A shy New Jersey housewife who longs to break free from her routine life unexpectedly finds herself drawn into the world of community theatre, setting off a transformation that changes her life. This is the premise of &lsquo;The Debut,&rsquo; the musical comedy starring Academy Award winner Julianne Moore and written and directed by Jesse Eisenberg.
The film closed the 70th BFI London Film Festival on 18 October 2026, with its UK premiere at the Southbank Centre&rsquo;s Royal Festival Hall. Featuring Moore, Eisenberg and Paul Giamatti, &lsquo;The Debut&rsquo; is scheduled to hit US theaters on 11 December 2026. With Moore&rsquo;s performance already generating Oscar buzz, the film could put the actress in contention for another Academy Award.
About &lsquo;The Debut&rsquo;
Written and directed by Eisenberg, &lsquo;The Debut&rsquo; follows Mona Friedman (Moore), a shy New Jersey housewife who auditions for a role in her local theatre&rsquo;s production of an original musical called &lsquo;Nosy Neighbors.&rsquo; After landing the supporting role of Miss Danielle, Mona becomes increasingly consumed by her character and falls under the influence of the production&rsquo;s demanding director, Jerry Blankenbuehler (Giamatti). As her involvement deepens, her previously predictable life begins to unravel.
Speaking at the film&rsquo;s London premiere, Eisenberg described the project as deeply personal, saying, &ldquo;I mean, this movie stars my favorite person, Julianne Moore. But ironically, strangely, it&rsquo;s the story of my life.&rdquo;
&lsquo;I Could Only Picture Julianne&rsquo;
Eisenberg&rsquo;s connection to the story dates back to his childhood, when he began participating in community theatre at the age of seven. Recalling how the experience changed his life, the filmmaker explained that he wanted to draw on those memories when writing the screenplay.
&ldquo;I wanted to write about that experience in my life, but I could only picture Julianne, to the point where I was writing it and she was inspiring me,&rdquo; he said, according to Variety. He also described watching and editing Moore&rsquo;s performance over two years as &ldquo;the most thrilling experience.&rdquo;
&lsquo;One of the Best Scripts I&rsquo;ve Ever Read&rsquo;
Moore also praised Eisenberg&rsquo;s writing, describing the screenplay as an &ldquo;incredible gift&rdquo; and &ldquo;one of the best scripts I&rsquo;ve ever read in my entire life.&rdquo;
&ldquo;It was such an honor to receive it and such a thrill to go to work every day and to get to do this incredible part with these tremendous actors,&rdquo; she said, adding that Eisenberg is &ldquo;a beautiful writer, exemplary director and just a great talent.&rdquo;
Why Paul Giamatti Missed the London Premiere
Although Giamatti plays a central role in the film, the actor was unable to attend its London premiere after contracting COVID-19.
&ldquo;I wish he could be here. He is the greatest guy and you would love to hear him talk,&rdquo; Eisenberg said, expressing his disappointment at the actor&rsquo;s absence. He also shared his admiration for both Giamatti and Moore, describing them as his favorite actors since he was young.
Could &lsquo;The Debut&rsquo; Earn Julianne Moore Another Oscar?
Following its festival screenings, &lsquo;The Debut&rsquo; has generated awards-season discussion, with Moore&rsquo;s lead performance emerging as one of its major talking points. The actress previously won the Academy Award for Best Actress for her role in &lsquo;Still Alice&rsquo; (2014), and her work in Eisenberg&rsquo;s latest film could put her in contention for another nomination.
However, the 2027 Oscar race remains uncertain, and a nomination or win is far from guaranteed. The film&rsquo;s theatrical release will give wider audiences an opportunity to see the performance that has drawn early awards attention.
About the BFI London Film Festival
The 70th BFI London Film Festival is showcasing films, series and immersive storytelling from around the world. &lsquo;The Debut&rsquo; was selected as the festival&rsquo;s Closing Night Gala, bringing the event to a close with the UK premiere of Eisenberg&rsquo;s latest directorial project.
Photo Credit: Julianne Moore&rsquo;s official page
&nbsp;

Julianne Moore’s ‘The Debut’ Sparks Oscar Buzz Ahead Of 2027 Awards

Egyptian actress Tara Emad has joined the cast of &lsquo;The Mummy: Book of the Dead&rsquo;, the upcoming film starring Brendan Fraser and Rachel Weisz. The fourth instalment in the franchise is scheduled to be released in cinemas on 15 October 2027, with plot details remaining under wraps.
Dread Central reported Emad&rsquo;s casting on 16 October 2026, describing her role as a leading one, although her character has not yet been revealed.
Tara Emad Joins the Cast
Emad celebrated the announcement on Instagram, sharing her excitement with the caption: &ldquo;little Tara is psyched&rdquo;.
According to Dread Central, the Egyptian actress will join the returning stars in the new film. However, details of her character and her role in the story have not been disclosed.
Emad has built her career across Egyptian film and television, with credits including &lsquo;Diamond Dust&rsquo;, &lsquo;The Blue Elephant 2&rsquo; and the Arabic adaptation of &lsquo;Suits.
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Brendan Fraser and Rachel Weisz Reunite
Brendan Fraser and Rachel Weisz are returning as Rick O&rsquo;Connell and Evelyn O&rsquo;Connell, the characters they first played in &lsquo;The Mummy&rsquo; (1999), directed by Stephen Sommers.
They will be joined by returning cast members John Hannah as Jonathan Carnahan, Oded Fehr as Ardeth Bay and Kevin J. O&rsquo;Connor as Beni Gabor. Michael Johnston and Numan Acar are also among the announced cast.
The reunion brings Fraser and Weisz back together after their appearances in the original film and its 2001 sequel, &lsquo;The Mummy Returns&rsquo;. Weisz did not appear in the third film, &lsquo;The Mummy: Tomb of the Dragon Emperor&rsquo; (2008), in which Maria Bello played Evelyn.
The Story Behind The Mummy Franchise
The franchise began with &lsquo;The Mummy&rsquo; in 1999. The film follows adventurer Rick O&rsquo;Connell and librarian Evelyn Carnahan as they explore the ancient Egyptian city of Hamunaptra and accidentally awaken Imhotep, a high priest cursed for his forbidden love.
The story continued with &lsquo;The Mummy Returns&rsquo; (2001), in which Rick and Evelyn, now married with a son, face the resurrected Imhotep and the Scorpion King.
The third film, &lsquo;The Mummy: Tomb of the Dragon Emperor&rsquo; (2008), moved the action to China, where the family confronts an ancient emperor brought back to life with supernatural powers.
The new film will reunite Fraser and Weisz in their original roles. Reports suggest that it will continue the story established by the first two films rather than follow the events of the third instalment. However, the filmmakers have not yet disclosed the full plot.
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A New Creative Team Behind the Fourth Instalment
Filmmakers Matt Bettinelli-Olpin and Tyler Gillett are directing the film from a screenplay by David Coggeshall.
Bettinelli-Olpin and Gillett, collectively known as Radio Silence, are known for directing the horror comedy &lsquo;Ready or Not&rsquo; (2019) and the 2022 instalment of the &lsquo;Scream&rsquo; franchise. Coggeshall&rsquo;s screenwriting credits include &lsquo;The Family Plan&rsquo; and &lsquo;Orphan: First Kill&rsquo;.
Their involvement brings a new creative team to the long-running franchise. The film is scheduled for release on 15 October 2027, although further story and character details remain undisclosed.
Tara Emad&rsquo;s Latest Projects
Emad has continued to work in Egyptian film and television. She appeared in &lsquo;El Gawahergy&rsquo;, a comedy starring Mohamed Henedy and Mona Zaki.
She is also part of the cast of &lsquo;Seven Dogs&rsquo;, an action film featuring Ahmed Ezz, Karim Abdel Aziz, Monica Bellucci, Salman Khan, Giancarlo Esposito, Martin Lawrence, Nasser Al Qasabi, Max Huang, Sanjay Dutt and Menna Shalaby, among others.
Her casting in &lsquo;The Mummy: Book of the Dead&rsquo; marks another international project for the Egyptian actress, who will join a franchise that has attracted audiences since the release of the original film in 1999.
The film is due in cinemas on 15 October 2027.
Photo Credit: Tara Emad&rsquo;s official page

Tara Emad Joins 'The Mummy: Book Of The Dead,' Set For 2027 Release

Can love heal the wounds left by violence, or does forgiveness sometimes become another burden placed on women? In the fourth episode of the "Reel vs Real&rdquo; podcast, Mel Masry revisits Henry Barakat&rsquo;s 1959 Egyptian classic, Duaa Al-Karawan, to explore the complicated relationship between love, trauma and justice.
Some wounds do not disappear with time. They change the way we see the world, shape the choices we make and leave us searching for answers that love alone cannot provide.
Based on the novel by Taha Hussein, Duaa Al-Karawan follows Amna, whose pursuit of revenge becomes complicated when she develops feelings for the man responsible for her sister&rsquo;s suffering. More than six decades after its release, the film continues to raise questions about women&rsquo;s freedom, social expectations and the difficult boundaries between forgiveness and accountability.
In this episode of "Reel vs Real," Mel Masry revisits the film from a contemporary perspective, examining what happens when the pursuit of justice becomes entangled with emotional attachment.
The Wound Behind the Song
At the heart of Duaa Al-Karawan is a tragedy that shapes Amna&rsquo;s journey. Her sister, Hanadi, falls in love with an agricultural engineer who exploits her. When their family discovers what has happened, their uncle kills Hanadi in the name of honour.
Amna refuses to accept the values that justify her sister&rsquo;s murder. Determined to avenge her, she returns to the engineer&rsquo;s home as a servant, intending to make him pay for what he has done.
What begins as a mission driven by anger becomes increasingly complicated as Amna&rsquo;s feelings change. Her story is not simply about revenge. It explores what happens when grief becomes the foundation of a person&rsquo;s decisions, leaving them torn between holding someone accountable and acknowledging feelings they never expected to develop.
The film invites audiences to look beyond revenge itself and consider the pain, injustice and social pressures that make it seem necessary in the first place.
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When Love Complicates Revenge
Love rarely arrives at a convenient moment, and Amna&rsquo;s growing feelings for the engineer challenge the certainty with which she begins her journey.
Her emotional conflict raises a difficult question: what happens when the heart moves in a direction that contradicts the purpose we have given ourselves?
As Amna&rsquo;s plan unfolds, she must confront the difference between what she feels and what she believes justice requires. The relationship also challenges the familiar idea that love can resolve every conflict, regardless of how deeply rooted the original harm may be.
Feelings can change our understanding of another person, but they do not automatically erase the consequences of their actions. Nor does falling in love mean that the pain surrounding a relationship suddenly becomes less significant.
This is where Duaa Al-Karawan becomes more than a tragic love story. It explores the uncomfortable space between emotional attachment and moral responsibility, asking whether love can survive when the past remains an obstacle to the future.
Does Forgiveness Mean Healing?
One of the film&rsquo;s most compelling themes is whether forgiveness represents genuine healing or becomes an expectation imposed on those who have been hurt.
Women have long been celebrated for their ability to endure, sacrifice and forgive. These qualities can reflect extraordinary strength, but they can also become social demands that leave little room for anger, grief or the pursuit of justice.
When forgiveness is treated as the only acceptable ending, the person who caused the harm may receive more consideration than the person who experienced it. The injured woman is expected to move forward, sometimes without the accountability or recognition her pain deserves.
Through Amna&rsquo;s story, audiences can question whether emotional reconciliation should be considered a substitute for justice. Can someone choose forgiveness without denying what happened? And should a woman have to forgive at all to prove that she has healed?
Forgiveness, when freely chosen, can be deeply personal. But it should not be confused with forgetting, excusing violence or removing responsibility from those who caused harm.
A Different Woman in Every Generation
The power of revisiting a classic lies in discovering how differently it can speak to audiences across generations.
When Duaa Al-Karawan was released in 1959, its portrayal of honour, gender expectations and a woman&rsquo;s struggle against the circumstances surrounding her challenged prevailing social conventions. Today, those same themes invite conversations about accountability, emotional boundaries and the expectations placed on women to remain resilient in the face of injustice.
Modern viewers may find themselves asking questions that extend beyond Amna&rsquo;s personal choices. Why is a woman&rsquo;s ability to forgive so often treated as a measure of her character? Why is she expected to turn her pain into redemption, and why is love sometimes presented as the answer to suffering that demands accountability?
The film&rsquo;s ending adds another dimension to these questions. Unlike Taha Hussein&rsquo;s original novel, which ends with Amna and the engineer together, Barakat&rsquo;s film concludes with the engineer dying after taking a bullet intended for Amna. The tragic ending complicates any straightforward reading of love as a solution to injustice.
These differences between the novel and the film also demonstrate how adaptations can reshape the moral questions at the heart of a story.
Amna&rsquo;s journey can be interpreted differently depending on the viewer&rsquo;s experiences, values and generation. That capacity to invite debate is part of what keeps the film relevant.
The Question &lsquo;Duaa Al-Karawan&rsquo; Leaves Behind
Perhaps the most important question is not whether Amna ultimately chooses love or revenge, but what her story reveals about the relationship between suffering and healing.
Must pain lead to forgiveness? Can love exist alongside unresolved questions of justice? And can a woman reclaim her future without being expected to turn her suffering into a lesson for everyone else?
These questions give Duaa Al-Karawan a lasting place in conversations about women, relationships and society. Its emotional power lies not in offering simple answers, but in encouraging audiences to examine the values through which they judge the people at the centre of its story.
In "Reel vs Real," Mel Masry invites audiences to look beyond the film&rsquo;s tragic love story and consider the meaning of its closing image of the nightingale&rsquo;s song. A voice can express grief that has not disappeared, keeping a painful memory alive even when those around it would prefer silence.
Healing does not always mean forgetting, and survival does not always look like forgiveness. Sometimes, it begins with finding a voice and reclaiming the right to tell your own story.
Catch the fourth episode of "Reel vs Real" with Mel Masry every Sunday at 5pm on NileFM&rsquo;s YouTube channel, where films become a starting point for conversations that extend far beyond the screen.
Photo Credit: El Cinema&rsquo;s official website

Reel vs Real: ‘Duaa Al-Karawan’ And The Complex Relationship Between Love, Revenge And Forgiveness

English singer-songwriter and actor Harry Styles paid a heartfelt tribute to his late One Direction bandmate Liam Payne, performing an unreleased song dedicated to him during his Madison Square Garden residency in New York, marking the second anniversary of Payne&rsquo;s death. The Grammy-winning singer introduced the previously unheard track, titled &ldquo;What Is Enough,&rdquo; during the encore of his concert, revealing that he had written the song for his friend around two years earlier. Harry Styles Opens Up About Losing Liam Payne Before performing the song, Styles addressed the audience, reflecting on the people who had shaped his life and career. He told concertgoers that he felt fortunate to perform at Madison Square Garden and expressed gratitude to the friends and collaborators who had supported him along the way. &ldquo;Two years ago today, I lost one of those friends,&rdquo; Styles said, referring to Payne. He then asked the audience for permission to perform a song he had written for his late friend, prompting cheers from the crowd. Styles accompanied himself on guitar as he performed &ldquo;What Is Enough,&rdquo; an emotional ballad reflecting on loss, friendship, and the lasting impact people leave behind.
<iframe src="//www.youtube.com/embed/ozFHc8-w2v4" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Harry Styles and Liam Payne&rsquo;s Journey With One Direction Styles and Payne first met in 2010 when they auditioned for the British talent competition &ldquo;The X Factor.&rdquo; Although they initially auditioned as solo contestants, they were brought together with Zayn Malik, Louis Tomlinson, and Niall Horan to form One Direction. The group went on to become one of the most successful boy bands of its generation, releasing hits that built a global fan base. In 2015, Malik announced his departure from the group, while the remaining members began pursuing individual projects before One Direction went on an indefinite hiatus in 2016. Remembering Liam Payne Payne died on 16 October 2024, at the age of 31, after falling from a third-floor hotel balcony in Buenos Aires, Argentina. His death prompted tributes from fans, fellow musicians, and his former bandmates. His funeral took place in Amersham, England, on 20 November 2024. Styles, Malik, Tomlinson, and Horan attended the service, marking a rare reunion of the former bandmates as they came together to mourn their friend. Two years later, Styles&rsquo; performance of &ldquo;What Is Enough&rdquo; offered another tribute to Payne, remembering not only their shared years in One Direction but also the friendship that continued to hold meaning beyond the band. Photo Credit: One Direction&rsquo;s official page
&nbsp;

