Egyptian DJ and producer Omar Baset has opened up about his rise in electronic music, describing a journey shaped by persistence, experimentation and a clear artistic vision.
Speaking on "Let&rsquo;s Dance with Nancy" on NileFM, Baset reflected on how a childhood habit of listening to the station has come full circle, with him now appearing as a guest.
&ldquo;It&rsquo;s a pleasure&hellip; I&rsquo;ve always been listening to it since a young age,&rdquo; he said.
Where It All Began
Baset&rsquo;s relationship with music started around 2010, when he became immersed in EDM and trance.
A key turning point came in 2014 after discovering French DJ Quentin Mosimann, whose multi-instrument performances left a lasting impression.
&ldquo;This guy was insane. He&rsquo;s doing everything.&rdquo;
Inspired, Baset began experimenting with music production alongside a friend, marking the beginning of his career.
YouTube, night shifts and persistence
In the early years, Baset taught himself production techniques using YouTube, describing it as essential to his development.
At the same time, he was working in a call centre, often producing music during breaks.
His first major breakthrough came in 2017, when the label Stay Yoki responded to one of his demo submissions after repeated attempts.
&ldquo;I felt this is the first achievement I have ever did in my life.&rdquo;
A distinct, dance-driven sound
Baset describes his music as &ldquo;playful&rdquo;, centred on groove and accessibility rather than intensity.
He says his aim is to provide listeners with a sense of relief.
&ldquo;I&rsquo;m trying to deliver&hellip; making people feel a little bit relieved.&rdquo;
A staple in his sets is the track &ldquo;Stephanie&rdquo; (Victor remix), which he says consistently resonates with audiences.
Inside the production process
Baset emphasised the importance of not forcing creativity, describing music-making as a fluid process.
&ldquo;If you&rsquo;re forcing the creative process, you&rsquo;re going to lose the identity.&rdquo;
He often starts with rhythm or vocals, allowing the rest of the track to develop organically. When facing creative blocks, he prefers to step away and return later with a fresh perspective.
The making of &ldquo;Sierra&rdquo;
One of his notable releases, &ldquo;Sierra&rdquo;, created with collaborator RG, took more than a year to complete.
Baset said the extended timeline was largely due to post-production refinements, as both artists worked to perfect the final version.
&ldquo;You need to think about it in your own mind.&rdquo;
A Defining Moment At The Pyramids
Among his career highlights, Baset pointed to a performance at the Animus Quantum Genesis event near the Giza Pyramids.
Playing to a crowd of up to 20,000 people, he described the experience as emotional.
&ldquo;I had goosebumps&hellip; I was going to cry.&rdquo;
With the pyramids forming the backdrop, Baset said the moment was difficult to process.
&ldquo;I was flying actually.&rdquo;
Full circle
From a young listener of NileFM to a featured guest, Baset&rsquo;s story reflects steady growth within the global electronic music scene.
His journey, he suggests, is defined less by sudden breakthroughs and more by consistency, patience and staying true to his sound.
&nbsp;

Omar Baset: Career Journey, Production Secrets and The Show That Changed Everything

Egyptian actor and Cairo International Film Festival president Hussein Fahmy has revealed details of his participation in a new Chinese docudrama, The Story I Found in China, with filming taking place at Beijing&rsquo;s Temple of Heaven.
Fahmy shared images from the set on social media, confirming his involvement in the production, which is being shot across several Chinese cities including Beijing, Hangzhou, Suzhou and Shenzhen.
A Cross-cultural Narrative
The film follows a docudrama format, blending factual storytelling with dramatized elements. It presents a series of human stories linked through a central narrator, who also takes part in the events depicted.
According to Chinese state broadcaster CGTN, the production combines documentary material with dramatic performance to create a hybrid narrative exploring real-life experiences.
Fahmy&rsquo;s Role
In the film, Fahmy portrays an elderly traveller whose perspective has been shaped by life experience. The character reflects on personal encounters and observations while journeying through China.
Fahmy said the role centres on a figure who shares his thoughts and insights as he moves through different environments, highlighting common human experiences across cultures.
Cultural Collaboration
The project comes amid broader efforts to strengthen cultural and media ties between China and the Arab world.
It also coincides with upcoming diplomatic milestones, including the second Arab&ndash;Chinese Summit and the 70th anniversary of diplomatic relations between Egypt and China.
Recent Work
Fahmy most recently appeared in the 2025 film Al Mulhid, alongside Ahmed Hatem, Mahmoud Hemida, Tara Emad and Sherine Reda.
The production of The Story I Found in China reflects a growing trend of international collaborations that aim to bridge cultural narratives through cinema.
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<p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DW0fh-8DUCg/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Hussein Fahmi | حسين فهمي (@hussien.fahmi.official)</a>
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Photo Credit: Hussein Fahmy&rsquo;s official page

Hussein Fahmy Films Docudrama At Beijing’s Temple of Heaven

More than three decades after the release of the iconic thriller Cape Fear, the story is returning in a new form. This time, the classic psychological thriller will arrive as a television series set to premiere on June 5, 2026. The upcoming series revisits the chilling story of Max Cady, a dangerous man seeking revenge after serving a long prison sentence. Robert De Niro famously portrayed the character in the 1991 film directed by Martin Scorsese and produced by Steven Spielberg. In the new television adaptation, Javier Bardem will play Max Cady, joined by Amy Adams and Patrick Wilson. According to the official description, &ldquo;a storm is coming for happily married attorneys Anna and Tom Bowden when Max Cady, the notorious convict they helped put behind bars, is released from prison and seeks revenge.&rdquo;
<iframe src="//www.youtube.com/embed/dSnichjB3-o" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> A Story with a Long Cinematic History The story of Cape Fear originates from The Executioners. The novel was first adapted into a film in 1962 by Universal Pictures, starring Gregory Peck and Robert Mitchum. Nearly three decades later, Martin Scorsese directed the acclaimed 1991 remake starring Robert De Niro, Nick Nolte, Jessica Lange, and Juliette Lewis. The film became one of the most memorable thrillers of the decade. The 1991 movie earned multiple awards and nominations, including Academy Award nominations for Best Actor for Robert De Niro and Best Supporting Actress for Juliette Lewis.
<iframe src="//www.youtube.com/embed/NNw_ar7XVyQ" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Why the New Series Is Generating Buzz The new television adaptation brings together a powerful cast and an experienced creative team. Both Martin Scorsese and Steven Spielberg serve as executive producers, ensuring the series remains connected to the legacy of the original film. The story focuses on psychological tension, revenge, and moral conflict, themes that continue to resonate with audiences today. With the extended storytelling format of television, the creators have more space to explore the characters and their motivations in greater depth. The series will premiere with its first two episodes on 5 June 2026, with new episodes released every Friday until 31 July 2026. Photo Credit: Cape Fear&rsquo;s official page

Why Fans Are Excited for The New "Cape Fear" TV Series

After nearly three decades, Keanu Reeves and Cameron Diaz are back on screen together in the upcoming dark comedy Outcome, written and directed by Jonah Hill. The film, which also stars Matt Bomer, is set to debut on 10 April 2026.
Plot Summary
Outcome follows Reef Hawk (Reeves), a beloved Hollywood actor whose carefully crafted public image is threatened when a mysterious video surfaces that could destroy his career. Facing extortion and potential professional ruin, Reef embarks on a personal journey to confront his past mistakes and unearth the identity of his blackmailer before his life unravels completely.
Along the way, Reef is supported by longtime friends Kyle (Diaz) and Xander (Bomer), as well as his crisis management lawyer Ira (Hill).
Reeves and Diaz: A Long Awaited Reunion
The pairing of Reeves and Diaz is one of the most talked about aspects of Outcome&rsquo;s promotion. The two actors previously shared the screen nearly 30 years ago in the dark romantic crime comedy Feeling Minnesota (1996). Outcome marks their first collaboration since then, drawing attention to both stars&rsquo; enduring screen presence and chemistry.
Cameron Diaz&rsquo;s Continued Return to Acting
"Outcome" represents another significant milestone in Diaz&rsquo;s comeback after a lengthy hiatus from Hollywood. After stepping back from acting for over a decade, she returned with the action comedy Back in Action (2025) and has since been linked with other projects, including reprising her role as Princess Fiona in the upcoming Shrek 5.
Anticipation and Context
With a high profile cast and a plot that satirizes celebrity culture, reputation management, and personal redemption, Outcome is shaping up to be one of the most anticipated streaming premieres of April 2026.
Photo Credit: Apple TV&rsquo;s official page

Keanu Reeves and Cameron Diaz Team Up Again for Jonah Hill’s Outcome

International DJ and producer Omar Baset, who began making music in his bedroom for a small group of friends, is now reaching millions of listeners worldwide.
He will appear as a guest on Let&rsquo;s Dance With Nancy on Monday, 6 April at 19:00, where he is expected to discuss his rise in the global electronic music scene.
Baset has gained recognition among fans of melodic techno and house. His track &ldquo;Sierra&rdquo;, released on the Paris-based label Cercle Records in collaboration with producer Argy, recorded more than one million streams on Spotify within a month of its release.
He has also collaborated with Anyma on the track &ldquo;Neverland&rdquo;, further establishing his profile within the genre.
His work has received support from several prominent figures in electronic music, including David Guetta, Armin van Buuren and Pete Tong.
Baset has performed at major venues and events such as Tomorrowland and Ushua&iuml;a Ibiza.
His career reflects a path from a home studio setup to appearances on international stages, highlighting the growing global reach of electronic music producers. Don&rsquo;t miss Omar Baset on Let&rsquo;s Dance with Nancy, Monday, 6 April 2026, at 7:00 PM. An episode that promises to make you dance, inspire you, and remind you that the world&rsquo;s biggest stages are built one track at a time.

International DJ Omar Baset To Appear On “Let’s Dance With Nancy”

All the latest entertainment news from Nile FM. TV Shows, Movies, Trailers, Clips, International & Arab Celebrity Gossip, Awards, Events & Best Dressed Lists.

