Nearly 28 years after the release of the beloved romantic comedy "You've Got Mail," a reboot is in development, but it will take a different direction from the 1998 original. According to Entertainment Weekly, the upcoming film will offer a fresh take on the original concept rather than retell the love story that brought Tom Hanks and Meg Ryan together. Although it will retain the original title, the new project is expected to introduce a different storyline, with plot details still under wraps.
According to Variety, director Jason Orley has been tapped to direct the project. He is also writing the current screenplay draft, based on an earlier script by Deborah Kaplan and Harry Elfont. Neal Moritz and Tania Landau, who were involved in the original film, are also returning as producers.
A Nostalgic Look Back at the Original Film
The 1998 film remains one of the most memorable romantic comedies of its era, bringing together Meg Ryan and Tom Hanks in a story that captured audiences with its mix of romance, humour, and the early days of online relationships.
"You've Got Mail" follows two people who unknowingly fall in love online while becoming business rivals in real life.
Kathleen Kelly (Meg Ryan) owns a charming independent bookstore in New York, while Joe Fox (Tom Hanks) runs a large bookstore chain threatening her business. Despite their rivalry in person, they develop a romantic connection through anonymous emails, sharing their thoughts and everyday experiences without knowing each other's identities.
However, their online romance takes an unexpected turn when they discover who they really are.
The film was inspired by Mikl&oacute;s L&aacute;szl&oacute;'s 1937 play "Parfumerie," which was previously adapted into the 1940 romantic comedy classic "The Shop Around the Corner," starring James Stewart and Margaret Sullavan.
Released in December 1998, "You've Got Mail" became a major box-office success, earning approximately $250 million worldwide against a production budget of $65 million, according to Variety.
Meg Ryan and Tom Hanks' Previous Collaborations
Meg Ryan and Tom Hanks worked together in four films, establishing themselves as one of Hollywood's most beloved romantic-comedy pairings.
&ldquo;Joe Versus the Volcano&rdquo; (1990)
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Their first collaboration brought them together in a comedy about a man diagnosed with a terminal illness who decides to embark on an unusual adventure. Ryan plays three different characters in the film.&nbsp;
&ldquo;Sleepless in Seattle&rdquo; (1993)
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The duo reunited in this romantic comedy about a widower who captures the attention of a journalist after his young son calls a radio show hoping to find his father a new wife.
Ryan received a Golden Globe nomination for Best Actress in a Motion Picture, Musical or Comedy, at the 51st Golden Globe Awards in 1994 for her portrayal of Annie Reed.
&ldquo;You've Got Mail&rdquo; (1998)
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Their third collaboration brought one of their most memorable on-screen romances. Two business rivals unknowingly fall in love through anonymous emails, unaware of each other's real identities.
Ryan received another Golden Globe nomination in 1999 for her performance as Kathleen Kelly.
&ldquo;Ithaca&rdquo; (2015)
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Their fourth collaboration came in "Ithaca," a coming-of-age drama directed by Meg Ryan, with Tom Hanks appearing in a supporting role.
With the new project still in development and its cast and storyline yet to be revealed, fans will have to wait to discover how the filmmakers plan to bring this beloved romantic-comedy concept to a new generation. Whether it will capture the same charm as the original remains to be seen.
Photo Credit: You&rsquo;ve Got Mail&rsquo;s official page
&nbsp;

Check Your Inbox! “You’ve Got Mail” Reboot In The Works Nearly 28 Years After The Original

&ldquo;The return to innocence.&rdquo; With this simple yet intriguing hook, Coachella has unveiled its 2027 lineup, bringing together three unexpected headliners: British singer-songwriter Dua Lipa, Australian psychedelic music project Tame Impala, and American singer-songwriter SZA.
The Coachella Valley Music and Arts Festival will return to the Empire Polo Club in Indio, California, for two weekends, taking place April 9&ndash;11 and April 16&ndash;18, 2027.
The newly announced lineup features an eclectic mix of international artists spanning pop, rock, hip-hop, R&amp;B, and electronic music, alongside several unexpected collaborations and special performances.
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Full Coachella 2027 Lineup Highlights
Dua Lipa &ndash; Friday, April 9 &amp; 16
Joining Dua Lipa on Friday's lineup are Zara Larsson, Steve Lacy, JISOO, Diljit Dosanjh, Peggy Gou, Kehlani, Solid Grooves, Giorgio Moroder, Social Distortion, Pinegrove, Angine de Poitrine, Leon Thomas, Drain Gang, Snow Strippers, Mike D 5D, CHRIS STASSY, Milo J, SG Lewis, Kelela, Franky Rizardo, Fetty Wap, Vintage Culture, The Damned, ATARASHII GAKKO!, Nettspend, American Football, xaviersobased, La Dispute, Haute &amp; Freddy, The Hellp, Disco Dom, MPH, Bella Kay, This Is Lorelei, The Womack Sisters, mary in the junkyard, Close Friends Only, Obsk&uuml;r, Jacob Lusk, LEENALCHI, Bea Miller, Gang of Youths, Love Spells, Rafael, Nirosta Steel, Ragie Ban, Eli, Las Petunias, Violet Grohl, Jackie Hollander, Jamback x Marsolo, and NOYA.
Madonna is also set to perform in the dance tent, adding another major name to Friday's lineup.
According to Rolling Stone, Coachella 2027 will mark Dua Lipa's first time headlining the festival and her first full performance there. However, she previously made a brief appearance onstage in 2017, joining DJ and producer Martin Garrix to perform their collaboration "Scared to Be Lonely." The appearance came just months before the release of her self-titled debut album.
Tame Impala &ndash; Saturday, April 10 &amp; 17
Saturday's lineup brings together Phoebe Bridgers, Weezer, Ti&euml;sto, Martin Garrix, Robyn, Role Model, AD&Eacute;LA, M&aring;neskin, Solomun, NCT, Enigma, Underworld, Charlotte de Witte, Leon Bridges, Cloonee, Magdalena Bay, Barry Can't Swim, Boy Harsher, KI/KI, Mariah the Scientist, Bad Gyal, Basement, Brutalismus 3000, Beltran, underscores, SB19, Twin Tribes, Odeal, Bassvictim, Los Pibes Chorros, Tiffany Day, no na, Mathame, ear, Vandelux, rommulas, Apollonia, Getdown Services, Good Neighbours, First Day Back, Jimi Jules, Twisted Teens, Murda Beatz, Villanelle, Kolter x Sidney Charles, La Texana, OMRI., Volkoder, Zimmer90, LuSiD, and Dream Boat.
For Tame Impala, the Australian psychedelic music project is returning as a Coachella headliner for the second time. The project first appeared at the festival in 2011, returning in 2013 and 2015 before headlining in 2019.
SZA &ndash; Sunday, April 11 &amp; 18
Sunday's performances will feature Don Toliver, Dom Dolla, Kygo, Empire of the Sun, Four Tet, The Neighbourhood, Becky G, BABYMONSTER, Amelie Lens x Sara Landry, Remi Wolf, Tove Lo, Victoria Mon&eacute;t, EsDeeKid, Caroline Polachek, Chase &amp; Status, MUNA, Boris Brejcha, Jorja Smith, The Avalanches, BOLO, Pennywise, Freddie Gibbs, Shygirl, Julia Wolf, Odd Mob, Ayra Starr, Lambrini Girls, AKRIILA, Dinner Party, Silva Bumpa, DJ Habibeats, Chanel Beads, Adam Ten, After, Zack Fox, Fat Dog, Omar+, Genesis Owusu, Joshua Slone, The Mainliners, Marten Lou x Alex Wann, ChaseWest, Florence Road, Jazzy, TUL8TE, Jakob Nowell and THE CASTLE, Tal&oacute;n, and Klave Efectiva.
SZA will take the headline spot on Sunday, marking her first time headlining Coachella. The Grammy-winning singer previously performed at the festival in 2016 and 2018. Her latest studio album, "SOS," was released in 2022, followed by the accompanying SOS Tour, which concluded in 2024. She later joined Kendrick Lamar on the Grand National Tour in 2025.
Special Performances and Billings
Beyond its three headliners, Coachella 2027 has several special appearances in store.
Puerto Rican rapper and singer Daddy Yankee is billed as "In the Desert," while French electronic music duo Justice will make their debut in The Bunker with a special project titled "Blinded by the Lights."
With Coachella continuing to bring together some of the biggest names in global music, its 2027 edition is already generating excitement. Following the 2026 festival, which featured headliners Justin Bieber, Sabrina Carpenter, and Karol G, next year's lineup promises another diverse celebration of music and live performances.
Photo Credit: Dua Lipa, Tame Impala and SZA&rsquo;s official pages
&nbsp;

Dua Lipa, Tame Impala And SZA To Headline Coachella 2027

Following his collaboration with John David Washington in &ldquo;Tenet,&rdquo; Robert Pattinson is teaming up with another Washington, this time Academy Award-winning actor Denzel Washington, for a high-stakes bank heist in the upcoming film &ldquo;The Take,&rdquo; alongside actress Daisy Edgar-Jones.
Directed by Academy Award-nominated filmmaker Fernando Meirelles (City of God) and written by Simon Kinberg (Mr. &amp; Mrs. Smith), the upcoming thriller promises a gripping combination of crime, romance, and unexpected twists. Here's everything we know so far about &ldquo;The Take.&rdquo;
What Is 'The Take' About?
A bank guard, a teller, and a master thief find themselves caught up in a dangerous bank heist filled with deception, double-crosses, and unexpected turns.
According to the film's official synopsis, Noah (Pattinson), a former Army captain who is struggling to adjust to civilian life, is recruited by charismatic master thief Christian Carter (Washington) to join his crew in what could be the score of a lifetime: robbing the richest bank in Manhattan.
However, the meticulously planned operation comes with one unexpected complication: Noah's girlfriend, Rose (Edgar-Jones), works at the bank as a teller. With his relationship and life on the line, Noah must figure out whom he can trust if he hopes to survive the heist.
For director Meirelles, what initially attracted him to Kinberg's script was its unconventional blend of genres.
"Until the end, you don't know if you're making a love story that has a robbery, or if you're making a robbery film that has a love story. Both things have a lot of weight," he told Tudum.
The filmmaker also highlighted the script's nonlinear, puzzle-like structure, which keeps audiences guessing as the story unfolds. Unlike many traditional heist films, The Take is told almost entirely from the perspective of one character, Noah.
"You only know what he knows," Meirelles explained.
When Will &ldquo;The Take&rdquo; Be Released?
The Take is scheduled to stream online on 12 January 2027.
Who Stars in &ldquo;The Take&rdquo;?
The film features an impressive ensemble cast, including Denzel Washington, Robert Pattinson, Daisy Edgar-Jones, Danai Gurira, Sean Harris, Mois&eacute;s Arias, and Justin Kirk.
An Unexpected Collaboration Behind the Scenes
Bringing together two-time Academy Award winner Denzel Washington and Robert Pattinson is already an exciting prospect, but the talent behind the camera adds another reason to look forward to the film.
Director Fernando Meirelles praised Pattinson's dedication and versatility throughout production.
"He's never late; he's always available. If I need to do 20 takes, he's there," the filmmaker said.
Meanwhile, Edgar-Jones brought an unexpected interpretation to her character, Rose, encouraging Meirelles to embrace a different vision from the one he had initially imagined.
"I'm kind of a jazz director. I see what I have and I incorporate it," he explained.
Washington, on the other hand, kept the director on his toes with his spontaneous approach to dialogue and improvisation.
"Each take is a surprise," Meirelles said of the actor's performance. "It's a delight to film like that ... And it really surprises you. It's brilliant."
With an intriguing storyline, an unconventional mix of genres, and a star-studded cast, &ldquo;The Take&rdquo; is shaping up to be one of the upcoming crime thrillers to watch in 2027.
Photo Credit: Netflix&rsquo;s official page

“The Take”: Everything To Know About Denzel Washington And Robert Pattinson's New Film

After ten episodes of trying to uncover who was truly the victim, whether Nora had the right to seek revenge against her husband after discovering his secret marriage, and who was ultimately responsible for the damage, the ending of &ldquo;Tale&rsquo; Nazel: El Hob Elli Kan&rdquo; revealed a much deeper message than a conventional story of love and betrayal.
Starring Mona Zaki, alongside Mohamed Shahin, Mariam El Khosht, Hamza Diab, and Mimi Gamal, the Egyptian drama explores love, infidelity, emotional dependence, and the sacrifices people make to preserve relationships, sometimes at the expense of themselves and others.
What initially appears to be a story about a wife's revenge gradually becomes an exploration of unresolved childhood trauma, misplaced trust, and the consequences of refusing to accept a painful reality.
From Betrayal to Revenge: How It All Began
Nora's life is turned upside down when she discovers that her husband, Ali, a successful musician, has secretly married Mai, his childhood sweetheart, and is expecting a child with her. Their marriage has remained hidden for more than two years, leaving Nora to confront not only her husband's betrayal but also the collapse of the future she thought they had built together.
Unable to accept that the man she dedicated her life to could choose another woman, Nora decides to take revenge. She begins giving Ali sleeping pills and sedatives, gradually pushing him towards addiction and destroying the career she once worked so hard to help him build.
Her plan goes further when she manipulates situations to make Ali appear responsible for stealing music from other artists. She also secretly records him taking drugs and shares the footage, damaging his reputation and professional life.
For a while, Nora appears to have achieved what she wanted. Ali loses his job, his credibility, and his relationship with Mai. But the consequences of her actions become far more devastating than she could have imagined.
When Revenge Costs More Than Betrayal
Everything changes when Nora discovers that she is finally pregnant, after spending years hoping to become a mother and even giving up on the dream to preserve her marriage.
For the first time, her priorities begin to shift. She realises that saving Ali from addiction is no longer simply about repairing their relationship; it is also about protecting the family she has always wanted.
She encourages him go to rehabilitation, but by then, his addiction has become severe. The man she once supported and carefully guided has become someone struggling to regain control of his life.
Meanwhile, Mai leaves Ali and asks for a divorce, repeating a pattern from their past. She had previously walked away from him when he had little to offer financially, and now, when he loses his career and becomes addicted, she chooses to leave again.
"However, Nora's tragedy reaches its peak when she discovers that the medication she had been secretly giving Ali has affected her pregnancy, leaving her with no choice but to undergo a medical termination due to congenital fetal abnormalities. In trying to destroy Ali's life, Nora ends up losing the one dream she had spent years hoping to achieve: becoming a mother."
The dream she spent years pursuing is suddenly taken away from her. Her revenge has not only destroyed Ali's life but has also cost her the possibility of motherhood.
The tragedy is not simply that Nora loses her baby. It is that she finally understands the consequences of her actions when it is too late to undo them.
Four Characters, Four Different Understandings of Love
Nora: A Woman Who Confused Love With Control
Nora is arguably the most complex character in the series. Her actions cannot be justified, but understanding where they come from makes her story even more heartbreaking.
Her relationship with her mother, played by Mimi Gamal, offers an important explanation for her emotional struggles. Growing up, Nora witnessed her mother constantly belittling her father and treating him as a failure rather than supporting him.
This experience appears to have shaped Nora's understanding of love and marriage. She became determined to make Ali successful, supporting his career, taking care of his smallest needs, and attempting to organise his life around what she believed would make him happy.
She even gave up her dream of motherhood because Ali feared that having children would change their relationship and affect their love for each other. Nora accepted his decision because losing him seemed more frightening than abandoning something she deeply wanted.
But when she discovers his secret marriage, everything she has built her identity around collapses.
Her revenge becomes an attempt to regain control over a life she suddenly feels she has lost. She cannot accept that Ali has made decisions without her, just as she cannot accept that someone she loves might choose a different future.
Nora's tragedy is that she spends so much time trying to control Ali's life that she eventually loses control of her own.
Ali: The Man Who Wanted to Be Loved Without Considering the Consequences
Ali is not necessarily portrayed as a narcissist, but he is far from innocent.
He wants Nora to be his support system, the person who understands him and believes in his musical career. She becomes his emotional and practical foundation, and he trusts her completely.
However, he never truly moves on from Mai, his childhood sweetheart, who previously left him because he was not financially successful and she did not believe in his future.
When Mai returns to his life, Ali accepts the opportunity to be with her, seemingly wanting to prove that he has finally become the man she once refused to choose.
His decision to marry Mai secretly for two years reveals his own selfishness. He wants to preserve his relationship with Nora while pursuing the life he once imagined with Mai, without considering the emotional damage his choices will cause.
Even when he discovers that he is going to become a father, he fails to consider how Nora will feel when she learns the truth.
Ali becomes a victim of Nora's revenge, but he is also responsible for the betrayal that sets everything in motion.
Mai: Choosing Herself, Regardless of Who Gets Hurt
Mai is another character who complicates the audience's understanding of right and wrong.
Her past marriage was traumatic. After having a daughter and eventually divorcing, she attempts to find the peace she could not achieve in her previous relationship.
She reconnects with Ali, her childhood love, and eventually marries him secretly, despite knowing that he is already married to Nora.
Mai's decision reveals how much she prioritises her own happiness, even when it comes at someone else's expense. She wants Ali, but she does not appear willing to acknowledge the pain her relationship with him causes Nora.
Her feelings for Ali may be genuine, but her actions raise questions about what love means when it comes without consideration for anyone else.
When Ali's career collapses and his addiction becomes impossible to ignore, Mai leaves him and asks for a divorce. She chooses to protect her own life and her daughter rather than remain in a relationship that has become destructive.
Unlike Nora, Mai has a life outside Ali. She has her daughter and her own priorities, while Nora has built almost her entire world around her husband.
This contrast makes their different reactions to the same man even more striking.
Mimi Gamal: The Mother Whose Words Came Too Late
Although Mimi Gamal's character may not occupy as much of the storyline as the other three, her role is essential to understanding Nora.
The relationship between mother and daughter helps explain why Nora struggles so much with rejection, abandonment, and the idea that love can end.
The series concludes with a particularly meaningful moment when Mimi Gamal's character embraces Nora and tells her to accept God's fate.
It is perhaps the advice Nora needed to hear much earlier in her life.
Had Nora grown up with a mother who showed her unconditional love, supported her emotionally, and taught her that a failed relationship does not mean a failed life, perhaps she would have developed a different understanding of love.
She might have understood that she could leave a marriage without destroying the person who betrayed her, and that accepting a painful reality is sometimes the only way to protect herself.
Instead, she spent years trying to make Ali successful, keep him happy, and ensure he would never leave her, until revenge became more important than her own wellbeing.
The Real Message Behind the Ending
What makes the ending of &ldquo;Tale&rsquo; Nazel: El Hob Elli Kan&rdquo; so shocking is that nobody truly walks away victorious.
Ali loses his career and struggles with addiction. Mai leaves the relationship. Nora loses the pregnancy she spent years dreaming about, while also having to confront the damage caused by her own decisions.
Each character makes choices based on personal desires, unresolved pain, or an inability to accept reality. But the consequences extend far beyond what any of them initially expected.
Ultimately, the series raises an important question: How far can someone go when they feel betrayed, and at what point does seeking justice become revenge?
Nora had every reason to feel hurt by Ali's secret marriage. She deserved honesty and respect, and she had every right to walk away. But her decision to destroy him turned her pain into a cycle of suffering that affected everyone, including herself.
Perhaps the most important lesson in the ending is that we cannot always control what happens to us, but we remain responsible for how we respond.
Sometimes, accepting God's fate and choosing to walk away is not a sign of weakness. It is an act of self-preservation.
Photo Credit: MBC Shahid&rsquo;s official page
&nbsp;