Harry Styles Honors Liam Payne With Unreleased Song On Second Anniversary Of His Death

Nicolas Cage and Antonio Banderas will lead the cast of &lsquo;True Detective&rsquo; Season 5, with production of the crime anthology series scheduled to begin in 2027.
The new instalment will be set in Jamaica Bay, New York, and will see Issa L&oacute;pez return as showrunner, writer and director after overseeing the fourth season, &lsquo;Night Country&rsquo;. Cage will play Henry Logan, while Banderas will portray Rai Garc&iacute;a. Further details about the plot and supporting cast have yet to be announced.
Who Will Nicolas Cage and Antonio Banderas Play?
The two actors will take on new characters in the fifth season, although details about their roles remain limited.
Cage will play Henry Logan, while Banderas will portray Rai Garc&iacute;a. The casting announcement marks a new chapter for the anthology, which introduces a different investigation and central cast with each season.
Production is expected to begin in 2027. The production company has yet to announce a release date for the new episodes.
L&oacute;pez, who wrote and directed &lsquo;Night Country&rsquo;, will return to lead the creative team. Daniel Zelman will also join the project as a writer and executive producer.
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A Look Back at Previous &lsquo;True Detective&rsquo; Seasons
Since its debut in 2014, &lsquo;True Detective&rsquo; has become known for its anthology format, with each season exploring a different investigation, setting and group of characters.
The first season starred Matthew McConaughey and Woody Harrelson as Louisiana detectives investigating a disturbing murder case. Season 2 moved to California, featuring Colin Farrell, Rachel McAdams and Vince Vaughn.
Season 3 was set in the Ozarks and starred Mahershala Ali and Stephen Dorff. The fourth season, &lsquo;Night Country&rsquo;, followed detectives Liz Danvers and Evangeline Navarro, played by Jodie Foster and Kali Reis, as they investigated the disappearance of eight men from a research station in Alaska.
The series has received 41 Emmy nominations and won six awards. According to the production company, &lsquo;Night Country&rsquo; became the show's most-watched season, attracting 12.7 million cross-platform viewers.
What Have Nicolas Cage and Antonio Banderas Been Up To?
Cage recently starred in &lsquo;Spider-Noir&rsquo;, a superhero series based on Marvel's Spider-Man Noir comics. The series won five Creative Arts Emmy Awards in 2026, adding to the actor's television credits.
Banderas appeared in &lsquo;Tony&rsquo;, a biographical drama about the early life of chef and television personality Anthony Bourdain. The film, directed by Matt Johnson and starring Dominic Sessa as Bourdain, was released in US cinemas in August 2026.
The upcoming *True Detective* season will bring the two actors together in the same leading cast.
Will &lsquo;True Detective&rsquo; Season 5 Connect to &lsquo;Night Country&rsquo;?
Although the fifth season will introduce a new investigation and characters, L&oacute;pez has indicated that it will retain connections to 'Night Country'.
In comments reported by *TV Insider*, the showrunner said there would be important links between the events and characters in Ennis, Alaska, and the new season. She also stressed that the next instalment would tell a different story with new characters.
The comments suggest that viewers may find familiar references to the previous season, while the new investigation develops its own narrative.
With Cage and Banderas leading the cast, &lsquo;True Detective&rsquo; Season 5 will move the anthology from Alaska to New York. More details about the story, additional cast members and release date are expected as production approaches.
Photo Credits: Harald Krichel (CC BY-SA 4.0) and Nicolas Genin (CC BY-SA 2.0), via Wikimedia Commons.

‘True Detective’ Season 5: Nicolas Cage And Antonio Banderas To Star In 2027

All the latest entertainment news from Nile FM. TV Shows, Movies, Trailers, Clips, International & Arab Celebrity Gossip, Awards, Events & Best Dressed Lists.

Entertainment

By: Yomna Walid&nbsp;
Aly Fathalla's musical journey began at the age of four, when his father gave him his first keyboard. Inspired by watching his father play, he soon developed a passion for music that would shape his career as a producer, DJ and live performer.
More than two decades later, Fathalla has established himself across international trance, Egyptian pop, and film and television scoring. Alongside his childhood friend Fady, he has also built Aly &amp; Fila into a long-running electronic music project.
But his musical journey has continued to evolve. His latest project, &lsquo;Alive&rsquo;, combines original electronic music with live instrumentation, allowing him to explore a more personal approach to performing. The idea emerged following the birth of his first daughter, an experience that also influenced his creative outlook.
In this exclusive interview with NileFM, this week's &lsquo;DJ of the Week&rsquo; discusses his early musical influences, his partnership with Fady, the evolution of Aly &amp; Fila and the impact of artificial intelligence and social media on music. He also talks about fatherhood, his ambitions for &lsquo;Alive&rsquo; and the 12-track live set he has prepared for the show, airing tonight at 10pm.
Take us back to the beginning. What inspired you to become a music producer and DJ, and how did your journey start?
My father had a love for music, and I used to watch him mesmerised as he played the keyboard. He worked as a doctor, yet music was always a big part of his life. He gave me my first keyboard when I was four, and I fell in love with music right then and there. As I grew older, my passion for music production and my curiosity about it also grew, eventually evolving into the music I play today. DJing is how I share my creations with the world, but my true passion is producing music and performing it live.
<a href="https://ibb.co/KJD7rw0"><img src="https://i.ibb.co/jSzGrR6/1.png" alt="1" border="0" /></a>&nbsp;
After more than two decades in the music industry, what has remained at the heart of your identity as a musician?
I appreciate good music of all genres. Good music is simply good music. My identity is somewhat of a chameleon; it expands and changes with every new piece of music I produce. At its heart are my love of music and my curiosity to keep learning and creating something beautiful, whatever that may be. I always strive to produce good music, regardless of the genre.
You have been producing music since 2003. How do you think artificial intelligence will change music production and the creative process?
AI is definitely a double-edged sword; it depends on how artists choose to use it. If used creatively as a tool, it can have a very positive effect and be extremely helpful in the creative process. However, if it takes the lead in creating music, artists risk losing their identities and their sense of inspiration.
That's why I don't think AI can replace the human element. Music has a personality that makes every piece unique to the artist who created it.
You work across international trance and Egyptian pop. How do these two musical worlds influence each other in the studio?
It started the other way around. Initially, I brought part of my personality from the trance world into my Arabic pop productions, resulting in a distinctive sound that became recognisable in my music. Later, my love for our beautiful oriental sounds found its way into my dance tracks and helped elevate those productions as well. The two genres definitely influence each other in a very positive way, in my opinion.
<a href="https://ibb.co/pjjjvBzF"><img src="https://i.ibb.co/whhhNFWm/2.png" alt="2" border="0" /></a>&nbsp;
How do you continue to evolve creatively while maintaining the distinctive sound your fans recognise?
I am very grateful for the distinctive identity of my music, which I believe comes straight from the heart and reflects my personality. However, maintaining that identity is not something I consciously focus on.
I believe creative evolution comes from having the passion to keep learning, developing and exploring the new creative tools that emerge every day. At the same time, it is important to remain true to what I genuinely enjoy rather than blindly following trends.
I am humbled and ecstatic to have a sound that fans recognise. I have been blessed with that, and I am truly grateful.
How have social media and streaming platforms changed the way electronic music is produced, promoted and consumed?
Social media is a double-edged sword. It has helped artists reach wider audiences and appeal to the masses. However, it can also discourage talented artists from producing music simply because they haven't received enough likes or aren't particularly skilled at using social media.
Seeking validation online can be dangerous. You shouldn't let it make or break you.
In my case, my production process remains the same. I still strive to create music that I enjoy and believe in. However, social media has made me pay more attention to how I present my music and has made it easier to share what I have always done, even when no one was watching, with people who appreciate it.
It also encouraged me to take a videography course so I could shoot reels properly and motivated me to keep up with the times.
It is beneficial to watch and learn from other artists who share their work online, but it is important to maintain your own personality rather than blindly follow trends.
You and Fady have been making music together for more than two decades. What has kept your creative partnership going?
I believe it comes down to a long-standing childhood friendship, good communication and a shared creative vision, most of the time.
How has the Aly &amp; Fila sound evolved over the years, and what has defined its musical identity?
The Aly &amp; Fila sound has continuously evolved alongside the development of the tools available to us, including software and hardware, as well as our shared experiences and musical growth.
It has always reflected a shared personality between Fady and me, with our music carrying a distinctive flavour of collaboration and a common identity.
Our sound develops with every life event we share or experience separately, and with everything each of us learns. I believe this is what has created the uplifting and emotional nature of Aly &amp; Fila's music. When we first started, it was an emotionally meaningful project that uplifted both of us.
<a href="https://ibb.co/0jMdp06Z"><img src="https://i.ibb.co/Gv2bfZ8k/3.png" alt="3" border="0" /></a>&nbsp;
You have launched &lsquo;Alive&rsquo;, a live concept featuring your original solo material and hardware instruments. What inspired you to explore this new creative direction?
Performance has always been something I truly enjoyed. In fact, it was part of how I first got into music. The equipment I used back then was much less sophisticated than what I have now, but I had been performing live since high school. Then life and the lack of technology had other plans.
After many years in the music business, spending most of my time in the studio or in front of a computer, I was inspired to make electronic dance music more personal, both for myself and for audiences.
Through a lot of trial and error, I eventually settled on the instruments I use today. They allow me to create and perform electronic music live, much like playing a conventional musical instrument. This makes the performance feel more human than simply playing a track through a computer.
I get to perform live and interact with the music I have produced, remixed or composed. It is a truly wonderful and exhilarating experience.
What does &lsquo;Alive&rsquo; allow you to explore musically that you might not be able to under the Aly &amp; Fila name?
It's not that this is music that couldn't be released under the Aly &amp; Fila name; it is simply a different direction in electronic dance music.
&lsquo;Alive&rsquo; has a different tempo and is aimed at a broader audience with a wider range of musical preferences. It is music that can be enjoyed by different age groups and is not limited to a particular genre.
There are no restrictions on genre or tempo with &lsquo;Alive&rsquo;. It is about whatever music comes from my soul or touches my heart. There are absolutely no limitations on what I can create or perform. I have even performed with an orchestra.
The project caters to a variety of audiences. It is a brand-new interpretation of electronic dance music.
How has fatherhood influenced you as an artist, and how do you balance family life with the demands of an international music career?
The idea for &lsquo;Alive&rsquo; actually came about with the birth of my first daughter.
I am a very hands-on father and am present in my daughters' lives in every way. Becoming a father has been an enriching emotional experience that has had a positive influence on my creativity. It has added more depth and emotion to everything I create.
As for the demands of an international music career, that side of things is only just beginning to develop, but so far, so good.
I stopped touring with Fady for a while following my ear injury in 2009. This allowed me to spend more time with my family, as most of my work was focused on production.
Since starting &lsquo;Alive&rsquo; and travelling again, my family has continued to come first. Sometimes they travel with me, and my partner makes sure the children are involved and know about the events I take part in.
I am blessed to have this time with my family, and I wouldn't have it any other way.
<a href="https://ibb.co/wN2fRmVP"><img src="https://i.ibb.co/hRTSyzb4/4.png" alt="4" border="0" /></a>&nbsp;
Alongside your work in electronic music, you also compose for film and television. How does writing music for a story differ from producing your own tracks?
For me, music always tells a story, and I truly enjoy creating it in all its forms, whether acoustic or electronic. Writing music for a story means working within the boundaries of the narrative and the vision of its creators. However, I still enjoy the challenge of creating something beautiful that enhances the storyline and adds to it.
That's the difference. When I create my own tracks, I am limited only by my own vision, which is often limitless.
<a href="https://ibb.co/DHwsWF9Z"><img src="https://i.ibb.co/q3mXj8Nv/5.png" alt="5" border="0" /></a>&nbsp;
What can visual storytelling bring out in you as a composer that you might not otherwise explore in your own productions?
Perhaps it is the challenge of communicating a story through music without lyrics and finding the best possible way for the music and the visuals to work together in a synchronised expression.
Having performed around the world, which experiences have had the greatest impact on you, both personally and professionally?
Watching how universal the language of music is has been particularly memorable. Interacting with audiences from all over the world and understanding one another through music is magical.
I love visiting places I wouldn't normally visit. I have performed in South Korea, for example.
On a personal level, it is wonderful to feel loved and valued for what you create. Having people appreciate you because of your music is a fulfilling experience.
Professionally, performing for different audiences and experiencing different cultures have been enriching. For example, performing in Saudi Arabia for two very different audiences at separate events was a lot of fun. Understanding how each crowd interacts with the music was a valuable learning experience.
Looking back at your career so far, what is the one ambition you have yet to fulfil?
Professionally, my ambition is definitely to take &lsquo;Alive&rsquo; to a much wider audience.
I also want to create a platform where I can teach music production and share my knowledge.
What can your fans look forward to next? Are there any new projects or musical directions you can tell us about?
There is always something new in the works, but I don't have anything specific to share at the moment. Hopefully, there will be more live shows and performances around the world.
Finally, what special surprise have you prepared for &lsquo;DJ of the Week&rsquo; on NileFM?
A live set of 12 original tracks performed live, which I hope you will enjoy.
Photo Credit: Aly Fathalla&rsquo;s official page

Exclusive | Aly Fathalla On His Musical Journey, Aly & Fila And The Story Behind ‘Alive’

By: Yomna Walid&nbsp;
With a simple idea carrying a deeper meaning, Egyptian director Soliman Hamza&rsquo;s &ldquo;Beat the Saddle&rdquo; has achieved a remarkable milestone by winning both Best Director and Best Picture at the Iowa African Film Festival 2026.
The film explores how even the simplest dreams can become difficult to achieve. It follows a rural man who simply wants to buy a donkey to make his journey to work easier, only to find that achieving this seemingly modest dream is far more difficult than expected. Through a blend of black comedy and realism, &ldquo;Beat the Saddle&rdquo; examines the struggles people face while trying to improve their lives and pursue their dreams.
The Iowa African Film Festival 2026 featured 30 selected films representing 22 countries, chosen from more than 500 submissions from around the world. &ldquo;Beat the Saddle&rdquo; was the only Egyptian winning entry at the festival, taking home two awards: Best Picture and Best Director.&nbsp;
NileFM went behind the scenes with Egyptian director Soliman Hamza to discuss the making of &ldquo;Beat the Saddle,&rdquo; the inspiration behind its central character and his simple dream, the challenges of bringing the story to life through realism and black comedy, and what winning at the Iowa African Film Festival 2026 means to him.
Take us behind your journey. What made you decide you wanted to become a director?
My journey with cinema began with my love for storytelling and expressing the human experience through images. I first studied theatre, then moved into cinema and specialized in directing. For me, directing is a way of seeing people and life from a different perspective and sharing that vision with the audience.
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The film follows a rural man who simply wants to buy a donkey to make his journey to work easier. What made you choose such a simple desire as the starting point for the story?
I chose such a simple desire because I believe that simple things can carry deeply human stories. For Reda, buying a donkey is not just a small wish; it represents a real need and the hope of making his life easier. Through this simple dream, I wanted to explore how difficult life can make even the smallest wishes.
Your filmmaking style relies on realism. What made you choose this approach for the film?
I chose realism because I wanted the film to feel close to real life. I was interested in real locations, everyday details, and characters that feel natural and honest. I felt realism was the best way to bring the audience closer to Reda&rsquo;s world.
The film explores how a seemingly simple dream can become difficult to achieve because of life's circumstances. What does this idea mean to you personally?
This idea is very meaningful to me because people often do not ask for much from life, yet circumstances can make even simple dreams difficult to achieve. The film is about the distance between dreams and reality, and about continuing to try despite the obstacles.
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The donkey becomes a symbol of something that seems simple but can be difficult to reach. What did you want the donkey to represent in the story?
The donkey represents the dream itself. It is something simple, but for Reda, it represents change and a better life. I wanted it to become a symbol of the simple dreams that can sometimes be surprisingly difficult to reach.
What was the biggest challenge you faced while shooting the film?
The biggest challenge was maintaining the film&rsquo;s realism while still giving it a cinematic quality. Shooting in real locations and dealing with unpredictable circumstances was challenging, but it also helped shape the film&rsquo;s authenticity.
&ldquo;Beat the Saddle&rdquo; won Best Director and Best Picture at the Iowa African Film Festival 2026. What did these awards mean to you?
Winning Best Director and Best Picture at the Iowa African Film Festival was a very meaningful moment for me. It showed me that a simple story from an Egyptian reality could connect with an international audience. The awards are also a recognition of everyone who worked on the film.
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The film is titled &ldquo;Beat the Saddle.&rdquo; What does the title mean to you, and how does it connect to the story and its central themes?
&ldquo;Beat the Saddle&rdquo; is connected to the ideas of journey, struggle, and perseverance. The saddle is directly connected to the donkey and Reda&rsquo;s journey, but it also represents his attempt to move forward despite his circumstances.
The film combines social realism, satire, and dark comedy. How did you find the balance between these different tones?
I wanted the satire and dark comedy to come naturally from the reality of the story. I believe laughter and sadness can exist in the same moment, and I tried to capture that contrast through the characters and situations.
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What was the most rewarding part of bringing this story to life?
The most rewarding part was seeing a simple idea become a story that people could connect with. When Reda&rsquo;s dream reaches someone from a different culture, I feel that the film has found its human meaning.
What is next for you? Are there any stories or projects you would like to explore next?
In my upcoming projects, I want to continue exploring human stories and everyday life while experimenting with different cinematic styles and forms of storytelling. What matters most to me is telling honest stories with meaning.
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Photo Credit: Soliman Hamza&rsquo;s official page
&nbsp;