Entertainment

By: Yomna Walid
He stepped into the music scene with a unique style, setting his own rules and surprising audiences every time he performs. This Thursday, DJ Saify will be NileFM&rsquo;s DJ of the Week, bringing his signature sound to listeners at 10:00 PM.
DJ Saify lives between two worlds, each shaping the music he delivers. Drawing from these influences, he creates sets that blend emotion, rhythm, and energy. From his early days with The Disc Jockeys to his current project Zabadi Khalat, Saify has steadily built a sound that tells a story as much as it gets people moving.
NileFM spoke to DJ Saify to explore his journey and the surprises he has in store for this special night.
Let&rsquo;s start from the beginning. Tell us about yourself. How did your journey into DJing begin?
My name is Ahmad, also known as Saify. I live between two worlds: my daytime reality and my true self at night behind the decks. Music has always been my escape and my main form of expression.
My journey started about ten years ago at a club, when I saw DJ Mohasseb perform. The way he controlled the energy and connected with the crowd completely shifted something in me. That night, I knew I wanted to do this.
<a href="https://ibb.co/LzhFH07p"><img src="https://i.ibb.co/KjzPS5vy/1.png" alt="1" border="0" /></a>&nbsp;
You often describe your music as a blend of Afro house and melodic house. What drew you to these genres?
I&rsquo;ve always been drawn to music that evokes deeper feelings. Afro house has raw groove and rhythm, while melodic house brings emotion and storytelling.
Blending both allows me to balance energy and feeling. It&rsquo;s not just about dancing; it&rsquo;s about losing yourself in the moment.
Take us behind the decks. How do you build a DJ set from start to finish?
I approach every set as a journey. I usually start by creating a subtle mood to pull people in, then gradually raise the energy.
Reading the crowd is everything. I adapt in real time, creating tension and release. A good set should feel like a story you don&rsquo;t want to end.
<a href="https://ibb.co/Psf45mjp"><img src="https://i.ibb.co/twWcbmKf/2.png" alt="2" border="0" /></a>&nbsp;
Which event stands out most in your career?
Playing at Amsterdam Dance Event was a defining moment. Being part of such a global platform, surrounded by different sounds and cultures, was unforgettable. It pushed me to think bigger and refine my identity as an artist.
What is the most memorable feedback you&rsquo;ve received?
Someone once told me after a set, &ldquo;You didn&rsquo;t just play music, you made us feel something.&rdquo; That stuck with me. My goal has always been to create a real emotional connection, not just a party.
Do you remember the moment you realised you wanted to be a DJ?
It grew on me over time. I used to watch Armin van Buuren and Ti&euml;sto sets, especially big events like Sensation White. The energy, lights, and crowd felt like another world, and I knew I wanted to be part of it.
You&rsquo;re involved in several collaborative projects. How do they enhance creativity?
I&rsquo;m one half of two projects that shaped my journey. The Disc Jockeys was an early chapter that built my foundation and experience.
Right now, I focus on Zabadi Khalat. It&rsquo;s growing steadily and reflects where I am creatively today. Collaborations push you to think differently when there&rsquo;s mutual understanding and shared vision, the result is always stronger than working solo.
Looking ahead, what are you exploring?
I&rsquo;m refining my sound in Afro and melodic house, aiming to create a signature identity. I&rsquo;m also working on upcoming collaborations and concepts to bring fresh twists to my sets.
What have been some of the biggest challenges?
Balancing my &ldquo;daytime life&rdquo; with my passion for music has been one of the biggest challenges. It requires discipline and consistency. Over time, I&rsquo;ve learned to manage both, and the contrast fuels me creatively.
You were recently selected as DJ of the Week on NileFM. How did it feel?
It felt amazing. Being recognised on a platform like NileFM is a big step. Listeners can expect a set that represents my sound; emotional, energetic, and crafted as a journey from start to finish.
<a href="https://ibb.co/BHn8fJNd"><img src="https://i.ibb.co/LDN40y5b/3.png" alt="3" border="0" /></a>&nbsp;
Photo Credit: DJ Saify&rsquo;s official page
&nbsp;

Exclusive | DJ Saify Talks Afro House, Inspiration, and Being NileFM’s DJ of The Week

By: Yomna Walid
The night before one of the defining moments of her career, Iman Al-Junaidi had not slept. She had arrived from Alexandria, studied an unfamiliar score until dawn, prepared herself, and walked into a room full of 120 musicians she had never met, a full symphony orchestra, performing a Western operatic repertoire. None of it was territory she had previously worked in.
She raised her baton anyway. That evening, as the Grand Egyptian Museum opened its doors to the world, it was Al-Junaidi standing at the front of the stage, not a name imported from a European conservatoire, not a celebrated veteran of Cairo&rsquo;s opera scene, but a woman who had spent decades conducting Arabic music ensembles in Beni Suef, building something from very little, in a governorate with no music college and forty conductors, thirty-nine of whom were men.
<iframe src="//www.youtube.com/embed/FoCcjm-agt4" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
She is, and remains, the first female maestro in Egypt and the Arab world. Recognition did not end there. She would later stand before President Abdel Fattah el-Sisi at a ceremony honouring Egyptian women; another room, another moment she had not entirely expected to find herself in.
Alongside her work in the concert hall, she runs the Wajdan Egypt Foundation for Arts and Culture, sits on the Culture Committee at the National Council for Childhood and Motherhood, and quietly builds programmes for young talents and people with disabilities who might otherwise never find their way into a rehearsal room.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fphoto.php%3Ffbid%3D907742028766970%26set%3Da.108945135313334%26type%3D3&amp;show_text=true&amp;width=500" width="500" height="723" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
NileFM spoke to Al-Junaidi to trace her journey from Upper Egypt to the presidential palace. What she built, what it cost, and what she is still working towards.
If we go back to the beginning of your journey, from your first steps in music to becoming the first female maestro in Egypt and the Arab world, tell us about that journey and the challenges you faced.
It was a difficult journey. After graduating from college, I worked in several Arab countries, leading music groups in arts centres and within Ministries of Education. After returning to Egypt, I settled in Beni Suef, where I was assigned to lead the Beni Suef University music team and also became the conductor of the National Arabic Music Ensemble.
I love my work, and I always strive to lead. I constantly study and explore new developments in music. Over time, I won seven or eight awards and participated in many Arabic music festivals, as well as university creativity competitions.
It was a difficult journey, but also a beautiful one that taught me a lot. Through it, I discovered I was the first female maestro in Upper Egypt. At that time, there were about 40 conductors in Upper Egypt working in Arabic music at Cultural Palaces; 39 were men, and I was the only woman.
One of the biggest challenges was that there were no girls in the bands. People criticised me, saying, &ldquo;Why are you doing this? You&rsquo;re a woman leaving your home and children.&rdquo; But that never mattered to me because I believe art lives in the soul, and I love giving my best through it.
Each stage had its own challenges. At first, it was hard to find musicians in Beni Suef, because there was no music college or Arabic music institute there. If, for example, a flute player was absent, I could not find a replacement. Instruments were also limited, so I often had to bring musicians from Cairo for concerts.
Finding female singers was also difficult. Even when I found one, I often had to convince her family to allow her to sing. Sometimes, if she couldn&rsquo;t attend a concert, the performance could not happen.
During the revolution period, I formed my own private band, &ldquo;Al Maestro.&rdquo; I started in Beni Suef, bringing together talented musicians and singers I knew. We recorded videos and presented them in Cairo at venues such as the Opera House and El Sawy Culturewheel. The reception was very positive, and I began travelling constantly between Cairo and Beni Suef.&nbsp;
Eventually, I decided to settle in Cairo to access more musicians. I formed a band there, expanded its repertoire, incorporated folklore elements, and presented new shows. Initially, the audience was small, but over time I built a following.
My first major recognition came in 2010 when I was honoured as one of the creative women by the Cultural Palaces Organization at Cairo Opera House. Later, after forming my band, I received the &ldquo;First Lady of Egypt&rdquo; award in 2021 at Qubba Palace, celebrating successful Egyptian women. That moment was a lifelong dream.
Receiving that recognition carried a huge responsibility to work harder, expand my projects, and further develop the band. I later founded the Wajdan Egypt Foundation for Arts and Culture, focusing on talented individuals and how to showcase their abilities. Because I struggled early in my career, I always try to support amateur artists. In every concert, I try to highlight two or three new talents to give them a stronger push. The foundation supports talents in all forms of art because art is a message.
<a href="https://ibb.co/TqgY9S1V"><img src="https://i.ibb.co/6JWrjx83/1.png" alt="1" border="0" /></a>&nbsp;
You recently participated in International Women&rsquo;s Day celebrations attended by President Abdel Fattah el-Sisi. What did that moment feel like?
It was a huge honour. I never expected to be recognised by the president, to sit beside him, speak, and express my opinion. For me, it was truly a lifelong dream.
That day was also emotionally difficult, as my brother had passed away the day before. Despite my grief, I felt it was important to attend and meet the president. Thanks to God, I managed to speak about important topics related to children and young talents.
<a href="https://ibb.co/HT3yfhPC"><img src="https://i.ibb.co/QvtV3DHk/2.png" alt="2" border="0" /></a>&nbsp;
You have met President Abdel Fattah el-Sisi more than once. What is the most influential advice or message he gave you?
He emphasised three important points: the role and recognition of Egyptian women, the care of people with disabilities, and the importance of art and talent.
He spoke about creating a &ldquo;State of Arts,&rdquo; similar to the State of "Quranic Recitation," to support and nurture artistic talent. I appreciated how he pays attention to details and supports Upper Egypt. I thanked him for supporting Egyptian women, Upper Egyptian women, and the arts; this honours Egypt as a whole.
Before the Grand Egyptian Museum opening, what were the most important behind-the-scenes moments during preparation?
The invitation was a complete surprise. I had never expected to lead the symphony orchestra at the museum&rsquo;s opening, especially since I run an independent foundation.
The recording took place over just two days, and I had only just received the score. It was an opera performance, Western music, all new to me. I did not sleep that night, studying the music intensely. I did not know any of the 120 musicians in the orchestra, but I was determined to succeed.
During filming, I felt dizzy from exhaustion and had to sit for a moment. But after finishing, I felt immense happiness; I had honoured Egypt.
In the Wajdan Foundation, you focus on teaching music to people with disabilities. Tell us more about that experience.
From the beginning, the foundation welcomed all forms of art, including for people with disabilities. We teach skills such as drawing, writing, and handicrafts, and organise &ldquo;Happiness Days&rdquo; for singing, poetry, and performances.
Some participants have learned to sing and play instruments. I also involve mothers in workshops so they can continue support at home. Our aim is to provide comprehensive artistic education to empower everyone.
<a href="https://ibb.co/5W5r6sqb"><img src="https://i.ibb.co/BVgytT80/3.png" alt="3" border="0" /></a>&nbsp;
As the first female maestro in Egypt and the Arab world, did you ever feel you had to work harder to prove yourself?
Every stage has challenges, and every stage makes your dreams grow bigger. Even now, I feel I have many dreams I have yet to achieve. I told the president about my artistic and cultural projects, and I hope to see them realised.
You worked teaching music in Kuwait and Oman. How did teaching abroad differ from teaching in Egypt?
Egypt is the country of civilisation and art. Abroad, I taught singing at youth and sports arts centres for people aged 18&ndash;35. In Egypt, I teach all ages, even those over 70, and cover music more broadly: instruments, religious chanting, musical modes; all aspects of music.
You have spoken about a &ldquo;State of Creativity and Art.&rdquo; Can you explain this vision?
The idea is to discover talents, nurture them, and showcase them. Many talented people lack opportunities. The president suggested creating a &lsquo;State of Arts and Creativity&rsquo;, similar to the &lsquo;State of Quranic Recitation&rsquo;, which would support artistic talent, particularly in Upper Egypt, and highlight even the smallest talents.
When you meet a new musical talent, what makes you feel this person could become a real artist?
At first, most talented people are shy and unsure. I listen carefully, whether they sing or play an instrument. Training and practice are key. I guide them on pronunciation, technique, and improvement.
What distinguishes Egyptian music from the rest of the world, and how can it reach global audiences?
Egyptian music has a very long history. Anyone who wants to become famous or compose music often comes to Egypt. Once you succeed here, you can reach the world.
<a href="https://ibb.co/CKHwq6gj"><img src="https://i.ibb.co/chryPw0W/4.png" alt="4" border="0" /></a>&nbsp;
What is the most important message you deliver through your artistic work?
My message is to promote true artistic creativity; honest, respectful, and elegant art that honours our culture. We aim to combat low-quality art, starting with children, introducing them to great artists like Umm Kulthum and Warda, and helping them reconnect with Egypt&rsquo;s artistic heritage.
<a href="https://ibb.co/SDBJM8vK"><img src="https://i.ibb.co/My79t4NR/5.png" alt="5" border="0" /></a>&nbsp;
Photo Credit: Iman Al-Junaidi&rsquo;s official page