When Revenge Destroys Everything: The Real Message Behind “Tale’ Nazel: El Hob Elli Kan”

A real-life criminal case, a series of disturbing allegations, and a question that continues to spark curiosity: was she guilty or was there more to the story? These elements come together in &ldquo;Anbar Al Mout&rdquo; , the upcoming crime drama starring Egyptian actress Menna Shalaby.
Directed by Karim El Shenawy and written by Mariam Naoum, the 12-episode series draws inspiration from the notorious case of nurse Aida Nour El-Din, which took place in Alexandria in the late 1990s. With its real-life inspiration and mysterious circumstances, the series is already attracting attention ahead of its premiere. Here is everything you need to know about &ldquo;Anbar Al Mout.&rdquo;
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Plot
Inspired by a famous criminal case that took place in Alexandria, &ldquo;Anbar Al Mout&rdquo; According to the series' official synopsis, Nadia, who has been sentenced to death for murdering more than 30 patients at the hospital where she worked, finds hope when she meets Raafat, a man who promises to save her from the gallows.
Rather than simply retelling the events of the case, the series explores the circumstances surrounding the accusations, raising questions about guilt, innocence, justice, and the truth behind what happened.
Release Date
&ldquo;Anbar Al Mout&rdquo; is set to premiere on 26 November 2026. The series consists of 12 episodes, offering a compact crime-drama narrative that gradually unfolds the details of the case.
Cast and Crew
The series stars Menna Shalaby, alongside Rushdy El Shamy, Basma, Ali Kassem, and Ahmed Khaled Saleh.
The project reunites Shalaby and Ahmed Khaled Saleh, who previously appeared together in &ldquo;El Hawa Soltan,&rdquo; &ldquo;Diamond Dust,&rdquo; and &ldquo;Every Week Has a Friday.&rdquo;
Karim El Shenawy directs the series, with a script by Mariam Naoum, bringing together two prominent names in Egyptian television drama.
Why Fans Are Eager to Watch &ldquo;Anbar Al Mout&rdquo;
There are several reasons why &ldquo;Anbar Al Mout&rdquo; has become one of the upcoming series attracting attention.
First, its real-life inspiration gives the story an additional layer of intrigue.
Another major attraction is Menna Shalaby's involvement. Following her internationally recognised performance in &ldquo;Every Week Has a Friday,&rdquo; audiences are curious to see her return to a crime drama, particularly in a role that requires navigating complex emotions and difficult circumstances.
The creative team is another reason to anticipate the series. The collaboration between director Karim El Shenawy and screenwriter Mariam Naoum raises expectations for a character-driven drama that balances suspense with human storytelling.
Menna Shalaby's International Emmy Recognition
Menna Shalaby's upcoming project is her track record of taking on challenging and complex roles.
In 2021, Shalaby made history after becoming the first Egyptian actress to receive an International Emmy Awards nomination for her performance in the crime miniseries &ldquo;Every Week Has a Friday&rdquo; (Fe Kol Osboua Youm Gomaa).
The nomination was also the first-ever International Emmy nomination for Egypt, marking a significant milestone for Egyptian television. Shalaby was nominated in the Best Performance by an Actress category, highlighting the international recognition of her work.
With &ldquo;Anbar Al Mout,&rdquo; she returns to the crime-drama genre, this time portraying a character caught in a disturbing real-life case, adding another intriguing performance to her television career.
Photo Credit: Menna Shalaby&rsquo;s official page

Menna Shalaby Stars In “Anbar Al Mout”: Everything To Know About The True-Story Drama

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Entertainment

Exclusive | Lebanese Actress Randa Kaady On “Gareema Fi Al Zamalek” And Why “Bil Haram” Made Her Rethink Her Next Roles

By: Yomna Walid&nbsp;
Making the move from Saudi television to Egyptian cinema, Saudi actress Joud Alsufyani is exploring new audiences and embracing opportunities to bring different characters to life. She recently made her Egyptian cinema debut in the romantic comedy &ldquo;Wala Kan Ala El-Bal,&rdquo; starring alongside Nour El Nabawy, Yasmina El Abd, and Ashraf Abdel Baky.
With previous appearances in productions such as &ldquo;Al Mirath,&rdquo; &ldquo;Khareef Al Qalb,&rdquo; &ldquo;Halat Nadera,&rdquo; and &ldquo;Taash Al Awda,&rdquo; Joud has continued to explore different roles while building her acting career across Saudi television.
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Her latest experience marks a new chapter in her professional journey, introducing her to a different film industry, a new dialect, and an opportunity to connect with Egyptian audiences.
In an exclusive interview with NileFM, Joud Alsufyani opens up about her first experience in Egyptian cinema, working alongside some of Egypt's familiar faces, her approach to choosing roles, the characters she hopes to explore, and what audiences can expect from her upcoming projects.
What was the moment that made you realise you wanted to become an actress?
I feel like acting chose me before I chose it.
I&rsquo;ve always been fascinated by people, their emotions, the way they speak, and the little details that make everyone different. I loved the idea of stepping into someone else&rsquo;s life and experiencing the world through their eyes.
But the moment I truly knew acting was what I wanted to do was when I stood in front of the camera and realised I wasn&rsquo;t just playing a character, I was actually feeling everything she was going through.
That&rsquo;s when I understood that acting wasn&rsquo;t just a career for me. It was a way to discover different sides of myself.
<a href="https://ibb.co/LhvJDnJ1"><img src="https://i.ibb.co/CsWMphMQ/1.png" alt="1" border="0" /></a>&nbsp;
Can you take us behind the scenes of &ldquo;Wala Kan Ala El-Bal&rdquo; and tell us what this journey has been like?
&ldquo;Wala Kan Ala El-Bal&rdquo; will always have a special place in my heart because it was my first experience in Egyptian cinema.
Stepping into a different industry, working with a different dialect, and adapting to a new environment was both exciting and challenging.
What made the experience even more special was the people I worked with. There was such great energy on set, and I learned so much from the cast and crew.
The beautiful thing is that I never really felt like an outsider. It reminded me that art connects people regardless of where they come from.
I came back to Saudi Arabia with even more passion for what I do and excitement for what&rsquo;s next.
<a href="https://ibb.co/qL1vwhYK"><img src="https://i.ibb.co/Q7m4GhvL/2.png" alt="2" border="0" /></a>&nbsp;
What does making your Egyptian cinema debut mean to you personally and professionally?
On a personal level, it means a lot to me. I grew up watching Egyptian films, so becoming part of that industry feels incredibly special.
Professionally, I see it as a responsibility just as much as an achievement.
I don&rsquo;t want to be recognised simply as a Saudi actress appearing in an Egyptian film. I want to be recognised for my performance, my talent, and what I bring to the character.
I believe an artist shouldn&rsquo;t be limited by geography. Talent has no nationality, and storytelling has no borders.
How did you feel about working alongside Nour El Nabawy, Yasmina El Abd, and Ashraf Abdel Baky?
I was genuinely excited, especially because this was a new chapter in my career, and I was surrounded by such talented actors.
But more than anything, I wanted to prove that I deserved to be there.
I didn&rsquo;t want to simply be another name in the cast. I wanted to bring something meaningful to my character and leave an impression on the audience.
Working alongside actors with different experiences and approaches was a great learning opportunity.
I think one of the best things that can happen to an actor is being surrounded by people who inspire you to challenge yourself and become better.
Do you find comedy more challenging than drama?
I actually think comedy is much harder than people imagine.
In drama, you have more space to express emotions, but in comedy, sometimes one look, one reaction, or even a moment of silence can be funnier than an entire conversation. Timing is everything.
And I think the biggest challenge is not trying too hard to be funny. You have to be completely honest in the moment and let the humour happen naturally.
I&rsquo;ve always loved drama, but comedy allowed me to discover a different side of myself, and I enjoyed it more than I expected.
I&rsquo;m really excited for audiences to see that side of me.
How do you see Saudi-Egyptian collaborations shaping the future of Arab cinema?
I think we&rsquo;re living in a really exciting time for Arab cinema, especially with the incredible growth happening in Saudi Arabia.
Egypt has such a rich cinematic history and decades of experience, while Saudi Arabia is bringing fresh perspectives, new talent, and stories that deserve to be told.
For me, collaboration isn&rsquo;t just about having actors from different countries in the same film. It&rsquo;s about exchanging experiences, cultures, and different ways of telling stories.
I hope we reach a point where Arab cinema is recognised globally for the quality of its storytelling, rather than being defined by the nationality of its cast or where a film was produced.
<a href="https://ibb.co/pBpSTbRR"><img src="https://i.ibb.co/mV73KbXX/3.png" alt="3" border="0" /></a>&nbsp;
How have you evolved as an actress from &ldquo;Al Mirath&rdquo; and &ldquo;Khareef Al Qalb&rdquo; to your Egyptian film debut?
I think I&rsquo;ve grown a lot, not just as an actress but also as a person.
When I started with &ldquo;Al Mirath,&rdquo; I was learning how to connect with the camera, understand my characters, and build confidence in myself.
With every project, I started to realise that acting is so much more than memorising lines and expressing emotions. It&rsquo;s about understanding human behaviour and the psychology behind every character.
Today, I listen more, observe more, and I&rsquo;m not afraid to experiment or make mistakes.
One of the most important things I&rsquo;ve learned is that the moment an actor believes they have nothing left to learn is the moment they stop growing.
What did being part of &ldquo;Taash Al Awda&rdquo; mean to you early in your career?
&ldquo;Taash&rdquo; isn&rsquo;t just a television show for us in Saudi Arabia. It&rsquo;s part of our culture, our memories, and the history of Saudi television. So being part of its return was something I was genuinely proud of.
That experience taught me a lot about the importance of simplicity and authenticity in acting, especially when you&rsquo;re working on a show that audiences have loved for generations.
I think being part of such an iconic production early in my career helped me understand that every opportunity matters, regardless of how big or small the role is.
Sometimes the smallest experiences teach you the biggest lessons.
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What matters most to you when choosing a role?
All of those things matter, but what attracts me the most is a character that scares me a little.
If I read a script and immediately know exactly how I&rsquo;m going to play the character, then maybe it&rsquo;s not challenging enough for me.
I love characters that make me question things, research, and understand why they behave the way they do.
Of course, the script and the director&rsquo;s vision are incredibly important because even the strongest character needs the right storytelling.
I&rsquo;m not looking for roles that simply make me look good on screen. I&rsquo;m looking for roles that make me a better actress.
Which role has challenged you the most, and which has revealed an unexpected side of you?
One of my most challenging experiences was definitely &ldquo;Halat Nadera,&rdquo; where I played two completely different characters, Yara and Sarah. Sarah, in particular, was emotionally and technically challenging because she couldn&rsquo;t speak.
I had to communicate everything she was feeling, her fear, her emotions, and her internal struggles, without relying on dialogue.
That experience taught me that sometimes silence can be more powerful than words.
As for a side of me that audiences might not expect, I would say comedy and my more spontaneous, playful side.
I don&rsquo;t want people to associate me with just one type of character. I want to keep surprising them, and honestly, I want to keep surprising myself too.
What can you tell us about your upcoming projects and the characters you hope to explore?
There are a few upcoming projects that I&rsquo;m really excited about, but I prefer to talk about them when the time is right.
What I can say is that I&rsquo;m at a stage in my career where I want to be bolder with my choices.
I want to step outside the image audiences might already have of me and explore characters that are more complex, unpredictable, and even controversial. I&rsquo;m drawn to characters who aren&rsquo;t necessarily likeable or perfect. I love the idea of playing someone who makes the audience question whether they love her or hate her.
I&rsquo;m also very passionate about exploring more opportunities in cinema, whether that&rsquo;s in Saudi Arabia, Egypt, or hopefully internationally in the future.
My goal has never been to appear in as many projects as possible.
I want every role I play to leave a different impression. I don&rsquo;t just want to be seen. I want to be remembered.
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Photo Credit: Joud Alsufyani&rsquo;s official page

Exclusive | Saudi Actress Joud Alsufyani On Crossing Into Egyptian Cinema With “Wala Kan Ala El-Bal”

By: Yomna Walid&nbsp;
&ldquo;Just keep watching&hellip; there are still things this trio will do that will leave you surprised.&rdquo; That is the teaser Egyptian screenwriter Samaa Abdelkhalek shared with NileFM about &nbsp;&lsquo;Tale&rsquo; Nazel: El Hob Elli Kan&rsquo;, the series she co-wrote with Angie Al-Qassim.
The series sees Mona Zaki take on a role unlike any audiences have seen her play before, alongside Mohamed Shahin, Mariam El Khosht, Hamza Diab and Mimi Gamal. Through the intertwined lives of Ali, Noura and May, the story explores a complicated love triangle shaped by betrayal, difficult choices and the sacrifices people make to preserve their relationships.
Directed by Hani Khalifa, &lsquo;&lsquo;Tale&rsquo; Nazel&rsquo; marks another collaboration between Samaa and Angie, who first worked together in 2018 on &lsquo;Layali Eugenie&rsquo;. Abdelkhalek has previously won audiences over with her distinctive storytelling and her willingness to tackle subjects that are rarely explored on screen. Her previous credits include &lsquo;Nemra Etnein&rsquo;, &lsquo;Dentelle&rsquo; and &lsquo;Halawet El Donya&rsquo;.
In an exclusive interview with NileFM, Samaa Abdelkhalek takes us behind the scenes of &lsquo;Tale&rsquo; Nazel: El Hob Elli Kan&rsquo;, discussing the characters&rsquo; complicated relationships, her creative partnership with Angie Al-Qassim and the unexpected twists audiences can look forward to as the story unfolds.
Take us back to the beginning of your journey. When did you realize that storytelling was the path you wanted to pursue?
I always knew I liked writing, but I think I first realized that this was the path I wanted to pursue in 2010, when I joined a writing workshop with Tamer Habib.
In &lsquo;Tale&rsquo; Nazel, who do you think is the real victim?
I think all three made mistakes, and all of them were victims at some point throughout the journey.
The series presents Mona Zaki in a different light, including a strikingly different look. What was your main focus when writing her character?
We wanted this to be something different from the roles and characters Mona Zaki had played before and from what people expected from her.
Which character was the most challenging to write, and why?
All of them, even the secondary characters. We try to write characters that have a solid background and capture their flaws, strengths, backgrounds, etc. Characters that are relatable yet different in their own way.
Ali, Noura, and May come from different backgrounds and have different emotional experiences. Does Ali truly love Noura and May, or does he have a different motivation for each relationship?
Ali does truly love both, and that is his conviction, even if it is a different kind of love and even if these feelings are triggered by different things. He truly means it when he says he loves both of them.&nbsp;
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The series features several complex and emotionally charged scenes. Which scene challenged you the most as a writer?
Not a particular scene, but writing the pilot and the last episode is usually challenging and takes the most time, as you have to decide how you will start and end the story. I would also say that, in this series specifically, Episode Five was one of the episodes that was challenging for us to write.
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Without revealing any spoilers, is there a particular detail or upcoming development you can tease for the audience?
Just keep watching because I believe there are still things that this trio will do that will keep you surprised.
How did you and Angie Al-Qassim divide the writing process and ensure a consistent voice throughout the story?
It&rsquo;s not the first project we have worked on together, so having a consistent voice was not that challenging. We usually build the story, the plot, and the characters and do the research together. We have a lot of brainstorming sessions, not only at the beginning but throughout the whole journey, to ensure we are always aligned. When writing scenes and episodes, we keep going back and forth and discussing all the details to ensure we are also aligned.
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Love, relationships, and women&rsquo;s rights are recurring themes in your work. What do you hope audiences take away from &lsquo;Tale&rsquo; Nazel beyond the events portrayed on screen?
Usually, I like the idea that everyone can take away things according to their own interpretation and preferences. I think the one thing I would always highlight in my stories, though, is that there is no black and white when it comes to humans. We all make mistakes, and we all have flaws, and each situation can be interpreted differently. Don't rush into judging others because you never know what you would really do if you were in their shoes.
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Is there a story about women, love, or a social issue that you have yet to explore but would particularly like to write about?
Yes, I do have a lot of ideas and stories that I still want to write about. I am not usually drawn to "issues" or "causes" as much as I am drawn to people and their stories. I like to tell stories about humans in specific situations: a story about someone going through "something" and how this specific person handles the situation, and how you, as an audience member, can relate to that or not. It makes you wonder after watching: If I were facing that situation or those circumstances, how would I actually handle it?
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What can audiences expect from you next? Are there any upcoming projects or new storytelling directions you can share?
I am currently working on my first feature film.
Photo Credit: Samaa Abdelkhalik&rsquo;s official page