Exclusive | Soliman Hamza Talks “Beat The Saddle” Winning At Iowa African Film Festival 2026

By: Yomna Walid&nbsp;
Winning Olympic gold was just the beginning for Feryal Ashraf. After making history at the Tokyo 2020 Olympics, Egypt's first female Olympic karate gold medallist faced a new challenge: returning to elite competition after becoming a mother. At the 2026 Mediterranean Games, she proved she was ready, overcoming an injury to claim gold and secure her second consecutive title at the Games.
The Egyptian karate champion and pharmacist has had to balance the demands of motherhood, her profession and the rigours of competitive sport, while continuing to pursue her ambitions.
In an exclusive interview with NileFM, Ashraf reflects on her comeback, the challenges of motherhood and the determination that has shaped her career. She also reveals what she hopes to achieve next, including a long-awaited individual senior World Championship title.
You have achieved success in both pharmacy and karate. Take us behind your journey. How did you manage to balance your studies, your career as a pharmacist, and your training as a professional athlete?
It was all about time management and setting priorities. If I have a very important competition coming up, my priority is training. If I have an exam and there is no training, then studying becomes the priority. If the two conflict, I try to organize my time between both so I can give each one the attention it needs.
Your journey has included many challenges and difficult moments. What would you say has been the biggest challenge you have faced, and what did it teach you?
One of the biggest challenges was before the Olympics, when I had a disagreement with my coach, which led to him stopping our training together. He decided to leave me about a month and a half before the Olympics. That made me hold on to my dream even more rather than give up on it.
I had a goal in front of me that I wanted to achieve, despite the circumstances I was going through. That gave me even more motivation to achieve it. I eventually found another coach, my current coach, Captain Khaled, who took on a responsibility during a period that not everyone would have been able to accept, especially with such little time left before the Olympics.
On top of that, I was dealing with injuries. Before the Olympics, I had a hamstring tear, and I recovered from it just one week before the Olympics. I always believe that you can keep going as long as you are willing to fight for the place you want to reach.
<a href="https://ibb.co/F4btfNyV"><img src="https://i.ibb.co/nMsSVZYC/1.png" alt="1" border="0" /></a>&nbsp;
Your journey at the 2026 Mediterranean Games was not an easy one, but you managed to overcome the challenges and win the gold medal. Can you take us behind that experience?
It was my first major official competition after returning from motherhood, so it was a very important milestone for me, especially because I managed to win the gold medal.
I had already won gold in Oran in 2022, so winning gold again meant that I had won gold medals at two consecutive editions. That was something very significant for me.
The biggest challenge during the competition was my injury in the first match. The doctors advised me not to continue, but I wanted to keep going and reach my goal. I could see myself winning the gold medal, and I believed I could perform well throughout the competition.
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You suffered an injury during the competition but decided to continue fighting. What gave you the strength to keep going?
The amount of exhaustion and pain I had gone through before the competition, along with everything I had experienced, were things that could have made anyone give up. I had also gone through very difficult psychological circumstances, and I had pushed myself extremely hard.
That made me decide that I was not going to give up on everything I had worked for just because I got injured. On the contrary, it made me hold on even more.
An injury can also make an athlete more focused. When I got injured, I became even more focused. I was thinking, &ldquo;No one is going to touch my face or get close to the injured area.&rdquo; I became more focused on my goal. I was not going to look anywhere else except at the goal I had come for.
I was simply taking it one step at a time, getting closer to the gold medal.
You recently became one of the ambassadors of the UN&rsquo;s &ldquo;Shabab Balad&rdquo; initiative in Egypt alongside world squash champion Ali Farag. What message do you hope to highlight through this role, particularly for young people who have big ambitions but may not know how to turn their dreams into reality?
As an ambassador for "Shabab Balad" under the United Nations, I am trying to raise awareness among young people about how they can make use of their abilities, employment opportunities, and job opportunities, while strengthening and developing their skills and helping them enter the job market.
There was also the launch of an academy that focuses on developing these skills.
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You are now looking ahead to the 2028 Olympics. How do you want this Olympic journey to be different from your previous experience?
Unfortunately, I will be going to support and follow my teammates because karate is no longer part of the Olympic programme. It was included once in Tokyo and did not return afterward, so it is not part of the programme now.
My role will be to support my teammates across all the sports and cheer them on.
As a karate champion, pharmacist, and mother, you have many responsibilities. How do you manage to balance all these roles while continuing to pursue your ambitions?
Of course, being a mother, pharmacist, and athlete is difficult, but it is about managing your time and responsibilities, knowing when to do each thing, and organizing your time properly.
The unsung hero in my story is my mother. She helps me with everything. She helps me raise my son and takes many responsibilities off my shoulders, which allows me to focus more on my training and my life.
At the same time, she helps me be present in my son's life. During competitions, when I am not there, my mother takes on that responsibility.
It really is difficult, but it is worth it.
<a href="https://ibb.co/dJM4DC0h"><img src="https://i.ibb.co/x8Lq69S4/4.png" alt="4" border="0" /></a>&nbsp;
What has motherhood taught you, both inside and outside the competition arena?
Being a mother taught me not to give up, especially after I returned to competition. Before that, there were many challenges, both psychologically and physically.
Getting through all of that, trying to return again, and competing for championships was definitely a challenge for me. I was able to make that comeback, and I am proud that I managed to do it.
You have become an inspiration to many women in Egypt and around the world. What advice would you give to every woman who has a dream but is facing challenges or doubts along the way?
There is nothing in this world without challenges. There have to be challenges in order for you to reach what you want, because once you achieve your goal, you can truly enjoy it. You can look back at everything you went through and realize that you reached your goal.
The advice I can give is not only for women, but for everyone: do your part regardless of the outcome. The result is ultimately in God's hands, but you should do everything you can and give your best to reach what you want.
At the end of the day, knowing that you did everything you could is something that allows you to be satisfied with the result, with your life, and with what you have done.
<a href="https://ibb.co/QvWC6rc8"><img src="https://i.ibb.co/RTXBCzSh/5.png" alt="5" border="0" /></a>&nbsp;
If you could go back to the beginning of your career and speak to the younger Feryal, what would you tell her?
I would encourage myself even more and tell myself to continue on the path I chose, and that there is nothing that can make me turn away from it.
After everything you have achieved so far, what is the one thing Feryal Ashraf still dreams of achieving?
Right now, it is not a dream for me. It is for my son. I want to see him become the best version of himself and achieve everything he dreams of.
As for Feryal herself, I want to win an individual senior World Championship title.
Photo Credit: Feryal Ashraf&rsquo;s official page

Exclusive | Feryal Ashraf On Defying The Odds, Motherhood And Her Return To Gold

By: Yomna Walid&nbsp;
With each story told over three episodes, "El Qessa El Kamla" goes beyond the headlines to explore the human stories behind real-life criminal cases.
In an exclusive interview with NileFM, Egyptian producer and director Magdy El Hawary discusses the creative vision behind the series, his collaboration with storyteller Sameh Sanad and the process of selecting real-life cases for television. He also explains the importance of respecting the facts when adapting real events for drama and why he believes crime stories should be explored through their human dimensions.
El Hawary also talks about Kinda Alloush&rsquo;s upcoming role in "El Mataha," hints at potential collaborations with Ahmed Mekky and Mostafa Gharieb, and shares details of his upcoming projects.
Rather than focusing solely on the crimes, "El Qessa El Kamla" explores the circumstances, decisions and events that lead to each case, offering a closer look at the people behind the headlines.
What was the creative vision behind selecting the cases featured in "El Qessa El Kamla," particularly those that sparked controversy and attracted public attention?
From the beginning, our goal was not to select the most notorious or violent crimes. The crime itself does not make a drama. We were looking for the human story behind the headlines: an apparently ordinary household, a relationship that gradually deteriorates, or small decisions that accumulate until they lead to a point of no return.
Our main criterion was that each case should raise questions beyond simply asking who committed the crime. We wanted to explore how the story began, why it reached such an ending and whether anything could have been done to prevent it.
That is why we tell each story over just three episodes, using a realistic and distinctive narrative structure. Rather than beginning with the investigation and then returning to the past, we follow the characters from the beginning, exploring the circumstances and decisions that ultimately lead to the consequences we see.
We do not simply recreate crime scenes. We try to discover the human being behind each case.
<a href="https://ibb.co/SwbQ94kX"><img src="https://i.ibb.co/tpgZWT0M/1.png" alt="1" border="0" /></a>&nbsp;
Was there a particular case you wanted to include in "El Qessa El Kamla" but were unable to?
Certainly. There are many cases I would have liked to explore, some of which have considerable dramatic and human potential. However, not every real-life case is suitable for adaptation.
Sometimes the available information is incomplete, the necessary rights are unavailable, or there are legal and humanitarian considerations involving people who are still alive.
In other cases, the crime itself may be compelling, but there may not be enough character development or a sufficiently substantial human journey to sustain three episodes without inventing details or omitting important facts.
I believe respecting the truth is more important than our desire to tell an interesting story. If we cannot find a responsible way to adapt a case without doing anyone an injustice or presenting unverified claims as facts, it is better to postpone it until the circumstances are right or not present it at all.
<a href="https://ibb.co/7x1GKwRS"><img src="https://i.ibb.co/wZzK49wd/2.png" alt="2" border="0" /></a>&nbsp;
Kinda Alloush has recently been announced as part of the cast of "El Mataha." Can you reveal any further details about the cast or other names joining the production?
Kinda Alloush&rsquo;s involvement in "El Mataha" is a significant addition. She is an actress with great sensitivity and intelligence, capable of portraying complex characters without exaggeration.
The story requires an actress who can make the audience believe in and sympathise with her character, while keeping them uncertain about what is happening beneath the surface.
There are indeed some surprises, and we are currently in negotiations with several prominent names. However, I prefer not to announce anyone until the agreements are finalised.
I can say that "El Mataha" will have a distinctive psychological and visual identity, with an unexpected combination of actors. We are not bringing people together simply to create an impressive cast list. Every actor is chosen because they are right for the character and can contribute to the story, rather than simply attracting publicity.
<a href="https://ibb.co/FbtH3kvk"><img src="https://i.ibb.co/GvjHpfwf/3.png" alt="3" border="0" /></a>&nbsp;
What would you like audiences to take away from "El Qessa El Kamla"?
I do not want audiences to leave with a direct message that sounds like a moral lesson at the end of a school essay. I want them to reflect and ask questions, because the questions that remain after an episode ends are often more important than ready-made answers.
"El Qessa El Kamla" does not suggest that evil emerges suddenly. Instead, it explores how it can develop through seemingly insignificant details in our relationships and everyday lives: violence we choose to ignore, greed we justify, love we mistake for ownership, or injustice we tolerate because it is committed by someone we care about.
I hope viewers come to understand that a crime is not simply the final act in a story. Sometimes, it has a long history of silence, fear and poor decisions behind it.
Audiences may begin watching as though they are investigating a crime, but I hope they leave asking themselves a different question: when did the crime really begin, and could anyone have prevented it?
<a href="https://ibb.co/q326pXc6"><img src="https://i.ibb.co/pBkqdGMq/4.png" alt="4" border="0" /></a>&nbsp;
You recently shared a photograph with Ahmed Mekky and Mostafa Gharieb. Could we see the three of you working together on a project soon?
Ahmed Mekky and Mostafa Gharieb are both friends and artists I greatly admire and appreciate. The photograph captured a lovely moment between us, but it was not an official announcement of a project.
Of course, I hope we can work together soon. Each of them has a distinctive artistic identity and a unique presence.
However, I have learnt not to announce a project until its concept and details are fully developed and it is genuinely ready to go into production.
Conversations between artists are ongoing, and sometimes photographs may hint at ideas behind the scenes. But an idea remains just an idea until it becomes a script, a contract and, eventually, a production.
Following "El Qessa El Kamla," what kinds of stories or formats would you like to explore in your future work?
"El Qessa El Kamla" has brought me back to the area I love: creating formats, rather than simply producing television series.
I am interested in projects built around a strong idea, a distinct identity and a structure that can evolve and develop, rather than stories that end when they are shown.
I would like to explore the stories of ordinary people, the ones we encounter every day but rarely pay attention to, even though they can be more compelling and influential than fictional stories.
I am also interested in psychological and social drama, particularly stories that incorporate an element of mystery and explore the intersection between drama, reality, digital content and audience interaction.
I want to continue looking for new forms of storytelling. In my view, a producer is not simply a financier or someone who manages a budget. A real producer creates projects, builds their identity and establishes their value. The job is to recognise the potential of an idea before the market does.
<a href="https://ibb.co/GfTL8w1r"><img src="https://i.ibb.co/NgSPJhkG/5.png" alt="5" border="0" /></a>&nbsp;
What projects are you currently developing, and what can audiences expect from you in the coming period?
We are continuing to develop new stories within the "El Qessa El Kamla" universe, including "El Mataha," alongside several other cases that are still at the research, writing and selection stages.
My aim is for every title in the series to have its own setting, characters and dramatic approach, while retaining the core identity of the format.
We are also developing new drama projects and formats, but I would prefer to discuss them once all the elements are in place.
For me, the next stage is not about increasing the number of productions. It is about creating projects with a lasting identity and something meaningful to offer both audiences and the industry.
Photo Credit: Magdy El Hawary&rsquo;s official page
&nbsp;

Exclusive | Magdy El Hawary: '"El Qessa El Kamla" Brought Me Back To The Area I Love'