Exclusive | Iman Al-Junaidi, Egypt’s First Female Maestro on Breaking Barriers, The Grand Egyptian Museum, and a Meeting with President El-Sisi

By: Yomna Walid
After years of listening to &ldquo;DJ of the Week&rdquo; during his daily routines, DJ Lostboi now finds himself on the other side of the airwaves as this week&rsquo;s featured artist on NileFM.
His journey into music has been gradual, shaped by early experimentation with production and a growing fascination with how DJs influence the energy of a crowd. This Thursday at 10 PM, he brings that experience to radio, sharing both his sound and story.
In this interview, he reflects on his artistic approach, creative process, and what lies ahead.
How would you define DJ Lostboi as an artist, and what sets your sound apart in today&rsquo;s electronic music scene?
I see myself as someone who builds emotion on the dance floor, rather than simply playing tracks. My focus is on taking listeners on a journey through my selections and creating moments they can connect with. I also try to introduce audiences to sounds they may not expect, offering a glimpse into how I experience music.
<a href="https://ibb.co/fzWVc1RS"><img src="https://i.ibb.co/21r0bn26/1.png" alt="1" border="0" /></a>&nbsp;
What was the moment you decided to become a DJ and music producer?
It wasn&rsquo;t a single moment but a gradual process. I was always interested in music and began producing at a young age. Over time, watching DJs shape the atmosphere of a crowd made me want to take on that role myself.
Can you take us behind the scenes of one of your favourite tracks? What story or emotion shaped it?
One of my favourite projects is an upcoming remix titled &ldquo;FLIGHTLINE,&rdquo; created in collaboration with Cairo-based producer Giggs. The lyrics of the original track played a key role in shaping our interpretation.
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If you had to choose one set or mix that truly represents you as an artist, which would it be, and why?
A recent set at The Rec Room stands out. It was performed without preparation, relying entirely on instinct and interaction with the audience. That spontaneity made it a strong reflection of my approach as an artist.
How does it feel to be featured as DJ of the Week on NileFM?
It feels significant. I have followed the programme for some time, so being featured now marks an important moment for me. It suggests that the work I&rsquo;ve been doing is moving in the right direction.
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What&rsquo;s next for you? Are there any upcoming releases or collaborations your audience should look out for?
The &ldquo;FLIGHTLINE&rdquo; remix will be released soon, and there are additional projects currently in development. I&rsquo;m looking forward to sharing more soon.
Photo Credit: Lostboi's official page&nbsp;
&nbsp;

Exclusive | DJ Lostboi Reflects on His Rise Ahead of NileFM DJ of The Week Feature

By: Yomna Walid
After 16 years in theatre, Egyptian actor Ahmed Radwan continues to surprise audiences this Ramadan, proving his ability to master a wide range of roles.
This season, he stands out as Shaarawy in &ldquo;El Nos El Tany&rdquo; (Season 2), a comedic police officer whose every appearance involves a new disguise, transforming him into a completely different character. In contrast, in &ldquo;Ard wa Talab&rdquo;, he delivers a deeply emotional performance as Gamal, an investigative journalist uncovering a gang involved in illegal organ trade, leaving viewers both moved and on edge.
Radwan has impressed audiences this year with his versatility, bringing distinct energy to each project, from &ldquo;El Sett&rdquo; and &ldquo;Al Sada Al Afadel&rdquo; to &ldquo;Single Mother Father&rdquo;, &ldquo;El Nos El Tany&rdquo;, and &ldquo;Ard wa Talab.&rdquo;
NileFM goes behind the scenes with Radwan to explore his preparation for Shaarawy in &ldquo;El Nos El Tany&rdquo;, Gamal in &ldquo;Ard wa Talab&rdquo;, and the surprise he has in store as he takes on directing for the first time in his upcoming theatre production.
Shaarawy is full of mystery and suspense. What attracted you to this character from the start?
What drew me to Shaarawy was the idea of someone who appears one way, while we don&rsquo;t really know who he is, only to discover later that he plays a heroic and patriotic role. I found that very engaging, especially working with Ahmed Amin, as the character in the script is quite rebellious and wants to do things her own way.
Having someone guide her to think about the country&rsquo;s interest created a very enjoyable dynamic between us. Our scenes together had strong, fun energy.
I was also drawn to the idea of disguises. Every time he appears, he takes on a different form, making him unrecognisable. That aspect was particularly enjoyable and reminded me of my early days in acting, when I would take on multiple personas, almost as if playing several characters at once.
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Did you add anything new to Shaarawy&rsquo;s character that wasn&rsquo;t in the script?
Yes. Developing characters and adding details has always been part of my process. I usually build a backstory, where the character comes from, their life, and their defining traits.
When I worked with director Hossam Ali, he added historical context about the character and the role of officers at that time, which encouraged me to research further.
We also explored the character creatively, even describing him through animal traits. We found that Shaarawy resembled an owl, focused, observant, and slightly suspicious.
Another layer came from working with Ahmed Amin on dialogue. We discovered a playful dynamic through improvisation, particularly in how the characters persuade and challenge each other. That process added something new to the role.
Shaarawy is an officer with hidden patriotic motivations. How did you prepare for the role?
What fascinated me was how some people at the time worked under occupation yet secretly carried out patriotic acts that could put their lives at risk.
I explored this historical aspect through research and documentaries. At the same time, we introduced a comedic tone into the script to balance the character.
The series blends history, espionage, and comedy. How did you balance seriousness and humour?
From the beginning, I agreed with Ahmed Amin that comedy should come naturally from the character and the situation.
It was a challenge, as the cast is highly skilled in comedy. But working with Ahmed Amin and Mohamed Nasser made it easier. My focus was building the character seriously, while they helped shape how humour could flow within the scenes.
What was the most challenging scene for you?
In &ldquo;El Nos El Tany&rdquo;, there weren&rsquo;t difficult scenes. Most were enjoyable, filled with humour, disguises, and playful acting.
One memorable moment was performing as a licorice vendor, where I focused on mastering the physical movements and sounds. It was fun rather than difficult.
The more demanding scenes were in &ldquo;Ard wa Talab&rdquo;, which required intense emotional and physical effort.
What do you hope audiences take away from &ldquo;El Nos El Tany&rdquo;?
I hope they enjoy it. The series already had a strong foundation, and I wanted to contribute positively and integrate well with the team.
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The two roles are very different. How did you separate them?
It was exciting to play two contrasting characters during Ramadan, one comedic and one dramatic.
In &ldquo;Ard wa Talab," I played Gamal, a journalist who goes undercover as a kidney donor to expose a criminal network. In &ldquo;El Nos El Tany&rdquo;, I played an officer using disguises for patriotic purposes.
Each role had its own complexity. One relied on humour and disguise, the other on tension and emotional depth. Exploring both sides is what makes acting fulfilling for me.
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Was there a memorable behind-the-scenes moment?
On &ldquo;Ard wa Talab," despite the heavy themes, the atmosphere was always light-hearted. The cast, including Salma Abu Deif, Ali Sobhy, Mostafa Abu Sriea, Alaa Morsi, and Rahma Ahmed, brought a lot of humour off camera.
Even during intense scenes, there was always laughter behind the scenes.
Did any scene affect you personally?
There is a major scene in the final episode that was emotionally and physically exhausting. I cannot discuss it yet, but I hope it resonates with audiences.
How does the series raise awareness about organ donation?
I&rsquo;m very proud of &ldquo;Ard wa Talab&rdquo;. It doesn&rsquo;t present issues directly, but weaves them into the narrative, allowing viewers to reflect naturally.
This subtle approach makes the message more powerful.
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Tell us about your experience in &ldquo;El Sett.&rdquo;
Working with Marwan Hamed is a dream for any actor. I was fortunate to have a significant role as El Desouki.
Working with Mona Zaki was also a highlight. She is incredibly professional, humble, and supportive.
How does theatre differ from film and television for you?
Theatre offers a unique experience, the preparation, the tension before stepping on stage, and the direct connection with the audience.
Film and television allow for multiple takes and collaboration, but they lack that immediate energy.
What&rsquo;s next for you?
I am currently preparing for a theatre production that I will direct for the first time. It is set to premiere in April.
Beyond that, I am continuing my improvisational theatre work with my team &ldquo;Maktoob Alina," and I&rsquo;m looking forward to future opportunities.
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Photo Credit: Ahmed Radwan's official page&nbsp;

Exclusive | Ahmed Radwan Reveals Behind the Scenes of “El Nos El Tany” and “Ard wa Talab”

