden era of trance in the early 2000s, inspired by artists such as Ti&euml;sto, Armin van Buuren, and Sasha. How did their music shape your sound as a producer today?
I grew up during what I&rsquo;d call the golden era of trance, and what really stayed with me wasn&rsquo;t just the sound, it was the feeling. Tracks from artists like Ti&euml;sto, Armin van Buuren, and Sasha gave me real goosebumps. It&rsquo;s that emotional lift that stays with you long after the track ends.
At some point, I started asking myself a simple question: if music can make me feel that way&hellip; why can&rsquo;t I create that for someone else?
That curiosity pushed me beyond just listening. I became obsessed with understanding how those moments are built. The tension, the release, and the melodies that connect emotionally.
Today, even though my sound has evolved more towards melodic and progressive house, that core idea never changed. I&rsquo;m always chasing that same emotional response.&nbsp;&nbsp;It&rsquo;s not&nbsp;&nbsp;just about making people dance, but making them feel something real.
Being both a professional pilot and a DJ is quite unique. How do you balance these two demanding careers, and do your travels influence your music?
Being a pilot and a DJ might seem like two completely different worlds, but for me, they actually complement each other.
Aviation is all about precision and discipline. You&rsquo;re trained to think ahead, stay calm under pressure, and execute everything with accuracy. Music, on the other hand, is where I allow myself to feel&hellip; it&rsquo;s more emotional and instinctive.
Traveling plays a big role in that balance. I&rsquo;ve had moments where I land in a city and realize one of my favorite artists is playing that night, and I get to experience it firsthand. Those moments are very inspiring, not just as a fan, but as a producer observing energy and crowd reactions.
At the same time, the quiet side of traveling is just as important. Layovers often become my creative space when I work on ideas or build sets.
In a way, the constant movement keeps me inspired, while the structure of my job keeps me grounded. It&rsquo;s a unique balance, but it&rsquo;s exactly what shapes me both as a person and as an artist.
<a href="https://ibb.co/9zNczT0"><img src="https://i.ibb.co/XNbjNsP/2.png" alt="2" border="0" /></a>&nbsp;
Your tracks often blend melodic techno and progressive house with Middle Eastern influences. How important is your Egyptian and oriental heritage in shaping your musical identity?
As an Egyptian, my identity plays a big role in shaping my sound, but it wasn&rsquo;t something I forced from the beginning, it developed naturally.
I actually started with remixes, and I was always drawn to Arabic melodies that carry strong emotion. I wasn&rsquo;t interested in commercial pop hits, I was more focused on timeless melodies that already had a story and feeling behind them.
One of the tracks that really represents that connection for me is &ldquo;Elfarasha&rdquo;. It&rsquo;s a piece that brings back childhood memories and creates a very personal emotional response, and that&rsquo;s exactly what I look for when I choose what to reinterpret.
Over time, I realized that these elements aren&rsquo;t just references, they&rsquo;re part of my identity. Today, even in my original productions, I try to carry that same emotional depth and oriental character, but within a modern melodic and progressive house framework.
For me, it&rsquo;s not about blending genres randomly, it&rsquo;s about translating where I come from into a sound that feels authentic.
You began producing music in 2013 and even collaborated with Aly &amp; Fila early on. What was that experience like, and how did it impact your growth as a producer?
I actually had an idea back in 2009 that I couldn&rsquo;t stop thinking about, but at the time, I didn&rsquo;t have the tools or the technical knowledge to bring it to life.
I shared the idea with Fila, who&rsquo;s a childhood friend, and we brainstormed it together, but the project never moved forward.
A couple of years later, he called me unexpectedly and told me that while going through his old projects, he found that idea again and decided to work on it. The track ended up being featured as Tune of the Week on A State of Trance&nbsp;with Armin van Buuren.
That moment meant a lot to me, not just because of the recognition, but because it showed me that even without the technical skills at the time, I had a strong musical instinct.
It pushed me to take production seriously later on, knowing that if I combine that instinct with the right knowledge and discipline, I could create something meaningful on my own.
Tracks such as &ldquo;Elfarasha&rdquo;, &ldquo;All Alone&rdquo;, and &ldquo;Flight 001&rdquo; have gained strong attention online. If you had to choose one track that best represents you as an artist, which would it be, and why?
The track that represents me the most isn&rsquo;t released yet, and that&rsquo;s exactly why I believe in it.
It&rsquo;s called &ldquo;Man Ana&rdquo;, and it brings together everything I&rsquo;ve been building towards: emotion, storytelling, Arabic identity, and a melodic electronic sound that feels honest to who I am today.
This track is special because it&rsquo;s not just about production, it&rsquo;s about expression. The lyrics, the emotions and the atmosphere all come together to create something very personal.
I&rsquo;m also collaborating with Hend Abdelhalim on this project, which adds another layer of depth to it.
If I had to mention a released track, &ldquo;Elfarasha&rdquo; would be the closest, because of its emotional connection and the memories it carries. But &ldquo;Man Ana&rdquo; is really where I feel everything comes together as an artist.
You collaborated with actress Hend Abdelhalim. How did that collaboration come about, and what was the creative process like when working together?
Hend and I go way back, we&rsquo;re close friends, and I&rsquo;ve always believed she&rsquo;s incredibly talented, not just as an actress, but as a singer with a very distinctive and emotional voice.
We actually worked on a remix together around six years ago, but unfortunately it never saw the light due to copyright issues. That project always stayed in the back of my mind, I felt like we had something real that deserved a proper release.
When I was working on &ldquo;Man Ana&rdquo;, I knew it needed a voice that could carry both vulnerability and strength, and she was the first person that came to mind.
The moment I sent her the lyrics, her reaction was immediate. She connected with it on a very personal level, and from that point, the collaboration felt very natural.
This project feels like the right timing for both of us, not just to collaborate again, but to finally create something that truly represents what we&rsquo;re capable of together.
You&rsquo;re also a father. How do your children react to your music and DJ career?
Becoming a father changed my priorities completely. At one point, I stepped away from music because I wanted to be fully present for my family.
What&rsquo;s interesting is that they were also the reason I came back to it. Their support and encouragement gave me the push to reconnect with something I truly love.
Today, music is not separate from my family life, it&rsquo;s part of it. My kids love being around the studio, and we have these simple, goofy moments together that make everything feel very real and grounded.
In a way, they remind me why I do this, not just to create music, but to enjoy the process and stay connected to what matters most.
You organised the Sanctuary Music Festival in Ras Sedr back in 2019. What was the vision behind that festival, and would you consider bringing it back?
Back in 2019, the electronic music scene in Egypt was still relatively limited, with only a few major events like Sandbox Festival.
I saw an opportunity to create something different, especially in Ras Sudr. It&rsquo;s a unique location, slightly isolated, with great weather and a beautiful natural setting that felt perfect for a more immersive experience.
The vision behind Sanctuary wasn&rsquo;t just about music. It was about creating a full experience, a space where people could disconnect from the routine and feel part of something bigger.
From the lineup to the atmosphere, every detail was meant to contribute to that feeling. It wasn&rsquo;t easy, but it was a very rewarding experience, both creatively and personally.
It also allowed me to build strong connections with the artists involved, which was an important part of the journey.
You&rsquo;ve been selected as DJ of the Week on NileFM. What can listeners expect from your set, and is there any surprise you&rsquo;ve prepared for them?
For this set, I wanted to focus on energy that feels uplifting and accessible.
Since it&rsquo;s a radio show, I approached it differently from a club set. Most people will be listening in their cars or during their daily routine, so the idea was to create something that connects instantly.
I leaned more towards vocal-driven tracks, melodies that people can sing along to, hum, and genuinely enjoy without overthinking.
The goal is simple: I want people to feel good while listening. Whether they&rsquo;re driving, stuck in traffic, or just passing time, I want the music to put a smile on their face.
There might also be a few unexpected moments in the set, but overall, it&rsquo;s about creating a positive and memorable experience.
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Photo Credit: Mo Amer&rsquo;s official page