Exclusive | Samaa Abdelkhalek Teases Surprises In Mona Zaki’s ‘Tale’ Nazel’ And Discusses Her Upcoming Projects

By: Yomna Walid&nbsp;
A childhood passion for photography helped set Egyptian director Mohamed Taher on the path to filmmaking. Now, his directorial debut, &lsquo;32B: Mashakel Dakheliyya&rsquo;, has earned international recognition, winning Best Narrative Short at the 2026 Tribeca Festival and qualifying for consideration at the Academy Awards.
Taher&rsquo;s journey from taking photographs with his father&rsquo;s camera at the age of nine to directing an award-winning short film marks a significant milestone in his career. Following its success at Tribeca, &lsquo;32B&rsquo; continued its international festival run, with an official selection at the HollyShorts Film Festival in Los Angeles in August 2026.
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Written by Haitham Dabbour, the film stars Mohamed Mamdouh, Hana Shiha, Ahmed Dash, Gehad Hossam El Din and Jessica Hosam El Din. Blending dark comedy with poignant family drama, it explores the emotional complexities of parenthood and the relationship between parents and their children.
The film is set to become available to stream online on Thursday, 22 October 2026.
In an exclusive interview with NileFM, Taher discusses his journey into filmmaking, the creative decisions behind &lsquo;32B: Mashakel Dakheliyya&rsquo; and the film&rsquo;s growing international recognition.
What first inspired you to become a director, and how has your journey evolved since then?
I started taking photographs when I was nine years old, using my father&rsquo;s camera. I always loved documenting moments and was fascinated by people&rsquo;s reactions when they saw their pictures. As I grew older, this passion evolved into making short videos on my home computer using simple editing software, putting together scenes from my favorite films and adding music to them. I loved the process and received compliments for my work.
After graduating, I worked as an accountant at a petroleum company for four years. Eventually, I realized that I wasn&rsquo;t emotionally connected to my job, so I started searching for something that truly reflected my passion. I went back to school to study cinema, initially focusing on cinematography, then producing, before finally settling on directing during my MFA.
I have always been fascinated by human behavior and by how cinema can express emotions that people struggle to articulate, as well as the contradictions that exist within us.
My journey has taken me through different roles in the film industry, including working as an assistant director on feature films and directing second units for television. Those experiences taught me a great deal about storytelling, actors, and the filmmaking process. But they also made me increasingly aware of the stories I wanted to tell myself.
As I continue to develop my work, I find myself increasingly drawn to stories about human vulnerability, emotional distance, and the ways we struggle to connect with one another.
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What first drew you to the story of&nbsp;&lsquo;32B&rsquo;?
What drew me to&nbsp;&lsquo;32B&rsquo;&nbsp;was the contradiction at the heart of its story. A father wants to do the right thing for his daughter, but he has no idea how to approach a subject that should be completely natural. Something as simple as buying a piece of clothing becomes an emotional obstacle because neither of them knows how to communicate about it.
Haitham Dabbour captured this struggle beautifully in his script, and I completely fell in love with it. When I first read it, I was struck by how something so ordinary could reveal much deeper issues within a family and the society they live in. The father is simply unequipped to deal with a situation that challenges everything he understands about being a parent.
The film explores the relationship between parents and their children. How do you see this relationship changing today?
I think the relationship is changing, but not necessarily as quickly as we might imagine. Children today have access to information, ideas, and conversations that previous generations could barely imagine. They are growing up in a world that is more connected, yet that doesn&rsquo;t automatically mean they feel more understood by their parents.
In many families, there is still a gap between what parents want their children to know and what they feel comfortable talking to them about. Parents often believe they are protecting their children by avoiding difficult conversations, when that silence can sometimes leave children feeling alone with their questions.
I also think becoming a parent has made me look at this relationship differently. You begin to realize that parenting isn&rsquo;t simply about knowing what to teach your children; it&rsquo;s also about confronting your own fears, insecurities, and limitations.
&lsquo;32B&rsquo;&nbsp;won Best Narrative Short at Tribeca. What has this recognition meant to you personally and professionally?
Winning Best Narrative Short at Tribeca was an incredibly meaningful moment for me. Seeing&nbsp;&lsquo;32B&rsquo;&nbsp;connect with the jury at a festival like Tribeca was deeply rewarding, and it has definitely given my career a push forward. The award has also given the film a new level of visibility.
But what I value most is that a story rooted in a very specific Egyptian social and cultural context has resonated internationally.
On a personal level, the recognition means a great deal because this is my first short film as a director. There is something particularly special about seeing your first film find its way into the world and be embraced by audiences and industry professionals beyond the context in which it was made.
For me, the award isn&rsquo;t a destination as much as an encouragement to keep taking creative risks and telling stories that feel honest.
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The film is a dark comedy. What was the biggest challenge in telling this story through the genre?
The biggest challenge was finding the right balance between humor and discomfort without undermining the emotional reality of the characters.
The situation in&nbsp;&lsquo;32B&rsquo;&nbsp;is inherently awkward, and that awkwardness can be funny. But I never wanted the daughter or the father to become the punchline. The humor needed to emerge naturally from the father&rsquo;s confusion, his attempts to navigate an unfamiliar situation, and the social expectations that have shaped his behavior.
For me, dark comedy works best when the audience can laugh at a situation and then realize there is something much more uncomfortable underneath it. You recognize the absurdity of what is happening, but you also understand why the characters are behaving that way.
The challenge was to avoid exaggerating the comedy or making the film feel like a sketch. We needed to preserve the emotional truth of the relationship and allow the awkward silences, gestures, and small misunderstandings to carry as much weight as the dialogue.
I wanted the audience to laugh, but also to recognize something familiar in that laughter. Perhaps a memory of a conversation they never had with their parents, or one they are still struggling to have with their own children.
That tension between laughter and discomfort is what makes the story meaningful to me.
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The film&rsquo;s festival journey continues with its selection for the 62nd Chicago International Film Festival and the Fun Cinema International Comedy Film Festival. What are you hoping for as the film continues its journey?
I&rsquo;m grateful that&nbsp;&lsquo;32B&rsquo;&nbsp;continues to find new audiences and that its journey is taking it into different cultural contexts. Every festival brings a new conversation, and I&rsquo;m always curious to see how people respond to a story that begins in such a specific Egyptian setting.
What excites me most is the possibility of the film connecting with audiences who may have grown up in very different circumstances but recognize the same emotional dynamics within their own families. The details may change from one culture to another, but the difficulty of talking to our children about uncomfortable subjects is something many people can relate to.
I&rsquo;m also happy to see the film reaching festivals that approach cinema from different perspectives. Its recognition at Tribeca was a major milestone, and its continued selection at international festivals allows the film to keep evolving through its encounters with audiences.
Ultimately, I hope&nbsp;&lsquo;32B&rsquo;&nbsp;continues to travel. If the film can make someone laugh, reflect on their own relationship with their family, and feel a little less alone in their difficulties, then I think it has accomplished something worthwhile.
At the same time, this journey has been an important experience for me as a director. It has strengthened my belief in telling culturally specific stories with emotional honesty and trusting that their humanity can reach far beyond their original setting.
What were the biggest challenges you faced while making&nbsp;&lsquo;32B&rsquo;?
One of the biggest challenges was recreating Cairo in 2005 in a way that felt authentic without making the period feel overly constructed. Working with our production designer, Asem Ali, was essential in building that world through the details of the locations, the production design, and the atmosphere of the time.
Another important challenge was finding the right visual language for the story with our cinematographer, Mostafa Fahmy. I wanted the cinematography to do more than simply capture the action; it needed to communicate what the characters couldn&rsquo;t express verbally, and Mostafa did an amazing job of bringing that vision to life.
For example, in the lingerie shop scene, we used lighting and composition to add layers of discomfort and awkwardness to an already uncomfortable situation. I wanted the audience to feel the father&rsquo;s unease rather than simply observe it.
Can you take us behind the scenes of working with Mohamed Mamdouh, Hana Shiha, Ahmed Dash, and the rest of the cast and crew?
Working with this cast was a wonderful experience. Each actor brought something unique to their character, and what mattered most to me was creating an environment where they could explore the emotions and awkwardness of the story naturally.
Mohamed Mamdouh has a remarkable ability to communicate so much through small gestures and expressions, which was particularly important for a character who struggles to express himself verbally. Hana Shiha and Ahmed Dash also brought their own sensibilities to the film, helping us build believable characters.
I remember how Hana brought so many little details to her character, from the way she spoke to the occasional French words she slipped into her conversations. Those small choices added another layer to the character and made her feel more authentic.
I believe filmmaking is a collaborative process, and I&rsquo;m grateful to the entire cast and crew for their trust and commitment. Everyone contributed to creating the world of&nbsp;&lsquo;32B&rsquo;&nbsp;and making its emotional contradictions feel real.
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You previously worked with Mohamed Mamdouh. How was this experience different from your previous collaboration?
Having worked with Mohamed Mamdouh before, I already had a great appreciation for his talent and his understanding of characters.
What I particularly appreciated about working with him on&nbsp;&lsquo;32B&rsquo;&nbsp;was his ability to find humor in the character without turning him into a caricature. The father is awkward and often lost, but he is also vulnerable and sincere. Mohamed understood that balance beautifully.
For me, it was a valuable experience to move from working with an actor in a previous professional capacity to directing him and building a character together.
If you could make a film about one social issue, what would you choose to explore?
I would continue exploring the emotional distance between parents and their children, particularly the things we inherit from our families without even realizing it.
I&rsquo;m fascinated by how our upbringing shapes the way we communicate, express affection, and deal with vulnerability. I think there are so many stories to tell about the gap between the parents we want to be and the parents we actually become.
What do you hope audiences take away from&nbsp;&lsquo;32B&rsquo;?
I hope audiences leave the film thinking about their own relationships with their parents or children. If&nbsp;&lsquo;32B&rsquo;&nbsp;makes people laugh, recognize a little of themselves in its characters, and perhaps feel encouraged to have a conversation they&rsquo;ve been putting off, then I&rsquo;ll be very happy.
For me, that&rsquo;s what makes telling these stories worthwhile.
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Photo Credit: Mohamed Taher's official page&nbsp;

Exclusive | Mohamed Taher On His Directorial Debut ‘32B: Mashakel Dakheliyya’

By: Yomna Walid&nbsp;
Aly Fathalla's musical journey began at the age of four, when his father gave him his first keyboard. Inspired by watching his father play, he soon developed a passion for music that would shape his career as a producer, DJ and live performer.
More than two decades later, Fathalla has established himself across international trance, Egyptian pop, and film and television scoring. Alongside his childhood friend Fady, he has also built Aly &amp; Fila into a long-running electronic music project.
But his musical journey has continued to evolve. His latest project, &lsquo;Alive&rsquo;, combines original electronic music with live instrumentation, allowing him to explore a more personal approach to performing. The idea emerged following the birth of his first daughter, an experience that also influenced his creative outlook.
In this exclusive interview with NileFM, this week's &lsquo;DJ of the Week&rsquo; discusses his early musical influences, his partnership with Fady, the evolution of Aly &amp; Fila and the impact of artificial intelligence and social media on music. He also talks about fatherhood, his ambitions for &lsquo;Alive&rsquo; and the 12-track live set he has prepared for the show, airing tonight at 10pm.
Take us back to the beginning. What inspired you to become a music producer and DJ, and how did your journey start?
My father had a love for music, and I used to watch him mesmerised as he played the keyboard. He worked as a doctor, yet music was always a big part of his life. He gave me my first keyboard when I was four, and I fell in love with music right then and there. As I grew older, my passion for music production and my curiosity about it also grew, eventually evolving into the music I play today. DJing is how I share my creations with the world, but my true passion is producing music and performing it live.
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After more than two decades in the music industry, what has remained at the heart of your identity as a musician?
I appreciate good music of all genres. Good music is simply good music. My identity is somewhat of a chameleon; it expands and changes with every new piece of music I produce. At its heart are my love of music and my curiosity to keep learning and creating something beautiful, whatever that may be. I always strive to produce good music, regardless of the genre.
You have been producing music since 2003. How do you think artificial intelligence will change music production and the creative process?
AI is definitely a double-edged sword; it depends on how artists choose to use it. If used creatively as a tool, it can have a very positive effect and be extremely helpful in the creative process. However, if it takes the lead in creating music, artists risk losing their identities and their sense of inspiration.
That's why I don't think AI can replace the human element. Music has a personality that makes every piece unique to the artist who created it.
You work across international trance and Egyptian pop. How do these two musical worlds influence each other in the studio?
It started the other way around. Initially, I brought part of my personality from the trance world into my Arabic pop productions, resulting in a distinctive sound that became recognisable in my music. Later, my love for our beautiful oriental sounds found its way into my dance tracks and helped elevate those productions as well. The two genres definitely influence each other in a very positive way, in my opinion.
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How do you continue to evolve creatively while maintaining the distinctive sound your fans recognise?
I am very grateful for the distinctive identity of my music, which I believe comes straight from the heart and reflects my personality. However, maintaining that identity is not something I consciously focus on.
I believe creative evolution comes from having the passion to keep learning, developing and exploring the new creative tools that emerge every day. At the same time, it is important to remain true to what I genuinely enjoy rather than blindly following trends.
I am humbled and ecstatic to have a sound that fans recognise. I have been blessed with that, and I am truly grateful.
How have social media and streaming platforms changed the way electronic music is produced, promoted and consumed?
Social media is a double-edged sword. It has helped artists reach wider audiences and appeal to the masses. However, it can also discourage talented artists from producing music simply because they haven't received enough likes or aren't particularly skilled at using social media.
Seeking validation online can be dangerous. You shouldn't let it make or break you.
In my case, my production process remains the same. I still strive to create music that I enjoy and believe in. However, social media has made me pay more attention to how I present my music and has made it easier to share what I have always done, even when no one was watching, with people who appreciate it.
It also encouraged me to take a videography course so I could shoot reels properly and motivated me to keep up with the times.
It is beneficial to watch and learn from other artists who share their work online, but it is important to maintain your own personality rather than blindly follow trends.
You and Fady have been making music together for more than two decades. What has kept your creative partnership going?
I believe it comes down to a long-standing childhood friendship, good communication and a shared creative vision, most of the time.
How has the Aly &amp; Fila sound evolved over the years, and what has defined its musical identity?
The Aly &amp; Fila sound has continuously evolved alongside the development of the tools available to us, including software and hardware, as well as our shared experiences and musical growth.
It has always reflected a shared personality between Fady and me, with our music carrying a distinctive flavour of collaboration and a common identity.
Our sound develops with every life event we share or experience separately, and with everything each of us learns. I believe this is what has created the uplifting and emotional nature of Aly &amp; Fila's music. When we first started, it was an emotionally meaningful project that uplifted both of us.
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You have launched &lsquo;Alive&rsquo;, a live concept featuring your original solo material and hardware instruments. What inspired you to explore this new creative direction?
Performance has always been something I truly enjoyed. In fact, it was part of how I first got into music. The equipment I used back then was much less sophisticated than what I have now, but I had been performing live since high school. Then life and the lack of technology had other plans.
After many years in the music business, spending most of my time in the studio or in front of a computer, I was inspired to make electronic dance music more personal, both for myself and for audiences.
Through a lot of trial and error, I eventually settled on the instruments I use today. They allow me to create and perform electronic music live, much like playing a conventional musical instrument. This makes the performance feel more human than simply playing a track through a computer.
I get to perform live and interact with the music I have produced, remixed or composed. It is a truly wonderful and exhilarating experience.
What does &lsquo;Alive&rsquo; allow you to explore musically that you might not be able to under the Aly &amp; Fila name?
It's not that this is music that couldn't be released under the Aly &amp; Fila name; it is simply a different direction in electronic dance music.
&lsquo;Alive&rsquo; has a different tempo and is aimed at a broader audience with a wider range of musical preferences. It is music that can be enjoyed by different age groups and is not limited to a particular genre.
There are no restrictions on genre or tempo with &lsquo;Alive&rsquo;. It is about whatever music comes from my soul or touches my heart. There are absolutely no limitations on what I can create or perform. I have even performed with an orchestra.
The project caters to a variety of audiences. It is a brand-new interpretation of electronic dance music.
How has fatherhood influenced you as an artist, and how do you balance family life with the demands of an international music career?
The idea for &lsquo;Alive&rsquo; actually came about with the birth of my first daughter.
I am a very hands-on father and am present in my daughters' lives in every way. Becoming a father has been an enriching emotional experience that has had a positive influence on my creativity. It has added more depth and emotion to everything I create.
As for the demands of an international music career, that side of things is only just beginning to develop, but so far, so good.
I stopped touring with Fady for a while following my ear injury in 2009. This allowed me to spend more time with my family, as most of my work was focused on production.
Since starting &lsquo;Alive&rsquo; and travelling again, my family has continued to come first. Sometimes they travel with me, and my partner makes sure the children are involved and know about the events I take part in.
I am blessed to have this time with my family, and I wouldn't have it any other way.
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Alongside your work in electronic music, you also compose for film and television. How does writing music for a story differ from producing your own tracks?
For me, music always tells a story, and I truly enjoy creating it in all its forms, whether acoustic or electronic. Writing music for a story means working within the boundaries of the narrative and the vision of its creators. However, I still enjoy the challenge of creating something beautiful that enhances the storyline and adds to it.
That's the difference. When I create my own tracks, I am limited only by my own vision, which is often limitless.
<a href="https://ibb.co/DHwsWF9Z"><img src="https://i.ibb.co/q3mXj8Nv/5.png" alt="5" border="0" /></a>&nbsp;
What can visual storytelling bring out in you as a composer that you might not otherwise explore in your own productions?
Perhaps it is the challenge of communicating a story through music without lyrics and finding the best possible way for the music and the visuals to work together in a synchronised expression.
Having performed around the world, which experiences have had the greatest impact on you, both personally and professionally?
Watching how universal the language of music is has been particularly memorable. Interacting with audiences from all over the world and understanding one another through music is magical.
I love visiting places I wouldn't normally visit. I have performed in South Korea, for example.
On a personal level, it is wonderful to feel loved and valued for what you create. Having people appreciate you because of your music is a fulfilling experience.
Professionally, performing for different audiences and experiencing different cultures have been enriching. For example, performing in Saudi Arabia for two very different audiences at separate events was a lot of fun. Understanding how each crowd interacts with the music was a valuable learning experience.
Looking back at your career so far, what is the one ambition you have yet to fulfil?
Professionally, my ambition is definitely to take &lsquo;Alive&rsquo; to a much wider audience.
I also want to create a platform where I can teach music production and share my knowledge.
What can your fans look forward to next? Are there any new projects or musical directions you can tell us about?
There is always something new in the works, but I don't have anything specific to share at the moment. Hopefully, there will be more live shows and performances around the world.
Finally, what special surprise have you prepared for &lsquo;DJ of the Week&rsquo; on NileFM?
A live set of 12 original tracks performed live, which I hope you will enjoy.
Photo Credit: Aly Fathalla&rsquo;s official page