By: Yomna Walid&nbsp;
Never failing to surprise audiences with her performances, Egyptian actress Hana Ghoneim continues to leave a strong impression every time she appears on screen.
This Ramadan season, Ghoneim delivers a remarkable performance in the series &ldquo;Kan Ya Makan,&rdquo; starring Maged El Kedwany and Yosra El Lozy. She portrays Maya, a kind-hearted chef who finds herself in a toxic relationship after unknowingly falling in love with a married man. The character quickly became one of the most talked-about storylines in the series, which explores the emotional complexities of life after divorce.
But acting is only one side of Ghoneim&rsquo;s artistic journey. She is also an Egyptian singer and performing artist whose career path took an unexpected turn.
Although she initially began her career as an athlete specializing in the high jump and dreamed of representing Egypt at the Olympic Games, a severe foot injury during training ended her sporting ambitions. That turning point redirected her life toward the world of music and performing arts.
Before &ldquo;Kan Ya Makan,&rdquo; Ghoneim appeared in several television projects, including &ldquo;Tel3et Rohi,&rdquo; &ldquo;Wanesni,&rdquo; and &ldquo;Mystery Box.&rdquo;
In an exclusive interview with NileFM, Ghoneim opens about portraying Maya, navigating emotionally intense roles, and her new original music.
1. Your role as Maya in "Kan Ya Makan" is emotionally intense and complex. What made you say yes to this character from the beginning?
I loved Maya the minute I read the audition scenes. She&rsquo;s so full of life, so unapologetically herself, and she goes through life doing what she loves. She&rsquo;s driven by passion.
She kind of reminds me of me, or maybe the version of myself I aspire to be more like. When I read the full script, I fell even more in love with her motives and what drives her. She reminds me of the version of myself I want to be, someone who lives honestly, passionately, and fully.
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2. Maya goes through betrayal and emotional shock after discovering Seif&rsquo;s secret marriage. As a woman, how did you emotionally prepare yourself to portray that pain authentically?
When preparing a character, you must build their entire world, their morals, motives, intentions, and emotional logic. So, I had to understand Maya as a person first, and then draw from my own experiences as Hana, from different kinds of betrayals or emotional disappointments.
It&rsquo;s never easy to tap into those feelings, but unfortunately, these situations happen so often around us that you almost become familiar with the emotional landscape of it and how differently people react to betrayal.
Maya, to me, is the type of person who, when betrayed, would obviously be devastated, but at the same time would feel a responsibility to protect the other woman who is also a victim in the situation and warn her.
3. The series highlights toxic relationships. If Maya met someone like Seif in real life, what signs should she look for to recognize toxicity early?
Sometimes, unfortunately, it&rsquo;s almost impossible to detect early on. But I do believe it&rsquo;s always important in relationships to take things slow and steady. Really get to know the person before taking bigger steps.
You need to go through life situations together and observe how they act because actions always speak louder than words. Meet their friends as well, because that often gives you a mirror of the person&rsquo;s personality and values.
In Maya&rsquo;s case, the relationship was still quite new, and she had mostly spent time with Seif alone. In a way, it&rsquo;s good that she discovered the truth before things got even more serious between them.
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4. Many viewers expressed support and sympathy for Maya&rsquo;s journey. Why do you think the audience connected so strongly with her story?
I believe it&rsquo;s because she represents a big portion of girls. She&rsquo;s very relatable, just a sweet girl going about her life and falling for someone who is concealing the truth from her.
What was interesting, though, was that the audience was quite divided when it came to Maya&rsquo;s reaction. Some people really connected with her pain and supported her decision to warn her wife, especially considering the wife was pregnant and completely unaware.
But others called Maya a home wrecker simply for telling the wife the truth, even though Seif had already made it clear he wasn&rsquo;t ending things, even after finding out his wife was pregnant.
That reaction honestly shocked me a little bit. Blaming the victim woman instead of assigning responsibility to the actual perpetrator, which is Seif, is unfair. He alone is responsible for his actions.
I think this reaction reflects a larger societal issue, where, unfortunately, the woman is often blamed in relationship dynamics. &ldquo;She stole him,&rdquo; &ldquo;she seduced him,&rdquo; &ldquo;she told the wife because she wants him for herself.&rdquo; In Maya&rsquo;s case, none of that was true, but some people still chose to see it that way.
5. You moved from musical theatre to intense drama. What part of you had to grow up to carry a role like this?
Honestly, I believe art is art. Musical theatre can also be extremely emotionally intense; it&rsquo;s just expressed through a different medium.
So, for me, it wasn&rsquo;t about &ldquo;growing up&rdquo; as much as it was about expressing emotions differently. Of course, over the years I&rsquo;ve lived through experiences that gave me more perspective on life, and that naturally deepens you as an artist.
I&rsquo;ve matured as a person, and I think that maturity will reflect in whatever project I participate in, whether it&rsquo;s a musical or a drama series.
6. What were the biggest challenges you faced transitioning from musical theatre to television drama?
Just to give a bit of context, &ldquo;Kan Ya Makan&rdquo; isn&rsquo;t my first TV acting experience. I was previously cast in &ldquo;Tel3et Rohi,&rdquo; &ldquo;Wanesni,&rdquo; and &ldquo;Mystery Box,&rdquo; so I do have some experience with television.
Over the years, I&rsquo;ve also been consistently taking acting workshops, and I truly believe they have helped prepare me for projects like this. Every role teaches you something new, and I feel like with each project I&rsquo;m refining my tools a little more.
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7. The series tackles sensitive social issues such as marriage, divorce, family conflict, and the emotional impact on children. Which issue resonated with you the most personally, and why?
What resonated with me the most was the idea of how the actions of adults can deeply affect innocent people around them, especially children.
When relationships are built on lies, betrayal, or dishonesty, the damage rarely stays between just two people. It spreads outward and affects families and children who had nothing to do with the situation.
That ripple effect was something I found very powerful in the story, and it really stayed with me.
8. Working alongside Maged El Kedwany must have been a valuable experience. What did you learn from him on set?
Maged El Kedwany is honestly such a sweet and warm person. I truly loved him from the moment we started talking. He was very welcoming and encouraging of my participation, and he already knew that I sing and was complimenting me on that.
That kind of encouragement really gives you a boost of confidence as an artist, and it had a positive impact on my performance.
He&rsquo;s an example of an artist who is extremely grounded and down to earth, someone who clearly loves what he does and makes everyone around him feel seen and appreciated.
As an actor, he&rsquo;s incredibly disciplined, unbelievably talented, and very emotionally intelligent. He&rsquo;s very in tune with his emotions and aware of his surroundings, and I think that translates directly into the amazing actor we all know and admire.
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9. Many scenes in the series are emotionally heavy. How do you disconnect from the character after filming intense moments?
It can be emotionally draining sometimes. But I try to remind myself that once the director says &ldquo;cut,&rdquo; the character stays on set.
What helps a lot is the atmosphere behind the scenes. Between takes, we were always laughing, chatting, and keeping things light, which helped balance the heaviness of some scenes.
I think having that separation between you and the character is important; it can become overwhelming.
10. Behind the scenes, what was the atmosphere like among the cast? Do you have a memorable moment from filming that you can share?
It was so much fun! The crew was amazing, super supportive, very helpful, and just fun to be around. There was always a lot of laughter on set.
Many of the crew members were already fans of Locken products, which made me so happy. I started bringing them some of our newest launches for them to try, and it became a fun little tradition while we were filming.
11. After your debut in Ramadan drama, what type of roles are you hoping to explore next? And do you have any upcoming projects you can tell us about?
I&rsquo;m really hoping to get more opportunities in television and explore more complex, emotionally charged characters, especially characters that are very different from my own personality. I love the challenge of stepping into someone else&rsquo;s world completely.
Now, I&rsquo;m continuing to work on myself and strengthen my acting tools through workshops and training.
And on the music side, I&rsquo;m currently working on new original music that I&rsquo;m really excited about and hoping to release soon.
<a href="https://ibb.co/M5fW7GJt"><img src="https://i.ibb.co/jZzBDWjQ/5.png" alt="5" border="0" /></a>&nbsp;
Photo Credit: Yango Play's Official Page&nbsp;

Exclusive | Hana Ghoneim Opens Up About Her Emotional Role in “Kan Ya Makan”