Exclusive | Mo Amer Blends Egyptian Roots with Melodic House

By: Yomna Walid
Capturing truth on camera is no simple task. Reality carries too many layers, too many details, and too many silences that resist being scripted. Yet for Egyptian director Mohamed Rashad, that challenge led him all the way to the Berlinale and now back to Cairo, where his acclaimed workplace thriller The Settlement is set to screen for local audiences.
Egypt's Only Film at Berlin
The film made history as the only Egyptian title selected for the Perspectives section at the 75th Berlin International Film Festival. Inspired by a true story, it follows two brothers, 23-year-old Hossam and his 12-year-old sibling Maro, as they navigate life in a marginalised Alexandrian community. After their father is killed in a workplace accident, the factory responsible offers them jobs in place of accountability, setting the stage for a tense and emotionally charged unraveling as the brothers begin to question the truth behind his death.
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Going Deeper with the Director
NileFM spoke exclusively with Rashad to go behind the scenes of the film's success and the true story that first moved him to make it.
When Actors and Workers Taught Each Other
The Settlement took five years to bring to the screen, and one of Rashad's boldest decisions was casting rising actors alongside real factory workers. This was not merely an artistic flourish but a practical necessity.
"The truth is that bringing in actors to work alongside the workers was essential," he explains. "I needed the people who appear working in the factory to seem genuinely real, and for the work on the machines to look natural. Honestly, the blend between actors and workers created something really beautiful. Each group was learning from the other. The workers were often teaching the actors how to operate the machines, while the actors were sometimes showing the workers how to get into character and carry themselves in front of the camera."
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The Faces Behind the Story
The film features rising talents Adham Shukr, Ziad Islam, Hajar Omar, Hanaday Abd El Khalek, Mohamed Abdel Hady, and Emad Ghoneim, with cinematography by Mahmoud Lotfi and editing by Heba Othman. It is a co-production between Egypt, France, Germany, Qatar, and Saudi Arabia, produced by Hala Lotfy of Hassala Films alongside international partners.
Why Unknown Faces Were the Only Choice
Choosing unknown faces was also deliberate. "Casting new actors was intentional because I needed performers who would come across as real people, with no prior baggage in the audience's mind from previous roles that might prevent them from being believed. That probably comes from my documentary background," Rashad says. "The preparation involved an enormous number of rehearsals. We talked through the characters in depth, built full histories for each one, so that every actor knew their character's backstory. That really helped them inhabit their roles."
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A Filmmaker Who Fears Preachiness Above All
Rashad's documentary roots run deep. His debut film "Little Eagles" examined leftist activism through his own family history, and The Settlement continues that thread, turning its lens on labour exploitation and working-class grief in Alexandria's industrial neighbourhoods. Asked how he approached a story so politically charged without letting it tip into preachiness, he is direct about his instincts.
"Honestly, the thing I fear most is being heavy-handed, and that's something I'm constantly trying to avoid. No matter what issues or subjects I address, it's always through human stories, emotions, and feelings. That's what draws me in first. At the core, I'm building a story: a narrative, relationships, characters. Then, after that, I try to understand why the characters behaved the way they did, and what lies beneath the events they're caught up in. The story always comes first, and the theme grows out of it, never the other way around."
From Berlin to Cairo, a Festival Triumph
The film's festival journey has been remarkable. Following its Berlinale premiere, The Settlement won the Audience Award at the sixth MiWorld Young Film Festival, screened at Italy's African, Asian, and Latin American Film Festival (FESCAAL) and Spain's Afrikaldia Film Festival, where it claimed a second Audience Award, received the Silver Whirl Award at the Oran International Arab Film Festival, and took home the Bronze Star for Best Narrative Film at Egypt's El Gouna Film Festival. Critics across the region have praised it as "an Egyptian feature that deserves to be celebrated," highlighting its emotional depth and striking visual storytelling.
The Message That Cannot Be Reduced to One Line
Now, as stories about marginalised communities and corporate accountability continue to resonate globally, the film arrives in Cairo carrying the weight of all that recognition. For Rashad, the question of what he wants audiences to take away does not have a single, simple answer, and he is comfortable with that.
"I don't believe a film tries to deliver a single message. What I mean by 'message' here isn't a direct, preachy one, but rather the feeling, the emotional state, or the question the film places you in. I can't say there's one definitive thing I want to say. But what I can point to is one of the most important root causes of human suffering across the world: capitalism, which reduces all of us to mere objects moving in its service. That applies to workers and employees, and sometimes to ourselves personally."
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Photo Credit: Mohamed Rashad's official page

Exclusive | From Berlinale to Cairo: Mohamed Rashad's Award-Winning “The Settlement” Brings Egypt's True Story to The World

By: Yomna Walid
It is not only a film you watch. It runs for 76 minutes, but it took ten years to finish. It is about life, loss, and acceptance. After winning around 15 awards and screening at more than 50 Arab and international film festivals, Egyptian director Namir Abdel Messeeh's Life After Siham has succeeded in turning personal grief into cinematic art. Lost after his mother's death, Abdel Messeeh made a decision: to introduce that loss to the world.
The film unfolds in the aftermath of Siham's passing. Namir refused to accept that she was gone forever. From his point of view, his mother is immortal. And so he embarks on a journey to discover his family's history between Egypt and France, following in the footsteps of Chahine's cinema to tell a story filled with love, memory, and the pain of belonging.
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In Abdel Messeeh's own words about the film's Egyptian release: "After travelling to Cannes, touring the world, and receiving over 15 awards, my film finally arrives where it all began. Seeing this story released in Egyptian theatres is much more than a professional milestone. It is the fulfilment of a promise. It is the profound feeling of coming full circle. Through cinema, I am bringing my parents back home. This is the story of a family that had to leave, but which, through the magic of film, finally returns to the land of its ancestors. This film is Egyptian in its soul, in its breath, and in its heart."
NileFM spoke exclusively with Namir Abdel Messeeh to talk about milestones, grief, and how a film can become therapy, opening up feelings in its audience that they never realised they had not yet healed from.
How did your passion for filming and documenting moments from your life begin, and when did it develop into a full project?
I discovered it when a friend of mine had a camera. I borrowed it once and started filming, and I found that I really enjoyed it. At first, I was filming my friends; then, without realising it, I found myself filming my family a lot. But the goal was never to make a film with them. I filmed them because I love holding onto life's moments, like memories. I had this kind of virus in me where I loved being hidden behind the camera. When I film, I feel invisible. I could go anywhere. It gave me the courage to film strangers on the street. I was shy and embarrassed to talk to anyone in the street, but holding a camera changed that feeling completely. The camera gave me the courage of being hidden while also giving me the strength to hold my ground somewhere. That gradually shifted into filming my family, until a specific project came along where I was funded to make a film about my father. From that point, I transitioned from just filming to actually making films about my family; my father, my mother and my family. That film led me to make The Virgin, the Copts and Me, and after my mother passed away, it led to Life After Siham. The challenge with that film was how to film my mother when she was no longer there. I wanted to hold onto her, but there was nothing left to film. The chairs were empty, the room was empty, my father was sitting alone. So we started filming, and I was searching for a way to capture Siham. That is what created the film.
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While filming Life After Siham, was it the son or the director who was in control? And how did you resolve the tension between the two?
The director was more present than the son. The director actually saved the son. The director is removed from emotion because he is looking at feelings through the lens of a film. So I was more of a director than a son throughout the whole process. And it was the film itself, the act of making it, that allowed me to feel the emotions of the son that I could not feel while filming. The filming was a kind of therapy, something that protected me from the pain. The camera creates a distance between you and reality, and I needed that distance because the reality was too painful.
You incorporated scenes from Youssef Chahine's films. Were you influenced by his personal approach to his own work the way you brought yourself into yours?
Yes, what I admired was that he put himself in his own films. It takes courage to do that, because a director is supposed to stay hidden behind the camera. To step in front of it is not easy at all. You can do it in different ways, as an actor playing different roles, but he was not doing that. He was talking about himself. Even when he took a role in Cairo Station, it was a role no other actor would have wanted to play. He put himself in difficult positions. He also talked about his relationship with his family. That courage impressed me. It is not necessarily about putting your physical body in the film. What matters is seeing that the director is putting himself at risk, showing that he is not just filming others while keeping himself out of it. He was saying: I am filming myself, I am sharing something about who I am. That is what I admired.
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In the film, you wished that life were a film we could reshoot. If you had the ability to reshoot and change just one thing in your life, what would it be?
There are many things, but the one that troubles me most is that when my daughter turns 18, we will not be able to celebrate with her grandmother. I always used to tell my mother when she was sick, "Get better, Mama, so you can sit and watch the children grow up." She passed away when my daughter was five and my son was two. The thought that we could have all celebrated together, that she could have been there when they got married or turned twenty, is something that will only ever exist in my imagination. I picture what my mother's reaction would have been seeing Matilda. That is the thing that will not happen, and I will live with that, but it will happen in my imagination in its own way.
If your mother could watch the film today, what do you think she would say after seeing it?
She would ask me why I told our story. Who told you to tell my story?
The film documents a journey spanning over ten years of your life, yet the audience experiences it in an hour and sixteen minutes. What did it feel like to see those ten years condensed in front of you on screen?
I do not think about the length of the film as much as I think about its impact. There are films that live inside us. I chose specific moments from my life to tell a story and convey a certain feeling. I knew that feeling would stay with certain people for a long time and affect their lives, the way certain films have affected mine. That is what gives me the energy to keep going. Whether a film takes two years or ten to make does not matter as much, though six months would certainly be preferable. What matters most is that its impact on people is powerful.
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"Life After Siham" achieved great success and won numerous awards at both international and Arab film festivals. What was the most significant milestone in that awards journey for you?
That it is now being shown publicly in Egypt. And the biggest award for me was simply finishing the film, because completing something that difficult, that long in the making, meant everything. When it was done, I told the editor and the producer that this was the final version, and I felt like I had won every award in the world. Everything that came after was a bonus, something beautiful. But the smile I felt when the film was screened and I saw that we had actually finished it, that was the real achievement. And, of course, screening it in Egypt and in cinemas.
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What message or feeling do you hope audiences carry with them when they leave the film?
People told me they wanted to watch it a second and third time. People told me thank you for the film, which is something rare, something we are not used to seeing, and something we need. Someone told me it encouraged them after five years of working on their own film and gave them the courage to keep going and feel that what they want to make matters. The messages are different for everyone depending on where they are in their own lives. But the film reached people's hearts.
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Photo Credit: Namir Abdel Messeeh&rsquo;s official page