By: Yomna Walid&nbsp;
What started with curiosity quickly became a career for DJ Moti, who first wanted to discover the world of DJing and, just two years later, has turned that curiosity into a passion.
With a growing presence in Egypt&rsquo;s electronic music scene, Moti continues to explore her sound while encouraging more women to pursue careers behind the decks.
This week on NileFM&rsquo;s &ldquo;DJ of the Week,&rdquo; Moti will take listeners through a fresh one-hour set, with a few surprises along the way. Tune in at 10:00 PM to hear more.
NileFM dives deeper behind the decks with Moti to explore her journey as a female DJ, the challenges she has faced in the industry, her evolving sound, and her upcoming performance alongside Danish DJ Morten during his first-ever performance in Egypt.
Take us behind your journey. What made you decide to become a DJ?
Honestly, it all happened quite spontaneously. A little over two years ago, I asked a friend to teach me how to DJ. But my interest in DJing actually started much earlier, back in 2018, because I had DJs, producers, and party organizers in my close circle.
I decided to actually learn how to DJ simply because I became curious about how everything works and wanted to experience it for myself, what it feels like to be on stage and play music for people.
<a href="https://ibb.co/fVqPZt0W"><img src="https://i.ibb.co/6crfGbsS/1.png" alt="1" border="0" /></a>&nbsp;
How would you describe your sound and the atmosphere you want to create when you perform?
When it comes to my sound, I don&rsquo;t think I have one exact answer yet. I started DJing relatively recently, so I&rsquo;m still figuring it out and exploring what feels right for me. I used to play mostly Afro House, but lately I&rsquo;ve been playing more Indie Dance, and I&rsquo;m really enjoying this direction.
And talking about the atmosphere, I know exactly what I want to create. I want people to have a really good time, enjoy the sound, and feel free to dance. I love watching people on the dance floor, and honestly, seeing people smile while I&rsquo;m playing is one of the best feelings for me.
What changes have you seen in the DJ industry since you first started?
From what I&rsquo;ve seen myself, and also from what I hear from other DJs and people in the scene, the industry has definitely been evolving. There are more DJs, more events, and more opportunities for new artists to get exposure, especially through social media.
What's also important, social media and content have also become a big part of the industry, how you present yourself and connect with people online.
What challenges have you faced in the industry?
One of the things I found challenging was having little to no sleep between shows, it gets exhausting over time, especially when I have to move between cities for each show.
What do you still want to achieve as a DJ?
Honestly, there&rsquo;s still so much I want to achieve, but let&rsquo;s start with playing outside of Egypt.
You have performed at major venues and festivals, including in front of the Pyramids. How has performing at such an iconic location influenced or inspired your music?
It&rsquo;s honestly such an honor for me to perform at places like these and at such major festivals. Playing in front of the Pyramids is something that still feels surreal, like sometimes, while I&rsquo;m in the middle of my set, I look behind me and it&rsquo;s hard to believe that the Pyramids are actually right there.
To be honest, performing in a place like that comes with a certain sense of responsibility. I usually spend much more time working on my playlist and preparing for the set, because I feel like being surrounded by so much history and energy makes me think more carefully about what I want to play.
<a href="https://ibb.co/pqGJzMy"><img src="https://i.ibb.co/jtBgMQR/2.png" alt="2" border="0" /></a>&nbsp;
You&rsquo;ll be joining Morten for his first-ever performance in Egypt. What does it mean to be part of this special night?
For me, it&rsquo;s a real honor to be part of the night, especially knowing that this will be Morten&rsquo;s first ever show in Egypt. It makes the experience even more special and I&rsquo;m really excited to be part of this moment; can't wait to hear him live.
&nbsp;<a href="https://ibb.co/ch1s2JTw"><img src="https://i.ibb.co/fd2TrM09/3.png" alt="3" border="0" /></a>
What can Egyptian fans expect from your set alongside Morten?
Some exclusive IDS and fresh new edits.
What is one dream venue, festival, or artist you would love to perform alongside?
Solomun at Solomun +1, Pacha Ibiza. That&rsquo;s definitely one I&rsquo;d want to tick off one day.
What advice would you give to young women who want to start a career as DJs?
Stay consistent, find your sound, and don&rsquo;t rush it. The rest comes with time.
Photo Credit: DJ Moti&rsquo;s official page

Exclusive | DJ Moti Talks Her Journey, Sound And Morten Performance Ahead Of “DJ Of The Week”

Nile FM Exclusive  

From AI-generated videos featuring Egyptian celebrities to freestyle performances recreating the original moment, the &lsquo;Bulin 47&rsquo; trend has spread across social media. But how did it start, and why are so many people joining in? Here is what you need to know about the viral craze.
How Did The &lsquo;Bulin 47&rsquo; Trend Start?
The trend began with an unexpected encounter outside a restaurant, where Dominican street artist Bulin 47 met content creator and freestyler Kevin Wai.
Kevin approached Bulin with a speaker playing a dembow beat and began freestyling. As Bulin was about to enter the restaurant, he stopped to respond with his own rhymes, adding a distinctive dance move that became one of the clip&rsquo;s most recognisable features.
The spontaneous exchange quickly spread across TikTok and Instagram, attracting millions of views and inspiring users to recreate the moment.
Figures reported for the clip&rsquo;s reach have varied. Some early reports put its combined views across platforms at more than 50 million, while other media outlets reported that the original Instagram post had surpassed 94 million views.
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&nbsp;
Egyptian Celebrities Join The &lsquo;Bulin 47&rsquo; Trend
The craze soon reached Egyptian social media, with celebrities putting their own spin on the viral clip. Some used artificial intelligence (AI) to replace Bulin 47&rsquo;s face with their own or with characters they had previously played on screen.
Actor Ahmed Helmy joined the trend with an AI-generated version featuring Maged, his character in the 2009 comedy film &lsquo;X-Large&rsquo;.
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Mohamed Saad also took part, using his iconic character Tetaḥ in an AI-generated recreation of the clip.
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Other Egyptian celebrities, including Mostafa Khater and Ramez Galal, joined in, adding to the trend&rsquo;s popularity on local social media.
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Mostafa Gharieb Takes A Different Approach
While several celebrities opted for AI-generated videos, actor Mostafa Gharieb took a different approach, recreating the trend through freestyle rather than relying on artificial intelligence.
Gharib used the viral format to promote his upcoming theatrical production, &lsquo;Layla Asal&rsquo;, demonstrating how a social media trend can also provide an opportunity to promote a creative project.
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Photo Credit: Screenshot from a Reel shared by Kevin Wai

What Is The ‘Bulin 47’ Trend? Egyptian Celebrities Join Viral Craze

Just days remain until John Legend welcomes a new chapter in his musical journey with the release of &lsquo;Muse,&rsquo; his upcoming 11th studio album.
Set to arrive on 23 October 2026, the 16-track project marks a major collaboration between Legend and longtime friend Pharrell Williams, who produced the entire album and co-wrote the songs. Recorded at Pharrell&rsquo;s studio in Paris, Muse brings together two artists whose friendship stretches back more than two decades.
When Will John Legend&rsquo;s &lsquo;Muse&rsquo; Be Released?
John Legend&rsquo;s 11th studio album, Muse, is scheduled for release on 23 October 2026.
The album features 16 tracks, with Pharrell Williams serving as its producer and co-writer throughout the project. Pharrell also appears as a featured artist on six songs.
What Inspired The Name &lsquo;Muse&rsquo;?
According to Billboard, the album&rsquo;s title is partly inspired by the nine Muses of ancient Greek mythology, the goddesses traditionally associated with inspiration in the arts and sciences.
The title also reflects the creative drive behind the project, as Legend has described the album as an opportunity to challenge himself rather than remain within the comfort zone of his established hits.
&ldquo;There are plenty of artists who get to a point in their career where they don&rsquo;t make anything new. We can just play the hits; we can stay in our comfort zone. But I believe it&rsquo;s important to keep the mindset that I have to continue to prove myself,&rdquo; Legend told Billboard.
&ldquo;I wanted this album to have that sense of urgency, to feel like something that needed to be made and is fully worthy of my audience&rsquo;s attention,&rdquo; he added.
John Legend And Pharrell Williams&rsquo; Longtime Friendship
While Muse marks their first full-length studio project together, Legend and Pharrell have known each other for more than 20 years.
Legend has previously reflected on their longtime friendship, writing on his official page: &ldquo;Pharrell and I have been friends for over 20 years. We finally made an album together.&rdquo;
Their long-standing relationship now takes a new form on Muse, with Pharrell playing a central role in shaping the album&rsquo;s sound from production and songwriting to featured appearances.
What Is The Lead Single From &lsquo;Muse&rsquo;?
The album&rsquo;s lead single, &ldquo;Daylight,&rdquo; is already available.
The track offers the first taste of the upcoming project ahead of its full release on October 23.
John Legend&rsquo;s &lsquo;Muse&rsquo; Tracklist
The 16-track album features a mix of solo performances and collaborations, with Pharrell Williams appearing on several tracks and Clipse joining Legend on &ldquo;Bodies on the Floor.&rdquo;
&ldquo;Muse&rdquo; (feat. Pharrell Williams) &ldquo;Pray for Ya&rdquo; &ldquo;Her Introduction&rdquo; &ldquo;Her&rdquo; (feat. Pharrell Williams) &ldquo;Daylight&rdquo; &ldquo;Get Back&rdquo; (feat. Pharrell Williams) &ldquo;Are You Ok?&rdquo; (feat. Pharrell Williams) &ldquo;Under the Bridge Introduction&rdquo; &ldquo;Under the Bridge&rdquo; &ldquo;Next Time&rdquo; (feat. Pharrell Williams) &ldquo;Bodies on the Floor &ndash; Taps Introduction&rdquo; &ldquo;Bodies on the Floor&rdquo; (feat. Clipse) &ldquo;Doing Me&rdquo; &ldquo;Fireflies&rdquo; (feat. Pharrell Williams) &ldquo;Everything&rdquo; &ldquo;Sail Off&rdquo; With &lsquo;Muse&rsquo; only days away, John Legend is preparing to enter a new musical era, one shaped by longtime friendship, creative reinvention, and a collaboration with Pharrell Williams that has been more than two decades in the making.
Photo Credit: John Legend&rsquo;s official page

John Legend’s ‘Muse’: All You Need To Know About His New Album With Pharrell Williams

What happens when a music video becomes so visually recognizable that people start recreating its choreography with AI? That is exactly what happened with GENER8ION and Yung Lean's &ldquo;STORM.&rdquo;
After taking over social media with its hypnotic synchronized choreography, the visual returned to the spotlight at the 2026 Video Music Awards, where Yung Lean and GENER8ION recreated the viral sequence from &ldquo;STORM II.&rdquo; Surrounded by a high-energy dance crew, Yung Lean brought the strange, chaotic world of &ldquo;STORM&rdquo; from the screen to the VMA stage, reminding viewers why the choreography had become such an internet phenomenon in the first place.
But the performance was more than a viral dance moment. The choreography had already inspired countless recreations and, more recently, AI-generated versions featuring completely different characters, settings, and stories.
What Is &ldquo;STORM&rdquo;?
&ldquo;STORM&rdquo; is a two-part audiovisual project by GENER8ION, featuring Swedish rapper Yung Lean and directed by French filmmaker Romain Gavras. The project consists of &ldquo;STORM I&rdquo; and &ldquo;STORM II,&rdquo; bringing together music, choreography and cinematic visuals.
The distinction matters because while &ldquo;STORM&rdquo; refers to the overall project, &ldquo;STORM II&rdquo; contains the synchronized choreography that became its most recognizable and widely shared visual sequence. Dozens of suited students move in precise formations around Yung Lean, creating the hypnotic scene that later spread across social media and inspired countless recreations and AI-generated versions.
It is this sequence that eventually became the visual signature of &ldquo;STORM II.&rdquo;
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Why Did the Choreography Go Viral?
The mystique of &ldquo;STORM II&rdquo; lies in its choreography. Dozens of suited students move in sharp, synchronized formations while Yung Lean remains almost completely still at the center. The contrast immediately catches the eye: one person barely moving while an entire group moves around him almost as if they were one body.
The camera allows viewers to see the full formation, making every movement feel deliberate. Sudden changes in direction, repeated motions, and the precision of the dancers create an intense and almost hypnotic effect.
The choreography involved 66 dancers arranged across seven rows, adding to the scale and precision of the sequence. Rather than depending on complicated visual effects, the scene gets much of its impact from human movement and synchronization.
That is also what made it so easy to recognize. Once viewers saw the formation, they could immediately identify &ldquo;STORM II,&rdquo; even when the people, characters, or setting around it changed.
More Than Just a Dance
The choreography can be interpreted in different ways, from a representation of collective pressure and identity to a contrast between an individual and the world moving around them.
The stillness of Yung Lean at the center against the constant movement surrounding him creates a strange sense of tension. The viewer knows something is happening, but the choreography leaves enough room for interpretation.
Combined with the music's themes of love, pain, and letting go of darkness, the sequence feels less like a traditional dance performance and more like a visual representation of an emotional state.
And that ambiguity may be one of the reasons people keep coming back to it.
From Viral Dance to AI Trend
Once the choreography became recognizable, the internet took it a step further. Creators began using AI to recreate the famous formation with different characters, worlds, and stories while keeping the same basic visual language of the original.
The result is a trend where the choreography itself becomes a template. Instead of simply copying a dance, users can place almost anyone inside the &ldquo;STORM&rdquo; universe. The central figure can be replaced, the surrounding dancers can become fictional characters, and the entire setting can be transformed while the recognizable synchronized movement remains.
This is what helped the trend travel beyond music fans and reach people who may not even have heard the original song.
Egypt Put Its Own Spin on the Trend
As the AI trend spread, Egyptian social media users quickly gave it a local identity. One of the most recognizable examples has been recreations featuring characters from &ldquo;Al-Kabeer Awy,&rdquo; with the show's familiar cast placed into the &ldquo;STORM&rdquo; formation.
But Egyptians did not stop at entertainment. As the trend reached Egypt around the time of the country's 6 October commemorations, users also adapted the format to historical and national moments, including AI-generated scenes featuring former Egyptian President Anwar El-Sadat alongside Egyptian soldiers.
The trend also crossed into international pop culture, with creators using familiar characters and scenes from major films and franchises, including &ldquo;The Godfather&rdquo; and &ldquo;The Odyssey.&rdquo;
Each recreation changes the story, but the choreography remains instantly recognizable.
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Why People Can't Stop Watching It
The appeal of &ldquo;STORM II&rdquo; is not simply that the dancers move in perfect synchronization. It is the combination of several elements: the unusual formation, the contrast between movement and stillness, the cinematic framing, and the sheer precision of the choreography.
There is also something satisfying about watching dozens of people move as if they are controlled by the same force. Then AI added another layer.
The choreography became a visual language that anyone could reinterpret. A viewer no longer needed to be a dancer to participate in the trend. They could simply imagine a new group of characters, a new setting, or an entirely different story and use AI to bring it to life.
That is what transformed &ldquo;STORM&rdquo; from a viral music video into a wider internet phenomenon.
From &ldquo;STORM&rdquo; to a Global Visual Language
GENER8ION and Yung Lean may have started with a music video built around music, movement, and cinematic storytelling, but the internet gave the choreography a life of its own.
First came the viral dance sequence. Then came the recreations. Now, AI has allowed people around the world to place their own characters, cultures, and stories inside the same visual world.
Photo Credit: VMA's official page

Why Everyone Is Talking About GENER8ION And Yung Lean’s “STORM II” VMA Performance

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

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1984 Ventures Founder and General Partner Ramy Adeeb discusses why bringing together voices from different industries is essential to shaping Egypt&rsquo;s narrative and future in an interview with Zeinab on NileFM.
Egypt&rsquo;s story extends beyond any single industry, encompassing art, culture, technology, investment and social development. At Narrative Summit 2026 in Somabay, on Egypt&rsquo;s Red Sea coast, participants from different backgrounds came together to discuss the country&rsquo;s identity, potential and future.
Speaking with Zeinab on NileFM following his panel discussion at the summit, Ramy Adeeb, Founder and General Partner of 1984 Ventures, reflected on this year&rsquo;s edition and explained why bringing together people with different perspectives is essential to meaningful conversations about Egypt.
Adeeb praised the gathering, highlighting the diverse mix of Egyptian and international participants and the opportunity to exchange ideas across sectors.
Why Diverse Conversations Matter
For Adeeb, the value of Narrative Summit lies in bringing together people who might not typically find themselves in the same room.
Drawing on his experience of attending conferences throughout his career, he explained that many events focus on a particular field, whether economics, politics or the arts.
Narrative Summit, by contrast, creates a space for people from different industries to exchange ideas and discuss Egypt&rsquo;s story from a range of perspectives.
&ldquo;To me, a conference is about the conversations and the people,&rdquo; Adeeb said.
He identified the diversity of participants as one of the summit&rsquo;s defining characteristics, with voices representing sectors ranging from the arts and culture to technology, venture capital, government and non-profit organisations.
&ldquo;What is unique about this conversation is the diversity of the individuals who come from art, from culture, from development, from venture capital and technology, from nonprofits, from the government, all talking about our story,&rdquo; he added.
By bringing these perspectives together, the summit encourages a broader understanding of Egypt and its future, moving beyond the priorities of any single industry.
Telling Egypt&rsquo;s Story Beyond The Headlines
Adeeb also highlighted the importance of recognising the different narratives that shape Egypt&rsquo;s identity and the value of giving them greater visibility.
Gatherings such as Narrative Summit provide an opportunity to explore the country&rsquo;s story through the experiences, ideas and ambitions of people working across different sectors.
The exchange of perspectives can also help participants identify shared priorities and consider how their respective fields might contribute to Egypt&rsquo;s future.
For Adeeb, the diversity of the gathering was among the most inspiring aspects of the experience.
&ldquo;And to me, that diversity and completeness of the crowd just is inspiring, and it gives me hope for what Egypt is today and where it can become,&rdquo; he said.
As Narrative Summit 2026 brings together voices from across industries and backgrounds, Adeeb&rsquo;s reflections underline the importance of creating spaces for different experiences and ideas to meet. By encouraging dialogue beyond traditional professional boundaries, such gatherings offer an opportunity to explore Egypt&rsquo;s potential and the possibilities for its future.
&nbsp;