Nile FM Exclusive  

Born on June 21, 1929, in El-Halawat village in Sharqia, Abdel Halim Ali Shabana came into the world already marked by loss. His mother died shortly after his birth, and his father passed away before his first birthday. Raised as an orphan by his uncle, he grew up knowing grief intimately; a pain that would later find its way into every note he sang. He joined the Arabic Music Institute in Cairo, specializing in the oboe, graduating in 1948 before beginning his career as a music teacher.
Turning Point
He left teaching to join the Egyptian Radio Orchestra as an oboe player, where he met broadcaster Hafez Abdel Wahab, who gave him his now-iconic stage name &ldquo;Hafez&rdquo; in place of Shabana. It was a small moment that carried enormous weight and so, a legend was born.
Ahwak
Composed by Mohamed Abdel Wahab with lyrics by Hussein El-Sayed, &ldquo;Ahwak&rdquo; became one of the defining songs of Abdel Halim&rsquo;s career. Abdel Wahab created a melody that blended classical Arabic music with modern orchestration, giving Abdel Halim the space to deliver an intimate and deeply emotional vocal performance. The simplicity of the lyrics, &ldquo;I love you and wish I could forget you&rdquo;, made the song instantly relatable, resonating across generations long after it was first recorded.
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Tkhonoh
According to Monte Carlo International, &ldquo;Tkhonoh&rdquo; was not originally intended for Abdel Halim. The song was composed by his close friend Baligh Hamdi, who had been developing it for the legendary Layla Mourad. When Abdel Halim heard it, he was immediately captivated and expressed deep admiration for the melody. In a gesture of warmth and generosity, Layla Mourad willingly handed the song over to him, encouraging him to make it his own. What followed was one of the most tender and enduring recordings of his career.
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Ala Hesb Wedad
One of Abdel Halim&rsquo;s most beloved folk-inspired recordings, &ldquo;Ala Hesb Wedad&rdquo; was composed by Baligh Hamdi and was among the first songs to weave Upper Egyptian folklore into a romantic musical framework. The story behind it centers on a famous Upper Egyptian dancer named Widad Al-Ghaziya, who was loved by a wealthy pasha but gave her heart to someone from her own social class, a tale that gave rise to the popular saying: &ldquo;According to my heart&rsquo;s desire, oh father.&rdquo; In Abdel Halim&rsquo;s hands, the song became a celebration of authentic emotion over social expectation and remains a staple of Egyptian folk memory.
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Voice of a Nation
Following Egypt&rsquo;s defeat in the 1967 war, Abdel Halim became the voice of a wounded nation, channeling collective grief, resilience, and hope through his music. He delivered a series of immortal patriotic songs, most notably &ldquo;Adda El Nahar&rdquo; and &ldquo;Ahlef Be Samaha,&rdquo; giving the Egyptian people a way to process their sorrow and hold onto their dreams. His willingness to bear the nation&rsquo;s pain in his voice elevated him beyond the role of singer, he became a symbol of the Egyptian spirit.
Qareat Al Fengan
In 1973, Syrian poet Nizar Qabbani wrote one of his most celebrated poems and sent it directly to Abdel Halim Hafez, believing it would reach a new dimension if set to music. When Abdel Halim read the lyrics, he felt the poem spoke directly to his own emotional life. He brought it to composer Mohamed El Mougy, and the process of setting it to music took an entire year, reflecting its complexity and depth. &ldquo;Qareat Al Fengan&rdquo; stands as one of the most sophisticated songs ever recorded in the Arabic musical canon, and it would be the last song Abdel Halim recorded before his death.
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On the Silver Screen
Abdel Halim Hafez made his cinema debut in 1955 with &ldquo;Lahn Al-Wafa&rdquo; (Tune of Loyalty), starring alongside Shadia. Over the course of his career, he appeared in 16 films, including &ldquo;Days and Nights,&rdquo; &ldquo;Girls of Today,&rdquo; &ldquo;Love Story,&rdquo; &ldquo;Sins,&rdquo; and &ldquo;My Father on the Tree,&rdquo; each showcasing his natural charisma and ability to carry both song and story with equal grace.
The Nightingale Falls Silent
Today, March 30, 2026, marks exactly 49 years since the Arab world lost one of its greatest artists. Abdel Halim Hafez passed away on March 30, 1977, in London at the age of 47 after a long illness. The news sent shockwaves across Egypt and the wider Arab world, and millions mourned him in a funeral that reflected the scale of his impact. He left behind not just songs, but a living legacy; one that continues to move, comfort, and inspire with every listen.
On June 21, 2011, Google marked what would have been his 82nd birthday with a special commemorative logo, a fitting tribute to a man whose voice, decades after his passing, still feels very much alive.
Photo Credit: Abdel Halim Hafez&rsquo;s official page
&nbsp;

49 Years On: Why Abdel Halim Hafez Still Moves The Arab World

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

Beats

Nesma Mostafa, Head of MENA Higher Education Insights and Student Mobility at the British Council, joined Rob and Sally on &ldquo;The Big Fast&rdquo; this Tuesday to discuss the evolving landscape of higher education in Egypt and the MENA region. Airing from 8 to 10 AM, the conversation explored international collaboration, student mobility, and the benefits of transnational education for learners seeking global opportunities without leaving home.
Defining Herself as an Educator
Nesma shared her personal perspective on her role: &ldquo;So I&rsquo;m at the British Council, but how I define myself is as an educator, an education researcher. I&rsquo;ve been working in higher education for 15 years, which technically means research around higher education opportunities within the region, with the aim of informing the UK sector of these opportunities and then bridging, making connections, and building these relationships between the UK, Egypt, and beyond.&rdquo;
When asked why education is such a passion, she said, &ldquo;I&rsquo;ve always been a lifelong learner. Education is at the core of development, supporting people to find what they&rsquo;re meant to do and helping nations meet their goals. Knowledge is power, regardless of where it comes from.&rdquo;
What is Transnational Education?
The discussion then turned to transnational education (TNE). Nesma explained: &ldquo;Transnational education is when a university in one country offers a programme or a degree in another country, physically moving to meet students where they are. Instead of Egyptian students travelling to get a degree in the UK, the UK institution comes to Egypt and delivers that in-country through different models.&rdquo;
She highlighted the accessibility of this model: &ldquo;This increases access to international education for students who can&rsquo;t travel for personal, family, or financial reasons. You get the benefits of an international degree without ever having to leave home.&rdquo;
Models of Transnational Education
On international branch campuses: &ldquo;This is one of the independent models of transnational education where a university expands to a new country, offering the same programmes and teaching methods, and bringing its expertise into a new context. Students graduate with one international degree that is very similar to what they would receive if they studied abroad.&rdquo;
On joint degrees: &ldquo;Joint degrees are when two universities come together to develop a programme. You have international expertise alongside local knowledge, creating something relevant to students and their context. It&rsquo;s co-created, combining the strengths of both institutions into one degree accredited by both.&rdquo;
On digital learning: &ldquo;This could be fully online learning, where you&rsquo;re in Egypt studying at a university abroad, which is still transnational education. There are also blended models combining online and face-to-face learning, usually involving a local partner and an international partner. The international side may develop the virtual learning environment and resources, while local expertise ensures the content is contextualised. Exams, for example, may take place in Egypt, even if systems are hosted abroad.&rdquo;
Why Egypt is a Key Destination
Egypt has become the fourth-largest host country globally for UK transnational education programmes, with around 38,000 students enrolled. Nesma explained the appeal: &ldquo;Egypt has 3.8 million students in higher education, expected to grow to 5 million by 2030. There&rsquo;s strong demand, and universities in Egypt are keen to partner with international counterparts. Students trust UK institutions, and government strategies highlight internationalisation as a priority.&rdquo;
The Benefits for Students
The advantages extend beyond studying locally. Nesma highlighted global recognition and employability: &ldquo;You get a degree that can be used anywhere in the world without needing revalidation. Students also develop critical thinking, leadership, communication, and intercultural skills that are highly valued by employers.&rdquo;
She also emphasised the British Council&rsquo;s role: &ldquo;We work with governments, institutions, and learners. We help ensure supportive regulations, bring stakeholders together through networking, and guide students on accessing opportunities. Everything we do is research-driven to continuously improve partnerships.&rdquo;
Regional Collaboration through Deep Dialogues
Nesma discussed the recent regional Deep Dialogue in Cairo: &ldquo;Participants from 11 countries came together to learn from different models of transnational education. Mature ecosystems like Egypt shared insights with countries still developing their frameworks. We discussed regulation, quality assurance, and engaged directly with students to understand their experiences.&rdquo;
She added, &ldquo;These dialogues build a community of practice. Connections continue beyond the event, creating sustainable networks that support education across the region.&rdquo;
Looking Ahead
Nesma concluded with a forward-looking perspective: &ldquo;Successful models in more developed systems can help guide countries in earlier stages. At its core, this is about improving education, expanding opportunities, and empowering students to reach their potential while contributing to society. The British Council plays a key role in building the connections, understanding, and trust needed to make this ecosystem sustainable.&rdquo;
&nbsp;

Nesma Mostafa on Transnational Education: Bringing Global Degrees Closer to Egyptian Students

Nile FM's Guests

The US dollar recorded a rise against the Egyptian pound on Tuesday, 7 April 2026, according to the latest figures from the National Bank of Egypt. The dollar traded at EGP 54.56, up EGP 0.21 from EGP 54.35 in the previous session, reflecting a modest appreciation of the US currency. The increase comes amid relatively subdued activity in the foreign exchange market, as traders continue to monitor economic developments and changes in demand for foreign currency.
<a href="https://ibb.co/pjmWDvkk"><img src="https://i.ibb.co/XxwyBZGG/Egypt-Weather-2026-04-07-T130358-158.png" alt="Egypt-Weather-2026-04-07-T130358-158" border="0" /></a>&nbsp;
Photo Credit: Freepik&nbsp;

Egypt Exchange Rates | US Dollar Edges Up to EGP 54.56 Against The Egyptian Pound — 7 April

Egypt is expected to experience warm weather during the daytime across most regions, with hotter conditions in Upper Egypt and cooler temperatures at night on Tuesday, 7 April 2026, according to the Egyptian Meteorological Authority (EMA).
There is a chance of light to moderate rainfall over scattered areas of the North Coast, the Nile Delta, and the Suez Canal cities. These showers may intensify at times, becoming heavy and thundery, with an estimated probability of around 20% in some areas.
Light rain is also expected in parts of Greater Cairo, the Gulf of Suez, and Sinai, extending south to Halaib and Shalateen, with a probability of approximately 30% at intervals.
Winds will be active across most regions, ranging between 30 and 40 km/h. These winds may stir up sand and dust, particularly in parts of Upper Egypt, the Red Sea Governorate, and Sinai.
The EMA also warned that thunderstorms may be accompanied by strong downdraft winds in some areas, along with the possibility of lightning strikes and hail, with an estimated probability of around 20%.
<a href="https://ibb.co/k68b6fWP"><img src="https://i.ibb.co/Hpzwpsk9/Egypt-Weather-2026-04-07-T084118-135.png" alt="Egypt-Weather-2026-04-07-T084118-135" border="0" /></a>
Photo Credit: Freepik&nbsp;
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Egypt Weather | Thunderstorms, Strong Winds, and Sand Expected Across Multiple Regions – 7 April

The US dollar strengthened against the Egyptian pound on Monday, 6 April 2026, according to the latest figures from the National Bank of Egypt. The dollar traded at EGP 54.35, up from EGP 54.30 in the previous session, reflecting a modest appreciation of the currency. The increase comes amid relatively subdued activity in the foreign exchange market, as traders continue to monitor economic developments and changes in demand for foreign currency.
<a href="https://ibb.co/XxNfrwfT"><img src="https://i.ibb.co/1GhYtSYx/Egypt-Weather-2026-04-06-T123215-458.png" alt="Egypt-Weather-2026-04-06-T123215-458" border="0" /></a>
Photo Credit: Freepik&nbsp;
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Egypt Exchange Rates | US Dollar Hits EGP 54.35 – 6 April

Hot weather is expected across Egypt during the day, with cooler temperatures at night on Monday, 6 April, according to the Egyptian Meteorological Authority (EMA).
There is a chance of light rain in parts of the northern coastal governorates and northern Lower Egypt. Showers may become moderate in the evening in areas stretching from Salloum to Marsa Matrouh at intervals.
Low clouds are forecast over parts of southern Lower Egypt, Greater Cairo, the Suez Canal cities and northern Upper Egypt, which could bring light drizzle to some areas.
Winds are expected to be active, ranging between 30 and 40 km/h, and may raise sand and dust in parts of the Red Sea Governorate, South Sinai, and both northern and southern Upper Egypt. This could lead to reduced horizontal visibility in some locations.
The authority also said maritime navigation may be disrupted in parts of the Red Sea coast and the Gulfs of Suez and Aqaba. Wind speeds there are expected to reach between 40 and 50 km/h, with wave heights ranging from 2 to 3 metres.
<a href="https://ibb.co/zTJJ8f3q"><img src="https://i.ibb.co/ks113cLN/Egypt-Weather-2026-04-06-T084524-019.png" alt="Egypt-Weather-2026-04-06-T084524-019" border="0" /></a>&nbsp;
Photo Credit: Freepik&nbsp;