Exclusive | Egyptian Director Namir Abdel Messeeh on "Life After Siham": Grief, Memory, and The Courage to Tell Your Own Story

Nile FM Exclusive  

Egyptian DJ and producer Omar Baset has opened up about his rise in electronic music, describing a journey shaped by persistence, experimentation and a clear artistic vision.
Speaking on "Let&rsquo;s Dance with Nancy" on NileFM, Baset reflected on how a childhood habit of listening to the station has come full circle, with him now appearing as a guest.
&ldquo;It&rsquo;s a pleasure&hellip; I&rsquo;ve always been listening to it since a young age,&rdquo; he said.
Where It All Began
Baset&rsquo;s relationship with music started around 2010, when he became immersed in EDM and trance.
A key turning point came in 2014 after discovering French DJ Quentin Mosimann, whose multi-instrument performances left a lasting impression.
&ldquo;This guy was insane. He&rsquo;s doing everything.&rdquo;
Inspired, Baset began experimenting with music production alongside a friend, marking the beginning of his career.
YouTube, night shifts and persistence
In the early years, Baset taught himself production techniques using YouTube, describing it as essential to his development.
At the same time, he was working in a call centre, often producing music during breaks.
His first major breakthrough came in 2017, when the label Stay Yoki responded to one of his demo submissions after repeated attempts.
&ldquo;I felt this is the first achievement I have ever did in my life.&rdquo;
A distinct, dance-driven sound
Baset describes his music as &ldquo;playful&rdquo;, centred on groove and accessibility rather than intensity.
He says his aim is to provide listeners with a sense of relief.
&ldquo;I&rsquo;m trying to deliver&hellip; making people feel a little bit relieved.&rdquo;
A staple in his sets is the track &ldquo;Stephanie&rdquo; (Victor remix), which he says consistently resonates with audiences.
Inside the production process
Baset emphasised the importance of not forcing creativity, describing music-making as a fluid process.
&ldquo;If you&rsquo;re forcing the creative process, you&rsquo;re going to lose the identity.&rdquo;
He often starts with rhythm or vocals, allowing the rest of the track to develop organically. When facing creative blocks, he prefers to step away and return later with a fresh perspective.
The making of &ldquo;Sierra&rdquo;
One of his notable releases, &ldquo;Sierra&rdquo;, created with collaborator RG, took more than a year to complete.
Baset said the extended timeline was largely due to post-production refinements, as both artists worked to perfect the final version.
&ldquo;You need to think about it in your own mind.&rdquo;
A Defining Moment At The Pyramids
Among his career highlights, Baset pointed to a performance at the Animus Quantum Genesis event near the Giza Pyramids.
Playing to a crowd of up to 20,000 people, he described the experience as emotional.
&ldquo;I had goosebumps&hellip; I was going to cry.&rdquo;
With the pyramids forming the backdrop, Baset said the moment was difficult to process.
&ldquo;I was flying actually.&rdquo;
Full circle
From a young listener of NileFM to a featured guest, Baset&rsquo;s story reflects steady growth within the global electronic music scene.
His journey, he suggests, is defined less by sudden breakthroughs and more by consistency, patience and staying true to his sound.
&nbsp;

Omar Baset: Career Journey, Production Secrets and The Show That Changed Everything

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

Beats

International DJ and producer Omar Baset, who began making music in his bedroom for a small group of friends, is now reaching millions of listeners worldwide.
He will appear as a guest on Let&rsquo;s Dance With Nancy on Monday, 6 April at 19:00, where he is expected to discuss his rise in the global electronic music scene.
Baset has gained recognition among fans of melodic techno and house. His track &ldquo;Sierra&rdquo;, released on the Paris-based label Cercle Records in collaboration with producer Argy, recorded more than one million streams on Spotify within a month of its release.
He has also collaborated with Anyma on the track &ldquo;Neverland&rdquo;, further establishing his profile within the genre.
His work has received support from several prominent figures in electronic music, including David Guetta, Armin van Buuren and Pete Tong.
Baset has performed at major venues and events such as Tomorrowland and Ushua&iuml;a Ibiza.
His career reflects a path from a home studio setup to appearances on international stages, highlighting the growing global reach of electronic music producers. Don&rsquo;t miss Omar Baset on Let&rsquo;s Dance with Nancy, Monday, 6 April 2026, at 7:00 PM. An episode that promises to make you dance, inspire you, and remind you that the world&rsquo;s biggest stages are built one track at a time.

International DJ Omar Baset To Appear On “Let’s Dance With Nancy”

By: Yomna Walid
He stepped into the music scene with a unique style, setting his own rules and surprising audiences every time he performs. This Thursday, DJ Saify will be NileFM&rsquo;s DJ of the Week, bringing his signature sound to listeners at 10:00 PM.
DJ Saify lives between two worlds, each shaping the music he delivers. Drawing from these influences, he creates sets that blend emotion, rhythm, and energy. From his early days with The Disc Jockeys to his current project Zabadi Khalat, Saify has steadily built a sound that tells a story as much as it gets people moving.
NileFM spoke to DJ Saify to explore his journey and the surprises he has in store for this special night.
Let&rsquo;s start from the beginning. Tell us about yourself. How did your journey into DJing begin?
My name is Ahmad, also known as Saify. I live between two worlds: my daytime reality and my true self at night behind the decks. Music has always been my escape and my main form of expression.
My journey started about ten years ago at a club, when I saw DJ Mohasseb perform. The way he controlled the energy and connected with the crowd completely shifted something in me. That night, I knew I wanted to do this.
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You often describe your music as a blend of Afro house and melodic house. What drew you to these genres?
I&rsquo;ve always been drawn to music that evokes deeper feelings. Afro house has raw groove and rhythm, while melodic house brings emotion and storytelling.
Blending both allows me to balance energy and feeling. It&rsquo;s not just about dancing; it&rsquo;s about losing yourself in the moment.
Take us behind the decks. How do you build a DJ set from start to finish?
I approach every set as a journey. I usually start by creating a subtle mood to pull people in, then gradually raise the energy.
Reading the crowd is everything. I adapt in real time, creating tension and release. A good set should feel like a story you don&rsquo;t want to end.
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Which event stands out most in your career?
Playing at Amsterdam Dance Event was a defining moment. Being part of such a global platform, surrounded by different sounds and cultures, was unforgettable. It pushed me to think bigger and refine my identity as an artist.
What is the most memorable feedback you&rsquo;ve received?
Someone once told me after a set, &ldquo;You didn&rsquo;t just play music, you made us feel something.&rdquo; That stuck with me. My goal has always been to create a real emotional connection, not just a party.
Do you remember the moment you realised you wanted to be a DJ?
It grew on me over time. I used to watch Armin van Buuren and Ti&euml;sto sets, especially big events like Sensation White. The energy, lights, and crowd felt like another world, and I knew I wanted to be part of it.
You&rsquo;re involved in several collaborative projects. How do they enhance creativity?
I&rsquo;m one half of two projects that shaped my journey. The Disc Jockeys was an early chapter that built my foundation and experience.
Right now, I focus on Zabadi Khalat. It&rsquo;s growing steadily and reflects where I am creatively today. Collaborations push you to think differently when there&rsquo;s mutual understanding and shared vision, the result is always stronger than working solo.
Looking ahead, what are you exploring?
I&rsquo;m refining my sound in Afro and melodic house, aiming to create a signature identity. I&rsquo;m also working on upcoming collaborations and concepts to bring fresh twists to my sets.
What have been some of the biggest challenges?
Balancing my &ldquo;daytime life&rdquo; with my passion for music has been one of the biggest challenges. It requires discipline and consistency. Over time, I&rsquo;ve learned to manage both, and the contrast fuels me creatively.
You were recently selected as DJ of the Week on NileFM. How did it feel?
It felt amazing. Being recognised on a platform like NileFM is a big step. Listeners can expect a set that represents my sound; emotional, energetic, and crafted as a journey from start to finish.
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Photo Credit: DJ Saify&rsquo;s official page
&nbsp;

Exclusive | DJ Saify Talks Afro House, Inspiration, and Being NileFM’s DJ of The Week

Nile FM's Guests

Egypt is expected to experience stable spring weather on Wednesday, 22 April 2026, with warm to hot conditions during the day across most regions, milder temperatures along the northern coasts, and cooler weather at night, according to the Egyptian Meteorological Authority (EMA).
Winds of between 30 and 32 km/h are forecast to occur intermittently in parts of Greater Cairo, South Sinai, and Upper Egypt.
There is also a slight chance of low cloud over scattered areas of the northern coast, the Nile Delta, Greater Cairo, and the Suez Canal cities, which may bring light drizzle in some locations.
The authority has advised against wearing light clothing during the night and early morning hours, warning of cooler temperatures.
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Photo Credit: Freepik&nbsp;