Exclusive | Aly Fathalla On His Musical Journey, Aly & Fila And The Story Behind ‘Alive’

Nile FM Exclusive  

Global electronic music phenomenon ARGY is bringing his NEWORLD experience to one of the world&rsquo;s most iconic landmarks, the Pyramids of Giza, on Friday, 6 November 2026, with a specially designed show paying homage to Egyptian culture.
Ahead of the highly anticipated performance, ARGY joined Zeinab and Sami on Nile FM&rsquo;s The Big Drive for an exclusive interview, discussing the inspiration behind choosing the Pyramids as the setting for NEWORLD, his personal connection to Egypt, and the influence of Egyptian and Middle Eastern music on his creative journey.
Following Anima&rsquo;s landmark performance earlier this year, the upcoming show promises to transform the historic site into an immersive musical and visual experience, bringing together ancient heritage and contemporary electronic music.
Asked why he chose the Pyramids of Giza for NEWORLD, ARGY explained that the concept goes beyond music.
&ldquo;NEWORLD is about creating experiences that go beyond music and bringing together different cultures and people. It&rsquo;s also about connecting the past and the future,&rdquo; he said.
The Greek DJ and producer also spoke about his personal connection to Egypt, highlighting the longstanding cultural ties between Greece and Egypt, particularly in Alexandria, where Greek communities lived, worked and contributed to the city&rsquo;s cultural identity.
Reflecting on this shared history, ARGY described Egypt as a place that feels familiar to him, adding that the cultural exchange between the two countries has influenced his appreciation of Egyptian music.
When asked whether Egyptian music had shaped his creative journey, he revealed that he had long been drawn to Arabic melodies and oriental musical scales.
&ldquo;I really like a lot of Egyptian music. I love Hamid El Shaeri,&rdquo; he said, naming the Egyptian singer as one of his favourites and highlighting &ldquo;Ouda&rdquo; as a particular favourite.
He also explained that his interest in regional sounds extends beyond Egypt, pointing to musical influences from Turkey, Tunisia and Morocco.
According to ARGY, oriental scales and melodies have found their way into his music since the early stages of his career. He recalled producing &ldquo;Last Night in Lebanon&rdquo; when he was just 18, noting that its melody already carried influences associated with the region.
Discussing how the upcoming Pyramids performance will differ from his previous shows, ARGY emphasised the extensive creative and production work behind NEWORLD.
Unlike some of his previous performances, the Pyramids show has been meticulously planned over several months, with ARGY and his team overseeing every detail, from the lighting and laser effects to the visual elements and overall stage design.
He described the opportunity to bring his creative vision to such an extraordinary setting as a once-in-a-lifetime experience, explaining that he wants to make the most of it.
As preparations continue, ARGY revealed that everything is going according to plan, although he admitted that the smooth process has made him slightly nervous.
He also explained that he has been particularly focused on getting every detail right, given how rare an opportunity it is to perform at the Pyramids of Giza.
&ldquo;I want to finish the show, and who knows when I can do this show again in my life, maybe never. So I just want to get this right,&rdquo; he said.
With NEWORLD approaching, ARGY is preparing to deliver an experience that celebrates the meeting of cultures, music and history at one of Egypt&rsquo;s most recognisable landmarks.
Photo Credit: ARGY&rsquo;s official page

ARGY On Bringing His NEWORLD Experience To The Pyramids Of Giza And His Connection To Egyptian Music

Egyptian DJ and electronic music producer Mohasseb joined Nancy on Nile FM&rsquo;s &ldquo;Let&rsquo;s Dance&rdquo; to discuss his journey in electronic music, the evolution of Egypt&rsquo;s dance music scene, his international performances, and the experiences that have shaped his career.
From Bedroom DJ to International Stages
Mohasseb began his music career in the early 2000s as a bedroom DJ, gradually moving from house parties with friends to performing at official venues in 2009.
Reflecting on his beginnings, Mohasseb explained that he had always dreamed of becoming a DJ, although he never imagined his career would grow to its current scale.
&ldquo;I&rsquo;ve always manifested that I wanna be a DJ in the DJ booth, but I&rsquo;ve never, never, never would have thought it would reach here,&rdquo; he said.
Before the widespread availability of online music platforms, he relied on CDs and friends returning from abroad to discover new music. He also became known among his friends for creating and sharing mixtapes, developing his skills through experimentation and hands-on experience.
The Evolution of Egypt&rsquo;s Electronic Music Scene
During the interview, Mohasseb discussed how Egypt&rsquo;s electronic music scene has grown over the years, highlighting changes in audiences, venues, and the role of DJs in the nightlife industry.
He noted that DJs have become more prominent, with venues increasingly designed around the DJ booth and audiences more engaged with the artists performing.
&ldquo;The main thing about the night is that DJ and the music is playing,&rdquo; he said, describing how the DJ has become central to the nightlife experience.
Mohasseb also highlighted the development of Egypt&rsquo;s nightlife and festival scene, pointing to the growing presence of international artists and the country&rsquo;s distinctive performance locations.
However, he acknowledged that some aspects of the earlier scene have changed, particularly the way audiences experience music.
&ldquo;Back then, you go out just for the music,&rdquo; he explained, reflecting on a time before smartphones and social media became central to nightlife.
Cairo Jazz Club: A Home Away From Home
Mohasseb also spoke about his long-standing relationship with Cairo Jazz Club, where his Mohasseb &amp; Friends night became one of the venue&rsquo;s established events.
The event celebrated its 14th anniversary in April 2026, reflecting his continued presence in Egypt&rsquo;s electronic music scene.
Describing the connection, Mohasseb explained that the venue had become like home to him, where he had grown as an artist, experimented with music, and built a loyal audience over the years.
&ldquo;For me, what kept this connection alive, it&rsquo;s, we&rsquo;re family,&rdquo; he said, describing the relationship between himself, the venue, and its audience.
He added that performing there had become part of his routine, emphasizing the importance of the community he had built throughout his residency.
&ldquo;It&rsquo;s like my oxygen,&rdquo; Mohasseb said, describing how deeply the venue had become part of his life.
Finding His Sound as a Music Producer
The discussion also explored Mohasseb&rsquo;s approach to music production and the development of his melodic techno sound, with his productions reaching Beatport&rsquo;s Top 100 melodic techno charts.
He explained that his creative process is often influenced by the music he is listening to at a particular time, using tracks he admires as references when beginning a new production.
However, he emphasized the importance of creating memorable melodies and grooves that keep audiences engaged on the dance floor.
&ldquo;For me, melody is very important. I think this is the most important thing, the melody or the hook of the track,&rdquo; he explained.
He added that a strong groove is equally essential, as it keeps listeners dancing, while a memorable melody gives them something to take away from the experience.
Mohasseb also highlighted the importance of developing a personal musical identity rather than simply following current trends.
&ldquo;The track has to be even; it speaks about me, you know? It&rsquo;s like what I am, you know?&rdquo; he said, explaining how he wants his productions to reflect his personality and artistic identity.
From Egypt to the International Stage
Mohasseb reflected on his international journey, describing his debut performance in Greece in 2015 as a turning point in his career.
He recalled that performing abroad fulfilled a long-held ambition to tour internationally and share his music with audiences around the world.
&ldquo;This is what I dreamed of always since I started thinking about becoming a DJ, that I wanted to tour the world,&rdquo; he said.
The experience opened doors to further international bookings, with Greece remaining a regular destination for his performances.
Traveling, however, taught him the importance of adapting his sets to different audiences and musical cultures.
Mohasseb explained that a track that works well with an Egyptian crowd might not have the same impact elsewhere, making it essential for DJs to understand the atmosphere and respond to the audience in front of them.
&ldquo;You always have to have a plan B and plan C,&rdquo; he said, emphasizing the importance of flexibility when performing for different crowds.
He added that DJs must study their surroundings, understand the audience&rsquo;s energy, and remain prepared to adjust their selections throughout a performance.
Learning From Other Artists
Mohasseb also discussed sharing stages with internationally recognized artists, explaining that these experiences offered valuable lessons beyond music.
He highlighted the importance of observing other performers&rsquo; technical skills, punctuality, and professionalism, while emphasizing that inspiration can also come from Egypt&rsquo;s local DJ and producer community.
&ldquo;You always have to have the room that you want to learn more, or you want to improve more,&rdquo; he said, encouraging artists to remain open to learning regardless of whom they perform alongside.
According to Mohasseb, staying adaptable is essential for artists who want to sustain long-term careers in an evolving industry.
&ldquo;The market changes every couple of years, the music changes, the trial changes, the mindset changes, so you have to always be on top of that,&rdquo; he explained.
Mohasseb&rsquo;s appearance on Nile FM&rsquo;s &ldquo;Let&rsquo;s Dance&rdquo; offered listeners insight into the experiences behind his career, from his early days experimenting with music at home to performing internationally and building a lasting presence in Egypt&rsquo;s electronic music scene.
&nbsp;

Mohasseb Opens Up About His International Journey On Nile FM’s “Let’s Dance”

American actress Julia Stiles paid tribute to her late co-star Heath Ledger in an emotional performance on Dancing with the Stars, reuniting with members of the original &lsquo;10 Things I Hate About You&rsquo; cast to celebrate the beloved actor&rsquo;s legacy.
During the show&rsquo;s Dedication Night, Stiles and her professional dance partner, Ezra Sosa, performed a heartfelt contemporary routine to Frankie Valli&rsquo;s &ldquo;Can&rsquo;t Take My Eyes Off You,&rdquo; the song famously featured in the 1999 romantic comedy.
As the performance came to an end, Stiles placed a rose beside a photograph of herself and Ledger, while the poem she recited in the film played in the background. Moments later, her former co-stars Joseph Gordon-Levitt, Gabrielle Union, Larisa Oleynik, Susan May Pratt, and Andrew Keegan joined her on the dance floor, turning the tribute into an emotional reunion.
Why Julia Stiles Chose &lsquo;10 Things I Hate About You&rsquo; for Her Tribute
Reflecting on her experience working with Ledger, Stiles expressed how much the film and her late co-star meant to her.
&ldquo;Making &lsquo;10 Things I Hate About You&rsquo; with him was such a special moment in time,&rdquo; she said in a clip shared ahead of the performance. &ldquo;It&rsquo;s amazing that people still care about that movie, and it&rsquo;s just sad that we can&rsquo;t celebrate it with him.&rdquo;
The reunion also highlighted the lasting friendship between the former cast members. Ahead of the episode, the actors shared a video showing their support for Stiles as she prepared for the emotional performance.
Stiles also recalled the impact Ledger had on her during filming, describing the experience as one filled with cherished memories. The tribute offered a reminder of how their on-screen chemistry and the film&rsquo;s memorable moments continue to resonate with audiences decades later.
What Is &lsquo;10 Things I Hate About You&rsquo; About?
Released in 1999, &lsquo;10 Things I Hate About You&rsquo; is a teen romantic comedy loosely inspired by William Shakespeare&rsquo;s &lsquo;The Taming of the Shrew.&rsquo; Directed by Gil Junger, the film follows sisters Kat Stratford, played by Stiles, and Bianca Stratford, portrayed by Oleynik.
Bianca wants to start dating, but their strict father will not allow her to do so until her older sister, Kat, also has a boyfriend. The situation takes an unexpected turn when Patrick Verona, played by Ledger, is persuaded to pursue Kat, setting the stage for the film&rsquo;s romance and comedy.
The film also featured Gordon-Levitt as Cameron James, Union as Chastity Church, Keegan as Joey Donner, and Pratt as Mandella.
Remembering Heath Ledger&rsquo;s Legacy
Ledger died in January 2008 at the age of 28. Later that year, he posthumously won the Academy Award for Best Supporting Actor for his performance as the Joker in Christopher Nolan&rsquo;s &lsquo;The Dark Knight.&rsquo;
Although Ledger&rsquo;s career included acclaimed performances in several films, his role as Patrick Verona in &lsquo;10 Things I Hate About You&rsquo; remains a fan favorite.
Stiles&rsquo; tribute brought the cast back together to remember their late co-star, celebrating not only the film&rsquo;s enduring popularity but also the memories and connections they shared with Ledger.
More than a nostalgic reunion, the moment served as a heartfelt reminder that a film&rsquo;s impact can extend far beyond the screen, keeping the memory of the people behind it alive for generations.
Photo Credit: Julia Stiles&rsquo; official page

Julia Stiles Reunites With ‘10 Things I Hate About You’ Cast For Heath Ledger Tribute

Egypt&rsquo;s 34th Arab Music Festival and Conference has opened in Cairo, with this year&rsquo;s edition dedicated to the late Egyptian singer Hany Shaker in recognition of his enduring contribution to Arabic music.
According to a statement published on the Egyptian Ministry of Culture&rsquo;s official page, the festival was inaugurated by Abdelaziz Konsowa, Minister of Higher Education and Scientific Research and acting Minister of Culture. Organised by the Cairo Opera House, headed by Reda El Wakil, the opening ceremony took place at its Main Hall.
Running from 20 to 30 October 2026, the 11-day festival features 24 concerts involving 91 artists across venues in Cairo and Alexandria. The programme also includes cultural events and an accompanying scientific conference dedicated to Arabic music.
Abdelaziz Konsowa Announces Hany Shaker Statue At Cairo Opera House
During his opening address, Konsowa highlighted the importance of Arabic music to the cultural identity of Egyptians and Arabs, describing authentic art as a vital part of their heritage and a bridge connecting generations and peoples.
He stressed that preserving artistic traditions allows nations to renew their identities and maintain their cultural presence. He also highlighted the festival&rsquo;s role in safeguarding Arabic musical heritage, supporting artists and encouraging debate about the future of Arabic music amid global changes.
Konsowa paid tribute to the late Ratiba El-Hefny, founder of the festival, praising her contribution to Egyptian and Arab musical life and her commitment to preserving Arabic musical traditions.
This year&rsquo;s edition is dedicated to Hany Shaker, widely known as the &ldquo;Prince of Arabic Singing&rdquo;, in recognition of a career spanning more than five decades and his lasting contribution to Arabic music.
As part of the tribute, Konsowa announced plans to erect a statue of Shaker in the Cairo Opera House courtyard, honouring his artistic legacy and preserving his memory for future generations.
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Hany Shaker&rsquo;s Wife Thanks President Abdel Fattah El-Sisi
During the ceremony, Nahla Tawfik, Shaker&rsquo;s wife, expressed her gratitude to President Abdel Fattah El-Sisi for the presidential message of condolence issued following the singer&rsquo;s death.
She described the message as a source of support for Egyptian artists and thanked Konsowa and the Cairo Opera House administration for dedicating this year&rsquo;s festival to her late husband and honouring his artistic legacy.
Festival Honours Egyptian And Arab Musical Figures
The opening ceremony also recognised several prominent figures for their contributions to music and musical scholarship across Egypt and the Arab world.
The honourees included Dr Esam Aljawder from Bahrain; the late accordionist and composer Mokhtar El-Sayed; violinist Dr Samir Rashad; ney player Mohamed Fouda; the late composer and music arranger Mohamed Helal; music critic Dr Enas Galal El-Din; the late poet Reda Amin; singer Walid Haidar; and artist Tarek Fouad.
The opening programme included documentary films celebrating influential figures in Egyptian music and Shaker&rsquo;s career, alongside performances of some of his best-known songs.
Singer Nevin Ragab also performed a new song, &ldquo;Feih Nas Teghib&rdquo;, dedicated to Shaker. The concert featured performances by several Egyptian singers, including Mohamed Shahin, Anoushka and Nadia Mostafa.
The festival continues until 30 October, with concerts at the Cairo Opera House&rsquo;s Main Hall, Small Hall and Arab Music Institute, as well as the Sayed Darwish Theatre at the Alexandria Opera House.
The accompanying scientific conference runs from 21 to 24 October, bringing together 35 researchers from 15 countries to discuss Arabic music and the relationship between academic criticism and media coverage.
Photo Credit: Egyptian Cabinet&rsquo;s official page