Egypt Weather | Hot Conditions With Chance Of Rain – 6 April

Egypt&rsquo;s Minister of Youth and Sports, Gohar Nabil, has welcomed table tennis player Hana Goda following her return from Macau, where she recorded a landmark result at the Women&rsquo;s Table Tennis World Cup.
Goda, 18, became the first Egyptian, Arab and African player to reach the quarter-finals of the tournament.
The minister praised her performance, describing it as a significant step for Egyptian table tennis, particularly given the level of competition against leading Chinese players.
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&ldquo;This achievement represents an unprecedented milestone,&rdquo; he said, adding that the government would continue to support athletes competing internationally.
Goda secured her place in the last eight after a 4&ndash;3 victory over France&rsquo;s Jia Nan Yuan in the round of 16. She came from behind in the deciding game, recovering from a 10&ndash;7 deficit to win.
In the quarter-finals, she faced China&rsquo;s Sun Yingsha, the world number one and Olympic champion.
After losing the opening two games, Goda fought back to level the match at 2&ndash;2 and then took the fifth game to move ahead. However, Sun recovered to win the final two games, taking the match 4&ndash;3.
Despite the defeat, Goda&rsquo;s performance is being seen as a breakthrough moment for the sport in Egypt, highlighting her emergence as one of the country&rsquo;s leading young athletes.
<a href="https://ibb.co/zTjSLSXd"><img src="https://i.ibb.co/fzBCKCkJ/Hana-Goda-18-Unstoppable.jpg" alt="Hana-Goda-18-Unstoppable" border="0" /></a>&nbsp;
Photo Credit: Hana Goda&rsquo;s official page

Infographic | Egypt’s Hana Goda Reaches Historic Quarter-Final at Table Tennis World Cup

The US dollar declined against the Egyptian pound on Sunday, 5 April 2026, according to the latest data from the National Bank of Egypt.
The currency traded at EGP 54.30, down from EGP 54.35 in the previous session, indicating a slight strengthening of the Egyptian pound.
The decline comes amid relatively subdued activity in the foreign exchange market, as traders continue to monitor economic developments and shifts in demand for foreign currency.
<a href="https://ibb.co/VYvjYC5h"><img src="https://i.ibb.co/gZDjZWhX/Egypt-Weather-2026-04-05-T101908-862.png" alt="Egypt-Weather-2026-04-05-T101908-862" border="0" /></a>
Photo Credit: Freepik&nbsp;
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Egypt Exchange Rates | Dollar Falls to EGP 54.30 as Pound Strengthens – 5 April

Egypt is set to experience a rise in temperatures on Sunday, 5 April 2026, with hot conditions prevailing during the daytime across most regions and cooler weather at night, according to the Egyptian Meteorological Authority (EMA).
There is also a chance of low clouds forming over northern Egypt, Greater Cairo, the Suez Canal cities, and northern Upper Egypt, which may bring light, generally insignificant drizzle to some areas.
Winds ranging from 30 to 40 km/h are expected to stir up sand and dust in parts of the Western Desert, Greater Cairo, South Sinai, the Red Sea Governorate, and southern Upper Egypt, potentially reducing horizontal visibility in certain locations.
The EMA also warned of possible disruptions to maritime navigation along the Red Sea coast and in the Gulfs of Suez and Aqaba, where wind speeds may reach 50 to 60 km/h and wave heights are expected to range between 2.5 and 3.5 meters.
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Photo Credit: Freepik&nbsp;

Egypt Weather | Rising Temperatures with Cool Nights – 5 April

The US dollar strengthened against the Egyptian pound on Thursday, 2 April 2026, according to the latest data from the National Bank of Egypt (NBE).
The currency traded at EGP 54.27, up from EGP 53.57 in the previous session, marking a modest depreciation of the Egyptian pound.
The increase occurred amid relatively subdued activity in the foreign exchange market, as traders continued to monitor economic developments and shifts in demand for foreign currency.
<a href="https://ibb.co/Z11D4v4L"><img src="https://i.ibb.co/YTTsnJnR/Egypt-Weather-2026-04-02-T120352-626.png" alt="Egypt-Weather-2026-04-02-T120352-626" border="0" /></a>
Photo Credit: Freepik&nbsp;
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Egypt Exchange Rates | Dollar Rises to EGP 54.27 as Egyptian Pound Falls – 2 April 2026

Egypt is expected to experience unstable weather conditions on Thursday, 2 April 2026, according to the Egyptian Meteorological Authority (EMA). Meanwhile, Light rain may fall intermittently in parts of the southern Nile Delta, Greater Cairo, the Suez Canal cities, and the Gulf of Suez. Also, rising sand moving eastward is affecting eastern Alexandria and parts of the northern Nile Delta, including Beheira and Kafr El Sheikh, and is expected to extend to Damietta, northern Dakahlia, and Port Said, causing reduced visibility. Dusty conditions are also expected in parts of the Western Desert. Rain clouds will also affect northern Upper Egypt, southern Greater Cairo, the Canal cities, and Sinai, with rainfall varying in intensity and sometimes becoming heavy. Thunderstorms are possible in some areas. EMA also noted that wind activity is expected across most parts of the country, with speeds between 30 and 40 km/h and gusts reaching up to 60 km/h in some areas, which may stir up sand and dust. EMA advise residents to take precautions, especially during thunderstorms and reduced visibility.
<a href="https://ibb.co/8n2z4Gj5"><img src="https://i.ibb.co/DPkGgm7C/Egypt-Weather-2026-04-02-T084538-874.png" alt="Egypt-Weather-2026-04-02-T084538-874" border="0" /></a> Photo Credit: Freepik

Egypt Weather | Rain and Dust Storms to Hit Several Areas Across Egypt – 2 April

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With Barcelona hosting one of the most anticipated friendlies of the international break, all eyes turn to RCDE Stadium on Tuesday, 31 March 2026, as Egypt face Spain at 9:00 PM Cairo time. Despite being a friendly, the match has generated significant excitement on both sides.
Full House Expected
Tickets for the Egypt vs Spain clash have completely sold out, ensuring a full-capacity crowd at RCDE Stadium, home of Espanyol. The match will be officiated by a Bulgarian refereeing team led by experienced official Georgi Kabakov.
Absences and Key Players
Spain named an initial 26-man squad for the training camp, later reduced to 25 following the withdrawal of Mart&iacute;n Zubimendi due to injury. Key names include Pedri, Ferran Torres, Rodri, Mikel Oyarzabal, and rising star Lamine Yamal.
Egypt will be without Mohamed Salah, who misses the match through injury. In his absence, Omar Marmoush is expected to lead the attack, supported by Mahmoud &ldquo;Trezeguet&rdquo; Hassan and Emam Ashour.
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Olympic History
The two nations have met several times at the Olympic level. Egypt lost 2-0 to Spain at the 1992 Barcelona Olympics and drew 0-0 at the Tokyo 2020 Games. However, Egypt secured a memorable 2-1 victory over Spain at the Paris 2024 Olympics, a result that still resonates ahead of this encounter.
Last Senior Meeting
The senior teams last met in a 2006 friendly, where Spain claimed a 2-0 win with goals from Ra&uacute;l Gonz&aacute;lez and Jos&eacute; Antonio Reyes.
<iframe src="//www.youtube.com/embed/ZLZYDKOQWgI" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Road to the World Cup
Egypt arrives in strong form after a 4-0 win over Saudi Arabia in Jeddah, as they continue preparations for the 2026 World Cup. Spain, world champions in 2010, and Egypt, still seeking their first title, will use this match to fine-tune their squads ahead of the tournament, which begins on 11 June 2026 in the United States, Canada, and Mexico.
Photo Credit: Egypt National Team&rsquo;s official page

Egypt vs Spain Friendly: All You Need to Know

Egypt&rsquo;s athletes continued to impress on the international stage, with Mohamed Elsayed securing bronze in the &eacute;p&eacute;e at the Fencing World Cup in Kazakhstan, while the nation&rsquo;s judokas captured multiple medals at the African Open Championship in Senegal.
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Sports Minister Gohar Nabil congratulated Elsayed and the Egyptian Fencing Federation, led by Tarek El Husseiny, praising the performance as a sign of the growing strength of Egyptian fencing.
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In judo, Ali El Ramly and Dalida El Gharbawy each claimed gold, while Yasmin Mohamed earned silver, all bolstering their bids for qualification to the Dakar 2026 Summer Youth Olympics. Nabil highlighted these results as evidence of the continued progress of Egyptian sport, attributing success to the athletes&rsquo; dedication and the support provided to national teams.
Photo Credit: Mohamed Elsayed's official page&nbsp;

Egypt Shines Abroad as Mohamed Elsayed Wins Fencing Bronze and Judo Athletes Claim Golds in Senegal

In a moment that marks the end of a defining chapter in modern football, Egyptian superstar Mohamed Salah has officially announced that he will leave Liverpool FC at the end of the current season.
The news came in an emotional video message that left fans around the world saddened, as Salah said: &ldquo;Hello everyone, unfortunately the day has come. This is the first part of my farewell. I will be leaving Liverpool at the end of the season.&rdquo;
Reflecting on his journey with the club, he added: &ldquo;We won the most important trophies, and we fought together through the hardest time in my life. I want to thank everyone who has been part of this club throughout my time here.&rdquo;
The Egyptian forward, a global icon and a model of consistency and excellence, expressed deep gratitude to supporters who stood by him throughout his highs and lows. &ldquo;I don&rsquo;t have enough words. The support you showed me through the best times of my career, and you stood by me in my toughest times. I will never forget.&rdquo;
He continued with a message that captured the emotional weight of his departure: &ldquo;Leaving is never easy. I will always be one of you, and this club will always be home to me and my family. Thank you for everything. Because of all of you, I will never walk alone.&rdquo;
<blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/DWRvm_WjnhJ/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14">
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<p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DWRvm_WjnhJ/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Mohamed Salah (@mosalah)</a>
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&nbsp;
Since joining Liverpool in 2017, Salah has cemented his place among the club&rsquo;s all-time greats. Over nine remarkable years, he made 435 appearances across all competitions, scoring 255 goals and providing 119 assists; figures that underline his extraordinary impact.
During his time at Anfield, Salah lifted every major trophy available, including two Premier League titles, the UEFA Champions League, the FA Cup, two Carabao Cups, the UEFA Super Cup, and the FIFA Club World Cup.
Despite a season below his own high standards, Salah&rsquo;s legacy remains beyond doubt. His departure will leave a void that many believe cannot be filled, both on and off the pitch.
As fans prepare to say goodbye, attention now turns to cherishing every remaining moment of a player who defined an era at Liverpool.
In his final words, Salah reflected on the bond he built with the club and the city: &ldquo;I never imagined how deeply this club, this city and the people would become part of my life. Liverpool is not just a football club. It is a passion, a history, a spirit. I can&rsquo;t explain it in words.&rdquo;
With his farewell, Anfield prepares to bid goodbye to one of its modern greats, but his legacy will endure for generations to come.
Photo Credit: Mohamed Salah's official page&nbsp;