Ramy Adeeb On Egypt’s Story And The Power Of Diverse Conversations At Narrative Summit 2026

UpRound by Brinc Founding Managing Member Bashar Aboudaoud discusses how artificial intelligence is changing the way people learn and work, and why continuous learning is essential, in an interview with Zeinab on NileFM.
As artificial intelligence reshapes industries and workplaces, the ability to adapt, acquire new skills and keep learning has become increasingly important. At Narrative Summit 2026 in Somabay, on Egypt&rsquo;s Red Sea coast, technology and its impact on communities formed part of the wider discussion about the country&rsquo;s future.
Speaking with Zeinab on NileFM as part of the station&rsquo;s special coverage of Narrative Summit 2026, Bashar Aboudaoud, Founding Managing Member at UpRound by Brinc, reflected on his first experience at the summit and explained how its theme, &ldquo;Beyond Reset&rdquo;, relates to his personal and professional life.
Why Narrative Summit 2026?
Aboudaoud explained that he first heard about the summit through his sister, who knows Lamia Kamel. An invitation and an introduction to the summit&rsquo;s vision encouraged him to attend.
&ldquo;What appealed to me was talking about Egypt and seeing the change. The narrative itself is something that really appealed to me. I wanted to come here to be a small part of it, and it&rsquo;s been fantastic,&rdquo; he said.
For Aboudaoud, the event provided an opportunity to take part in conversations about Egypt&rsquo;s evolving identity and the ideas shaping its future.
Beyond Reset: Why Continuous Learning Matters
Reflecting on the summit&rsquo;s theme, &ldquo;Beyond Reset&rdquo;, Aboudaoud linked the idea to the rapid development of artificial intelligence and the need for individuals to adapt to technological change.
During his panel discussion, he explored AI&rsquo;s impact on communities, highlighting the importance of updating skills and expanding knowledge as new technologies change professional environments.
&ldquo;For me, the reset is continuous learning,&rdquo; he explained.
Aboudaoud argued that learning should not be treated as a one-off response to disruption. Instead, it should be an ongoing process, driven by curiosity, adaptability and a willingness to explore new tools and ways of working.
As AI becomes more widely used across industries, he suggested, continuous learning will be increasingly important for people seeking to remain informed and develop their professional skills.
How AI Can Make Knowledge More Accessible
Asked how people can use AI without losing sight of their original vision, Aboudaoud encouraged them to approach the technology as a practical tool rather than something to fear.
&ldquo;Listen, for me, AI is not a scary tool. It&rsquo;s like any other tool,&rdquo; he said.
He recommended starting with simple interactions: asking questions, exploring unfamiliar subjects and using AI to learn more about areas relevant to one&rsquo;s interests or professional field.
&ldquo;The simplest way is just to talk to it, and it will tell you, in whatever domain you&rsquo;re in, something that you can learn,&rdquo; he explained.
Aboudaoud sees this accessibility as an opportunity to democratise knowledge by helping people explore subjects they might otherwise find difficult to understand or access.
However, using AI effectively also requires people to remain curious and actively engage with the information it provides. The technology can support learning, but individuals still need to develop their understanding and assess what they learn.
Looking Ahead: AI And The Future Of Learning
Aboudaoud&rsquo;s message at Narrative Summit 2026 was that adapting to technological change begins with a commitment to continuous learning.
As artificial intelligence influences how people work, develop skills and access information, the challenge is not simply to keep pace with new tools. It is to understand how to use them effectively and turn their capabilities into opportunities for learning and growth.
&nbsp;

Bashar Aboudaoud On AI And Continuous Learning At Narrative Summit 2026

Credence Hospitality Developments chairman and chief executive Islam Mahdy discusses Egypt&rsquo;s tourism growth, rising international appeal and the importance of turning industry discussions into actionable ideas in an interview with Zeinab on NileFM, as part of NileFM&rsquo;s special coverage of Narrative Summit 2026.
Egypt&rsquo;s tourism industry has expanded in recent years, supported by infrastructure development, major cultural attractions and growing international interest. As the country seeks to strengthen its position as a global travel destination, the challenge is to sustain this momentum and unlock further opportunities for the hospitality sector.
Speaking to Zeinab on NileFM during Narrative Summit 2026 in Soma Bay on Egypt&rsquo;s Red Sea coast, Mahdy shared his perspective on the hospitality industry, reflecting on the summit&rsquo;s discussions and the factors contributing to Egypt&rsquo;s growing appeal among international visitors.
Narrative Summit 2026: Turning Conversations into Action
Reflecting on his first participation in Narrative Summit, Mahdy described the experience as impressive, highlighting the shared ambition among participants to showcase Egypt&rsquo;s potential and contribute to its development.
&ldquo;What was impressive is the fact that everyone kind of resonated, and everyone kind of had one consistent message, which is presenting and bringing the best out of Egypt,&rdquo; he said.
Mahdy particularly welcomed the constructive nature of the discussions, explaining that participants focused on identifying opportunities and proposing solutions rather than simply criticising existing challenges.
&ldquo;It was very hopeful. It wasn&rsquo;t kind of critical, it was prescriptive, which is great because anyone can criticize, but if you can really contribute to ideas and ways to move the country forward, this is, I believe, what everyone needs,&rdquo; he added.
For Mahdy, the value of such gatherings lies in their ability to encourage meaningful contributions and translate shared ambitions into practical steps towards Egypt&rsquo;s development.
Egypt&rsquo;s Tourism Growth: A Promising Outlook
Discussing developments in Egypt&rsquo;s tourism industry over recent years, Mahdy pointed to what he described as strong growth, while acknowledging the potential for further progress.
He cited tourism growth of approximately 20% in the previous year, compared with a global average of around 5%, highlighting the difference as an indication of Egypt&rsquo;s growing appeal.
&ldquo;The trajectory in the past three years has been phenomenal. We&rsquo;ve grown 20% last year. The global average is 5%, so that&rsquo;s phenomenal growth,&rdquo; he said.
Mahdy attributed this momentum partly to developments that are strengthening Egypt&rsquo;s appeal to international visitors, including major cultural attractions and improvements to infrastructure.
He highlighted the opening of the Grand Egyptian Museum as one of the developments helping to draw attention to the country, alongside ongoing infrastructure projects.
&ldquo;With the opening of the Grand Museum, with all the work that&rsquo;s happening in the infrastructure, people want to come,&rdquo; he said.
What&rsquo;s Next for Egypt&rsquo;s Hospitality Industry?
Despite the progress, Mahdy believes Egypt&rsquo;s hospitality sector has considerable room for further development.
Continued tourism growth presents opportunities for businesses to enhance their offerings, respond to changing visitor expectations and build on the country&rsquo;s expanding international profile.
For Mahdy, the changes taking place across Egypt reflect positive momentum, supported by infrastructure investment and the appeal of its cultural attractions.
&ldquo;Yes, I do feel that there was a lot of change happening in the past few years,&rdquo; he said.
As Egypt continues to attract international attention, Mahdy&rsquo;s perspective highlights the importance of building on this momentum through constructive collaboration, practical ideas and sustained development across the hospitality and tourism sectors.
&nbsp;

Islam Mahdy On Egypt’s Tourism Boom And Hospitality Growth At Narrative Summit 2026

Consultant surgeon and educator Dr Sherif Hakky discusses how artificial intelligence is challenging doctors, improving medical practice and transforming patient care in an interview with Zeinab on NileFM.
Artificial intelligence (AI) is changing how people approach healthcare, from researching symptoms to diagnosing and managing medical conditions. But as the technology advances, an important question remains: can AI replace the human side of medicine?
Speaking to Zeinab on NileFM following his panel at Narrative Summit 2026 in Soma Bay on Egypt&rsquo;s Red Sea coast, Dr Hakky discussed AI&rsquo;s growing influence on medicine and how healthcare professionals can adapt to the changes it brings.
Describing the panel as an interesting mix of perspectives, Hakky explained that the discussion explored the disruption AI could bring to communities and how its impact could be harnessed for the benefit of society in the years ahead.
How AI Is Challenging Doctors
For Hakky, AI is more than another technological development. It is also a challenge that encourages doctors to continually improve their knowledge and clinical practice.
&ldquo;Actually, it becomes a challenge. It has to make me a better doctor because I&rsquo;m being challenged on a daily basis by AI,&rdquo; he said.
He pointed out that patients increasingly turn to AI tools before consulting a doctor, arriving at appointments with questions, suggested diagnoses and information about their symptoms.
This shift means doctors must be prepared to discuss possible diagnoses, explain their clinical reasoning and determine which investigations and tests are appropriate for each patient.
Hakky acknowledged that consultations can become more demanding as patients become increasingly informed and expect clear, well-supported answers from their healthcare providers.
However, he also highlighted the potential benefits of AI in medical practice, particularly in improving aspects of diagnosis and patient care.
Can AI Improve Patient Care?
Beyond its influence on consultations, AI is being explored in medical fields including radiology, endoscopy and colonoscopy.
According to Hakky, these applications have the potential to improve diagnostic performance, including sensitivity and specificity, helping doctors make more informed clinical decisions.
Sensitivity measures how effectively a test identifies people who have a particular condition, while specificity measures how effectively it identifies those who do not.
Hakky noted that AI has been tested across numerous models and is likely to continue evolving as the technology advances.
Rather than viewing AI solely as a source of disruption, he sees an opportunity for healthcare professionals to integrate technological advances into their practice and improve the services they provide.
Will AI Replace Doctors?
As AI becomes more capable, concerns about whether it could eventually replace doctors are growing.
Asked whether he feared AI might take over the medical profession, Hakky acknowledged the difficulty of predicting how the technology would develop.
&ldquo;Never say never,&rdquo; he said, adding that he did not expect doctors to be replaced by AI within his lifetime.
For Hakky, the issue extends beyond the technical aspects of medicine. Patients consult doctors not only to have medical problems diagnosed, treated or managed, but also to feel heard and understood.
&ldquo;You go to a doctor to get a decent service, to get something fixed, managed or repaired, but you&rsquo;re also there to be understood, talked with, to feel compassion and empathy,&rdquo; he explained.
He emphasised that these human qualities remain central to healthcare, expressing doubt that machines would be able to provide the same level of compassion and empathy in the foreseeable future.
As AI continues to reshape healthcare, Hakky&rsquo;s perspective highlights the importance of balancing technological progress with human connection, ensuring that innovation serves patients without losing sight of the people behind every diagnosis.
&nbsp;

Dr Sherif Hakky On How AI Is Transforming Healthcare At Narrative Summit 2026

Egyptian journalist Rahma Zein discussed humanity, solidarity, and the importance of speaking up about the region&rsquo;s ongoing crises in an interview with Zeinab on NileFM, as part of NileFM&rsquo;s special coverage of Narrative Summit 2026.
&ldquo;I think it&rsquo;s very important for everyone to realise that we&rsquo;re all, that all our plights are intertwined,&rdquo; she said.
Speaking to NileFM following her panel at Narrative Summit 2026, held in Soma Bay on Egypt&rsquo;s Red Sea coast, Zein reflected on her first participation in the event&rsquo;s 10th edition, themed &ldquo;Beyond Reset&rdquo;, and the importance of creating spaces for meaningful conversations.
Invited by Lamia Kamel, Zein welcomed the opportunity to share her perspective, address pressing issues and encourage people to engage with conversations that matter.
A Space for Honest Conversations
Reflecting on her first experience at Narrative Summit, Zein expressed her appreciation for being encouraged to speak openly about issues she believes deserve attention.
&ldquo;Lamia invited me. This is the first year I joined, and she was so sweet because she said, &lsquo;Be as you are&rsquo;,&rdquo; Zein said.
She explained that being welcomed without pressure to soften her message was particularly meaningful, especially when discussing difficult realities unfolding across the region.
&ldquo;You&rsquo;re not told that you&rsquo;re too much. You&rsquo;re not told that you&rsquo;re making the room gloomy. You&rsquo;re told that what you&rsquo;re saying is important,&rdquo; she added.
For Zein, the opportunity to address these issues highlights the importance of platforms that allow people to confront uncomfortable realities rather than avoid them.
&ldquo;What&rsquo;s happening now in the region has to be talked about. And here&rsquo;s the platform, do so,&rdquo; she said.
Humanity Beyond Labels
During her panel, Zein focused on humanity and the responsibility individuals share in responding to the suffering of others. She argued that compassion should not depend on political labels, professional identities or whether someone identifies as an activist.
&ldquo;I don&rsquo;t believe in these isms that categorise you. I&rsquo;m not, I don&rsquo;t identify as an activist, for example,&rdquo; she explained.
Instead, Zein described speaking out against the suffering and destruction experienced by families as a fundamental human responsibility.
&ldquo;I think it is the bare minimum for humanity to talk against the eradication of families. I think this is ABC for all of us,&rdquo; she said.
She emphasised that empathy does not require a particular background or specialised language, pointing to the universal understanding of a parent&rsquo;s grief.
&ldquo;It doesn&rsquo;t take a certain language to understand a mother crying,&rdquo; Zein added.
According to Zein, individuals can embrace this responsibility in their everyday lives, alongside their professional commitments, rather than treating it as something separate from their daily routines.
Why Our Struggles Are Interconnected
Zein also highlighted the importance of recognising the connections between different forms of suffering, arguing that the challenges people face cannot always be understood in isolation.
She described the current state of affairs as deeply troubling, expressing concern about the wider systems she believes are contributing to the crises unfolding across the world.
&ldquo;It&rsquo;s all one system that&rsquo;s putting us in this horrific sort of, it&rsquo;s just insanity where we are today,&rdquo; she said.
Her remarks returned to the idea that humanity and solidarity should extend beyond geographical borders, political affiliations and individual circumstances.
Concluding the conversation, Zein reflected on the uncertainty and fear surrounding the world&rsquo;s current realities, posing a question that captured the concerns underlying the discussion: &ldquo;How did we get here?&rdquo;
Through her participation in Narrative Summit 2026, Zein underscored the importance of keeping humanity at the centre of public conversations and recognising that speaking up about the suffering of others is not simply a personal choice, but a shared responsibility.
&nbsp;