Egypt’s 34th Arab Music Festival Opens With Tribute To Hany Shaker

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

Beats

During NileFM&rsquo;s special coverage of the fifth edition of the CEO WOMEN&trade; conference, NileFM&rsquo;s Zeinab spoke with Dr. Sandrine El Khodary, Board Member &amp; EVP, Alcatel-Lucent Enterprise, about the evolving landscape of women in leadership, the importance of gender equality, and the growing opportunities for business and technology collaborations between Egypt and international markets.
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30 Years of Perseverance and Women in Leadership
Reflecting on her professional journey, El Khodary emphasised that reaching a senior leadership position was not an overnight achievement, but the result of three decades of determination and perseverance.
&ldquo;It's a long journey of 30 years of battle, fight, perseverance, willingness to become somebody and to have an impact around me,&rdquo; she said.
Discussing the changing landscape of women in leadership, she acknowledged that considerable progress has been made, but stressed that achieving genuine gender equality remains a work in progress.
She explained that the workplace has shifted from historically favouring men to increasingly prioritising women in some recruitment decisions, sometimes at the expense of equally qualified male candidates.
&ldquo;I believe that this is transitionary because we are moving towards true diversity,&rdquo; she explained.
For El Khodary, the goal should not be to replace one imbalance with another, but to create equal opportunities where professional abilities take precedence over gender.
&ldquo;What we are looking for as women is not to exclude men or to take men's positions. We are looking for equality. Don't look at the gender in the CV. Look at the skills and let the best win,&rdquo; she said.
She also acknowledged the challenges facing some male professionals, including chairmen, CEOs and managing directors who are struggling to find new opportunities. Having experienced gender-based exclusion herself, she said she understands their concerns and believes that professional opportunities should be based on qualifications and the ability to deliver results.
&ldquo;I put myself in their shoes because we were in the shoes few years back, that due to your gender you are excluded,&rdquo; she explained.
El Khodary added that while the current situation reflects a shift from one extreme to another, she hopes the workplace will eventually reach a balance where candidates are assessed fairly, regardless of gender.
CEO WOMEN&trade;: A Platform for Opportunities and Networking
Celebrating its fifth edition, CEO WOMEN&trade; has evolved into a platform that brings together women and men to exchange experiences, highlight successful female leaders and create meaningful business connections.
According to El Khodary, the conference's impact has grown over the years, with increasing participation and a space for women whose achievements may otherwise go unnoticed.
She noted that the room is now equally filled with men and women, reflecting the growing recognition of the platform and its role in encouraging inclusive discussions.
&ldquo;The discussions are more like putting the spotlight on successful women that nobody hears about, and giving examples of success stories to show the capabilities of women when they are leaders,&rdquo; she explained.
Beyond celebrating women's achievements, she highlighted the platform's role in facilitating networking and business opportunities.
&ldquo;It's a platform of networking, of business connections, and so on. So it creates opportunities for business. It creates opportunities for networking,&rdquo; she added.
For El Khodary, bringing men and women together is essential to making women's empowerment a collective effort while creating opportunities for collaboration across different industries.
Building Bridges Between East and West
This year's theme also reflects CEO WOMEN&trade;'s expanding international ambitions, with a stronger focus on strategic alliances, cross-border investments and economic collaboration between the East and West.
El Khodary, who personally contributed to the platform's international expansion by hosting the launch of CEO WOMEN&trade; Europe in Paris in June 2026, also serves as president of the new chapter.
She described the European chapter as an important first step towards connecting business communities across different markets, stressing that the initiative aims to bring investment opportunities across borders, support women and strengthen international economic partnerships.
For her, the expansion represents more than geographical growth; it is an opportunity to connect markets, encourage strategic collaboration and create new possibilities for businesses and investors.
Egypt's Growing Opportunities in Technology
Discussing Egypt's investment potential, El Khodary pointed to technology as one of the country's most promising strategic sectors, particularly amid the rapid development of digital transformation.
She highlighted the scale of global investment in technology, referring to figures she shared during her conference speech, while stressing that technological advancement is increasingly shaping economies and transforming the way businesses and governments operate.
&ldquo;Technology is not competing with anybody else. It is supporting all the sectors,&rdquo; she explained, describing it as an essential tool for economic development and business growth.
She also noted the significant investments coming into Egypt to support its digital transformation, adding that technological developments have a direct impact on the economy and the way companies conduct business.
According to El Khodary, technology is no longer simply another industry, but an essential driver enabling other sectors to transform and grow.
From Cairo to Paris and Shanghai: CEO WOMEN&trade;'s International Expansion
Looking ahead, El Khodary described the fifth edition as a strategic turning point for the platform, particularly following the launch of its European chapter.
She revealed that CEO WOMEN&trade; is planning to expand further, with a Shanghai chapter expected in the first quarter of 2027, followed by additional international destinations to explore potential economic collaborations and partnerships.
Despite its international ambitions, she stressed that Egypt will remain at the heart of the initiative, as the platform was originally founded in Cairo.
&ldquo;As an Egyptian native and an Egyptian proud of being Egyptian, my dream with Dr. Mona Morad, who is the founder of this platform and my dear friend, is to bring a local Egyptian platform to the world and to have such an impact,&rdquo; she said.
Concluding the interview, El Khodary described CEO WOMEN&trade; as entering a new international chapter that could contribute to economic growth, investment and partnerships while amplifying the voices of women in Egypt around the world.
&ldquo;CEO WOMEN is turning a page for a huge chapter, an international one,&rdquo; she said.
For her, the platform's next chapter is not only about expanding its presence internationally, but also about showcasing what an initiative born in Egypt can achieve worldwide.
Photo Credit: Screenshot from the exclusive interview
&nbsp;

Dr. Sandrine El Khodary Discusses Women In Leadership, Technology And Global Business Partnerships At CEO WOMEN™ 2026

During Nile FM&rsquo;s special coverage of the fifth edition of the CEO WOMEN&trade; conference, Nile FM&rsquo;s Zeinab spoke with Dr. Hajar El Haddaoui, Senior Director at NTT DATA Switzerland, about Egypt&rsquo;s potential to become a regional hub for Arabic artificial intelligence (AI) development and verification, the importance of investing in people, and her 4P framework for the next wave of AI.
With its strategic geographical position and growing technology talent, Egypt could play an important role in shaping the future of AI while attracting international partnerships and investment.
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The 4P Framework: Putting People at the Centre of AI Investment
As one of the conference's keynote speakers, El Haddaoui addressed the changing landscape of artificial intelligence and how investment can help bridge economic and technological gaps between countries.
During her presentation, she introduced her 4P framework, which focuses on connecting the private sector, public sector, people and partnerships to create a more inclusive approach to economic development.
She explained that traditional public-private partnerships have often focused on financial investment, construction and infrastructure, without placing people at the centre of the equation.
&ldquo;The next wave of AI is not only about working faster, but about how the capacity of countries, states and nations is able to sell. And to sell means also the brain,&rdquo; she explained.
El Haddaoui stressed that investment in technology should go beyond infrastructure and financial resources, highlighting the importance of developing human capital and ensuring that different countries can participate in the growing AI economy.
She also pointed to the concentration of global technology investments in a limited number of countries, arguing that a more balanced approach is needed to ensure that emerging economies can benefit from technological advancement.
&ldquo;Connecting the dots in the full economy, from private, public, people and partnership, is the key for the next wave,&rdquo; she said.
Why Egypt Has the Potential to Become an AI Hub
Discussing the conference's theme of building bridges between East and West, El Haddaoui highlighted Egypt's strategic geographical position and its potential to become an important technology and investment hub.
She pointed to Egypt's location between Europe, Asia and Africa, particularly its role in connecting international digital infrastructure through submarine cables.
&ldquo;There is a part between Alexandria and the Red Sea where there are 20 submarine cables connecting Europe to Asia,&rdquo; she explained.
&ldquo;Egypt is not just a big country, it's a location. A strategic one.&rdquo;
Beyond its geographical advantages, she highlighted Egypt's growing technology talent and its potential role in developing Arabic-language artificial intelligence.
El Haddaoui also described Egypt as a potential centre for Arabic AI verification, explaining that the country's familiarity with the Arabic language and its linguistic capabilities could help ensure the accuracy and reliability of AI-generated content.
&ldquo;There is no better than Egypt to do so,&rdquo; she said, referring to the country's potential to become a verification hub for Arabic AI.
She added that the country already has several competitive advantages that could be leveraged through stronger coordination between government institutions, the private sector and people.
Diplo Bridge: Connecting Investment and International Partnerships
El Haddaoui also discussed the importance of creating stronger connections between different economic stakeholders, particularly when it comes to international investment and cooperation.
She introduced the concept of the &ldquo;Diplo Bridge,&rdquo; which focuses on technology diplomacy, investment, economic corridors and foreign direct investment (FDI) to strengthen connections between markets.
She explained that countries cannot compete in every sector, making it essential to identify and build on their individual competitive advantages.
As part of this vision, she highlighted the launch of Diplo Bridge as the investment arm of CEO WOMEN&trade;, designed to help navigate the different economic ecosystems, connect supply with demand and facilitate investment opportunities.
The initiative aims to move beyond simply attracting more financial resources and instead focus on directing investment towards areas where it can create meaningful economic impact.
&ldquo;You cannot compete on gigawatts because you don't have the infrastructure, but what you can compete on is brain watts. It's the talent that you have,&rdquo; she explained.
For El Haddaoui, investing in people and developing local capabilities should be at the heart of every country's economic strategy.
Why Investing in People Matters in the Age of AI
While AI investment and data centres continue to attract global attention, El Haddaoui stressed that human capital must remain a priority.
She raised concerns about the limited representation of African engineers in the technology sector and questioned who would be responsible for verifying, coordinating and building trust in AI systems if investment in people does not keep pace with technological development.
She also highlighted the potential impact of AI on women in the workforce, particularly those employed in back-office operations and customer service, where automation could significantly reshape existing roles.
According to El Haddaoui, addressing these changes requires collaboration between governments, international organisations and the private sector to ensure women are not left behind in the next technological transformation.
She emphasised that women should not only benefit from AI developments but also participate in creating, developing and making decisions about the technologies shaping the future.
From Women's Empowerment to Decision-Making
Reflecting on the highlights of CEO WOMEN&trade; 2026, El Haddaoui identified the conference's focus on taking action as one of its most important outcomes.
While acknowledging the importance of discussions and awareness, she stressed that the next step should be translating conversations into measurable results.
&ldquo;I'm not a fan of conversation. I need the conversation to end, and I need to see the results of that,&rdquo; she said.
She also argued that the conversation around women's empowerment needs to evolve, as women have already demonstrated their capabilities and should now have greater opportunities to participate in leadership and decision-making.
&ldquo;We need to stop talking about how we can empower women. I think we have seen the power already. We need now to give this space for them,&rdquo; she explained.
El Haddaoui also highlighted the importance of including women in the development of emerging technologies, from coding and engineering to designing AI solutions, particularly in fields such as healthcare.
For her, genuine progress means ensuring women have a seat at the table where technological and economic decisions are being made.
Dr. Hajar El Haddaoui's Three Vitamins for Women
Towards the end of the interview, El Haddaoui shared advice for young women looking to build their careers and achieve their ambitions, drawing inspiration from her upcoming book, &ldquo;Take Your Vitamin.&rdquo;
She introduced three symbolic vitamins that represent the qualities she believes women need to navigate professional and personal challenges.
The first is Vitamin D, which stands for daring to be yourself, building your own identity and having the courage to pursue your dreams.
&ldquo;Dare to be you. Dare to be your own brand, and dare to dream and to realise your dream,&rdquo; she advised.
The second is Vitamin S, representing the importance of surrounding yourself with a strong support system.
She explained that building a successful career cannot happen in isolation, particularly when women face different professional and personal challenges.
Finally, she introduced Vitamin N, which stands for learning to say no when something does not align with your values, priorities or goals.
&ldquo;Say no when it's not okay for you,&rdquo; she said, adding that setting boundaries helps women direct their energy towards the right people and the right purpose.
Through her vision for AI investment, international cooperation and women's leadership, El Haddaoui emphasised that the future is not simply about introducing new technologies or creating more opportunities, but ensuring that people have the skills, representation and decision-making power to shape what comes next.
Photo Credit: Screenshot from the exclusive interview
&nbsp;

CEO WOMEN™ 2026 | Dr. Hajar El Haddaoui Highlights Egypt's Potential To Become A Regional AI Hub

During Nile FM&rsquo;s special coverage of the fifth edition of the CEO WOMEN&trade; conference, Nile FM&rsquo;s Zeinab spoke with H.E. Ulric Shannon, Ambassador of Canada to Egypt, about opportunities to strengthen trade and investment ties between Egypt and Canada, the potential for collaboration across strategic sectors, and the importance of women's economic empowerment.
With Canada's efforts to diversify its international markets, Egypt's strategic geographical position and economic potential offer opportunities for expanding bilateral cooperation in sectors including shipping, energy, agriculture, and food security.
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Canada and Egypt: Expanding Economic Cooperation
Reflecting on the conference discussions, Shannon highlighted the Egyptian government's efforts to support women's economic empowerment through both the public and private sectors.
He explained that Canada has long been interested in this area and has incorporated women's economic empowerment into its development programming in Egypt, particularly through initiatives supporting women in remote areas and helping them achieve financial independence.
&ldquo;Women's economic empowerment has long been a part of our development programming here in Egypt as Canada,&rdquo; he said, adding that the conference provided an opportunity to explore ways to expand bilateral relations, particularly in trade and investment.
Shannon also highlighted Canada's feminist foreign policy and feminist international development policy, noting that these priorities have shaped its engagement with women's empowerment initiatives.
Building Bridges Between East and West
Discussing this year's theme of strengthening East-West collaboration, Shannon explained that Canada is placing greater emphasis on diversifying its international trade and investment markets.
He noted that Canada has traditionally relied heavily on the United States as its primary export market, with approximately 75% of its exports historically going to its neighbouring country.
However, amid challenges in that relationship, Canada is increasingly looking to develop new trade partnerships and explore emerging economies, including Egypt.
&ldquo;We're emphasising the need to develop new markets for our trade and our investment, including in emerging economies like Egypt,&rdquo; he explained.
He added that Egypt's geographical position, connecting Africa and the Middle East, makes it particularly attractive for Canadian businesses seeking access to new markets.
Shipping, Energy and Food Security Among Key Opportunities
When asked about the sectors offering potential for Egyptian-Canadian cooperation, Shannon pointed to both countries' maritime capabilities, alongside opportunities in shipping, energy, healthcare and agriculture.
He also highlighted food security as an important area of mutual interest, noting Canada's strength in agriculture and Egypt's growing interest in strengthening its supply relationships.
&ldquo;Egypt is a very developed economy. It has a tremendous human capital, it has natural resources, and it has this geographic location,&rdquo; he said.
He added that both countries are looking to diversify their supply relationships, creating opportunities for cooperation across several strategic sectors.
CEO WOMEN&trade; Creates Opportunities Beyond Traditional Networking
For Shannon, one of the conference's key strengths lies in bringing together participants from different professional and business backgrounds, extending beyond senior government officials and established CEOs.
He highlighted the importance of engaging smaller businesses, first-time investors and entrepreneurs exploring international markets, describing the event as an opportunity to introduce them to potential partners and new investment destinations.
The ambassador also attended CEO WOMEN&trade; for the first time this year. Among his main takeaways was the need to establish more direct connections with influential women from Egypt's public and private sectors.
He specifically mentioned Amal Amre, head of Egypt's National Council for Women, alongside other prominent participants, noting that the discussions had encouraged him to arrange further meetings and explore opportunities for deeper cooperation.
Bringing Canadian Women Leaders to Future Editions
Looking ahead to the next edition, Shannon expressed his hope of bringing Canadian business representatives and women leaders to participate in the conference.
He explained that Canada has several women-led CEO networks and organisations that could help strengthen connections between Egyptian and Canadian businesses.
Drawing on his previous experience as Canada's Consul General in Istanbul, he recalled working with women CEO networks to build trade relationships between Turkey and Canada.
&ldquo;That's the kind of thing that I would love to be able to replicate in Egypt,&rdquo; he said, highlighting the potential for similar networks to encourage greater private-sector engagement and cross-border business opportunities.
Moving Beyond Representation to Women in Leadership
Addressing the broader role of CEO WOMEN&trade; in advancing women's economic empowerment, Shannon emphasised that the conversation should move beyond simply increasing women's visibility and representation.
He noted that discussions at the conference highlighted the importance of ensuring women have actual decision-making authority and leadership positions across different sectors.
&ldquo;The emphasis now is on more than just visibility and representation, but actually having women in leadership positions at the table,&rdquo; he explained.
He also expressed hope that women's economic leadership would eventually become such a mainstream part of business and public life that it would no longer need to be treated as a separate topic.
Through its fifth edition, CEO WOMEN&trade; continues to create opportunities for dialogue, networking and international cooperation. For Canada and Egypt, the discussions highlighted the potential to translate these connections into stronger trade relations, investment opportunities and greater participation of women in leadership across both countries.
Photo Credit: Screenshot from the exclusive interview
&nbsp;

H.E. Ulric Shannon Highlights Egypt-Canada Trade And Investment Opportunities At CEO WOMEN™ 2026