End of an Era: Mohamed Salah Announces Liverpool Farewell in Emotional Message

The Egyptian national fencing team has returned home as continental champions after securing 42 medals at the African Junior and Youth Championships, held in Senegal from 16 to 21 February.
The delegation was officially received by Minister of Youth and Sports Gohar Nabil, alongside Egyptian Fencing Federation President Tariq Al-Hussaini and mission head Ahmed Samir Al-Maidani, marking the team&rsquo;s first-place finish in the overall standings.
Medal tally
Egypt collected 22 gold, 9 silver, and 11 bronze medals, placing it firmly at the top of the rankings across all youth categories.
Official reaction
Minister Gohar Nabil praised the fencers&rsquo; technical level and competitive spirit, saying the result reflected sustained state investment in sport and long-term preparation programmes implemented by the federation.
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Prospects
He added that fencing remains one of the country&rsquo;s strongest disciplines internationally and expressed confidence that the athletes would continue to perform strongly in forthcoming global competitions.
&nbsp;Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt Tops African Fencing Championships 2026 with 22 Gold Medals

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Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has announced the launch of a nationwide medical and ambulance plan for Eid al-Fitr 2026, aimed at ensuring readiness across the health system during the holiday period.
The ministry said more than 700 government hospitals have increased emergency preparedness, with emergency departments and operating theatres functioning around the clock as travel and public gatherings rise.
Ambulance Services and Rapid Response
The plan includes enhanced deployment by the Egyptian Ambulance Authority, with around 3,000 ambulances operating across governorates and an additional 1,200 vehicles positioned at key locations.
Ambulances have been stationed near main roads, public squares, mosques, Eid prayer areas, parks, and other gathering points. Twenty-seven emergency rooms are linked to a central control centre to enable real-time monitoring and dispatch, while regional officials oversee high-traffic areas.
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Focus on Major Roads
Authorities say priority has been given to major routes, including the coastal road between Damietta and Matrouh, the Cairo-Alexandria desert road, the agricultural road, as well as routes in South Sinai, the Red Sea, and Upper Egypt.
More than 600 fixed and mobile ambulance points have been deployed along these roads to allow rapid response to accidents.
Hospital Preparedness
Hospitals have also increased capacity in emergency and intensive care units. Around 250 facilities have been designated as primary referral centres on highways, supported by 54 rapid response teams for large-scale incidents.
Blood banks have been supplied with an additional 40,000 units, and medical stocks have been reinforced to meet potential demand.
Public Health Measures
The preventive medicine sector has intensified inspections of more than 35,000 food outlets, including sweet shops, restaurants, hotels, parks, and public transport hubs.
Around 1,200 inspection teams have been deployed to monitor compliance with health and safety standards.
Monitoring and Public Guidance
A central operations room will operate круглосуточно to monitor implementation of the plan.
The ministry has also urged the public to follow health guidelines, with the hotline 137 available for medical enquiries and emergency assistance throughout the Eid holiday.
Photo Credit: The Ministry of Health and Population of Egypt&rsquo;s official page

Egypt Rolls Out Nationwide Health and Ambulance Plan for Eid

Every year, as Ramadan approaches, social media platforms are flooded with posts, discussions, and reviews about the season&rsquo;s most popular series. Fans eagerly share their favourite shows, sparking debates that highlight the diversity of tastes among viewers.
A Variety of Genres for Every Taste
Ramadan series dominate online conversations because everyone has their own preferences. Some viewers are drawn to action and thrillers, while others prefer light-hearted comedies or romantic dramas. This wide variety ensures there is something for everyone, keeping discussions lively and inclusive.
Social Media Amplifies the Experience
Social media plays a crucial role in shaping the Ramadan viewing experience. Fans use it to share reviews, recommend shows, and react instantly to plot twists, memorable performances, or funny scenes. It doesn&rsquo;t just reflect audience opinions; it influences them, helping certain series gain momentum and become cultural talking points.
However, this immediacy can have downsides. Spoilers often appear online before some viewers have had a chance to watch, causing disappointment or rushing people to catch up. The &ldquo;spoiler alert&rdquo; dilemma has become a recurring challenge, as social media&rsquo;s fast pace can sometimes take away the element of surprise that makes watching a series so enjoyable.
Beyond Entertainment: A Shared Cultural Experience
Ultimately, the combination of Ramadan&rsquo;s communal spirit and the rise of social media have turned TV series into more than just entertainment. They have become shared cultural experiences, where fans across the region engage, debate, and celebrate their favourite moments together, while also navigating the occasional spoiler.
Photo Credit: Freepik

Why Ramadan Series Take Over Social Media Every Year

Egypt&rsquo;s Minister of Health and Population, Khaled Abdel Ghaffar, has praised the humanitarian and medical achievements of the Magdi Yacoub Heart Foundation, highlighting its role in supporting the country&rsquo;s healthcare system and saving thousands of lives.
Speaking on behalf of Prime Minister Mostafa Madbouly, Abdel Ghaffar emphasized the importance of partnerships between the government and civil society organizations in strengthening healthcare services across Egypt.
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The minister described the foundation as a leading model of charitable medical work in the country and the region, pointing to the achievements of the Aswan Heart Centre. The centre combines advanced medical treatment with scientific research and has provided life-saving care to thousands of children and patients free of charge.
Abdel Ghaffar also noted the upcoming opening of the Magdi Yacoub Global Heart Centre, which is expected to expand access to advanced cardiac research and treatment in Egypt.
He described renowned heart surgeon Magdi Yacoub as a global example of dedication and humanitarian commitment, embodying the spirit of a &ldquo;humanitarian doctor.&rdquo;
For his part, Yacoub expressed appreciation for the government&rsquo;s support, saying the foundation&rsquo;s achievements are driven by a shared belief that everyone deserves access to life-saving treatment, regardless of financial ability. He added that the new Cairo research centre will represent a major step toward building a healthier future for upcoming generations.
Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt’s Health Minister Hails Magdi Yacoub Foundation for Life-Saving Cardiac Work

Egypt&rsquo;s General Authority for Healthcare Accreditation and Regulation (GAHAR) has granted full and preliminary accreditation to 32 health facilities across the country, according to decisions issued by the Supreme Committee for the Accreditation of Health Facilities.
The move is part of efforts to strengthen quality and patient safety standards in line with internationally recognised benchmarks set by the International Society for Quality in Health Care (ISQua).
Officials say the accreditations aim to improve the efficiency of healthcare institutions and prepare them for integration into Egypt&rsquo;s Universal Health Insurance system, which seeks to expand access to safe and high-quality medical services nationwide.
As part of preparations for the system&rsquo;s second phase, Minya Governorate is expected to be among the first areas to implement the programme. The Supreme Committee renewed preliminary accreditation for Minya Oncology Center and granted preliminary accreditation to several hospitals in the governorate, including Samalut Oncology Hospital, El Adwa Central Hospital and Mallawi Liver and Gastroenterology Hospital.
The General Military Hospital in Alexandria, affiliated with the Armed Forces Medical Services, also received preliminary accreditation in accordance with GAHAR standards, reflecting ongoing efforts to strengthen quality and patient safety in healthcare delivery.
Officials say the latest accreditations represent another step in Egypt&rsquo;s broader strategy to standardise healthcare services, improve patient outcomes and prepare facilities for nationwide implementation of the Universal Health Insurance system.
Photo Credit: Freepik&nbsp;

Egypt Accredits 32 Health Facilities as Part of Insurance Expansion

Under the &ldquo;Rabies-Free Egypt 2030&rdquo; strategy, 293 stray dogs were vaccinated in a single day, as authorities shift from crisis management to long-term solutions. Egypt&rsquo;s Ministry of Agriculture and Land Reclamation has launched the first field phase of its national campaign to vaccinate and sterilize stray dogs, starting in the Ain Shams district of Cairo, in a move aimed at protecting public health and addressing the stray dog issue through sustainable and humane measures. The campaign is part of the national strategy &ldquo;Rabies-Free Egypt 2030&rdquo; and reflects a clear policy shift from short-term crisis management to science-based, long-term solutions. Ain Shams was chosen as the starting point due to repeated public complaints and the need for early intervention to reduce health risks associated with rabies.
<a href="https://ibb.co/JWsns0Bt"><img src="https://i.ibb.co/35C1CGrd/Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1.png" alt="Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1" border="0" /></a> From Crisis Management to Sustainable Solutions Minister of Agriculture Alaa Farouk said the initiative marks a transition toward root solutions, emphasizing that the campaign follows internationally recognized standards and prioritizes cooperation between government institutions and civil society. The field operations are being implemented under the supervision of the General Organization of Veterinary Services, in coordination with the General Administration of Animal Welfare and Licensing, and in cooperation with the Federation of Animal Welfare Associations.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid05FdszQCgiwtgSm1nbRSzVjCPe32zHrAFVWgohq86NmSVrQVunqh5U7mTCJfbqvqFl&amp;show_text=true&amp;width=500" width="500" height="250" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> On the first day of the campaign, veterinary teams vaccinated 293 stray dogs against rabies, while 25 dogs were transferred to designated shelters to undergo surgical sterilization before being safely returned to their original environment. Officials said this approach helps maintain ecological balance and prevents the spread of disease by limiting the entry of unvaccinated animals into treated areas. Alongside vaccination efforts, veterinary awareness teams launched an on-ground community outreach campaign to educate residents on safe interaction with stray dogs and methods of preventing zoonotic diseases. The ministry confirmed that the Ain Shams phase represents the foundation of a nationwide rollout, which will be gradually expanded across all governorates according to a set timeline, in line with Egypt&rsquo;s goal of eliminating rabies by 2030.
Photo Credit: Egyptian Cabinet's official page&nbsp;