Egypt Weather | Stable Conditions Across The Country – 22 April

The 10th edition of the Aswan International Women&rsquo;s Film Festival has opened in the southern city of Aswan, under the patronage of the Ministry of Culture.
According to an official statement, Culture Minister Dr &nbsp;Gihane Zaki attended the opening ceremony on Monday evening. The festival runs from 20 to 25 April.
This year&rsquo;s edition is dedicated to pioneering Egyptian actress Aziza Amir, marking 125 years since her birth, in recognition of her contribution to the country&rsquo;s cinema industry.
In her opening remarks, Dr Zaki described Aswan as &ldquo;a city of inspiration and beauty&rdquo; and said the festival had developed into an international platform for cultural and human dialogue. She added that it is the first Egyptian festival focused on women&rsquo;s issues through cinema.
She said honouring Aziza Amir reflects her role in shaping Egyptian cinema and inspiring generations of female filmmakers.
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The minister also highlighted the festival as an example of cooperation between civil society and state institutions, noting that it is organised by a civil association. She described it as both a cinematic event and a cultural platform addressing social issues, particularly women&rsquo;s empowerment.
Dr Zaki pointed to the &ldquo;Aswan Cinema Workshops&rdquo; initiative, which has trained young people from Aswan and Upper Egypt, with strong participation from women. More than 70 short films have been produced through the programme, some of which have been screened locally and internationally.
She also praised the festival&rsquo;s public discussions and its Children&rsquo;s Cinema programme, aimed at developing artistic awareness among younger audiences.
The minister reaffirmed the Ministry of Culture&rsquo;s support for initiatives that promote creativity and strengthen the role of art in society.
During the opening ceremony, several figures were honoured, including Egyptian actress Leila Elwi, who received the Isis Award for Achievement, Syrian actress Sulaf Fawakherji, Polish director DK Welchman, and volunteer Salwa Amer and her family from the Egyptian Red Crescent.
This year&rsquo;s festival features around 65 films from 33 countries, competing across a range of categories including feature, short, Euro-Mediterranean and impact films, as well as a dedicated children&rsquo;s programme.
Photo Credit: Cabinet of Egypt's official page&nbsp;
&nbsp;

Aswan Women’s Film Festival Opens 10th Edition Under Culture Ministry Patronage

The US dollar continued to strengthen against the Egyptian pound on Tuesday, 21 April 2026, extending a run of steady gains, according to the National Bank of Egypt.
The dollar reached EGP 51.93, up from EGP 51.69 in the previous session, an increase of EGP 0.24, signalling continued, though modest, pressure on the local currency.
Analysts say movements in the Egyptian pound remain closely tied to demand for foreign currency, particularly the US dollar, which is widely used for imports and international transactions.
The British pound also rose, trading at EGP 70.18 for buying and EGP 70.44 for selling.
The euro recorded slight gains, reaching EGP 61.14 for buying and EGP 61.34 for selling.
Meanwhile, the Chinese yuan edged up to EGP 7.61 for buying and EGP 7.63 for selling.
Regional currencies showed similar trends. The UAE dirham rose to EGP 14.12 for buying and EGP 14.16 for selling, supported by demand linked to travel, remittances and economic ties with Gulf countries.
Overall, the Egyptian pound remains under pressure amid fluctuating demand for foreign currency, as the country seeks to balance import needs with inflows from tourism, investment and remittances.
<a href="https://ibb.co/20qgrgR6"><img src="https://i.ibb.co/twB868nh/Egypt-Weather-2026-04-21-T095850-667.png" alt="Egypt-Weather-2026-04-21-T095850-667" border="0" /></a> Photo Credit: Freepik &nbsp;

Exchange Rates | Egyptian Pound Under Pressure As US Dollar Climbs To EGP 51.93 – 21 April

Egypt is expected to see stable spring weather across most regions on Tuesday, 21 April 2026, with warm to hot conditions during the day, milder temperatures along the northern coasts, and cooler weather at night, according to the Egyptian Meteorological Authority (EMA).
In Cairo, temperatures are forecast to reach 26&deg;C during the day, reflecting typical spring conditions in the capital. There is a slight chance of light rain at intervals in parts of the north-eastern coastal governorates.
Winds are expected to be active, reaching speeds of between 30 and 40 km/h in parts of Greater Cairo and South Sinai. These may at times raise sand and dust, particularly in areas of the Red Sea governorate, as well as parts of Upper and Lower Egypt.
The EMA added that low cloud is likely to form over scattered areas of the northern coast, the Nile Delta, Greater Cairo and the Suez Canal cities, with a small chance of light drizzle in some locations.
<a href="https://ibb.co/rGyBPTZC"><img src="https://i.ibb.co/GvPZwBVK/Egypt-Weather-2026-04-21-T082940-008.png" alt="Egypt-Weather-2026-04-21-T082940-008" border="0" /></a> Photo Credit: Freepik &nbsp;

Egypt Weather | Cairo Hits 26°C Amid Stable Spring Conditions – 21 April

Egypt&rsquo;s agriculture minister Alaa Farouk has toured the 93rd edition of the &ldquo;Spring Flowers&rdquo; Exhibition, according to a statement from the Ministry of Agriculture and Land Reclamation.
Held at the Agricultural Museum in Dokki, the event is one of the country&rsquo;s longest-running public exhibitions. First launched in 1930, it has become an annual celebration of spring, traditionally coinciding with the Easter period.
The exhibition is open daily from 09:00 to 21:00 until 30 May 2026.
What Visitors Can Expect
<a href="https://ibb.co/vxr3QMtM"><img src="https://i.ibb.co/qM4NW2Z2/Spring-Blossom-Expo-93rd-Flow-Design-2.png" alt="Spring-Blossom-Expo-93rd-Flow-Design-2" border="0" /></a>&nbsp;
A Combined Exhibition Space Alongside the flower show, the &ldquo;Diarna&rdquo; exhibition, organised by the Ministry of Social Solidarity, is being held for the second consecutive year. It showcases handicrafts and heritage products, supporting local artisans and small-scale producers.
Support For Farmers and Businesses The Egyptian Agricultural Bank is also taking part, presenting financing services and initiatives aimed at supporting farmers, livestock breeders and small and medium-sized enterprises. Officials described the bank as a key partner in developing the agricultural sector.
Plants and Gardening Supplies Visitors can explore a wide range of exhibits, including ornamental plants, cut flowers, rare species, cacti and landscaping materials. Organisers say the exhibition reflects evolving global trends in plant production and display.
A Day Out For Families
Officials say the event has attracted strong public attendance, offering families a chance to enjoy green spaces and buy plants directly from producers at accessible prices.
Organisers have been instructed to maintain high standards of cleanliness and services throughout the event.
Economic Importance
The exhibition also highlights efforts to expand Egypt&rsquo;s production of ornamental plants and flowers, a sector seen as a potential source of foreign currency.
Authorities say they are working to support producers and exporters through technical guidance and the adoption of modern agricultural practices, with the aim of improving competitiveness in international markets.
Photo Credit: Freepik&nbsp;
&nbsp;

Infographic | Inside Egypt’s Spring Flower Exhibition

Egyptian table tennis player Hana Goda has climbed to 20th place in the latest women&rsquo;s world rankings released by the International Table Tennis Federation (ITTF), marking a historic milestone for the sport in Africa and the Arab world.
At just 18 years old, Goda is now the highest-ranked Egyptian, Arab and African woman in the history of the rankings. Her rise follows a breakthrough performance at the ITTF World Cup, where she reached the quarter-finals, the first player from her region to achieve that feat.
Reacting to the achievement, Goda shared a message on social media expressing gratitude, saying she was proud to be among the world&rsquo;s top 20 players for the first time.
The milestone continues a steady upward trajectory. Goda had been ranked 22nd in 2025 before breaking into the top 20.
Her emergence on the international stage began early. In 2019, aged 12, she topped the ITTF under-15 world rankings, becoming the first African and Arab player to reach number one in that category. She also became Egypt&rsquo;s youngest national champion, underlining her early dominance in the sport.
Goda is widely regarded as one of the brightest young talents in global table tennis, with her latest ranking further highlighting her rapid progress on the international stage.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FHanaAymanGoda%2Fposts%2Fpfbid0d2wfaFFdmGei3safLzWG7yatXX4D37WpCJyhEdzXtiu7aUSCqXCGjeNt7xotC1J7l&amp;show_text=false&amp;width=500" width="500" height="667" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Photo Credit: Hana Goda's official page&nbsp;
&nbsp;

Egypt’s Hana Goda Reaches Career-high 20th in World Rankings

The US dollar rose against the Egyptian pound on Monday, 20 April 2026, extending a run of steady gains, according to the National Bank of Egypt (NBE).
The dollar reached EGP 51.69, up from EGP 51.65 in the previous session, an increase of EGP 0.04, pointing to continued, albeit modest, pressure on the local currency.
Analysts say movements in the Egyptian pound are closely tied to demand for foreign currency, particularly the US dollar, which is widely used for imports and international transactions.
Meanwhile, the British pound remained at relatively elevated levels, trading at EGP 69.65 for buying and EGP 69.96 for selling.
The euro weakened slightly, falling to EGP 60.63 for buying and EGP 60.91 for selling.
The Chinese yuan showed limited movement, edging up to EGP 7.57 for buying while holding steady at EGP 7.59 for selling.
Regional currencies also recorded gains. The UAE dirham rose to EGP 14.05 for buying and EGP 14.10 for selling, supported by sustained demand linked to travel, remittances and economic ties with Gulf countries.
Egypt has faced ongoing currency pressures in recent years, as it seeks to balance foreign currency demand with inflows from tourism, investment and remittances.
<a href="https://ibb.co/mVMRqp9W"><img src="https://i.ibb.co/W4YHyCkJ/Egypt-Weather-2026-04-20-T095734-965.png" alt="Egypt-Weather-2026-04-20-T095734-965" border="0" /></a>&nbsp;
Photo Credit: Freepik&nbsp;