Egyptian-American soprano and actress Shereen Ahmed joined Zeinab and Sami on Nile FM&rsquo;s &ldquo;The Big Drive&rdquo; to discuss her journey in musical theatre, her Egyptian-American identity, her recent performance at the El Gouna Film Festival, and her upcoming concert at the Grand Egyptian Museum (GEM) on 11 December 2026.
Known for her work in musical theatre, Ahmed reflected on the experiences that shaped her career, from making her Broadway debut to performing at the opening ceremony of the Grand Egyptian Museum in 2025.
An Unexpected Journey to Broadway
Ahmed is best known for her role as Eliza Doolittle in the Lincoln Center Theater revival of &lsquo;My Fair Lady.&rsquo; She made her Broadway debut in the production in 2018 as an ensemble cast member and understudy for the leading role before taking on the lead in the show's North American tour in 2019. She became the first Egyptian-American and Middle Eastern actor to star as Eliza Doolittle in a major American production.
However, her journey into performing arts was not straightforward. During the interview, Ahmed revealed that she initially pursued a degree in criminal justice before deciding to follow her passion for acting and musical theatre.
&ldquo;I've always been a performer, like, ever since I was a kid, I just, I would dance on tables for my family, and, like, try to perform and just make people happy,&rdquo; she said.
After graduating, Ahmed began building her theatrical skills through voice lessons, dance, and acting classes before moving to New York. Just two weeks after arriving, she attended an open casting call for her first Broadway audition and landed the role.
&ldquo;I had no agent, no union, no credits to my name, just this degree that has nothing to do with theatre,&rdquo; she recalled, describing the experience as an unexpected turning point in her career.
Acting, Singing, and Finding Her Identity
Although Ahmed is widely recognised as a soprano, she explained that she identifies more closely with acting, which allows her to express herself through an entire character.
&ldquo;I actually think of myself more as an actor who uses my voice to tell a story if needed,&rdquo; she said.
Ahmed also discussed the differences between performing as a character and appearing on stage as herself. While portraying another person allows her to focus on a character's story, performing as herself can feel more personal.
&ldquo;I get stage fright sometimes when I have to be myself, 'cause I'm like, what if they don't like me? If they don't like me, it's me,&rdquo; she explained.
She added that her approach to acting centres on finding genuine human experiences within each role.
&ldquo;I'm really interested in telling interesting stories about human beings that connect us,&rdquo; Ahmed said.
The actress also reflected on how her Egyptian-American background shapes her identity, explaining that she does not consciously choose between her two cultures.
&ldquo;It's not like I choose an identity when I wake up. You know, it's not like clothes,&rdquo; she said, adding that her heritage remains part of who she is, even when she is focused on bringing a character to life.
The Challenge of Performing on Broadway
Reflecting on some of the most demanding experiences of her career, Ahmed described performing in &lsquo;My Fair Lady&rsquo; as physically and artistically challenging.
She explained that the production required eight performances a week, with each show lasting approximately three hours and involving continuous singing, dancing, dialogue, and costume changes.
&ldquo;These performers are, like, athletes. You have to be an athlete to take care of your instrument, and to give the best performance possible,&rdquo; she said.
Ahmed also spoke about performing at the Grand Egyptian Museum's opening ceremony in 2025, describing it as a different kind of challenge because she was presenting herself as an artist rather than hiding behind a character.
She admitted that she did not fully understand the scale of the event until after the performance, when she realised the significance of having participated in such a historic occasion.
Shereen Ahmed Performs in Arabic at El Gouna Film Festival
Ahmed also reflected on her performance at the El Gouna Film Festival, where she performed a medley blending &ldquo;What a Wonderful World&rdquo; with Dalida&rsquo;s iconic Egyptian song &ldquo;Helwa Ya Baladi,&rdquo; marking her first time singing in Arabic.
Ahmed explained that director Hani Abaza, who also directed the Grand Egyptian Museum's opening ceremony, approached her with the idea of singing in Arabic for the first time. Initially hesitant, she eventually embraced the opportunity after they decided to combine an Arabic classic with an English-language song.
&ldquo;When it came to the offer for GFF, Hani Abaza, who was an incredible director and also directed the GEM opening, reached out, and he's like, &lsquo;Okay, I have an idea. You sing in Arabic for the first time, ever.&rsquo; And I was like, &lsquo;No. No. No. I'm terrified,&rsquo;&rdquo; she recalled.
The idea developed into a musical collaboration built around two songs that could convey hope. Ahmed explained that the choice of &ldquo;What a Wonderful World&rdquo; and the Arabic song allowed her to explore a new musical experience while sharing a message she felt audiences needed.
&ldquo;When I first heard the idea for El Gouna Film Festival, I was like, you know, this is exactly what the world needs right now. The world is scary. And what songs exude hope?&rdquo; she said.
Ahmed also described the experience as nerve-racking, given the significance of performing in Arabic for the first time. She revealed that she repeatedly practised the song with her father to ensure she did justice to the iconic piece.
&ldquo;I was calling my dad every day. I was like, &lsquo;Okay, Baba, let's go through it again. Let's go through it again,&rsquo;&rdquo; she said.
Reflecting on the Egyptian audience's response, Ahmed noted that Egyptian audiences tend to express their enthusiasm more openly than audiences in the United States.
&ldquo;Egyptians are so passionate. Like, they will let you know if they like something or if they don't like something,&rdquo; she said, recalling how audience members began clapping, standing up, and dancing during her performance at the festival.
Returning to the Grand Egyptian Museum
Ahmed is scheduled to return to the Grand Egyptian Museum on 11 December 2026, for Greatest Hits Symphonic, a concert featuring mezzo-soprano Gala El Hadidi and conductor Nader Abbassi.
Reflecting on her return, Ahmed described performing in Egypt as a long-held dream, explaining that she had always hoped to come back and share her music with Egyptian audiences.
&ldquo;I feel like I was a part of history, and I feel honoured that I was a part of this ceremony, and to represent Egypt in that way,&rdquo; she said of the museum's opening.
She added that returning for the upcoming concert carries a special personal meaning.
&ldquo;Coming back this year, 11 December, feels like a homecoming,&rdquo; Ahmed said.
Broadway Meets Cinema in a Symphonic Celebration
The upcoming concert will feature music from films and musicals, with familiar songs reimagined through symphonic arrangements. Ahmed explained that the programme will combine well-known favourites with selections from musicals that audiences may not have encountered before.
&ldquo;I've always wanted to bring Broadway to Egypt. I didn't know how,&rdquo; she said.
She also revealed that the concert will include music inspired by iconic film soundtracks, including James Bond themes, offering audiences a different way to experience familiar compositions.
For Ahmed, the event is an opportunity to introduce more people to musical theatre and symphonic performances in an accessible setting.
&ldquo;The word opera can be really scary for some people,&rdquo; she said. &ldquo;But this is not opera at all. This is more... this is accessible. This is pop.&rdquo;
She encouraged audiences to approach the concert as an entertaining musical experience, with recognisable songs and contemporary arrangements.
&ldquo;Symphony concerts don't have to be stuffy. And this is not stuffy,&rdquo; Ahmed added.
Looking Ahead to New Roles
Beyond the upcoming concert, Ahmed revealed that she is interested in originating new roles and expanding her work in television and film. While she values performing in revivals and finding new ways to interpret established works, she hopes to contribute to original productions.
&ldquo;I really want to do new work,&rdquo; she said, explaining that she would like to originate roles and explore the different forms of expression offered by film and television.
As she continues to develop her career across theatre, music, and screen, Ahmed remains focused on working with creative teams who are willing to take risks and tell meaningful stories.
With her return to the Grand Egyptian Museum approaching, the upcoming concert will bring together her passion for musical theatre, her love of cinema, and her connection to Egypt in a celebration of music across cultures.
Photo Credit: Shereen Ahmed's official page&nbsp;

Shereen Ahmed Joins Nile FM’s “The Big Drive” Ahead Of Grand Egyptian Museum Concert

Nile FM's Guests

The Egyptian Football Association (EFA) held a press conference to officially introduce Captain Ali Maher as the new head coach of Egypt's senior national team, alongside his assistant coaching staff, ahead of the team's upcoming 2027 Africa Cup of Nations (AFCON) qualifiers.
Hany Abou Rida Thanks Hossam Hassan
EFA President Hany Abou Rida has thanked former national team head coach Hossam Hassan for his efforts and achievements during his tenure.
Speaking at the press conference, Abou Rida expressed confidence in Maher and his coaching staff, acknowledging the pressure they will face as they take charge just days before Egypt's two matches against Malawi in the 2027 Africa Cup of Nations qualifiers.
&ldquo;We have full confidence in Ali Maher and the team working alongside him. He will be working under pressure, particularly as he takes over just a short time before the two matches against Malawi in the 2027 Africa Cup of Nations qualifiers,&rdquo; Abou Rida said.
The EFA president also highlighted the importance of cooperation between Egypt's different national teams, revealing that the youth teams born in 2007 and 2009, alongside the Olympic team, train at the National Teams Centre before attending the senior team's training sessions.
He added that the younger players had also watched the Egypt U-16 national team's match, describing this atmosphere of cooperation as the spirit the federation had worked to establish.
&ldquo;This is the spirit we worked to build at the home of Egyptian football, and it is what I had been striving for,&rdquo; Abou Rida said.
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Ali Maher Thanks President El-Sisi
In his first remarks as head coach, Ali Maher thanked President Abdel Fattah El-Sisi for his support of Egyptian football and local coaches, as well as the EFA board for placing their confidence in him.
&ldquo;I would like to thank President Abdel Fattah El-Sisi for his support of Egyptian football and Egyptian coaches. I also thank the Egyptian Football Association&rsquo;s Board of Directors, headed by Engineer Hany Abou Rida, for their confidence in me. I would also like to thank Hossam Hassan for the efforts he made with the Egyptian national team. We are here to continue that journey.
&ldquo;It is an honor for me to lead the technical staff of the Egyptian national team, as this is the goal every coach strives to achieve.
&ldquo;I took on the role at extremely short notice, just five days before our first match. However, I am confident in the players&rsquo; abilities to implement our ideas, as we have the best players in Africa and the world. I am also making continuous efforts to communicate with the players to ensure they understand and grasp our ideas easily.&rdquo;
Egypt are set to face Malawi in Cairo on 13 November 2026, in the third round of Group B of the 2027 AFCON qualifiers. The two sides will meet again in Malawi on 17 November 2026 for the fourth round.
Photo Credit: EFA&rsquo;s official page

Hany Abou Rida Thanks Hossam Hassan As Ali Maher Takes Charge Of Egypt's National Team

The US dollar is trading at EGP 53.27&nbsp;&nbsp;for buying and EGP 53.37 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on&nbsp;Wednesday,&nbsp;11&nbsp;November 2026.
Among other major currencies, the British pound is trading at EGP 71.00 for buying and EGP 71.43 for selling, while the euro is trading at EGP 59.40 for buying and EGP 59.61 for selling. The Chinese yuan is trading at EGP 7.97 for buying and EGP 7.99 for selling.
The UAE dirham is trading at EGP 14.48&nbsp;for buying and EGP 14.53&nbsp;for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/8D5w8KzN"><img src="https://i.ibb.co/pvzTX0Wb/Exchange-Rates-2026-11-11-T095900-126.png" alt="Exchange-Rates-2026-11-11-T095900-126" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)
&nbsp;

Exchange Rates: US Dollar, Euro And British Pound Today On 11 November 2026

Egypt is set to experience mild autumn weather during the day across most parts of the country, becoming warm in Upper Egypt, while temperatures are expected to drop at night, bringing cold conditions nationwide on Wednesday, 11 November 2026, according to the Egyptian Meteorological Authority (EMA).
There is a 30% chance of light to moderate rain in parts of the northern coastal governorates and northern Lower Egypt, with lighter rainfall expected further south, particularly in the Halaib-Shalateen region, at intermittent intervals.
Low clouds are also expected to form over scattered areas of southern Lower Egypt, Greater Cairo, and the Suez Canal cities, potentially bringing light, insignificant drizzle at intervals.
Winds will be active at times across most parts of the country, reaching speeds of 30 to 40 km/h and adding to the feeling of cold, particularly at night.
<a href="https://ibb.co/m5Yf2C07"><img src="https://i.ibb.co/yFMHZnpJ/Egypt-Weather-2026-11-11-T082610-792.png" alt="Egypt-Weather-2026-11-11-T082610-792" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Egypt Weather Forecast: Mild Autumn Weather And Stable Conditions Across Most Areas On 11 November 2026

Seven-time Formula 1 world champion Lewis Hamilton has arrived in North Sinai, Egypt, as part of a visit to learn about the country's humanitarian efforts to deliver aid to Gaza. North Sinai Governor Major General Dr. Khaled Megawer welcomed Hamilton upon his arrival at El Arish International Airport, according to a statement shared on the North Sinai Governorate's official Facebook page.
As part of his visit, Hamilton is scheduled to head to the Rafah border crossing to observe Egypt's efforts to receive humanitarian and relief aid destined for the Gaza Strip and learn more about initiatives supporting Palestinians amid the ongoing humanitarian crisis.
His itinerary includes visits to the Rafah border crossing and Egyptian Red Crescent aid warehouses, where he is expected to learn more about the delivery of humanitarian assistance to the Palestinian territory.
Hamilton is one of the most successful figures in international motorsport, having secured seven Formula 1 World Championship titles and 105 Grand Prix victories throughout his career.
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Lewis Hamilton's Humanitarian Work Beyond Formula 1
Beyond his sporting achievements, Hamilton is also recognised for his involvement in humanitarian and charitable initiatives, particularly those addressing education and equality.
In 2021, he established the Mission 44 foundation, which aims to support young people and expand access to education and employment opportunities. He pledged &pound;20 million of his personal funds to support the initiative.
Through his foundation and other charitable activities, Hamilton has continued to use his international platform to raise awareness of social challenges and support initiatives aimed at creating opportunities for young people and underserved communities.
Photo Credit: Sinai Government&rsquo;s official page

F1 Champion Lewis Hamilton Visits Rafah To Learn About Egypt’s Efforts To Support Palestinians

Egyptian captain Mohamed Salah has arrived at the national team's training camp ahead of the Pharaohs' upcoming fixtures against Malawi in the third and fourth rounds of the 2027 Africa Cup of Nations (AFCON) qualifiers.
The Egyptian star arrived at the Pharaohs' camp on Tuesday, 10 November 2026, where he was welcomed by head coach Ali Maher. Salah is expected to take part in the team's training session later today as preparations get underway for the two crucial qualifying matches.
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Egypt to Face Malawi Twice in November
Egypt will face Malawi in Cairo on 13 November 2026, in the third round of Group B of the 2027 AFCON qualifiers. The two sides will meet again away from home on 17 November 2026 in the fourth round.
The upcoming fixtures mark the beginning of a new chapter for the Pharaohs under the leadership of Ali Maher, who recently took charge of the national team.
Ali Maher to Hold First Press Conference
The Egyptian Football Association (EFA) announced on its official website that head coach Ali Maher will hold a press conference on Wednesday at 1:00 PM at the National Teams Center.
The press conference will introduce Maher in his new role as head coach of Egypt's senior national team, alongside his assistant technical staff, and will be attended by representatives of various media outlets.
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Egypt's Squad for the Malawi Matches
Earlier, Maher announced the official squad selected for the Pharaohs' two upcoming encounters against Malawi as part of the 2027 AFCON qualifiers.
The selected players are as follows:
Goalkeepers: Mohamed El Shenawy, El Mahdy Soliman, Mostafa Shobeir, and Mohamed Alaa.
Defenders: Mahmoud El Wensh, Hossam Abdelmaguid, Ramy Rabia, Mohamed Abdelmonem, Mahmoud Marei, Mohamed Hany, Karim Hafez, Ahmed Fatouh, and Tarek Alaa.
Midfielders: Marwan Attia, Mohanad Lasheen, Mahmoud Saber, Mohamed Shehata, Nasser Maher, Ibrahim Adel, Mahmoud Hassan Tr&eacute;z&eacute;guet, Ahmed Sayed Zizo, and Haissem Hassan.
Forwards: Mohamed Salah, Omar Marmoush, Hamza Abdelkarim, and Mahmoud Mamdouh.
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Photo Credit: EFA&rsquo;s official page

Mohamed Salah Joins Egypt Camp Ahead Of Malawi AFCON Qualifiers

The US dollar is trading at EGP 53.46&nbsp; for buying and EGP 53.56 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on&nbsp;Tuesday,&nbsp;10&nbsp;November 2026.
Among other major currencies, the British pound is trading at EGP 71.81 for buying and EGP 72.08 for selling, while the euro is trading at EGP 59.69 for buying and EGP 60.23 for selling. The Chinese yuan is trading at EGP 8.01 for buying and EGP 8.03 for selling.
The UAE dirham is trading at EGP 14.54 for buying and EGP 14.58 for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/ymLqRCYG"><img src="https://i.ibb.co/JWXHdTy0/Exchange-Rates-2026-11-10-T110033-522.png" alt="Exchange-Rates-2026-11-10-T110033-522" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Exchange Rates: Today’s Exchange Rates In Egypt On 10 November 2026

Egypt is set to experience mild autumn weather during the day across most parts of the country on Tuesday, 10 November 2026, tending towards warm conditions in Upper Egypt, while temperatures are expected to drop at night and in the early morning, bringing cold weather across most areas, according to the Egyptian Meteorological Authority (EMA).
There is a 30% chance of light to moderate intermittent rainfall in parts of the northern coastal governorates and northern Lower Egypt. Meanwhile, a very low chance of light rain, estimated at 10%, is expected in scattered areas of southern Lower Egypt and the Suez Canal cities, potentially extending to parts of Greater Cairo.
Winds are expected to become active at times, reaching speeds of 30 to 40 km/h across most areas, making temperatures feel cooler. These winds may also stir up sand and dust in parts of the Red Sea and New Valley governorates.
Marine navigation is expected to be disrupted, with rough sea conditions in parts of the Red Sea and the Gulfs of Suez and Aqaba. Wind speeds are forecast to range between 40 and 70 km/h, with wave heights reaching 2 to 3.5 meters.
<a href="https://ibb.co/SXmM7SCt"><img src="https://i.ibb.co/tM2vPRrq/Egypt-Weather-2026-11-10-T083745-903.png" alt="Egypt-Weather-2026-11-10-T083745-903" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)
&nbsp;

Egypt Weather Forecast: Mild Autumn Conditions And Rain Expected On 10 November 2026

The US dollar is trading at EGP 54.1 for buying and EGP 54.2 for selling, according to the latest exchange rates published by the National Bank of Egypt (NBE) on&nbsp;Monday,&nbsp;9&nbsp;November 2026.
Among other major currencies, the British pound is trading at EGP 72.22 for buying and EGP 72.70 for selling, while the euro is trading at EGP 60.25 for buying and EGP 60.64 for selling. The Chinese yuan is trading at EGP 8.10 for buying and EGP 8.12 for selling.
The UAE dirham is trading at EGP 14.71 for buying and EGP 14.75 for selling.
Exchange rates are closely monitored by businesses, investors and consumers, as fluctuations in the Egyptian pound can affect import costs, investment decisions and the wider economy.
<a href="https://ibb.co/8SRKSPg"><img src="https://i.ibb.co/HkMFkGT/Exchange-Rates-2026-11-09-T115620-006.png" alt="Exchange-Rates-2026-11-09-T115620-006" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Exchange Rates: US Dollar Trades At EGP 54.1 Against The Egyptian Pound On 9 November 2026