Infographic | Egypt Begins Nationwide Stray Dog Vaccination Drive Under ‘Rabies-Free Egypt 2030’ Strategy

CEO Women has announced the launch of She FinTech, a major competitive initiative aimed at empowering women in FinTech and Digital Innovation. The competition comes as part of CEO Women&rsquo;s ongoing commitment to supporting female entrepreneurs across the region and builds on the success of the Entrepreneur Zone featured within CEO Women&rsquo;s flagship events.
The initiative offers total awards of USD 120,000, including USD 50,000 in financial support and USD 70,000 in technical support, designed to fuel innovative ideas and accelerate the growth of women-led ventures. The initiative reflects CEO Women&rsquo;s strong belief that investing in women&rsquo;s creativity is essential to driving economic and social development.
Mona Morad, Founder and CEO of CEO Women, highlighted the significance of the competition, stating: &ldquo;She FinTech represents a vital platform to advance women&rsquo;s presence in both digital and financial sectors. We are committed to creating opportunities for visibility, growth, and regional expansion for women-led businesses.&rdquo;
The competition expands regionally to include participants from across the Middle East and North Africa, establishing She FinTech as a leading platform that brings together women innovators and fosters collaboration and knowledge exchange across the region.
The winning companies will be announced during a special ceremony held at the closing of the CEO Women 2026 events in Cairo, in the presence of distinguished leaders, experts, and key figures from the financial and technology sectors.
CEO Women invites female entrepreneurs in FinTech and Digital Innovation to participate in the competition and benefit from the financial and technical support offered. Further details about the application process will be shared in the upcoming announcements.

CEO Women Launches “She FinTech” Competition to Empower Women in FinTech and Digital Innovation with Total Awards of USD 120,000

At just 23, Wednesday star Jenna Ortega has become the youngest jury member in the history of the Marrakech Film Festival, joining an international panel that includes Bong Joon Ho, Palme d&rsquo;Or winner Julia Ducournau, and Oscar nominee Celine Song.
Speaking about the responsibility, Ortega said she refuses to let pressure overshadow the moment. &ldquo;I&rsquo;m not intimidated because I&rsquo;m so overwhelmed with gratitude,&rdquo; she noted. &ldquo;It would be a shame to come into this experience weighed down by external pressure. At the end of the day, we&rsquo;re all on the same team.&rdquo; Known for her forthrightness, she added: &ldquo;It&rsquo;s very hard for me to put up a front. More than anything, I just want to be as present as possible.&rdquo;
Her presence adds a candid and youthful perspective to a jury reviewing 14 debut and second features, including Akinola Davies Jr.&rsquo;s My Father&rsquo;s Shadow, Zamo Mkhwanazi&rsquo;s Laundry and Morad Mostafa&rsquo;s Aisha Can&rsquo;t Fly Away. Alongside fellow jurors Anya Taylor-Joy, Karim A&iuml;nouz, and Hakim Belabbes, Ortega&rsquo;s role signals how emerging voices are increasingly shaping global cinema conversations.
Fresh Eyes on AI and Storytelling
During a press briefing, Ortega reflected on artificial intelligence in film, referencing her work in Taika Waititi&rsquo;s Klara and the Sun, where she acted opposite a solar-powered AI robot capable of expressing human emotion. Describing AI as &ldquo;a Pandora&rsquo;s box,&rdquo; she said the experience pushed her to consider how technology is redefining narrative, performance, and the boundaries between human and machine.
Facing Challenges Head-On
Ortega also spoke openly about navigating challenges. &ldquo;The only way to deal with these hardships is to face them forward,&rdquo; she said, underlining an approach rooted in honesty and presence. These qualities, she suggested, shape both her craft and her contribution to the jury.
With her blend of modern perspective, transparency, and fearlessness, Jenna Ortega is showing that a younger generation can offer not just fresh insight, but meaningful influence at one of the world&rsquo;s leading film festivals.
Photo Credit: Jenna Ortega's official page&nbsp;

Jenna Ortega at The Marrakech Film Festival: AI, Cinema and Fearlessness

For years, fibromyalgia was that invisible ghost of pain that people whispered about but never really understood. That changed when Montahy Al Salahya&mdash;Farrag&rsquo;s Ramadan series&mdash;threw it into the mainstream, finally showing the exhaustion, confusion and daily battle of living with a condition that has no obvious scars. It was raw, relatable and sparked the question millions have quietly asked: what is&nbsp;fibromyalgia?
 And now, for the first time in nearly 15 years, there&rsquo;s an answer that feels hopeful. The U.S. Food and Drug Administration has approved Tonmya&nbsp;(cyclobenzaprine HCl sublingual tablets), the first new treatment for fibromyalgia since the late 2000s. Unlike older medications that only offered partial relief, this one&rsquo;s non-opioid, placed under the tongue and taken at bedtime&mdash;targeting both chronic pain and sleep disruption, two of the condition&rsquo;s most frustrating hallmarks.
 Clinical trials showed promising results: participants reported a 30 percent or greater drop in pain levels, and their sleep noticeably improved. Sure, side-effects like drowsiness and numbness appeared, but they were mild compared to what patients have endured on previous treatments.
 But let&rsquo;s be honest&mdash;it&rsquo;s not a miracle cure. Fibromyalgia is complex. It messes with sleep, focus, mood and the nervous system all at once. Tonmya&nbsp;may not end the fight, but it finally feels like medicine is taking this battle seriously. The drug is expected to hit pharmacies by late 2025, and when it does, it could redefine what hope looks like for millions living in quiet pain.
 For once, the conversation about fibromyalgia isn&rsquo;t being spoken over&nbsp;patients&mdash;it&rsquo;s being spoken with&nbsp;them.
Photo Credit:&nbsp;geralt, Creative Commons Zero, Public Domain Dedication
&nbsp;

Fibromyalgia Finally Has a New Treatment After 15 Years

In line with President Abdel Fattah El-Sisi&rsquo;s directives, Egypt is intensifying efforts to integrate artificial intelligence (AI) into education through expanded international cooperation with Japan, new training programs, and curriculum reforms.
Training Teachers and &ldquo;Ambassadors of Development&rdquo; The initiative will prioritize training computer science teachers, supervisors, subject advisors, and members of the technology development team&mdash;known as the &ldquo;Ambassadors of Development.&rdquo; This training is part of Egypt&ndash;Japan cooperation aimed at strengthening digital education.
Opportunities for Outstanding Students Exceptional students from governorates across Egypt will be selected to participate in specialized training sessions with leading Japanese companies via video conferencing. These opportunities will expose students to global expertise, help them develop practical skills, and enhance their competitiveness in the labor market.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid0pawNwMG6Ugf8dMw651x8Yy85Hzb61zrC5ZzqTDaNXNvLnVtmrjZn6E9TRAomJTmzl&amp;show_text=false&amp;width=500" width="500" height="498" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
AI Education Beyond the Classroom Officials highlighted that teaching AI and programming not only enhances critical thinking and problem-solving skills but also contributes to Egypt&rsquo;s national economy and supports sustainable development goals.
Integrating AI into School Curricula Minister of Education and Technical Education Mohamed Abdel Latif announced that AI curricula will be introduced in selected school grades beginning in the 2025&ndash;2026 academic year. A matrix of standards and indicators for AI has been developed for both preparatory and secondary levels, with elements of AI education also incorporated into basic education.
Preparing Teachers and Infrastructure The Minister emphasized that well-trained teachers and specialists are essential to the success of this transformation. Efforts are also underway to strengthen technological infrastructure, including the development of specialized labs, to fully support AI integration into schools.
&nbsp;
Photo Credit: Ministry of Education and Technical Education's official page
&nbsp;

Egypt and Japan Partner to Advance AI and Programming Education

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris&mdash;an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
&nbsp;

Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
&nbsp;

Let’s Dance 




Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Some say &ldquo;They don't make them like they used to", and we certainly agree. For one hour we spin out all your favorite classic hits from the 60s through the 90s that bring back those good oldies. Fridays and Saturdays from 7 to 11 am, it's the time for some serious nostalgia.

Flashback

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Join Zeinab &amp; Sami every weekday afternoon for &ldquo;The Big Drive&rdquo;! Your best companion on your journey home from work or school. The best music, the funniest games and lots more as they help you shake off your Cairo traffic blues! Zeinab and Samy will keep you entertained every day from 5 to 7 PM.
&nbsp;

The Big Drive

Girls Talk is a vibrant, empowering show that creates a safe and relatable space for women&rsquo;s voices, stories, and real-life conversations. Presented in rotation by Nadine, Nancy, and Gaz, the show blends friendship-style chats with honest discussions on relationships, self-care, careers, and pop culture. It invites listeners to join the conversation, share their stories, and connect over experiences that truly resonate.

Girls Talk 

Your morning commute has never been this fun! An endlessly entertaining blend of games, news tidbits, and the latest hits, &ldquo;The Morning show&rdquo; is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Rob &amp; Sally are here to make sure you are fresh and ready to conquer the day!

The Morning Show

Hip-Hop &amp; RnB &ldquo;FLAVAS!&rdquo; from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your weekly dose of all the newest hip-hop releases, the best old-school jams, East Coast/West Coast, Shack Town, the dirty South &amp; the Middle East just got a whole lot more flavorful with DJ Feedo!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Kenzy will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt Live

Unlike any other show, Basmah will give you a variety of different segments throughout the weekdays for one hour! Basmah will keep you company with plenty of chat, fun, music &amp; games, along with all the latest entertainment news and much more!

Brain Busters

Every Monday and Wednesday from 3-4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, nonstop! All the latest tracks for one hour straight, no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!
&nbsp;

Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counts down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop-culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

A curated playlist of the best tunes from the 90s &amp; the 2000s! Join veteran music man Simon Ramsden as he helps you bring your busy work week to a close and prepares you for the weekend&rsquo;s parties! Every Thursday, Simon&rsquo;s power hour aims to kickstart your weekend with an hour full of the best of all time and new tracks to make you feel good!

Feel Good Thursday

Step into a world of calm and culture with Nile Bazar with Safi. Featuring oriental-inspired music and thoughtfully curated lifestyle content, the show offers a serene backdrop for reflection, discovery, and an immersive taste of local flavor. Every Thursday from 11 AM to 1 PM, with a chance to catch it on Saturday later from 10 to 11 PM.
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