Rahma Zein On Humanity And Solidarity At Narrative Summit 2026

Nile FM's Guests

According to a statement shared by the Spokesman for the Egyptian Presidency on its official Facebook page, President Abdel Fattah El-Sisi attended the opening of the Egypt Forum 2026 on Monday morning in the New Administrative Capital, in the presence of Prime Minister Mostafa Madbouly, House of Representatives Speaker Hisham Badawy, Senate Speaker Essam El-Din Farid, ministers, and senior state officials.
Presidential Spokesperson Ambassador Mohamed El-Shennawy said the opening session began with a recitation from the Holy Quran, followed by a film titled &ldquo;What Do We Expect from the Forum?&rdquo; and a presentation titled &ldquo;Where Did We Begin?&rdquo; This was followed by a film titled &ldquo;If You Met the President, What Would You Say to Him?&rdquo; and an address by Prime Minister Mostafa Madbouly.
The session continued with a film titled &ldquo;Egypt Through the Eyes of the World,&rdquo; followed by a segment titled &ldquo;What Does It Mean to Be Egyptian?&rdquo; The first part concluded with a musical performance of the song &ldquo;Masry&rdquo; by a children&rsquo;s choir from the Cairo Opera House. President El-Sisi greeted the children following their performance.
The second part of the session featured a presentation on national identity, a film titled &ldquo;How Awareness Shapes Us,&rdquo; and a segment titled &ldquo;Generation Z: How Do We Choose Our Sources?&rdquo; These were followed by a film addressing the negative impact of social media and a discussion on awareness, misinformation, and the responsible use of technology. The programme also included a film on rumours and their impact on Egyptian society, a segment on the &ldquo;Rumour Platform,&rdquo; and a film titled &ldquo;Dream and Reality.&rdquo;
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According to the presidential spokesperson, President El-Sisi stressed during his remarks that the forum&rsquo;s preparations prioritised providing accurate and comprehensive information from the government, listening to different viewpoints, discussing them, and accepting criticism.
The president also emphasised the importance of public awareness and countering attempts to undermine Egypt&rsquo;s national memory, particularly through social media. He noted that similar attempts had taken place before 2014, adding that efforts to influence a country as populous and strategically significant as Egypt, or to marginalise its role, would continue. He described this as a struggle involving both the state and its people.
El-Sisi said his repeated references to the events of 2011 were intended to reinforce public awareness and highlight the importance of preserving the Egyptian state, particularly among children and young people who did not experience that period. While differences in opinion are acceptable, he stressed that preserving the state remains a fundamental principle that must not be compromised.
The president further noted that the stability achieved in recent years had come at a significant cost, with Egypt making considerable sacrifices, including the loss of members of the armed forces, police, and judiciary, as well as worshippers in mosques and churches. He also highlighted the financial resources spent on achieving stability and combating terrorism.
El-Sisi underscored the importance of reminding the public of the insecurity Egypt experienced between 2011 and 2013, stressing that stability must remain firmly rooted in the national consciousness.
Addressing concerns raised during the session about the risks associated with social media, the president called for moderation and responsible use of technology. He warned against attempts to isolate individuals and mobilise groups of citizens in ways that could lead to the destruction of their own country. He also highlighted the responsibility of Egyptian families to balance technological progress with supervision of their children's use of digital platforms.
The president explained that the forum aims to review the government's work across various sectors, compare conditions before and after development projects, and give citizens a closer look at achievements made within available resources and circumstances to address longstanding challenges. He added that the forum seeks to reassure citizens about their country's progress, stressing that individuals eventually leave office, while Egypt remains.
El-Sisi also said Egyptians had embarked on a genuine phase of nation-building in recent years, despite the considerable risks associated with major decisions. He noted that these decisions were necessary, particularly given Egypt's population growth of nearly 30 million people since 2011.
The president urged citizens to pay close attention to the details and data presented throughout the forum, highlighting their direct impact on people's lives. He added that the government would outline its actions over the previous period, explain what the situation might have been had those measures not been taken, and present its plans for the future.
Photo Credit: Spokesman for the Egyptian Presidency&rsquo;s official page

Egypt Forum 2026 Opens As El-Sisi Highlights National Awareness

The US dollar is trading at EGP 53.46 for buying and EGP 53.56 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on Sunday, 18 October 2026. Among other major currencies, the British pound is trading at EGP 71.14 for buying and EGP 71.43 for selling, while the euro is trading at EGP 59.78 for buying and EGP 60.16 for selling. The Chinese yuan is trading at EGP 7.99 for buying and EGP 8.01 for selling. The UAE dirham is trading at EGP 14.54 for buying and EGP 14.58 for selling. Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/FdMbtF8"><img src="https://i.ibb.co/GrLvjqC/Exchange-Rates-2026-10-19-T103029-744.png" alt="Exchange-Rates-2026-10-19-T103029-744" border="0" /></a> Photo Credit: Freepik (Magnific)
&nbsp;

Exchange Rates: US Dollar Trades At EGP 53.46 Against The Egyptian Pound On 19 October 2026

Egypt is set to experience autumnal weather on Monday, 19 October 2026, with temperatures reaching 27&deg;C in Cairo. The weather will be warm across northern Egypt, including Greater Cairo and northern Upper Egypt, while southern Upper Egypt will experience hot conditions. Temperatures are expected to drop at night, bringing cooler weather to most areas, according to the Egyptian Meteorological Authority (EMA).
Light rain is expected in parts of the northern coastal governorates, northern Lower Egypt, the Gulf of Suez, and Sinai. Rainfall may occasionally become moderate in some areas, with a probability of around 30%.
There is also a slight chance of light rain across scattered areas of southern Lower Egypt and the Suez Canal cities, with a probability of approximately 10%. These showers may occasionally extend to parts of Greater Cairo.
Winds are expected to pick up intermittently across most areas, reaching speeds of 30 to 35 km/h.
<a href="https://ibb.co/wZth1KC9"><img src="https://i.ibb.co/HLZTQrYW/Egypt-Weather-2026-10-19-T083700-904.png" alt="Egypt-Weather-2026-10-19-T083700-904" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)
&nbsp;

Egypt Weather Forecast: Cairo Temperatures Reach 27°C As Autumn Weather Continues On 19 October 2026

The US dollar is trading at EGP 53.63 for buying and EGP 53.73 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on Sunday, 18 October 2026.
Among other major currencies, the British pound is trading at EGP 71.15 for buying and EGP 71.84 for selling, while the euro is trading at EGP 60.11 for buying and EGP 60.54 for selling. The Chinese yuan is trading at EGP 8.01 for buying and EGP 8.03 for selling.
The UAE dirham is trading at EGP 14.58 for buying and EGP 14.63 for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/PGJ98dRz"><img src="https://i.ibb.co/d4XLyRSJ/Exchange-Rates-2026-10-18-T114931-715.png" alt="Exchange-Rates-2026-10-18-T114931-715" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Exchange Rates: Today’s Exchange Rates In Egypt On 18 October 2026

Egypt is expected to experience autumnal weather, with warm conditions during the day across northern regions, including Greater Cairo, and hot weather in the south. Temperatures are expected to drop at night, bringing cooler conditions across the country on Sunday, 18 October 2026, according to the Egyptian Meteorological Authority (EMA).
Light to moderate rain is expected in parts of the northern coastal governorates and northern Lower Egypt, with a 20% chance of heavier rainfall at times in some areas.
There is also a slight chance of light rain, estimated at around 20%, across scattered areas of southern Lower Egypt and the Suez Canal cities. This may extend to parts of Greater Cairo, where the chance of rainfall is approximately 10%.
Winds are expected to reach speeds of 30 to 35 km/h at times across parts of Greater Cairo, the eastern coast, and southern Sinai.
&nbsp;<a href="https://ibb.co/8L4HNNn4"><img src="https://i.ibb.co/wFrfBBZr/Egypt-Weather-2026-10-18-T083551-386.png" alt="Egypt-Weather-2026-10-18-T083551-386" border="0" /></a>
Photo Credit: Freepik (Magnific)

Egypt Weather Forecast: Autumnal Conditions To Prevail On 18 October 2026

The US dollar is trading at EGP 53.17 for buying and EGP 53.27 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on Thursday, 15 October 2026.
Among other major currencies, the British pound is trading at EGP 70.09 for buying and EGP 70.63 for selling, while the euro is trading at EGP 59.29 for buying and EGP 59.87 for selling. The Chinese yuan is trading at EGP 7.94 for buying and EGP 7.96 for selling.
The UAE dirham is trading at EGP 14.46 for buying and EGP 14.50 for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
&nbsp;<a href="https://ibb.co/NgmHsmNt"><img src="https://i.ibb.co/wZwxRwQB/Exchange-Rates-2026-10-15-T102844-404.png" alt="Exchange-Rates-2026-10-15-T102844-404" border="0" /></a>
Photo Credit: Freepik (Magnific)

Exchange Rates: Today’s Exchange Rates In Egypt On 14 October 2026

Egypt is expected to experience autumnal weather on Thursday, 15 October 2026, with warm temperatures during the day across northern Egypt, including Greater Cairo and northern Upper Egypt, while southern Upper Egypt will experience hot conditions. Temperatures will drop at night and during the early morning, according to the Egyptian Meteorological Authority (EMA).
Light to moderate rain is expected in parts of the northern coastal governorates and northern Lower Egypt, with a 30% to 40% chance of heavier rainfall at times in some areas.
Parts of Halaib and Shalateen may also experience light to moderate rain, occasionally accompanied by thunderstorms, with a 30% chance of precipitation. Meanwhile, there is a 20% chance of light rain in scattered areas of southern Lower Egypt and the Suez Canal cities, which may occasionally extend to parts of Greater Cairo and northern Upper Egypt.
Winds are expected to be active across most of the country, reaching speeds of 30 to 40 km/h. These winds may stir up sand and dust in parts of the northwestern coast, the Western Desert, and exposed areas of Greater Cairo, Lower Egypt, and the Suez Canal cities. They may also reduce horizontal visibility at intervals in parts of northern and southern Upper Egypt.
Maritime navigation is expected to be disrupted along parts of the coasts of Matrouh, El Alamein, Alexandria, Baltim, Gamasa, Damietta, and Port Said. Wind speeds in these areas are forecast to range from 40 to 70 km/h, while wave heights are expected to reach 2 to 3.5 meters.
<a href="https://ibb.co/pBZLy5tH"><img src="https://i.ibb.co/DHkRpTxB/Egypt-Weather-100.png" alt="Egypt-Weather-100" border="0" /></a>&nbsp;
Photo Credit: Flickr

Egypt Weather Forecast: Rainfall And Strong Winds Expected On 15 October 2026

The US dollar is trading at EGP 52.98 for buying and EGP 53.08 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on Wednesday, 14 October 2026. Among other major currencies, the British pound is trading at EGP 70.17 for buying and EGP 70.46 for selling, while the euro is trading at EGP 59.31 for buying and EGP 59.50 for selling. The Chinese yuan is trading at EGP 7.91 for buying and EGP 7.93 for selling. The UAE dirham is trading at EGP 14.41 for buying and EGP 14.45 for selling. Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/DDRFV3Jz"><img src="https://i.ibb.co/d05vWnTj/Exchange-Rates-2026-10-14-T105744-572.png" alt="Exchange-Rates-2026-10-14-T105744-572" border="0" /></a> Photo Credit: Freepik (Magnific)

Exchange Rates | US Dollar Trades At EGP 52.98 Against The Egyptian Pound On 14 October 2026

Egypt is expected to experience a slight and temporary rise in temperatures across most parts of the country on Wednesday, 14 October 2026, according to the Egyptian Meteorological Authority (EMA).
Hot weather is expected during the day across northern Egypt, including Greater Cairo and northern Upper Egypt, while conditions will be very hot in southern Egypt. Temperatures are expected to become cooler at night.
Winds are expected to reach speeds of 30 to 40 km/h across most areas, potentially stirring up sand and dust in parts of the Western Desert, Greater Cairo, the Nile Delta, and the Canal cities.
The resulting dust may reduce horizontal visibility in some areas to less than 1,000 meters, particularly in parts of the Matrouh Desert, the northwestern coast, and northern Upper Egypt. Wind gusts could reach 50 to 60 km/h at intervals.
Maritime navigation is expected to be disrupted in some areas along the coast stretching from Salloum to Marsa Matrouh, El Alamein, Alexandria, and Baltim. Winds in these areas are expected to reach speeds of 50 to 70 km/h, with wave heights ranging from 2.5 to 4.5 meters.
Light to moderate rainfall is possible along parts of the northern coast and northern Lower Egypt. Rain may become heavy and thundery at times, with a 20% chance of rainfall in areas stretching from Salloum to Marsa Matrouh, intermittently.
Clouds are also expected to form over scattered areas of Greater Cairo, southern Lower Egypt, and the Suez Canal cities. There is a slight chance of light rainfall in some areas, estimated at around 10%.
<a href="https://ibb.co/LdmgM8Qc"><img src="https://i.ibb.co/nM91Tb3Y/Egypt-Weather-99.png" alt="Egypt-Weather-99" border="0" /></a>&nbsp;
Photo Credit:&nbsp;Freepik (Magnific)
&nbsp;

Egypt Weather Forecast: Slight Rise In Temperatures Across The Country On 14 October 2026

The US dollar is trading at EGP 52.7 for buying and EGP 52.8 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on Tuesday, 13 October 2026.
Among other major currencies, the British pound is trading at EGP 69.59 for buying and EGP 69.86 for selling, while the euro is trading at EGP 58.78 for buying and EGP 59.07 for selling. The Chinese yuan is trading at EGP 7.86 for buying and EGP 7.88 for selling.
The UAE dirham is trading at EGP 14.33 for buying and EGP 14.37 for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/ycLSgJg7"><img src="https://i.ibb.co/TxzLP5Pd/Exchange-Rates-2026-10-13-T104641-890.png" alt="Exchange-Rates-2026-10-13-T104641-890" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Exchange Rates | US Dollar, Euro And British Pound Today – 13 October 2026

Top News 
Current Affairs 
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News

After a 24-day break, the Egyptian Premier League returns with one of Egyptian football&rsquo;s most anticipated fixtures: the Cairo derby between Al Ahly and Zamalek.
The two rivals are set to meet at Cairo International Stadium at 8:00 PM on Sunday, October 11, in the sixth round of the 2026/2027 Egyptian Premier League season. The league&rsquo;s schedule was interrupted by national team commitments during the 2027 Africa Cup of Nations qualifiers.
Why Is This Match Important for Both Teams?
Pyramids FC currently lead the Egyptian Premier League standings with 15 points from five wins. Zamalek sit second with 13 points from four wins and one draw, while Al Ahly occupy third place with the same number of points and an identical record.
With both Cairo rivals chasing the league leaders, Sunday's derby presents an important opportunity to strengthen their positions in the standings.
The Cairo Derby in Numbers
According to Al Ahly's official page, the two teams had faced each other 132 times in the Cairo derby before this match. Al Ahly recorded 52 victories, while Zamalek won 29 times. The remaining 51 encounters ended in draws.
Sunday's fixture will therefore mark the 133rd Cairo derby. Check out the infographic below for a closer look at the numbers behind this historic rivalry.
<a href="https://ibb.co/3mf0wBNQ"><img src="https://i.ibb.co/hFXKkDWw/Poster-Team-A-vs-Team-B-3.png" alt="Poster-Team-A-vs-Team-B-3" border="0" /></a>&nbsp;
Head-to-Head Record Across All Competitions
According to Al Ahly&rsquo;s official website, the two clubs had met 243 times across all competitions as of May 1, 2026. Al Ahly recorded 107 wins, compared with 56 victories for Zamalek, while 80 matches ended in draws. Al Ahly had scored 366 goals, while Zamalek had netted 254.
Biggest Wins in Egyptian Premier League History
According to Al Ahly&rsquo;s official website, Al Ahly&rsquo;s biggest league victory over Zamalek came in the 2001&ndash;2002 season, when the Red Devils won 6&ndash;1. Other notable victories include a 5&ndash;3 win in the 2021&ndash;2022 season, 4&ndash;1 victories in the 1960&ndash;1961 and 2022&ndash;2023 seasons, and 4&ndash;2 wins in the 1953&ndash;1954 and 2004&ndash;2005 seasons.
Al Ahly also recorded several 3&ndash;0 victories over their rivals. Zamalek&rsquo;s biggest league win over Al Ahly came by a 3&ndash;1 scoreline, a result the White Knights achieved four times.
Photo credit: Al Ahly's official page