Egypt is expected to experience mild autumn weather during the day across most parts of the country, becoming warmer in Upper Egypt, while temperatures are expected to drop to cool or cold levels at night on Monday, 9 November 2026, according to the Egyptian Meteorological Authority (EMA).
There is a 40% chance of light to moderate rain in parts of the northern coastal governorates and northern Lower Egypt, occurring intermittently. Meanwhile, scattered areas of southern Lower Egypt and the Suez Canal cities have a 20% chance of light rainfall, which may occasionally extend to parts of Greater Cairo.
Winds are expected to be active at times, reaching speeds of 30 to 40 km/h across most areas, adding to the feeling of cooler temperatures.
<a href="https://ibb.co/nsXXF6v4"><img src="https://i.ibb.co/d0NNRjqX/Egypt-Weather-2026-11-09-T083657-148.png" alt="Egypt-Weather-2026-11-09-T083657-148" border="0" /></a>&nbsp;
Photo Credit: Freepik (Magnific)

Egypt Weather Forecast: Rain Chances And Active Winds On 9 November 2026

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From making his mark as a promising young footballer to becoming one of Egypt's most recognised domestic coaches, Ali Maher's journey has come full circle following his appointment as head coach of the Egyptian national football team.
The Egyptian Football Association (EFA) announced that Maher, who previously managed Ceramica Cleopatra, would take charge of the national team, succeeding Hossam Hassan and his coaching staff.
The appointment reflects the EFA's continued commitment to giving promising Egyptian talents the opportunity to lead the country's national teams, with Maher now facing the biggest challenge of his coaching career: leading the Pharaohs.
According to the Egyptian Football Association (EFA) Ali Maher Born on 3 December 1973, he holds a professional coaching licence from the Confederation of African Football (CAF). His football journey began in 1989 when he joined the youth sector at Tersana SC, earning promotion to the first team in 1991.
<a href="https://ibb.co/cKvC6SWV"><img src="https://i.ibb.co/xKsf1tnd/1.png" alt="1" border="0" /></a>&nbsp;
He remained with Tersana until 1994 before moving to Saudi Arabia, where he spent the 1994&ndash;1995 season with Al-Ansar. Upon returning to Egypt, he joined Al Ahly, where he remained until 2002.
However, a serious injury in the late 1990s, following a violent challenge by Malian goalkeeper Mohamed Sidi Beye of El Qanah, affected his playing career. Maher eventually retired from professional football in 2004 after spending his final season with ENPPI.
<a href="https://ibb.co/mCT5L7H2"><img src="https://i.ibb.co/LzRdLfCc/2.png" alt="2" border="0" /></a>&nbsp;
From the Pitch to the National Team
Maher's talent also shone on the international stage, particularly with Egypt's Olympic team. He played a key role in the squad's gold-medal triumph at the 1995 All-Africa Games in Harare, Zimbabwe, scoring twice in the final against the hosts as Egypt secured a 3-1 victory.
His performances earned him a place among the young players promoted to the senior national team under Dutch coach Ruud Krol. Maher went on to impress at the 1996 Africa Cup of Nations in South Africa, scoring against Cameroon during the group stage.
Building a Coaching Career at Al Ahly
Following his retirement, Maher returned to football through coaching, beginning in Al Ahly's youth sector before moving into an assistant coaching role alongside several prominent managers.
He worked with Spanish coach Juan Carlos Garrido, contributing to Al Ahly's 2014 CAF Confederation Cup triumph against Ivorian side S&eacute;w&eacute; Sport.
His coaching career at the club also saw him work alongside Mohamed Youssef, Fathi Mabrouk, and Abdelaziz Abdel Shafy. During this period, he was part of the coaching staff that celebrated several major titles, including the 2013 CAF Champions League victory against South Africa's Orlando Pirates and the 2015 Egyptian Super Cup triumph against Zamalek in the UAE.
<a href="https://ibb.co/JFbb6wC7"><img src="https://i.ibb.co/3Y8869kN/3.png" alt="3" border="0" /></a>&nbsp;
Establishing Himself as a Head Coach
After gaining experience alongside some of the game's leading managers, Maher took his first steps as a head coach in the second division, leading Nogoom El Mostakbal during the 2015&ndash;2016 season before taking charge of Tersana in 2016.
He made his Egyptian Premier League debut with Assiouty Sport, later renamed Pyramids FC, during the 2017&ndash;2018 season.
His managerial journey subsequently took him to several Egyptian Premier League clubs, including Smouha, ENPPI, Al Masry, and Future FC, now known as Modern Sport.
One of his major achievements during this period came with Future FC, whom he guided to the 2021&ndash;2022 Egypt Capital Cup title, marking an important milestone in his growing managerial career.
<a href="https://ibb.co/nMJ7v1gG"><img src="https://i.ibb.co/HT8tsPFS/4.png" alt="4" border="0" /></a>&nbsp;
Success with Ceramica Cleopatra
Maher continued to build his reputation after taking charge of Ceramica Cleopatra, demonstrating his tactical abilities and capacity to compete for domestic silverware.
He guided the club to the Egypt Capital Cup title in the penultimate edition of the competition, further strengthening his standing among Egypt's leading coaches.
Under his leadership, Ceramica Cleopatra also achieved a historic fourth-place finish in the Egyptian Premier League last season, collecting 44 points and recording the best league finish in the club's history.
Beyond his silverware and league achievements, Maher has also earned recognition for his role in developing young footballing talents who went on to represent Egypt at the national level.
His contribution to nurturing emerging players dates back to his time in Al Ahly's youth sector, where he helped bring Mohamed Hassan Trezeguet into the spotlight. He also played a role in the development of Islam Issa at Ceramica Cleopatra, alongside other talents, including the late Ahmed Refaat during his time at Future FC.
<a href="https://ibb.co/zTP2Dbtd"><img src="https://i.ibb.co/S4VmG0ZS/5.png" alt="5" border="0" /></a>&nbsp;
A New Chapter with the Pharaohs
Following his achievements at club level, Maher has been selected by the Egyptian Football Association's board, headed by Hany Abou Rida, to succeed Hossam Hassan as head coach of the senior national team.
His new chapter with the Pharaohs is set to begin this month, with Egypt scheduled to face Malawi in Cairo on 13 November 2026 in the third round of Group B of the 2027 Africa Cup of Nations qualifiers. The two sides will meet again away from home on 17 November in the fourth round.
From his early days at Tersana to his international achievements as a player, his experience at Al Ahly, and his success with several Egyptian clubs, Maher now takes on the biggest responsibility of his career, with the hopes of Egyptian football resting on his ability to lead the national team forward.
<a href="https://ibb.co/JRy3jjhY"><img src="https://i.ibb.co/d0Lm44hN/6.png" alt="6" border="0" /></a>&nbsp;
Photo Credit: Cleopatra FC&rsquo;s official page
&nbsp;

Infographic | Who Is Ali Maher? Meet Egypt's New National Team Head Coach

After a 24-day break, the Egyptian Premier League returns with one of Egyptian football&rsquo;s most anticipated fixtures: the Cairo derby between Al Ahly and Zamalek.
The two rivals are set to meet at Cairo International Stadium at 8:00 PM on Sunday, October 11, in the sixth round of the 2026/2027 Egyptian Premier League season. The league&rsquo;s schedule was interrupted by national team commitments during the 2027 Africa Cup of Nations qualifiers.
Why Is This Match Important for Both Teams?
Pyramids FC currently lead the Egyptian Premier League standings with 15 points from five wins. Zamalek sit second with 13 points from four wins and one draw, while Al Ahly occupy third place with the same number of points and an identical record.
With both Cairo rivals chasing the league leaders, Sunday's derby presents an important opportunity to strengthen their positions in the standings.
The Cairo Derby in Numbers
According to Al Ahly's official page, the two teams had faced each other 132 times in the Cairo derby before this match. Al Ahly recorded 52 victories, while Zamalek won 29 times. The remaining 51 encounters ended in draws.
Sunday's fixture will therefore mark the 133rd Cairo derby. Check out the infographic below for a closer look at the numbers behind this historic rivalry.
<a href="https://ibb.co/3mf0wBNQ"><img src="https://i.ibb.co/hFXKkDWw/Poster-Team-A-vs-Team-B-3.png" alt="Poster-Team-A-vs-Team-B-3" border="0" /></a>&nbsp;
Head-to-Head Record Across All Competitions
According to Al Ahly&rsquo;s official website, the two clubs had met 243 times across all competitions as of May 1, 2026. Al Ahly recorded 107 wins, compared with 56 victories for Zamalek, while 80 matches ended in draws. Al Ahly had scored 366 goals, while Zamalek had netted 254.
Biggest Wins in Egyptian Premier League History
According to Al Ahly&rsquo;s official website, Al Ahly&rsquo;s biggest league victory over Zamalek came in the 2001&ndash;2002 season, when the Red Devils won 6&ndash;1. Other notable victories include a 5&ndash;3 win in the 2021&ndash;2022 season, 4&ndash;1 victories in the 1960&ndash;1961 and 2022&ndash;2023 seasons, and 4&ndash;2 wins in the 1953&ndash;1954 and 2004&ndash;2005 seasons.
Al Ahly also recorded several 3&ndash;0 victories over their rivals. Zamalek&rsquo;s biggest league win over Al Ahly came by a 3&ndash;1 scoreline, a result the White Knights achieved four times.
Photo credit: Al Ahly's official page

Infographic | Ahly vs. Zamalek: Head-to-Head Stats Ahead Of Derby 133

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Celebrating the first anniversary of the opening of the Grand Egyptian Museum, the latest Google Trends data over the past 12 months revealed a fundamental shift in the interests of local and international tourists toward tourism and archaeological destinations in Egypt, led by <a href="https://trends.google.com/trends/explore?q=%2Fm%2F0dh93w&amp;hl=en&amp;legacy">the Grand Egyptian Museum (GEM).</a>
The data showed that Arab countries topped the list of nations searching for the museum globally. The Gulf Cooperation Council (GCC) countries led the list (Kuwait ranking first, followed by Qatar, the UAE, and Saudi Arabia), followed by Jordan, Lebanon, and Libya, reflecting exceptional regional interest in this global cultural landmark.
Treasures of "Tutankhamun" and the "Khufu Ship" in the Lead
In terms of archaeological exhibits,<a href="https://trends.google.com/trends/explore?q=%2Fm%2F07hcc"> King Tutankhamun's artifacts and statues</a>, led by the Golden Mask, were the most searched exhibits in the museum worldwide according to Google Trends. Meanwhile, the<a href="https://trends.google.com/trends/explore?date=all&amp;q=%2Fg%2F11bwdfcmxc&amp;hl=en&amp;legacy"> "Khufu Ship"</a> topped the list of trending topics for 2026, as interest in it doubled between August and October of this year, complementing the historic peak recorded during the official opening.
The Strong Link Between Global Sports and Cultural Tourism
The data revealed a unique model of how sports events impact cultural tourism. During the week of the Egypt vs. Argentina World Cup match, which saw widespread football discussions, search interest in the tourism category in Egypt reached its highest level of the year.
This was accompanied by a +140% surge in searches for the Grand Egyptian Museum and a +100% increase for the Egyptian Museum in Tahrir. In the month following the tournament, searches for "Cairo flights" reached an unprecedented record high, confirming the role of major sporting events in stimulating exploratory curiosity among tourists worldwide.
Regarding the most searched questions about GEM on Google Search, it became evident that global audiences are primarily interested in the logistical and operational details of the trip, such as the duration of the guided tour, the museum's proximity to the Giza Pyramids, conditions for booking tickets in advance, whether the museum features exhibits dedicated to Queen Cleopatra, the possibility of touring the museum at night, and what souvenirs can be purchased from the museum.
On a local level (within Egypt), the questions reflected an economic and national dimension. Inquiries focused on the economic value of the project, its impact on tourism, its historical significance, the methods used to transport massive statues like the statue of Ramses II, as well as practical questions about how to get to the museum.
Local Tourism in Egypt for 2026
Regarding local destinations in Egypt, people's interest primarily increased in cultural destinations within Greater Cairo, topped by the Egyptian Museum in Tahrir, the Grand Egyptian Museum, and the Giza Pyramids.
This data confirms that the Grand Egyptian Museum has transformed into a major driver for tourism, the economy, and media on both regional and global levels.
Top Trending Questions Over the Past 12 Months on Google Search
Globally:
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; How long is the guided tour inside the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What souvenirs can be bought from the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; How can I take an evening guided tour inside the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Is there anything about Cleopatra in the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Are Tutankhamun's artifacts in the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who built the Grand Egyptian Museum? And how close is it to the Pyramids?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Where is the famous historical mask located inside the Grand Egyptian Museum?
Locally (Egypt):
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What is the economic value of the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What does the Grand Egyptian Museum project represent?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What antiquities are inside the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What are the best times to visit the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; How does a tour guide affect the experience of visiting the Grand Egyptian Museum?
●&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; How was the statue of Ramses II transported to the Grand Egyptian Museum?
Photo Credit: Press Release&nbsp;&nbsp;

The Grand Egyptian Museum Drives A Global Tourism Boost According To Google Trends

Around 7,000 foreign tourists visited the temples of Abu Simbel in southern Aswan to witness the twice-yearly solar alignment at the Great Temple of Ramses II, as Egypt concluded the Aswan Festival for Culture and Arts with traditional folk performances.
According to the Middle East News Agency (MENA), the event took place on Thursday, 22 October, drawing visitors to witness sunlight entering the temple&rsquo;s sanctuary and illuminating three of its four statues.
Aswan Governor Amr Lashin said the event was organised through coordination between the Aswan Security Directorate and the relevant authorities in the culture, tourism, antiquities, civil aviation, food supply and healthcare sectors.
Lashin said measures had been put in place to facilitate visitors&rsquo; entry and exit, ensuring the smooth movement of Egyptian and foreign tourists attending the event and its accompanying artistic performances.
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Folk Performances Celebrate Ancient Egyptian Heritage
According to Egypt&rsquo;s General Authority for Cultural Palaces, the festival concluded on the morning of 22 October with performances by folk art troupes in the courtyard of Abu Simbel Temple.
The solar alignment lasted approximately 20 minutes, coinciding with performances by groups from Port Said, Matrouh, New Valley, Sohag, Toshka and Sharqia. Tourists joined the celebrations, interacting with performers through dancing and singing.
The solar alignment is one of Egypt&rsquo;s most distinctive archaeological phenomena, demonstrating the precision of the ancient Egyptians&rsquo; astronomical knowledge and architectural design.
It occurs twice a year, on 22 October and 22 February, when sunlight travels through the Great Temple&rsquo;s entrance and corridors to reach the inner sanctuary. The rays illuminate the statues of Ramses II and the deities Amun-Ra and Ra-Horakhty, while the statue of Ptah remains in shadow.
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Aswan Festival Brings Cultural Performances Across the Governorate
The Aswan Festival for Culture and Arts began on 17 October with the operetta &lsquo;Army of the Sun&rsquo;, directed by Hisham Atwa. The production portrayed the October War and the achievements of the Egyptian Armed Forces.
From 18 to 20 October, seven folk art troupes representing Aswan, Port Said, Sohag, Sharqia, New Valley, Matrouh and Toshka performed at cultural venues throughout Aswan Governorate. These included cultural palaces, theatres, libraries and Aswan University.
A further performance took place at Aswan&rsquo;s tourist market on Wednesday evening, attended by the governor, the head of the General Authority for Cultural Palaces, local residents and visitors.
The festival was held under the patronage of Abdelaziz Konsowa, Minister of Higher Education and Scientific Research and Acting Minister of Culture, and Aswan Governor Amr Lashin. It was organised by the General Authority for Cultural Palaces, headed by Hisham Atwa, in cooperation with cultural institutions across southern Upper Egypt.
Photo Credit: MENA&rsquo;s official page