Egypt Exchange Rates | Dollar Rises to EGP 51.69, Euro Slips – 20 April

Egypt is expected to see warm to hot weather during the daytime across most regions on Monday, 20 April 2026, according to the Egyptian Meteorological Authority (EMA), while temperatures will remain milder along the northern coasts and cooler at night.
The authority said there is a chance of light rain in scattered areas of the north-eastern coastal governorates, northern Lower Egypt, and parts of Halayeb and Shalateen, occurring intermittently.
Winds are forecast to be active, reaching speeds of 30 to 40 km/h along parts of the northern coast. They may also stir up sand and dust at times in areas of Upper Egypt, Lower Egypt, the Red Sea Governorate, as well as central and southern Sinai.
There is also a slight chance of low cloud forming over parts of the north-western coast, southern Lower Egypt, Greater Cairo, and the Suez Canal cities, which may lead to light drizzle in some areas.
What to wear?
The EMA advised that summer clothing is suitable during the daytime. However, carrying a light jacket is recommended, particularly in the early morning and late evening when temperatures may feel cooler, especially for children.
<a href="https://ibb.co/9k0FJtTn"><img src="https://i.ibb.co/fzWhbvpM/Egypt-Weather-2026-04-20-T090546-908.png" alt="Egypt-Weather-2026-04-20-T090546-908" border="0" /></a>&nbsp;
Photo Credit: Freepik&nbsp;

Egypt Weather | Warm Days, Cool Nights with Light Rain Chances – 20 April

Egypt&rsquo;s Prime Minister, Mostafa Madbouly, has announced that Saturday, 25 April 2026, will be a paid public holiday for public sector workers to mark Sinai Liberation Day. The decision, confirmed in a Cabinet statement, applies to employees in ministries, government departments, public authorities, local councils, and state-owned companies.
Development Projects in North Sinai
As part of the celebrations, Mr Madbouly began a tour on Sunday morning, 19 April 2026, to inspect several development and service projects in North Sinai Governorate.
The prime minister stated that his visit to North Sinai, which coincides with celebrations marking Sinai Liberation Day, aims to follow up on the progress of several development and service projects. These include healthcare facilities, drinking water services, seawater desalination plants, and industrial projects, in addition to key infrastructure developments such as the upgrading of El Arish International Airport and the city&rsquo;s seaport.
Mr Madbouly noted that these projects are part of a broader strategic development plan aimed at achieving comprehensive development in North Sinai under the national project launched by President Abdel Fattah el-Sisi.
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Photo Credit: Cabinet of Egypt&rsquo;s official page
&nbsp;

Egypt Declares Public Holiday for Sinai Liberation Day

The US dollar continued to decline against the Egyptian pound on Sunday, 19 April 2026, following several days of steady gains, according to the National Bank of Egypt. The dollar fell to EGP 51.65, down from EGP 51.87 in the previous session, marking a decrease of EGP 0.22 and reflecting a modest strengthening of the local currency.
Meanwhile, the British pound continued to trade at higher levels, recording EGP 69.75 for buying and EGP 70.37 for selling. The euro also declined, reaching EGP 60.74 for buying and EGP 61.31 for selling. The Chinese yuan showed minimal fluctuation, standing at EGP 7.56 for buying and EGP 7.59 for selling, indicating relatively stable trading compared with major Western currencies.
Regional currencies followed a similar pattern of stability. The UAE dirham was recorded at EGP 14.04 for buying and EGP 14.08 for selling, supported by consistent demand for Gulf currencies in the Egyptian market.
<a href="https://ibb.co/LdZkDBtb"><img src="https://i.ibb.co/QvKb7hNz/Egypt-Weather-2026-04-19-T104046-476.png" alt="Egypt-Weather-2026-04-19-T104046-476" border="0" /></a>&nbsp;
Photo Credit: Freepik&nbsp;

Egypt Exchange Rates | Dollar Drops to EGP 51.65 Against the Egyptian Pound – 19 April

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Egypt&rsquo;s national team is set to begin its 2026 FIFA World Cup campaign in the coming weeks, with the tournament taking place across the United States, Canada, and Mexico from 11 June to 19 July.
The Pharaohs will play their opening match on 15 June and have been drawn in Group G alongside Belgium, Iran, and New Zealand.
The 2026 tournament will be the first to feature 48 teams, divided into 12 groups of four, with matches held in 16 cities across the three host nations.
The Egyptian Football Association (EFA) has announced that a limited number of tickets for Egypt&rsquo;s matches are now available to supporters.
According to the EFA, tickets will be allocated exclusively to Egyptian fans and will not be considered as valid documentation for obtaining entry visas to the host countries.
Supporters will be able to purchase up to four tickets per match, with allocation based on a first-paid, first-served basis. The association added that payments are non-refundable, with priority given to those who already hold a valid United States visa.
Applications and payments can be made at the EFA headquarters in 6th of October City between 10:00 and 16:00 daily. Fans must complete a purchase form using their passport details before proceeding with payment, which must be made in US dollars via the association&rsquo;s bank account for transfer to FIFA.
The booking window runs from 14 April until 24 April, or until tickets are sold out.
Ticket prices for Egypt&rsquo;s matches vary depending on the category.
&nbsp;<a href="https://ibb.co/fGksvvny"><img src="https://i.ibb.co/Nn9MSSmJ/Copy-of-Copy-of-Blue-and-Green-Abstract-Group-Stage-Draw-Flyer-2-22222.png" alt="Copy-of-Copy-of-Blue-and-Green-Abstract-Group-Stage-Draw-Flyer-2-22222" border="0" /></a>For the match against Belgium, first-category tickets are priced at $550, second-category at $440, and third-category at $200.
For the New Zealand match, tickets are priced at $500 for the first category, $420 for the \\\second, and $155 for the third.
Prices for the Iran match mirror those of the Belgium fixture, with tickets set at $550, $440, and $200 respectively.
Tickets will be delivered to buyers via email once the purchase process is complete.
Photo Credit: Official Facebook page of the Egyptian Football Association.

Infographic |EFA Announces Limited Tickets for Egypt World Cup Matches

Egypt&rsquo;s Minister of Youth and Sports, Gohar Nabil, has welcomed table tennis player Hana Goda following her return from Macau, where she recorded a landmark result at the Women&rsquo;s Table Tennis World Cup.
Goda, 18, became the first Egyptian, Arab and African player to reach the quarter-finals of the tournament.
The minister praised her performance, describing it as a significant step for Egyptian table tennis, particularly given the level of competition against leading Chinese players.
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&ldquo;This achievement represents an unprecedented milestone,&rdquo; he said, adding that the government would continue to support athletes competing internationally.
Goda secured her place in the last eight after a 4&ndash;3 victory over France&rsquo;s Jia Nan Yuan in the round of 16. She came from behind in the deciding game, recovering from a 10&ndash;7 deficit to win.
In the quarter-finals, she faced China&rsquo;s Sun Yingsha, the world number one and Olympic champion.
After losing the opening two games, Goda fought back to level the match at 2&ndash;2 and then took the fifth game to move ahead. However, Sun recovered to win the final two games, taking the match 4&ndash;3.
Despite the defeat, Goda&rsquo;s performance is being seen as a breakthrough moment for the sport in Egypt, highlighting her emergence as one of the country&rsquo;s leading young athletes.
<a href="https://ibb.co/zTjSLSXd"><img src="https://i.ibb.co/fzBCKCkJ/Hana-Goda-18-Unstoppable.jpg" alt="Hana-Goda-18-Unstoppable" border="0" /></a>&nbsp;
Photo Credit: Hana Goda&rsquo;s official page

Infographic | Egypt’s Hana Goda Reaches Historic Quarter-Final at Table Tennis World Cup

With Barcelona hosting one of the most anticipated friendlies of the international break, all eyes turn to RCDE Stadium on Tuesday, 31 March 2026, as Egypt face Spain at 9:00 PM Cairo time. Despite being a friendly, the match has generated significant excitement on both sides.
Full House Expected
Tickets for the Egypt vs Spain clash have completely sold out, ensuring a full-capacity crowd at RCDE Stadium, home of Espanyol. The match will be officiated by a Bulgarian refereeing team led by experienced official Georgi Kabakov.
Absences and Key Players
Spain named an initial 26-man squad for the training camp, later reduced to 25 following the withdrawal of Mart&iacute;n Zubimendi due to injury. Key names include Pedri, Ferran Torres, Rodri, Mikel Oyarzabal, and rising star Lamine Yamal.
Egypt will be without Mohamed Salah, who misses the match through injury. In his absence, Omar Marmoush is expected to lead the attack, supported by Mahmoud &ldquo;Trezeguet&rdquo; Hassan and Emam Ashour.
<iframe src="//www.youtube.com/embed/Tod_u6r1Ims" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Olympic History
The two nations have met several times at the Olympic level. Egypt lost 2-0 to Spain at the 1992 Barcelona Olympics and drew 0-0 at the Tokyo 2020 Games. However, Egypt secured a memorable 2-1 victory over Spain at the Paris 2024 Olympics, a result that still resonates ahead of this encounter.
Last Senior Meeting
The senior teams last met in a 2006 friendly, where Spain claimed a 2-0 win with goals from Ra&uacute;l Gonz&aacute;lez and Jos&eacute; Antonio Reyes.
<iframe src="//www.youtube.com/embed/ZLZYDKOQWgI" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Road to the World Cup
Egypt arrives in strong form after a 4-0 win over Saudi Arabia in Jeddah, as they continue preparations for the 2026 World Cup. Spain, world champions in 2010, and Egypt, still seeking their first title, will use this match to fine-tune their squads ahead of the tournament, which begins on 11 June 2026 in the United States, Canada, and Mexico.
Photo Credit: Egypt National Team&rsquo;s official page