Infographic | Ahly vs. Zamalek: Head-to-Head Stats Ahead Of Derby 133

A few days after Cristiano Ronaldo's sudden departure from Portugal's national team camp raised questions about his international future, the 41-year-old captain has broken his silence and explained what led to his decision.
Ronaldo left Portugal's Nations League camp in Copenhagen on September 30, ahead of the team's match against Denmark, after being left on the bench during the 2-1 win over Norway and learning that he would not start against Denmark.
In a lengthy statement shared on his official account, Ronaldo said his decision was driven by what he described as two broken promises from Portugal head coach Jorge Jesus, while also taking responsibility for leaving the camp.
Ronaldo Had Already Prepared to Leave After the 2026 World Cup
Ronaldo revealed that he had already prepared a letter to the Portuguese people following the 2026 World Cup, containing the words he intended to share when he eventually left the national team.
However, he said Portuguese Football Federation President Pedro Proen&ccedil;a asked him to reconsider his decision and continue representing Portugal.
Ronaldo also revealed that he supported the eventual appointment of the current head coach, saying he believed Jesus was the right choice for the national team.
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Ronaldo Says Coach Broke His Word
According to Ronaldo, he and Jesus had initially agreed on a plan to manage his fitness, under which he would play Portugal's first match of the camp before staying in Portugal for the games against Norway and Denmark.
However, Ronaldo said Jesus later told him he could be used for 30 minutes against Norway. Ronaldo agreed despite the change to his recovery plan, but said he warmed up from halftime and was never brought onto the pitch.
Ronaldo described the situation as the first time Jesus had failed to keep his word to him.
The two later met with Sim&atilde;o Coutinho, Al-Nassr's sporting director, present. Ronaldo said they agreed that Jesus would publicly clarify that Ronaldo had never asked to play and that the decision to have him warm up without bringing him on was the coach's mistake.
Ronaldo said the coach's subsequent press conference did not reflect what had been agreed privately, which he described as the second time Jesus had failed to keep his word.
Why Ronaldo Decided to Leave Portugal's Camp
Ronaldo said he ultimately decided to leave the camp because he felt that remaining would only harm the group after the breakdown in trust.
&ldquo;For me, the truth is still the most important thing in the relationship between people,&rdquo; Ronaldo said, explaining that he would have accepted the situation if the coach and federation had simply been honest with him about whether they wanted him in the squad.
He also stressed that he has never interfered with the technical or tactical decisions of Portugal's coaches during his international career.
Ronaldo Apologizes to Fans and Teammates
Despite defending the reasons behind his decision, Ronaldo accepted responsibility for leaving the camp and apologized to Portugal's supporters and his teammates.
He also apologized for not greeting the fans following the Norway match, acknowledging that it was a mistake that should not have happened.
&ldquo;At the end of the match, I just wanted everything to be over with a victory and to be left alone,&rdquo; Ronaldo said. &ldquo;I did not go to greet the fans. That is a failing that is solely my responsibility and should not have happened.&rdquo;
He added that he apologized to the Portuguese people, the fans, and those who had traveled to see him.
Ronaldo acknowledged that, as Portugal's captain, his actions carry greater responsibility and said he accepts that the Portuguese Football Federation should assess and punish his conduct if necessary.
Ronaldo Is Not Retiring From Portugal
Despite the controversy, Ronaldo made clear that he is not announcing his retirement from international football.
Addressing reports that he could receive a farewell match, Ronaldo said there would be time for that, but stressed that his focus remains on competing for Portugal.
&ldquo;I can promise all my fans, naturally and especially all the Portuguese people, that we will have one or more farewell matches; there will be time for that,&rdquo; he said.
However, he added that when he thinks about the national team, he thinks about competing.
Ronaldo said that if he remains physically fit, continues performing for Al-Nassr, and serves any suspension imposed on him, he will remain available to compete for Portugal.
His statement leaves the door open for a return to the national team, while the circumstances surrounding his departure remain a major talking point.
Ronaldo's Pursuit of 1,000 Career Goals Continues
Away from the national team controversy, Ronaldo has returned to training with Al-Nassr as he continues his pursuit of 1,000 career goals.
According to Reuters, Ronaldo has scored 979 goals for Portugal and his clubs, leaving him 21 goals away from reaching the historic milestone.
Photo Credit: Cristiano Ronaldo&rsquo;s official page

Cristiano Ronaldo Breaks Silence: Why He Walked Away From Portugal Camp

The moment Cristiano Ronaldo fans have always feared may be getting closer. The Portugal captain has left the national team&rsquo;s training camp in Copenhagen following the press conference held by head coach Jorge Jesus and a conversation with Portuguese Football Federation (FPF) President Pedro Proen&ccedil;a, according to a statement Ronaldo shared on his official Instagram account.
Ronaldo also said that he would reveal the reasons behind his decision &ldquo;in due course,&rdquo; leaving questions over whether his latest departure could mark the end of his international career.
&ldquo;In due time, I will tell all the Portuguese about the reasons that motivated my departure from the national team, which I always dedicated myself to,&rdquo; Ronaldo said in his statement.
What Happened?
Ronaldo started Portugal&rsquo;s Nations League opener against Wales before being left out of the starting lineup for the team&rsquo;s next match against Norway. He remained an unused substitute as Portugal secured a 2-1 victory. According to Reuters, Jesus had told Ronaldo that he would come on as a substitute but ultimately decided not to bring him onto the pitch.
Following the match, Ronaldo worked in the gym rather than training with the rest of the squad on Monday and Tuesday. Reuters reported that he was not injured during that period.
Speaking to the media ahead of Portugal&rsquo;s Nations League match against Denmark, head coach Jorge Jesus denied that Ronaldo had refused to train and said there had been no incident between them. According to Reuters, Jesus said Ronaldo was upset after being left on the bench against Norway but considered the matter resolved.
&ldquo;There was nothing to talk about,&rdquo; Jesus said, according to Reuters, while explaining that Ronaldo had told him he would accept whatever decision the coach made, whether that meant playing or being left out of the squad.
Jesus also rejected the suggestion that Ronaldo had refused to train, saying: &ldquo;He didn&rsquo;t refuse. He&rsquo;s going to train today.&rdquo; He explained that it was the fourth day after the match and said Ronaldo would return to training with the team.
However, Ronaldo did not take part in Portugal&rsquo;s final training session before the Denmark match. The Portuguese Football Federation confirmed his absence, while Reuters reported that Ronaldo subsequently left the training camp in Copenhagen.
Ronaldo later confirmed that he had decided to leave the national team&rsquo;s training camp following Jesus&rsquo; press conference and a conversation with Portuguese Football Federation President Pedro Proen&ccedil;a. The FPF confirmed his departure and said the remaining 24 players would continue preparations for the upcoming fixtures.
Ronaldo&rsquo;s Own Explanation
Ronaldo has not yet provided the full explanation behind his decision.
In his statement, he said that he decided to leave following the national team manager&rsquo;s press conference and his conversation with the FPF president. He also promised to explain his reasons to the Portuguese people &ldquo;in due course.&rdquo;
For now, his statement leaves more questions than answers about what happened behind the scenes.
Has Cristiano Ronaldo Retired From Portugal?
Not officially. Ronaldo confirmed that he had decided to leave Portugal&rsquo;s training camp, but he did not announce his retirement from international football. The Portuguese Football Federation likewise confirmed his departure from the camp rather than announcing an end to his international career.
That distinction is important. While his sudden departure has raised questions about his future with Portugal, there has been no official announcement from Ronaldo confirming that he has permanently retired from international football.
Ronaldo&rsquo;s Portugal Legacy
Ronaldo made his Portugal debut in 2003 and has since become the country&rsquo;s most-capped player and all-time leading scorer.
According to Reuters, he has made 234 appearances for Portugal and scored 146 international goals. His international career has also included Portugal&rsquo;s historic Euro 2016 triumph and two Nations League titles.
From his first appearance as a teenager to becoming Portugal&rsquo;s captain and record-holder, Ronaldo has spent more than two decades at the heart of the national team.
Will This Be His Last Dance?
Ronaldo started Portugal&rsquo;s 1-0 victory over Wales before being left on the bench for the entire match against Norway. If he does not return to the national team, the Wales game could ultimately become his final international appearance.
However, it is too early to describe it as his final game because Ronaldo has not confirmed his retirement from international football.
For now, the question remains open.
Reaching the Saddest Moment
For more than two decades, Ronaldo&rsquo;s Portugal story has been defined by records, trophies, heartbreak and an enduring commitment to the national team.
Now, after leaving the training camp and promising to reveal the reasons behind his decision later, a new chapter may be approaching.
The biggest question is no longer what Cristiano Ronaldo has achieved for Portugal. It is whether he will wear the national shirt again.
Photo Credit: Cristiano Ronaldo&rsquo;s official page
&nbsp;

Cristiano Ronaldo Leaves Portugal Camp: Is This The End Of His International Career?

Following Egypt&rsquo;s 5&ndash;0 victory over South Sudan in the 2027 Africa Cup of Nations qualifiers, Barcelona forward Hamza Abdelkarim made history by scoring his first international goal for Egypt in the 92nd minute.
The goal marked a major milestone in the 18-year-old forward&rsquo;s international career, as Abdelkarim became the third-youngest player to score his first goal for the Egyptian national team. His late strike also helped seal Egypt&rsquo;s convincing victory in the AFCON qualifiers.
The result also strengthened Egypt&rsquo;s position in Group B of the AFCON qualifiers, while Abdelkarim&rsquo;s goal added another milestone to his rapid rise at both club and international level.
Third-Youngest Egyptian Scorer
According to Transfermarkt, Hamza Abdelkarim scored his first goal for Egypt at the age of 18 years, 8 months, and 28 days, placing him third among the youngest players to score their first goal for the national team.
Abdelkarim Sakr remains the youngest, having scored at the 1936 Olympic Games at the age of 17 years, 8 months, and 28 days. Ahmed Hossam Mido ranks second, having scored his first international goal at the age of 17 years, 10 months, and 14 days during a friendly against the United Arab Emirates in 2001.
With his goal against South Sudan, Abdelkarim entered the list at 18 years, 8 months, and 28 days old.
Hamza Abdelkarim and Barcelona
Abdelkarim began his Barcelona journey after joining the club from Al Ahly on loan in February 2026. He made an immediate impact with Barcelona&rsquo;s U-19 side, scoring six goals in nine league appearances, including a hat-trick.
In June, Barcelona exercised its purchase option to sign the Egyptian forward permanently, initially agreeing to a contract until June 2029.
However, in September 2026, Barcelona reached a new agreement with Abdelkarim to extend his contract until 30 June 2030. He also made his competitive first-team debut on 31 August against Rayo Vallecano after scoring four goals during pre-season.
Photo Credit: Egypt National Team&rsquo;s official page
&nbsp;

Hamza Abdelkarim Becomes Third-Youngest Egypt Scorer With First International Goal

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The United Nations Children&rsquo;s Fund (UNICEF) has praised Egypt&rsquo;s National Program for Developing Arabic Language Skills, highlighting significant improvements in students&rsquo; reading and writing abilities following the completion of the program&rsquo;s first three phases.
According to a statement shared on the official page of the Egyptian Cabinet, more than 1.38 million students across Egypt&rsquo;s 27 governorates were assessed as part of the program.
UNICEF noted that the most significant improvements were recorded among children who initially demonstrated lower levels of reading and writing skills. The results, according to the organization, reflect the program&rsquo;s impact in helping children catch up on missed learning and strengthen their foundational skills.
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Building on the results of the first three phases, the fourth phase of the National Program for Developing Arabic Language Skills is now set to begin.
The fourth phase will run alongside the launch of the National Program for Developing Mathematics Skills, expanding efforts to support children&rsquo;s foundational learning skills across Egypt.
UNICEF emphasized that reading, writing, and numeracy are essential foundations for children&rsquo;s learning and development, reaffirming its commitment to supporting children in Egypt in cooperation with the Ministry of Education and Technical Education and other program partners.
Photo Credit: UNICEF&rsquo;s official page

UNICEF Praises Egypt’s National Arabic Language Skills Development Program

Dr Abdel Aziz Konsowa, Minister of Higher Education and Scientific Research and Acting Minister of Culture, has chaired the second meeting of the Supreme Committee overseeing preparations for the 58th Cairo International Book Fair, scheduled for 2027.
The meeting focused on preparations for the upcoming edition, including digital transformation, infrastructure development and proposals to improve visitor services, according to a statement published on the Egyptian Cabinet's official page.
Digital Transformation And Organisational Development
Konsowa described the 58th edition as an important milestone in the digital transformation and organisational development of the region's largest cultural event.
He said preparations would go beyond addressing logistical challenges, focusing instead on establishing sustainable digital and investment infrastructure. The plans include the use of artificial intelligence and smart technologies to serve millions of visitors and improve access to cultural content.
He also reaffirmed the state's commitment to supporting the publishing industry and preserving Egypt's cultural influence.
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Reviewing The 57th Edition
The committee reviewed statistical data from the 57th edition to identify areas for improvement and draw on previous experience in planning the next fair.
It also discussed the structure and responsibilities of the executive committees and ways to improve coordination between them.
The committees oversee various aspects of the event, including the main exhibition hall, intellectual and artistic activities, poetry, novels, book discussions and signings, international participation, and the Guest of Honour programme. Other areas include children's activities, professional events, conferences and media coverage.
The committee also discussed the criteria for selecting the central figure and slogan of the 58th edition, as well as the intellectual and cultural themes to be explored during the fair.
Smart Visitor Services
Plans for a unified digital system and mobile application were also discussed, with the platform scheduled to be ready by 1 December 2026.
The proposed system will offer visitors smart search tools for books and publishers, interactive maps and electronic ticketing. The committee also considered introducing an artificial intelligence assistant and providing access to selected services without an internet connection.
The meeting addressed the infrastructure and network requirements at the Egypt International Exhibitions Center. A joint team from the Ministry of Culture and the Ministry of Communications and Information Technology is working on the technical requirements.
The committee also discussed expanding advertising opportunities for sponsors and ensuring the long-term sustainability of the fair's digital services.
Developing The Exhibition Layout
The Capital University Consulting Center presented its architectural and engineering plans for redesigning the exhibition layout.
The proposals include improving visitor circulation, expanding exhibition spaces, widening main corridors and redistributing areas to ensure fair opportunities for publishers of different sizes.
The committee highlighted the importance of building on previous editions while upgrading the fair's infrastructure and services to accommodate its growing scale and international profile.
Coordination With Publishers
The committee also discussed plans for a coordination meeting with publishers represented by the Egyptian and Arab Publishers' Unions, in cooperation with e-finance.
The meeting will focus on technical proposals for the digital system and incorporating publishers' requirements into the mobile application ahead of its launch.
Konsowa thanked the Supreme Committee's members for their efforts and said further coordination meetings would be held to monitor progress, address challenges and ensure preparations were completed well in advance of the fair.
He also stressed the importance of maintaining the Cairo International Book Fair's international standing.
Photo Credit: Egyptian Cabinet&rsquo;s official page

Cairo International Book Fair 2027: New Plans Revealed Ahead Of 58th Edition

From ancient Egyptian artefacts displayed in China to ballet performances, exhibitions, cinema, language exchange and cultural festivals, Egypt and China have built extensive cultural ties reflecting the shared heritage of two of the world's oldest civilisations.
The relationship is set to receive further attention as Chinese President Xi Jinping prepares to visit Egypt in the coming days, according to the Egyptian Presidency.
Presidential spokesman Ambassador Mohamed El-Shennawy said Xi will meet Egyptian President Abdel Fattah El-Sisi to discuss ways of strengthening the strategic partnership between the two countries, as well as regional and international issues.
Beyond political and economic cooperation, culture, heritage and people-to-people exchanges have remained important elements of Egypt-China relations.
A new documentary book, &ldquo;Egyptian-Chinese Relations Over 70 Years&rdquo;, has also been issued by Egypt's State Information Service, documenting the development of ties since diplomatic relations were established on 30 May 1956. Published in Arabic and Chinese, the book covers major milestones in the political, economic, cultural, scientific and technological relationship between the two countries.
Egypt-China Cultural Year
One of the most significant milestones in cultural cooperation came in 2016, when Egypt and China designated the year as the Egyptian-Chinese Cultural Year.
The year was launched by El-Sisi and Xi during a joint celebration at Luxor Temple in January 2016, marking the 60th anniversary of diplomatic relations between the two countries.
The opening ceremony featured more than 200 performers from Egypt and China in a programme bringing together music, dance, ballet and other art forms.
The wider cultural year included around 200 events, including visual arts exhibitions and performances by Chinese and Cairo Opera Ballet artists.
Egypt continued to expand its cultural presence in China, taking part in the Shanghai Tourism Festival in September 2017, where it received the Most Popular Tourist Destination award.
In September 2020, Egypt also participated in the International Tourism and Culture Exhibition in Guangzhou, showcasing Egyptian cultural and heritage products alongside tourism programmes.
Ancient Egyptian Heritage On Display In China
Archaeology has become another important area of Egypt-China cultural cooperation, giving Chinese audiences opportunities to explore Egypt's ancient civilisation through major exhibitions.
In February 2024, Egypt's Supreme Council of Antiquities and the Shanghai Museum signed a cooperation protocol for a temporary archaeological exhibition in China.
&ldquo;On Top of the Pyramid: The Civilization of Ancient Egypt&rdquo; opened at the Shanghai Museum in July 2024, featuring 787 artefacts from different periods of ancient Egyptian civilisation. The exhibition included statues, jewellery, coffins and other objects illustrating aspects of kingship, daily life, religion, writing and beliefs about the afterlife.
The exhibition attracted significant interest in China, with tickets for its opening day selling out and hundreds of thousands of tickets sold before and shortly after its opening.
The exhibition was also described by Egyptian officials as an important platform for promoting cultural tourism and strengthening people-to-people understanding between the two countries.
Education And Language As Cultural Bridges
Education and language have also played an important role in Egypt-China cultural exchange.
The two countries have cooperated on introducing Chinese as an optional second foreign language in Egyptian schools, while educational initiatives have also encouraged exchanges between students and institutions. Around 24,000 Chinese students study Arabic in Egypt, while 16 Egyptian universities have established Chinese language departments or teach Chinese as part of their curricula.
Egypt is home to Confucius Institutes at Suez Canal University, Cairo University and Ain Shams University, supporting Chinese-language and cultural education.
Chinese-language programmes have also expanded at Egyptian universities, while Egyptian students have opportunities to study in China.
The Egyptian Luban Workshop has added another dimension to educational cooperation, providing technical and vocational training for young Egyptians.
Cinema, Visual Arts And Cultural Activities
The Chinese Cultural Center in Cairo has become another platform for cultural exchange, hosting activities covering cinema, traditional arts, visual arts and Chinese culture, as well as joint exhibitions and cultural events.
Such programmes give audiences in Egypt opportunities to learn more about Chinese culture while providing opportunities for artists from both countries to meet and collaborate.
Media And Cultural Exchange
Media cooperation has also contributed to greater cultural understanding.
Chinese media organisations have established a presence in Egypt, while cooperation between Egyptian and Chinese media institutions has expanded over the years.
Joint and bilateral media activities have helped increase coverage of each country's culture, heritage, arts and society, supporting wider people-to-people exchanges.
More recently, cultural and media cooperation has continued through joint projects. In 2025, Egypt and China held the &ldquo;Yangtze Meets the Nile&rdquo; cross-civilisation dialogue, which included cultural exhibitions, media cooperation and the premiere of a jointly produced documentary exploring connections between the two ancient civilisations.
A Cultural Relationship Built Over Decades
From the 2016 Egyptian-Chinese Cultural Year and joint artistic performances to archaeological exhibitions, language programmes, cinema and cultural events, Egypt-China relations extend beyond diplomacy and trade.
The two countries have increasingly used culture and heritage as a way to strengthen people-to-people ties and deepen mutual understanding.
As Xi prepares to return to Egypt a decade after his 2016 visit, the cultural relationship between the two countries remains an important part of their broader partnership.
Photo Credit: Spokesman for the Egyptian Presidency&rsquo;s official page