Abu Simbel Sun Festival: 7,000 Tourists Witness Ramses II Solar Alignment

According to a statement shared by the Spokesman for the Egyptian Presidency on its official Facebook page, President Abdel Fattah El-Sisi attended the opening of the Egypt Forum 2026 on Monday morning in the New Administrative Capital, in the presence of Prime Minister Mostafa Madbouly, House of Representatives Speaker Hisham Badawy, Senate Speaker Essam El-Din Farid, ministers, and senior state officials.
Presidential Spokesperson Ambassador Mohamed El-Shennawy said the opening session began with a recitation from the Holy Quran, followed by a film titled &ldquo;What Do We Expect from the Forum?&rdquo; and a presentation titled &ldquo;Where Did We Begin?&rdquo; This was followed by a film titled &ldquo;If You Met the President, What Would You Say to Him?&rdquo; and an address by Prime Minister Mostafa Madbouly.
The session continued with a film titled &ldquo;Egypt Through the Eyes of the World,&rdquo; followed by a segment titled &ldquo;What Does It Mean to Be Egyptian?&rdquo; The first part concluded with a musical performance of the song &ldquo;Masry&rdquo; by a children&rsquo;s choir from the Cairo Opera House. President El-Sisi greeted the children following their performance.
The second part of the session featured a presentation on national identity, a film titled &ldquo;How Awareness Shapes Us,&rdquo; and a segment titled &ldquo;Generation Z: How Do We Choose Our Sources?&rdquo; These were followed by a film addressing the negative impact of social media and a discussion on awareness, misinformation, and the responsible use of technology. The programme also included a film on rumours and their impact on Egyptian society, a segment on the &ldquo;Rumour Platform,&rdquo; and a film titled &ldquo;Dream and Reality.&rdquo;
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According to the presidential spokesperson, President El-Sisi stressed during his remarks that the forum&rsquo;s preparations prioritised providing accurate and comprehensive information from the government, listening to different viewpoints, discussing them, and accepting criticism.
The president also emphasised the importance of public awareness and countering attempts to undermine Egypt&rsquo;s national memory, particularly through social media. He noted that similar attempts had taken place before 2014, adding that efforts to influence a country as populous and strategically significant as Egypt, or to marginalise its role, would continue. He described this as a struggle involving both the state and its people.
El-Sisi said his repeated references to the events of 2011 were intended to reinforce public awareness and highlight the importance of preserving the Egyptian state, particularly among children and young people who did not experience that period. While differences in opinion are acceptable, he stressed that preserving the state remains a fundamental principle that must not be compromised.
The president further noted that the stability achieved in recent years had come at a significant cost, with Egypt making considerable sacrifices, including the loss of members of the armed forces, police, and judiciary, as well as worshippers in mosques and churches. He also highlighted the financial resources spent on achieving stability and combating terrorism.
El-Sisi underscored the importance of reminding the public of the insecurity Egypt experienced between 2011 and 2013, stressing that stability must remain firmly rooted in the national consciousness.
Addressing concerns raised during the session about the risks associated with social media, the president called for moderation and responsible use of technology. He warned against attempts to isolate individuals and mobilise groups of citizens in ways that could lead to the destruction of their own country. He also highlighted the responsibility of Egyptian families to balance technological progress with supervision of their children's use of digital platforms.
The president explained that the forum aims to review the government's work across various sectors, compare conditions before and after development projects, and give citizens a closer look at achievements made within available resources and circumstances to address longstanding challenges. He added that the forum seeks to reassure citizens about their country's progress, stressing that individuals eventually leave office, while Egypt remains.
El-Sisi also said Egyptians had embarked on a genuine phase of nation-building in recent years, despite the considerable risks associated with major decisions. He noted that these decisions were necessary, particularly given Egypt's population growth of nearly 30 million people since 2011.
The president urged citizens to pay close attention to the details and data presented throughout the forum, highlighting their direct impact on people's lives. He added that the government would outline its actions over the previous period, explain what the situation might have been had those measures not been taken, and present its plans for the future.
Photo Credit: Spokesman for the Egyptian Presidency&rsquo;s official page

Egypt Forum 2026 Opens As El-Sisi Highlights National Awareness

1984 Ventures Founder and General Partner Ramy Adeeb discusses why bringing together voices from different industries is essential to shaping Egypt&rsquo;s narrative and future in an interview with Zeinab on NileFM.
Egypt&rsquo;s story extends beyond any single industry, encompassing art, culture, technology, investment and social development. At Narrative Summit 2026 in Somabay, on Egypt&rsquo;s Red Sea coast, participants from different backgrounds came together to discuss the country&rsquo;s identity, potential and future.
Speaking with Zeinab on NileFM following his panel discussion at the summit, Ramy Adeeb, Founder and General Partner of 1984 Ventures, reflected on this year&rsquo;s edition and explained why bringing together people with different perspectives is essential to meaningful conversations about Egypt.
Adeeb praised the gathering, highlighting the diverse mix of Egyptian and international participants and the opportunity to exchange ideas across sectors.
Why Diverse Conversations Matter
For Adeeb, the value of Narrative Summit lies in bringing together people who might not typically find themselves in the same room.
Drawing on his experience of attending conferences throughout his career, he explained that many events focus on a particular field, whether economics, politics or the arts.
Narrative Summit, by contrast, creates a space for people from different industries to exchange ideas and discuss Egypt&rsquo;s story from a range of perspectives.
&ldquo;To me, a conference is about the conversations and the people,&rdquo; Adeeb said.
He identified the diversity of participants as one of the summit&rsquo;s defining characteristics, with voices representing sectors ranging from the arts and culture to technology, venture capital, government and non-profit organisations.
&ldquo;What is unique about this conversation is the diversity of the individuals who come from art, from culture, from development, from venture capital and technology, from nonprofits, from the government, all talking about our story,&rdquo; he added.
By bringing these perspectives together, the summit encourages a broader understanding of Egypt and its future, moving beyond the priorities of any single industry.
Telling Egypt&rsquo;s Story Beyond The Headlines
Adeeb also highlighted the importance of recognising the different narratives that shape Egypt&rsquo;s identity and the value of giving them greater visibility.
Gatherings such as Narrative Summit provide an opportunity to explore the country&rsquo;s story through the experiences, ideas and ambitions of people working across different sectors.
The exchange of perspectives can also help participants identify shared priorities and consider how their respective fields might contribute to Egypt&rsquo;s future.
For Adeeb, the diversity of the gathering was among the most inspiring aspects of the experience.
&ldquo;And to me, that diversity and completeness of the crowd just is inspiring, and it gives me hope for what Egypt is today and where it can become,&rdquo; he said.
As Narrative Summit 2026 brings together voices from across industries and backgrounds, Adeeb&rsquo;s reflections underline the importance of creating spaces for different experiences and ideas to meet. By encouraging dialogue beyond traditional professional boundaries, such gatherings offer an opportunity to explore Egypt&rsquo;s potential and the possibilities for its future.
&nbsp;

Ramy Adeeb On Egypt’s Story And The Power Of Diverse Conversations At Narrative Summit 2026

UpRound by Brinc Founding Managing Member Bashar Aboudaoud discusses how artificial intelligence is changing the way people learn and work, and why continuous learning is essential, in an interview with Zeinab on NileFM.
As artificial intelligence reshapes industries and workplaces, the ability to adapt, acquire new skills and keep learning has become increasingly important. At Narrative Summit 2026 in Somabay, on Egypt&rsquo;s Red Sea coast, technology and its impact on communities formed part of the wider discussion about the country&rsquo;s future.
Speaking with Zeinab on NileFM as part of the station&rsquo;s special coverage of Narrative Summit 2026, Bashar Aboudaoud, Founding Managing Member at UpRound by Brinc, reflected on his first experience at the summit and explained how its theme, &ldquo;Beyond Reset&rdquo;, relates to his personal and professional life.
Why Narrative Summit 2026?
Aboudaoud explained that he first heard about the summit through his sister, who knows Lamia Kamel. An invitation and an introduction to the summit&rsquo;s vision encouraged him to attend.
&ldquo;What appealed to me was talking about Egypt and seeing the change. The narrative itself is something that really appealed to me. I wanted to come here to be a small part of it, and it&rsquo;s been fantastic,&rdquo; he said.
For Aboudaoud, the event provided an opportunity to take part in conversations about Egypt&rsquo;s evolving identity and the ideas shaping its future.
Beyond Reset: Why Continuous Learning Matters
Reflecting on the summit&rsquo;s theme, &ldquo;Beyond Reset&rdquo;, Aboudaoud linked the idea to the rapid development of artificial intelligence and the need for individuals to adapt to technological change.
During his panel discussion, he explored AI&rsquo;s impact on communities, highlighting the importance of updating skills and expanding knowledge as new technologies change professional environments.
&ldquo;For me, the reset is continuous learning,&rdquo; he explained.
Aboudaoud argued that learning should not be treated as a one-off response to disruption. Instead, it should be an ongoing process, driven by curiosity, adaptability and a willingness to explore new tools and ways of working.
As AI becomes more widely used across industries, he suggested, continuous learning will be increasingly important for people seeking to remain informed and develop their professional skills.
How AI Can Make Knowledge More Accessible
Asked how people can use AI without losing sight of their original vision, Aboudaoud encouraged them to approach the technology as a practical tool rather than something to fear.
&ldquo;Listen, for me, AI is not a scary tool. It&rsquo;s like any other tool,&rdquo; he said.
He recommended starting with simple interactions: asking questions, exploring unfamiliar subjects and using AI to learn more about areas relevant to one&rsquo;s interests or professional field.
&ldquo;The simplest way is just to talk to it, and it will tell you, in whatever domain you&rsquo;re in, something that you can learn,&rdquo; he explained.
Aboudaoud sees this accessibility as an opportunity to democratise knowledge by helping people explore subjects they might otherwise find difficult to understand or access.
However, using AI effectively also requires people to remain curious and actively engage with the information it provides. The technology can support learning, but individuals still need to develop their understanding and assess what they learn.
Looking Ahead: AI And The Future Of Learning
Aboudaoud&rsquo;s message at Narrative Summit 2026 was that adapting to technological change begins with a commitment to continuous learning.
As artificial intelligence influences how people work, develop skills and access information, the challenge is not simply to keep pace with new tools. It is to understand how to use them effectively and turn their capabilities into opportunities for learning and growth.
&nbsp;

Bashar Aboudaoud On AI And Continuous Learning At Narrative Summit 2026

Credence Hospitality Developments chairman and chief executive Islam Mahdy discusses Egypt&rsquo;s tourism growth, rising international appeal and the importance of turning industry discussions into actionable ideas in an interview with Zeinab on NileFM, as part of NileFM&rsquo;s special coverage of Narrative Summit 2026.
Egypt&rsquo;s tourism industry has expanded in recent years, supported by infrastructure development, major cultural attractions and growing international interest. As the country seeks to strengthen its position as a global travel destination, the challenge is to sustain this momentum and unlock further opportunities for the hospitality sector.
Speaking to Zeinab on NileFM during Narrative Summit 2026 in Soma Bay on Egypt&rsquo;s Red Sea coast, Mahdy shared his perspective on the hospitality industry, reflecting on the summit&rsquo;s discussions and the factors contributing to Egypt&rsquo;s growing appeal among international visitors.
Narrative Summit 2026: Turning Conversations into Action
Reflecting on his first participation in Narrative Summit, Mahdy described the experience as impressive, highlighting the shared ambition among participants to showcase Egypt&rsquo;s potential and contribute to its development.
&ldquo;What was impressive is the fact that everyone kind of resonated, and everyone kind of had one consistent message, which is presenting and bringing the best out of Egypt,&rdquo; he said.
Mahdy particularly welcomed the constructive nature of the discussions, explaining that participants focused on identifying opportunities and proposing solutions rather than simply criticising existing challenges.
&ldquo;It was very hopeful. It wasn&rsquo;t kind of critical, it was prescriptive, which is great because anyone can criticize, but if you can really contribute to ideas and ways to move the country forward, this is, I believe, what everyone needs,&rdquo; he added.
For Mahdy, the value of such gatherings lies in their ability to encourage meaningful contributions and translate shared ambitions into practical steps towards Egypt&rsquo;s development.
Egypt&rsquo;s Tourism Growth: A Promising Outlook
Discussing developments in Egypt&rsquo;s tourism industry over recent years, Mahdy pointed to what he described as strong growth, while acknowledging the potential for further progress.
He cited tourism growth of approximately 20% in the previous year, compared with a global average of around 5%, highlighting the difference as an indication of Egypt&rsquo;s growing appeal.
&ldquo;The trajectory in the past three years has been phenomenal. We&rsquo;ve grown 20% last year. The global average is 5%, so that&rsquo;s phenomenal growth,&rdquo; he said.
Mahdy attributed this momentum partly to developments that are strengthening Egypt&rsquo;s appeal to international visitors, including major cultural attractions and improvements to infrastructure.
He highlighted the opening of the Grand Egyptian Museum as one of the developments helping to draw attention to the country, alongside ongoing infrastructure projects.
&ldquo;With the opening of the Grand Museum, with all the work that&rsquo;s happening in the infrastructure, people want to come,&rdquo; he said.
What&rsquo;s Next for Egypt&rsquo;s Hospitality Industry?
Despite the progress, Mahdy believes Egypt&rsquo;s hospitality sector has considerable room for further development.
Continued tourism growth presents opportunities for businesses to enhance their offerings, respond to changing visitor expectations and build on the country&rsquo;s expanding international profile.
For Mahdy, the changes taking place across Egypt reflect positive momentum, supported by infrastructure investment and the appeal of its cultural attractions.
&ldquo;Yes, I do feel that there was a lot of change happening in the past few years,&rdquo; he said.
As Egypt continues to attract international attention, Mahdy&rsquo;s perspective highlights the importance of building on this momentum through constructive collaboration, practical ideas and sustained development across the hospitality and tourism sectors.
&nbsp;

Islam Mahdy On Egypt’s Tourism Boom And Hospitality Growth At Narrative Summit 2026

Consultant surgeon and educator Dr Sherif Hakky discusses how artificial intelligence is challenging doctors, improving medical practice and transforming patient care in an interview with Zeinab on NileFM.
Artificial intelligence (AI) is changing how people approach healthcare, from researching symptoms to diagnosing and managing medical conditions. But as the technology advances, an important question remains: can AI replace the human side of medicine?
Speaking to Zeinab on NileFM following his panel at Narrative Summit 2026 in Soma Bay on Egypt&rsquo;s Red Sea coast, Dr Hakky discussed AI&rsquo;s growing influence on medicine and how healthcare professionals can adapt to the changes it brings.
Describing the panel as an interesting mix of perspectives, Hakky explained that the discussion explored the disruption AI could bring to communities and how its impact could be harnessed for the benefit of society in the years ahead.
How AI Is Challenging Doctors
For Hakky, AI is more than another technological development. It is also a challenge that encourages doctors to continually improve their knowledge and clinical practice.
&ldquo;Actually, it becomes a challenge. It has to make me a better doctor because I&rsquo;m being challenged on a daily basis by AI,&rdquo; he said.
He pointed out that patients increasingly turn to AI tools before consulting a doctor, arriving at appointments with questions, suggested diagnoses and information about their symptoms.
This shift means doctors must be prepared to discuss possible diagnoses, explain their clinical reasoning and determine which investigations and tests are appropriate for each patient.
Hakky acknowledged that consultations can become more demanding as patients become increasingly informed and expect clear, well-supported answers from their healthcare providers.
However, he also highlighted the potential benefits of AI in medical practice, particularly in improving aspects of diagnosis and patient care.
Can AI Improve Patient Care?
Beyond its influence on consultations, AI is being explored in medical fields including radiology, endoscopy and colonoscopy.
According to Hakky, these applications have the potential to improve diagnostic performance, including sensitivity and specificity, helping doctors make more informed clinical decisions.
Sensitivity measures how effectively a test identifies people who have a particular condition, while specificity measures how effectively it identifies those who do not.
Hakky noted that AI has been tested across numerous models and is likely to continue evolving as the technology advances.
Rather than viewing AI solely as a source of disruption, he sees an opportunity for healthcare professionals to integrate technological advances into their practice and improve the services they provide.
Will AI Replace Doctors?
As AI becomes more capable, concerns about whether it could eventually replace doctors are growing.
Asked whether he feared AI might take over the medical profession, Hakky acknowledged the difficulty of predicting how the technology would develop.
&ldquo;Never say never,&rdquo; he said, adding that he did not expect doctors to be replaced by AI within his lifetime.
For Hakky, the issue extends beyond the technical aspects of medicine. Patients consult doctors not only to have medical problems diagnosed, treated or managed, but also to feel heard and understood.
&ldquo;You go to a doctor to get a decent service, to get something fixed, managed or repaired, but you&rsquo;re also there to be understood, talked with, to feel compassion and empathy,&rdquo; he explained.
He emphasised that these human qualities remain central to healthcare, expressing doubt that machines would be able to provide the same level of compassion and empathy in the foreseeable future.
As AI continues to reshape healthcare, Hakky&rsquo;s perspective highlights the importance of balancing technological progress with human connection, ensuring that innovation serves patients without losing sight of the people behind every diagnosis.
&nbsp;

Dr Sherif Hakky On How AI Is Transforming Healthcare At Narrative Summit 2026

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris, an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
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Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
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Let’s Dance 




Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Some say &ldquo;They don't make them like they used to", and we certainly agree. For one hour we spin out all your favorite classic hits from the 60s through the 90s that bring back those good oldies. Fridays and Saturdays from 7 to 11 am, it's the time for some serious nostalgia.

Flashback

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Join Zeinab &amp; Sami every weekday afternoon for &ldquo;The Big Drive&rdquo;! Your best companion on your journey home from work or school. The best music, the funniest games and lots more as they help you shake off your Cairo traffic blues! Zeinab and Samy will keep you entertained every day from 5 to 7 PM.
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The Big Drive

Your morning commute has never been this fun! An endlessly entertaining blend of games, news tidbits, and the latest hits, "The Morning Show" is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Sally is here to make sure you are fresh and ready to conquer the day!

The Morning Show

Hip-Hop &amp; RnB &ldquo;FLAVAS!&rdquo; from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your weekly dose of all the newest hip-hop releases, the best old-school jams, East Coast/West Coast, Shack Town, the dirty South &amp; the Middle East just got a whole lot more flavorful with DJ Feedo!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Nadine will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt

Unlike any other show, Basmah will give you a variety of different segments throughout the weekdays for one hour! Basmah will keep you company with plenty of chat, fun, music &amp; games, along with all the latest entertainment news and much more!

Brain Busters

Every Monday and Wednesday from 3-4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, nonstop! All the latest tracks for one hour straight, no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!
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Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counts down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop-culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

A curated playlist of the best tunes from the 90s &amp; the 2000s! Join veteran music man Simon Ramsden as he helps you bring your busy work week to a close and prepares you for the weekend&rsquo;s parties! Every Thursday, Simon&rsquo;s power hour aims to kickstart your weekend with an hour full of the best of all time and new tracks to make you feel good!

Feel Good Thursday

Step into a world of calm and culture with Nile Bazar with Safi. Featuring oriental-inspired music and thoughtfully curated lifestyle content, the show offers a serene backdrop for reflection, discovery, and an immersive taste of local flavor. Every Thursday from 11 AM to 1 PM, with a chance to catch it on Saturday later from 10 PM to 12 AM.
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Nile Bazaar

A him and her show where Mickey &amp; Nadine will talk about topics that interest us, that are trending, and that everyone can relate to. Two perspectives &amp; two preferences. Simply this show will be a place where people can listen to funny, interesting, and relatable&nbsp;topics, with his two cents and her takes. Music, movies, habits, career talk, pop culture, how-to, why, and why-not, did you know? and the list goes on and on which is what makes this show powerful. It&rsquo;s all about the now, the current, and the relevant with interesting talks about everything for everyone.

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