Egypt vs Spain Friendly: All You Need to Know

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AI exploded into the mainstream, and now everyone&rsquo;s stuck on one question; is it here to kill creativity, or just give it a serious boost?
The Tools Are Already Here
ChatGPT from OpenAI, Adobe Firefly, Midjourney, they&rsquo;re no longer &ldquo;coming soon.&rdquo; Writers, designers, and musicians are using them daily. Briefs that used to take hours get knocked out in minutes. A track idea you&rsquo;d sit on for days can be mocked up before your coffee gets cold. The tech is fast. The debate is faster.
From Threat to Teammate
A lot of creatives are changing the game; AI isn&rsquo;t the enemy, it&rsquo;s the new collaborator. Producers are using it to test weird sounds they&rsquo;d never try otherwise. Content creators lean on it to beat blank-page panic or tighten a messy first draft.
Grimes basically set the tone for this mindset. She told fans to go ahead and use AI versions of her voice in their music, just split the royalties if it makes money. No lawsuits, no drama. Just, &ldquo;Let&rsquo;s see what happens.&rdquo;
&nbsp;But then there&rsquo;s the other side. Those viral AI tracks with &ldquo;Drake&rdquo; and &ldquo;The Weeknd&rdquo; last year? Neither artist stepped in a booth. It blew up the whole conversation around consent, identity, and who actually owns a sound.
The Copyright Mess
This is where it gets tense. AI models train on massive amounts of existing work; songs, scripts, paintings, and photos. A lot of it is copyrighted. Most of it was used without permission.
That&rsquo;s why the lawsuits keep coming. The Writers Guild of America drew a hard line during the strikes: AI can&rsquo;t write your screenplay. Human writers stay in control.
Illustrators and photographers are saying the same thing. If your art was used to teach a machine that now generates images in your style, and you weren&rsquo;t asked or paid, that&rsquo;s a problem.&nbsp;
So What&rsquo;s Happening in Egypt?
&nbsp;Cairo&rsquo;s creative scene is already testing the waters. Open TikTok or Instagram and you&rsquo;ll find young Egyptian producers dropping AI-assisted beats, designers using it for quick edits, and digital artists experimenting with new styles.
&nbsp;For a lot of them, AI isn&rsquo;t scary. It&rsquo;s leverage. In a digital economy where speed and volume matter, being able to pitch three solid concepts before noon instead of one by Thursday is a game-changer.
The questions we&rsquo;re still figuring out: Who&rsquo;s teaching people how to use these tools well? Are agencies, labels, and studios ready for how fast this is moving? And if access isn&rsquo;t equal, who gets left behind?
We&rsquo;ve Been Here Before
Every major creative tool started with panic. Photoshop was going to kill photography. Auto-Tune was going to kill real singers. Drum machines were going to kill drummers.
One analyst told the BBC: &ldquo;Every innovation in creative tools starts with fear. Then we realize it just expands what&rsquo;s possible. The human part doesn&rsquo;t disappear, it just moves.&rdquo;
AI can generate, remix, and suggest all day. But it doesn&rsquo;t get obsessed with a weird idea at 2 am. It doesn&rsquo;t have taste. It doesn&rsquo;t have a point of view or a story it needs to tell.
Bottom Line
So maybe the question isn&rsquo;t &ldquo;Can AI be creative?&rdquo;
It&rsquo;s &ldquo;Can we stay creative enough to use it right and make sure it doesn&rsquo;t use us?&rdquo;
The balance between human imagination and machine help? That&rsquo;s where the real story is right now. And it&rsquo;s moving fast.
Photo Credit:&nbsp;Freepik&nbsp;

Is AI Replacing Creativity or Supercharging It? How AI Tools Are Changing Music, Art, and Everyday Life

Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has announced the launch of a nationwide medical and ambulance plan for Eid al-Fitr 2026, aimed at ensuring readiness across the health system during the holiday period.
The ministry said more than 700 government hospitals have increased emergency preparedness, with emergency departments and operating theatres functioning around the clock as travel and public gatherings rise.
Ambulance Services and Rapid Response
The plan includes enhanced deployment by the Egyptian Ambulance Authority, with around 3,000 ambulances operating across governorates and an additional 1,200 vehicles positioned at key locations.
Ambulances have been stationed near main roads, public squares, mosques, Eid prayer areas, parks, and other gathering points. Twenty-seven emergency rooms are linked to a central control centre to enable real-time monitoring and dispatch, while regional officials oversee high-traffic areas.
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Focus on Major Roads
Authorities say priority has been given to major routes, including the coastal road between Damietta and Matrouh, the Cairo-Alexandria desert road, the agricultural road, as well as routes in South Sinai, the Red Sea, and Upper Egypt.
More than 600 fixed and mobile ambulance points have been deployed along these roads to allow rapid response to accidents.
Hospital Preparedness
Hospitals have also increased capacity in emergency and intensive care units. Around 250 facilities have been designated as primary referral centres on highways, supported by 54 rapid response teams for large-scale incidents.
Blood banks have been supplied with an additional 40,000 units, and medical stocks have been reinforced to meet potential demand.
Public Health Measures
The preventive medicine sector has intensified inspections of more than 35,000 food outlets, including sweet shops, restaurants, hotels, parks, and public transport hubs.
Around 1,200 inspection teams have been deployed to monitor compliance with health and safety standards.
Monitoring and Public Guidance
A central operations room will operate круглосуточно to monitor implementation of the plan.
The ministry has also urged the public to follow health guidelines, with the hotline 137 available for medical enquiries and emergency assistance throughout the Eid holiday.
Photo Credit: The Ministry of Health and Population of Egypt&rsquo;s official page

Egypt Rolls Out Nationwide Health and Ambulance Plan for Eid

Nesma Mostafa, Head of MENA Higher Education Insights and Student Mobility at the British Council, joined Rob and Sally on &ldquo;The Big Fast&rdquo; this Tuesday to discuss the evolving landscape of higher education in Egypt and the MENA region. Airing from 8 to 10 AM, the conversation explored international collaboration, student mobility, and the benefits of transnational education for learners seeking global opportunities without leaving home.
Defining Herself as an Educator
Nesma shared her personal perspective on her role: &ldquo;So I&rsquo;m at the British Council, but how I define myself is as an educator, an education researcher. I&rsquo;ve been working in higher education for 15 years, which technically means research around higher education opportunities within the region, with the aim of informing the UK sector of these opportunities and then bridging, making connections, and building these relationships between the UK, Egypt, and beyond.&rdquo;
When asked why education is such a passion, she said, &ldquo;I&rsquo;ve always been a lifelong learner. Education is at the core of development, supporting people to find what they&rsquo;re meant to do and helping nations meet their goals. Knowledge is power, regardless of where it comes from.&rdquo;
What is Transnational Education?
The discussion then turned to transnational education (TNE). Nesma explained: &ldquo;Transnational education is when a university in one country offers a programme or a degree in another country, physically moving to meet students where they are. Instead of Egyptian students travelling to get a degree in the UK, the UK institution comes to Egypt and delivers that in-country through different models.&rdquo;
She highlighted the accessibility of this model: &ldquo;This increases access to international education for students who can&rsquo;t travel for personal, family, or financial reasons. You get the benefits of an international degree without ever having to leave home.&rdquo;
Models of Transnational Education
On international branch campuses: &ldquo;This is one of the independent models of transnational education where a university expands to a new country, offering the same programmes and teaching methods, and bringing its expertise into a new context. Students graduate with one international degree that is very similar to what they would receive if they studied abroad.&rdquo;
On joint degrees: &ldquo;Joint degrees are when two universities come together to develop a programme. You have international expertise alongside local knowledge, creating something relevant to students and their context. It&rsquo;s co-created, combining the strengths of both institutions into one degree accredited by both.&rdquo;
On digital learning: &ldquo;This could be fully online learning, where you&rsquo;re in Egypt studying at a university abroad, which is still transnational education. There are also blended models combining online and face-to-face learning, usually involving a local partner and an international partner. The international side may develop the virtual learning environment and resources, while local expertise ensures the content is contextualised. Exams, for example, may take place in Egypt, even if systems are hosted abroad.&rdquo;
Why Egypt is a Key Destination
Egypt has become the fourth-largest host country globally for UK transnational education programmes, with around 38,000 students enrolled. Nesma explained the appeal: &ldquo;Egypt has 3.8 million students in higher education, expected to grow to 5 million by 2030. There&rsquo;s strong demand, and universities in Egypt are keen to partner with international counterparts. Students trust UK institutions, and government strategies highlight internationalisation as a priority.&rdquo;
The Benefits for Students
The advantages extend beyond studying locally. Nesma highlighted global recognition and employability: &ldquo;You get a degree that can be used anywhere in the world without needing revalidation. Students also develop critical thinking, leadership, communication, and intercultural skills that are highly valued by employers.&rdquo;
She also emphasised the British Council&rsquo;s role: &ldquo;We work with governments, institutions, and learners. We help ensure supportive regulations, bring stakeholders together through networking, and guide students on accessing opportunities. Everything we do is research-driven to continuously improve partnerships.&rdquo;
Regional Collaboration through Deep Dialogues
Nesma discussed the recent regional Deep Dialogue in Cairo: &ldquo;Participants from 11 countries came together to learn from different models of transnational education. Mature ecosystems like Egypt shared insights with countries still developing their frameworks. We discussed regulation, quality assurance, and engaged directly with students to understand their experiences.&rdquo;
She added, &ldquo;These dialogues build a community of practice. Connections continue beyond the event, creating sustainable networks that support education across the region.&rdquo;
Looking Ahead
Nesma concluded with a forward-looking perspective: &ldquo;Successful models in more developed systems can help guide countries in earlier stages. At its core, this is about improving education, expanding opportunities, and empowering students to reach their potential while contributing to society. The British Council plays a key role in building the connections, understanding, and trust needed to make this ecosystem sustainable.&rdquo;
&nbsp;