Egypt-China Cultural Relations: All You Need To Know About Arts And Heritage

Days after Egyptian football star Mohamed Salah signed a two-year contract with Trabzonspor, the Turkish club has continued to celebrate his arrival with a warm welcome that goes beyond football.
Trabzonspor&rsquo;s promotional video featuring Salah quickly spread across social media, attracting attention not only for the way the club welcomed its new star but also for its celebration of the culture and hospitality of the Black Sea region.
The official Trabzonspor page shared the video with the caption: &ldquo;Those who say &lsquo;you will see in a dream&rsquo;... Dreams come true for us.&rdquo;
A Warm Turkish Welcome
The video presents Salah as a new member of a traditional Turkish family, highlighting the region&rsquo;s famous hospitality.
A grandmother prepares a variety of traditional dishes as the family waits to welcome Salah into his new home. The concept reflects the idea of treating him like a member of the family, with the grandmother making sure he is well-fed before he heads to training with his new club.
The setting and food choices also highlight Trabzon&rsquo;s Black Sea identity, connecting Salah&rsquo;s arrival with the culture of the region where Trabzonspor is based.
What Traditional Turkish Food Did Mohamed Salah Eat?
The promotional video puts the spotlight on several traditional Turkish dishes, particularly those associated with the Black Sea region.
Kuymak is one of the most recognisable dishes featured in the video. A speciality of the Black Sea region, this rich and stretchy dish is made with cornmeal, butter, water and melting cheese. The ingredients are cooked gently until the cheese reaches its signature stretchy consistency, while the butter rises to the surface.
Stuffed collard greens, known as kara lahana sarması or dolması, are another traditional dish strongly associated with the Black Sea region. Collard leaves are filled with a savoury mixture that can include rice or bulgur, minced meat, onions and herbs before being slowly cooked in a flavourful tomato-based sauce.
The video also shows blueberries, with Salah enjoying them before heading off to training, adding a playful touch to the traditional family-style welcome.
Stuffed vine leaves, known as sarma or dolma, are another classic of Turkish cuisine. Tender grape leaves are wrapped around a flavourful filling typically made with rice, herbs and spices.
The breakfast table also features honey and kaymak, a traditional Turkish pairing that combines thick, creamy clotted cream with sweet local honey.
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Reflecting Traditions And Promoting Tourism
The promotional video does more than announce Mohamed Salah&rsquo;s arrival at Trabzonspor. It uses food, family and hospitality to introduce the Egyptian football star to the culture of his new home, while showcasing traditions that make Trabzon and the wider Black Sea region distinctive.
The campaign also demonstrates how football can become a platform for cultural exchange and tourism promotion. By featuring traditional dishes and local customs, Trabzonspor gives its international audience a glimpse of the region beyond the football pitch, potentially encouraging greater interest in its food, traditions and local identity.
This is particularly significant for Trabzonspor, which is closely connected to the Black Sea region and is nicknamed the &ldquo;Black Sea Storm&rdquo;. The appearance of well-known local dishes in the advertisement reinforces the club&rsquo;s regional identity while introducing these traditions to Salah&rsquo;s global fanbase.
The video also creates an intercultural connection between Salah&rsquo;s Egyptian background and his new Turkish home. By portraying him as a welcomed guest being treated like part of the family, the campaign presents his transfer as more than a sporting move. It becomes a cultural exchange bringing together football, hospitality, local identity and tourism.
About Trabzonspor
Founded in 1967, Trabzonspor is one of Turkey&rsquo;s most successful football clubs and was the first team from outside Istanbul to win the Turkish top-flight title, achieving that milestone in 1976.
The club won six league titles during its dominant period between 1975 and 1985 before claiming another S&uuml;per Lig championship in the 2021-22 season. Trabzonspor has also enjoyed memorable European victories over clubs including Liverpool, Aston Villa, Inter Milan and Barcelona.
Today, the club remains one of the biggest symbols of football in Turkey&rsquo;s Black Sea region, with Salah now the latest star to wear its famous burgundy and blue colours.
Photo Credit: Trabzonspor&rsquo;s official page

Mohamed Salah Gets A Taste Of Trabzon In Warm Trabzonspor Welcome

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris, an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
&nbsp;

Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
&nbsp;

Let’s Dance 




Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Some say &ldquo;They don't make them like they used to", and we certainly agree. For one hour we spin out all your favorite classic hits from the 60s through the 90s that bring back those good oldies. Fridays and Saturdays from 7 to 11 am, it's the time for some serious nostalgia.

Flashback

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Join Zeinab &amp; Sami every weekday afternoon for &ldquo;The Big Drive&rdquo;! Your best companion on your journey home from work or school. The best music, the funniest games and lots more as they help you shake off your Cairo traffic blues! Zeinab and Samy will keep you entertained every day from 5 to 7 PM.
&nbsp;

The Big Drive

Your morning commute has never been this fun! An endlessly entertaining blend of games, news tidbits, and the latest hits, "The Morning Show" is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Sally is here to make sure you are fresh and ready to conquer the day!

The Morning Show

Hip-Hop &amp; RnB &ldquo;FLAVAS!&rdquo; from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your weekly dose of all the newest hip-hop releases, the best old-school jams, East Coast/West Coast, Shack Town, the dirty South &amp; the Middle East just got a whole lot more flavorful with DJ Feedo!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Nadine will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt

Unlike any other show, Basmah will give you a variety of different segments throughout the weekdays for one hour! Basmah will keep you company with plenty of chat, fun, music &amp; games, along with all the latest entertainment news and much more!

Brain Busters

Every Monday and Wednesday from 3-4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, nonstop! All the latest tracks for one hour straight, no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!
&nbsp;

Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counts down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop-culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

A curated playlist of the best tunes from the 90s &amp; the 2000s! Join veteran music man Simon Ramsden as he helps you bring your busy work week to a close and prepares you for the weekend&rsquo;s parties! Every Thursday, Simon&rsquo;s power hour aims to kickstart your weekend with an hour full of the best of all time and new tracks to make you feel good!

Feel Good Thursday

Step into a world of calm and culture with Nile Bazar with Safi. Featuring oriental-inspired music and thoughtfully curated lifestyle content, the show offers a serene backdrop for reflection, discovery, and an immersive taste of local flavor. Every Thursday from 11 AM to 1 PM, with a chance to catch it on Saturday later from 10 PM to 12 AM.
&nbsp;

Nile Bazaar

A him and her show where Mickey &amp; Nadine will talk about topics that interest us, that are trending, and that everyone can relate to. Two perspectives &amp; two preferences. Simply this show will be a place where people can listen to funny, interesting, and relatable&nbsp;topics, with his two cents and her takes. Music, movies, habits, career talk, pop culture, how-to, why, and why-not, did you know? and the list goes on and on which is what makes this show powerful. It&rsquo;s all about the now, the current, and the relevant with interesting talks about everything for everyone.

Real Talk

When does romantic persistence become obsession? Cinema has often portrayed a man&rsquo;s refusal to give up as proof of love, suggesting that determination will eventually win a woman&rsquo;s heart. But what happens when his feelings are not returned? In &lsquo;Cairo Station&rsquo; (1958), Egyptian director Youssef Chahine challenges this romantic ideal, exposing the dangers of confusing desire with possession.
In a new episode of the &lsquo;REEL vs REAL&rsquo; podcast, airing every Sunday at 5pm on NileFM&rsquo;s YouTube channel, Mel Masry revisits the Egyptian classic to explore how cinema shapes our understanding of romance, rejection and the difference between devotion and entitlement.
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Set in Cairo&rsquo;s bustling central railway station, the film follows Kenawi, a newspaper seller who becomes obsessed with Hanuma, a lively drinks seller who does not return his feelings. Hanuma is in love with Abu Siri, a porter who is fighting for better working conditions for his colleagues. As Kenawi&rsquo;s fantasies collide with reality, his fixation takes a disturbing turn.
Through Kenawi&rsquo;s obsession, Chahine turns a familiar romantic trope on its head. In many love stories, a man who continues pursuing a woman despite her rejection is portrayed as devoted and determined, with his persistence eventually rewarded. "Cairo Station", however, exposes the danger of this narrative, showing what can happen when a person&rsquo;s desires overshadow another person&rsquo;s freedom to choose.
What makes the film particularly compelling is that Kenawi is not presented as a straightforward villain. His loneliness and longing reveal a troubled character, but understanding his pain does not excuse his actions. As his fixation escalates towards violence, the film exposes the destructive consequences of entitlement and an inability to accept rejection.
This distinction lies at the heart of the episode. Devotion means caring for someone while respecting their choices, even when those choices do not include you. Possession, by contrast, treats affection as a debt, as though loving someone creates an obligation for the other person to reciprocate.
The distinction remains relevant in a culture where romantic persistence has often been celebrated in films, television dramas and popular storytelling. The idea that a man should keep trying after being rejected, or that a woman should interpret relentless pursuit as proof of genuine affection, can blur the boundaries between romance and disrespect.
More than six decades after its release, &lsquo;Cairo Station&rsquo; remains compelling because it challenges these assumptions. Its themes also resonate in the age of social media, where constant monitoring, repeated attempts to attract someone's attention and anxiety over romantic interest can sometimes be mistaken for meaningful connection.
Ultimately, the film reminds audiences that wanting someone does not give you a claim over them. Missing someone does not make you their partner, and strong feelings do not override another person&rsquo;s right to say no.
Through &lsquo;REEL vs REAL&rsquo;, Mel Masry invites audiences to reconsider the romantic narratives they have grown up with and question whether behaviours celebrated on screen would be healthy in real life. Genuine love is not about refusing to let go until someone gives in. It begins with recognising another person&rsquo;s independence, respecting their decisions and allowing them to choose freely.
Catch &lsquo;REEL vs REAL&rsquo; with Mel Masry released every Sunday at 5:00 pm on NileFM&rsquo;s YouTube channel, exploring the gap between cinematic romance and the realities of human relationships.

‘Cairo Station’: How Youssef Chahine’s Classic Exposes The Dark Side Of Obsession

Love may bring two people together, but is it enough to keep them together? In a new episode of the "Reel vs. Real" podcast released every Sunday at 5:00 pm on NileFM&rsquo;s YouTube channel, Mel Masry revisits Noah Baumbach&rsquo;s &lsquo;Marriage Story&rsquo; to explore what happens when love remains but a relationship falls apart.
When Love Is Not Enough to Save a Relationship
Released in 2019, &lsquo;Marriage Story&rsquo; follows Charlie (Adam Driver), a New York theatre director, and Nicole (Scarlett Johansson), an actor who wants to build a new life in Los Angeles. As they navigate a painful divorce and a dispute over their son&rsquo;s future, their differences, ambitions and unmet needs become increasingly difficult to reconcile.
One of the film&rsquo;s most intense moments comes during a heated argument in which years of frustration and resentment spill over. The scene captures how two people who once shared a life can hurt each other deeply, even when love has not entirely disappeared.
Through Charlie and Nicole&rsquo;s story, Baumbach challenges the idea that love alone can overcome every obstacle, highlighting the importance of compatibility, communication and shared goals.
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Lesson 1: Love Is the Foundation, Not the Whole House
One of the biggest misconceptions about relationships is that loving someone should automatically make everything work. Charlie and Nicole still care about each other, but their feelings cannot resolve every disagreement or erase their differences.
Love can bring two people together, but a lasting relationship also requires mutual understanding, respect and a willingness to work through everyday challenges. Strong feelings matter, but they cannot replace the effort needed to build a life together.
Lesson 2: Shared Goals Matter as Much as Shared Feelings
Charlie wants to maintain his life and career in New York, while Nicole wants to pursue her ambitions in Los Angeles. Their disagreement is about more than geography. It reflects two different visions of the future and raises questions about whose aspirations take priority.
Their story demonstrates why couples need to discuss their individual ambitions and expectations openly. Building a life together does not mean sacrificing one person&rsquo;s dreams for the other&rsquo;s. It means finding a way to accommodate both partners&rsquo; needs and aspirations.
Lesson 3: Communication Means Listening, Not Just Speaking
Throughout &lsquo;Marriage Story&rsquo;, Charlie and Nicole struggle to express their needs before resentment takes hold. Their arguments expose frustrations that have accumulated over time, leaving both feeling misunderstood and unheard.
The film highlights the importance of honest communication, active listening and addressing problems before they become more difficult to resolve.
Talking about love is not enough. Couples also need to discuss expectations, sacrifices, career ambitions and personal needs, even when those conversations are uncomfortable.
Lesson 4: Marriage Needs Trust, Not Just Security
Marriage involves emotional commitment, but it can also raise questions about financial security, responsibilities and the expectations each partner brings to the relationship.
In Egypt, marriage agreements may include &lsquo;mahr&rsquo; (the marital dowry) and &lsquo;muakhar&rsquo; (the deferred portion of the dowry). These arrangements can form part of a wife's financial rights, but they cannot guarantee emotional security or resolve deeper relationship problems.
The wider lesson is that practical arrangements and emotional trust serve different purposes. A healthy partnership requires both people to understand their rights and responsibilities while treating each other with honesty and respect.
Lesson 5: Commitment Means Building a Life Together
Commitment is not simply about staying together. It involves building a partnership in which both people feel valued, share responsibilities and adapt as their circumstances change.
&lsquo;Marriage Story&rsquo; shows how difficult this can become when individual ambitions and expectations no longer align. It also challenges the assumption that a successful relationship must always end in a lasting marriage.
Sometimes, recognising that a relationship is no longer working requires difficult decisions. Commitment should not mean remaining together at any cost, but understanding what both people need and whether they can realistically build a future together.
What Does &lsquo;Marriage Story&rsquo; Teach Us About Real Love?
Ultimately, &lsquo;Marriage Story&rsquo; reminds audiences that a relationship can contain genuine love and still struggle to survive. The end of a marriage does not necessarily mean the love was never real. Sometimes, two people simply cannot build the same future together.
Through the &lsquo;REEL vs REAL&rsquo; podcast, Mel Masry invites audiences to look beyond cinema&rsquo;s romantic ideals and recognise that lasting relationships require more than strong feelings. They need compatibility, communication, trust and the everyday effort of building a life together.
Catch &lsquo;REEL vs REAL&rsquo; with Mel Masry every Sunday at 5:00 pm on NileFM&rsquo;s YouTube channel, exploring the lessons films can teach us about real-life relationships.
Photo Credit: Marriage story&rsquo;s official page

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