Nesma Mostafa on Transnational Education: Bringing Global Degrees Closer to Egyptian Students

Every year, as Ramadan approaches, social media platforms are flooded with posts, discussions, and reviews about the season&rsquo;s most popular series. Fans eagerly share their favourite shows, sparking debates that highlight the diversity of tastes among viewers.
A Variety of Genres for Every Taste
Ramadan series dominate online conversations because everyone has their own preferences. Some viewers are drawn to action and thrillers, while others prefer light-hearted comedies or romantic dramas. This wide variety ensures there is something for everyone, keeping discussions lively and inclusive.
Social Media Amplifies the Experience
Social media plays a crucial role in shaping the Ramadan viewing experience. Fans use it to share reviews, recommend shows, and react instantly to plot twists, memorable performances, or funny scenes. It doesn&rsquo;t just reflect audience opinions; it influences them, helping certain series gain momentum and become cultural talking points.
However, this immediacy can have downsides. Spoilers often appear online before some viewers have had a chance to watch, causing disappointment or rushing people to catch up. The &ldquo;spoiler alert&rdquo; dilemma has become a recurring challenge, as social media&rsquo;s fast pace can sometimes take away the element of surprise that makes watching a series so enjoyable.
Beyond Entertainment: A Shared Cultural Experience
Ultimately, the combination of Ramadan&rsquo;s communal spirit and the rise of social media have turned TV series into more than just entertainment. They have become shared cultural experiences, where fans across the region engage, debate, and celebrate their favourite moments together, while also navigating the occasional spoiler.
Photo Credit: Freepik

Why Ramadan Series Take Over Social Media Every Year

Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has praised the humanitarian and medical achievements of the Magdi Yacoub Heart Foundation, highlighting its role in supporting the country&rsquo;s healthcare system and saving thousands of lives.
Speaking on behalf of Prime Minister Mostafa Madbouly, Abdel Ghaffar emphasized the importance of partnerships between the government and civil society organizations in strengthening healthcare services across Egypt.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid0RZqBfmevLSBHBk9U8LiXtL44MmqSabznFzqBNXNYZVnRFZ9tcjGmVmb75nsj5gawl&amp;show_text=true&amp;width=500" width="500" height="715" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
The minister described the foundation as a leading model of charitable medical work in the country and the region, pointing to the achievements of the Aswan Heart Centre. The centre combines advanced medical treatment with scientific research and has provided life-saving care to thousands of children and patients free of charge.
Abdel Ghaffar also noted the upcoming opening of the Magdi Yacoub Global Heart Centre, which is expected to expand access to advanced cardiac research and treatment in Egypt.
He described renowned heart surgeon Magdi Yacoub as a global example of dedication and humanitarian commitment, embodying the spirit of a &ldquo;humanitarian doctor.&rdquo;
For his part, Yacoub expressed appreciation for the government&rsquo;s support, saying the foundation&rsquo;s achievements are driven by a shared belief that everyone deserves access to life-saving treatment, regardless of financial ability. He added that the new Cairo research centre will represent a major step toward building a healthier future for upcoming generations.
Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt’s Health Minister Hails Magdi Yacoub Foundation for Life-Saving Cardiac Work

Egypt&rsquo;s General Authority for Healthcare Accreditation and Regulation (GAHAR) has granted full and preliminary accreditation to 32 health facilities across the country, according to decisions issued by the Supreme Committee for the Accreditation of Health Facilities.
The move is part of efforts to strengthen quality and patient safety standards in line with internationally recognised benchmarks set by the International Society for Quality in Health Care (ISQua).
Officials say the accreditations aim to improve the efficiency of healthcare institutions and prepare them for integration into Egypt&rsquo;s Universal Health Insurance system, which seeks to expand access to safe and high-quality medical services nationwide.
As part of preparations for the system&rsquo;s second phase, Minya Governorate is expected to be among the first areas to implement the programme. The Supreme Committee renewed preliminary accreditation for Minya Oncology Center and granted preliminary accreditation to several hospitals in the governorate, including Samalut Oncology Hospital, El Adwa Central Hospital and Mallawi Liver and Gastroenterology Hospital.
The General Military Hospital in Alexandria, affiliated with the Armed Forces Medical Services, also received preliminary accreditation in accordance with GAHAR standards, reflecting ongoing efforts to strengthen quality and patient safety in healthcare delivery.
Officials say the latest accreditations represent another step in Egypt&rsquo;s broader strategy to standardise healthcare services, improve patient outcomes and prepare facilities for nationwide implementation of the Universal Health Insurance system.
Photo Credit: Freepik&nbsp;

Egypt Accredits 32 Health Facilities as Part of Insurance Expansion

Under the &ldquo;Rabies-Free Egypt 2030&rdquo; strategy, 293 stray dogs were vaccinated in a single day, as authorities shift from crisis management to long-term solutions. Egypt&rsquo;s Ministry of Agriculture and Land Reclamation has launched the first field phase of its national campaign to vaccinate and sterilize stray dogs, starting in the Ain Shams district of Cairo, in a move aimed at protecting public health and addressing the stray dog issue through sustainable and humane measures. The campaign is part of the national strategy &ldquo;Rabies-Free Egypt 2030&rdquo; and reflects a clear policy shift from short-term crisis management to science-based, long-term solutions. Ain Shams was chosen as the starting point due to repeated public complaints and the need for early intervention to reduce health risks associated with rabies.
<a href="https://ibb.co/JWsns0Bt"><img src="https://i.ibb.co/35C1CGrd/Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1.png" alt="Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1" border="0" /></a> From Crisis Management to Sustainable Solutions Minister of Agriculture Alaa Farouk said the initiative marks a transition toward root solutions, emphasizing that the campaign follows internationally recognized standards and prioritizes cooperation between government institutions and civil society. The field operations are being implemented under the supervision of the General Organization of Veterinary Services, in coordination with the General Administration of Animal Welfare and Licensing, and in cooperation with the Federation of Animal Welfare Associations.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid05FdszQCgiwtgSm1nbRSzVjCPe32zHrAFVWgohq86NmSVrQVunqh5U7mTCJfbqvqFl&amp;show_text=true&amp;width=500" width="500" height="250" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> On the first day of the campaign, veterinary teams vaccinated 293 stray dogs against rabies, while 25 dogs were transferred to designated shelters to undergo surgical sterilization before being safely returned to their original environment. Officials said this approach helps maintain ecological balance and prevents the spread of disease by limiting the entry of unvaccinated animals into treated areas. Alongside vaccination efforts, veterinary awareness teams launched an on-ground community outreach campaign to educate residents on safe interaction with stray dogs and methods of preventing zoonotic diseases. The ministry confirmed that the Ain Shams phase represents the foundation of a nationwide rollout, which will be gradually expanded across all governorates according to a set timeline, in line with Egypt&rsquo;s goal of eliminating rabies by 2030.
Photo Credit: Egyptian Cabinet's official page&nbsp;

Infographic | Egypt Begins Nationwide Stray Dog Vaccination Drive Under ‘Rabies-Free Egypt 2030’ Strategy

CEO Women has announced the launch of She FinTech, a major competitive initiative aimed at empowering women in FinTech and Digital Innovation. The competition comes as part of CEO Women&rsquo;s ongoing commitment to supporting female entrepreneurs across the region and builds on the success of the Entrepreneur Zone featured within CEO Women&rsquo;s flagship events.
The initiative offers total awards of USD 120,000, including USD 50,000 in financial support and USD 70,000 in technical support, designed to fuel innovative ideas and accelerate the growth of women-led ventures. The initiative reflects CEO Women&rsquo;s strong belief that investing in women&rsquo;s creativity is essential to driving economic and social development.
Mona Morad, Founder and CEO of CEO Women, highlighted the significance of the competition, stating: &ldquo;She FinTech represents a vital platform to advance women&rsquo;s presence in both digital and financial sectors. We are committed to creating opportunities for visibility, growth, and regional expansion for women-led businesses.&rdquo;
The competition expands regionally to include participants from across the Middle East and North Africa, establishing She FinTech as a leading platform that brings together women innovators and fosters collaboration and knowledge exchange across the region.
The winning companies will be announced during a special ceremony held at the closing of the CEO Women 2026 events in Cairo, in the presence of distinguished leaders, experts, and key figures from the financial and technology sectors.
CEO Women invites female entrepreneurs in FinTech and Digital Innovation to participate in the competition and benefit from the financial and technical support offered. Further details about the application process will be shared in the upcoming announcements.

CEO Women Launches “She FinTech” Competition to Empower Women in FinTech and Digital Innovation with Total Awards of USD 120,000

At just 23, Wednesday star Jenna Ortega has become the youngest jury member in the history of the Marrakech Film Festival, joining an international panel that includes Bong Joon Ho, Palme d&rsquo;Or winner Julia Ducournau, and Oscar nominee Celine Song.
Speaking about the responsibility, Ortega said she refuses to let pressure overshadow the moment. &ldquo;I&rsquo;m not intimidated because I&rsquo;m so overwhelmed with gratitude,&rdquo; she noted. &ldquo;It would be a shame to come into this experience weighed down by external pressure. At the end of the day, we&rsquo;re all on the same team.&rdquo; Known for her forthrightness, she added: &ldquo;It&rsquo;s very hard for me to put up a front. More than anything, I just want to be as present as possible.&rdquo;
Her presence adds a candid and youthful perspective to a jury reviewing 14 debut and second features, including Akinola Davies Jr.&rsquo;s My Father&rsquo;s Shadow, Zamo Mkhwanazi&rsquo;s Laundry and Morad Mostafa&rsquo;s Aisha Can&rsquo;t Fly Away. Alongside fellow jurors Anya Taylor-Joy, Karim A&iuml;nouz, and Hakim Belabbes, Ortega&rsquo;s role signals how emerging voices are increasingly shaping global cinema conversations.
Fresh Eyes on AI and Storytelling
During a press briefing, Ortega reflected on artificial intelligence in film, referencing her work in Taika Waititi&rsquo;s Klara and the Sun, where she acted opposite a solar-powered AI robot capable of expressing human emotion. Describing AI as &ldquo;a Pandora&rsquo;s box,&rdquo; she said the experience pushed her to consider how technology is redefining narrative, performance, and the boundaries between human and machine.
Facing Challenges Head-On
Ortega also spoke openly about navigating challenges. &ldquo;The only way to deal with these hardships is to face them forward,&rdquo; she said, underlining an approach rooted in honesty and presence. These qualities, she suggested, shape both her craft and her contribution to the jury.
With her blend of modern perspective, transparency, and fearlessness, Jenna Ortega is showing that a younger generation can offer not just fresh insight, but meaningful influence at one of the world&rsquo;s leading film festivals.
Photo Credit: Jenna Ortega's official page&nbsp;

Jenna Ortega at The Marrakech Film Festival: AI, Cinema and Fearlessness

For years, fibromyalgia was that invisible ghost of pain that people whispered about but never really understood. That changed when Montahy Al Salahya&mdash;Farrag&rsquo;s Ramadan series&mdash;threw it into the mainstream, finally showing the exhaustion, confusion and daily battle of living with a condition that has no obvious scars. It was raw, relatable and sparked the question millions have quietly asked: what is&nbsp;fibromyalgia?
 And now, for the first time in nearly 15 years, there&rsquo;s an answer that feels hopeful. The U.S. Food and Drug Administration has approved Tonmya&nbsp;(cyclobenzaprine HCl sublingual tablets), the first new treatment for fibromyalgia since the late 2000s. Unlike older medications that only offered partial relief, this one&rsquo;s non-opioid, placed under the tongue and taken at bedtime&mdash;targeting both chronic pain and sleep disruption, two of the condition&rsquo;s most frustrating hallmarks.
 Clinical trials showed promising results: participants reported a 30 percent or greater drop in pain levels, and their sleep noticeably improved. Sure, side-effects like drowsiness and numbness appeared, but they were mild compared to what patients have endured on previous treatments.
 But let&rsquo;s be honest&mdash;it&rsquo;s not a miracle cure. Fibromyalgia is complex. It messes with sleep, focus, mood and the nervous system all at once. Tonmya&nbsp;may not end the fight, but it finally feels like medicine is taking this battle seriously. The drug is expected to hit pharmacies by late 2025, and when it does, it could redefine what hope looks like for millions living in quiet pain.
 For once, the conversation about fibromyalgia isn&rsquo;t being spoken over&nbsp;patients&mdash;it&rsquo;s being spoken with&nbsp;them.
Photo Credit:&nbsp;geralt, Creative Commons Zero, Public Domain Dedication
&nbsp;

Fibromyalgia Finally Has a New Treatment After 15 Years

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris&mdash;an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
&nbsp;

Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
&nbsp;

Let’s Dance 




Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Some say &ldquo;They don't make them like they used to", and we certainly agree. For one hour we spin out all your favorite classic hits from the 60s through the 90s that bring back those good oldies. Fridays and Saturdays from 7 to 11 am, it's the time for some serious nostalgia.

Flashback

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Join Zeinab &amp; Sami every weekday afternoon for &ldquo;The Big Drive&rdquo;! Your best companion on your journey home from work or school. The best music, the funniest games and lots more as they help you shake off your Cairo traffic blues! Zeinab and Samy will keep you entertained every day from 5 to 7 PM.
&nbsp;

The Big Drive

Your morning commute has never been this fun! An endlessly entertaining blend of games, news tidbits, and the latest hits, &ldquo;The Morning show&rdquo; is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Rob &amp; Sally are here to make sure you are fresh and ready to conquer the day!

The Morning Show

Hip-Hop &amp; RnB &ldquo;FLAVAS!&rdquo; from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your weekly dose of all the newest hip-hop releases, the best old-school jams, East Coast/West Coast, Shack Town, the dirty South &amp; the Middle East just got a whole lot more flavorful with DJ Feedo!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Kenzy will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt Live

Unlike any other show, Basmah will give you a variety of different segments throughout the weekdays for one hour! Basmah will keep you company with plenty of chat, fun, music &amp; games, along with all the latest entertainment news and much more!

Brain Busters

Every Monday and Wednesday from 3-4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, nonstop! All the latest tracks for one hour straight, no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!
&nbsp;

Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counts down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop-culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

A curated playlist of the best tunes from the 90s &amp; the 2000s! Join veteran music man Simon Ramsden as he helps you bring your busy work week to a close and prepares you for the weekend&rsquo;s parties! Every Thursday, Simon&rsquo;s power hour aims to kickstart your weekend with an hour full of the best of all time and new tracks to make you feel good!

Feel Good Thursday

Step into a world of calm and culture with Nile Bazar with Safi. Featuring oriental-inspired music and thoughtfully curated lifestyle content, the show offers a serene backdrop for reflection, discovery, and an immersive taste of local flavor. Every Thursday from 11 AM to 1 PM, with a chance to catch it on Saturday later from 10 to 11 PM.
&nbsp;

Nile Bazaar

More than three decades after the release of the iconic thriller Cape Fear, the story is returning in a new form. This time, the classic psychological thriller will arrive as a television series set to premiere on June 5, 2026. The upcoming series revisits the chilling story of Max Cady, a dangerous man seeking revenge after serving a long prison sentence. Robert De Niro famously portrayed the character in the 1991 film directed by Martin Scorsese and produced by Steven Spielberg. In the new television adaptation, Javier Bardem will play Max Cady, joined by Amy Adams and Patrick Wilson. According to the official description, &ldquo;a storm is coming for happily married attorneys Anna and Tom Bowden when Max Cady, the notorious convict they helped put behind bars, is released from prison and seeks revenge.&rdquo;
<iframe src="//www.youtube.com/embed/dSnichjB3-o" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> A Story with a Long Cinematic History The story of Cape Fear originates from The Executioners. The novel was first adapted into a film in 1962 by Universal Pictures, starring Gregory Peck and Robert Mitchum. Nearly three decades later, Martin Scorsese directed the acclaimed 1991 remake starring Robert De Niro, Nick Nolte, Jessica Lange, and Juliette Lewis. The film became one of the most memorable thrillers of the decade. The 1991 movie earned multiple awards and nominations, including Academy Award nominations for Best Actor for Robert De Niro and Best Supporting Actress for Juliette Lewis.
<iframe src="//www.youtube.com/embed/NNw_ar7XVyQ" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Why the New Series Is Generating Buzz The new television adaptation brings together a powerful cast and an experienced creative team. Both Martin Scorsese and Steven Spielberg serve as executive producers, ensuring the series remains connected to the legacy of the original film. The story focuses on psychological tension, revenge, and moral conflict, themes that continue to resonate with audiences today. With the extended storytelling format of television, the creators have more space to explore the characters and their motivations in greater depth. The series will premiere with its first two episodes on 5 June 2026, with new episodes released every Friday until 31 July 2026. Photo Credit: Cape Fear&rsquo;s official page

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Before “Ezma”: Egyptian Novels That Were Turned into Films in The 21st Century

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Is AI Replacing Creativity or Supercharging It? How AI Tools Are Changing Music, Art, and Everyday Life

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Why Fans Are Excited for The New "Cape Fear" TV Series

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