By: Ahmed Youssef
Football has long been one of the most powerful forces in popular culture. It brings communities together, bridges social divides, and, at its core, remains a global form of shared entertainment. Translating that intensity convincingly to the small screen, however, requires more than performance alone; it demands technical understanding and lived experience.
That responsibility fell to football coach Maher Mohsen, who was brought on to prepare actor Ahmed Malek for his role as a professional footballer in the Ramadan series "Sawa Sawa.' Maher developed a tailored training programme aimed at grounding Malek&rsquo;s performance in the physical and mental realities of grassroots football.
The goal, Mohsen explains, was authenticity, ensuring movement, discipline, and on-pitch behaviour reflected the daily routines of real players rather than cinematic imitation.
<iframe src="//www.youtube.com/embed/7fOQh85altg" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>&nbsp;
Malek, widely regarded as one of the most committed actors of his generation, has built a reputation for immersive preparation. During last Ramadan&rsquo;s Awlad Al Shams, he undertook similarly demanding training to meet the physical and emotional requirements of his character, reinforcing his approach of fully inhabiting every role he takes on.
<a href="https://ibb.co/C5n0STWF"><img src="https://i.ibb.co/pv3Xk9np/Whats-App-Image-2026-02-08-at-9-17-11-AM.jpg" alt="Whats-App-Image-2026-02-08-at-9-17-11-AM" border="0" /></a>&nbsp;
Intensive Training Behind the Scenes
<a href="https://www.nogoumfm.net/2026/02/%d8%ae%d8%a7%d8%b5-%d9%85%d8%af%d8%b1%d8%a8-%d9%83%d8%b1%d8%a9-%d8%a7%d9%84%d9%82%d8%af%d9%85-%d9%85%d8%a7%d9%87%d8%b1-%d9%85%d8%ad%d8%b3%d9%86-%d9%8a%d9%83%d8%b4%d9%81-%d9%84%d9%80%d9%86%d8%ac/">Nogoum FM</a> went behind the scenes with football coach Maher Mohsen to explore Ahmed Malek&rsquo;s preparation for his role in "Sawa Sawa" and the intensive training that helped bring the character to life.
In an interview with Nogoum FM&rsquo;s website, Mohsen explained that the preparation process required significant time and focus, particularly to achieve the physical balance and movement needed to convincingly portray a footballer on screen. The task was made more challenging by the fact that Malek had appeared as a boxer in last Ramadan&rsquo;s series, a role that demands a markedly different physical posture and rhythm.
As part of the training, Mohsen assessed Malek&rsquo;s natural tendencies on the pitch, including determining which foot he was most comfortable using. The decision was ultimately made for Malek to play right-footed.
<a href="https://ibb.co/997WPWFx"><img src="https://i.ibb.co/7JqKhKw3/Whats-App-Image-2026-02-08-at-9-17-11-AM-1.jpg" alt="Whats-App-Image-2026-02-08-at-9-17-11-AM-1" border="0" /></a>&nbsp;
Preparing a Grassroots Footballer
Mohsen said the programme extended beyond technical drills and fitness work to include the psychological dimensions of the character. The aim was not to create the image of a polished professional athlete, but rather to reflect the realities of a grassroots footballer.
Attention was paid to subtle details such as how the character walks, runs and carries himself on the pitch, ensuring his movements felt natural and rooted in everyday football culture.
Despite Malek&rsquo;s athletic background, Mohsen noted that his previous boxing role made the transition more demanding. Boxing, he explained, relies heavily on balance through the heels, while football requires constant movement on the balls of the feet, as well as agility and flexibility.
<a href="https://ibb.co/Qjc4tNsj"><img src="https://i.ibb.co/BKP9FZ8K/Whats-App-Image-2026-02-08-at-9-17-11-AM-3.jpg" alt="Whats-App-Image-2026-02-08-at-9-17-11-AM-3" border="0" /></a>&nbsp;
A Different Portrayal of Football on Screen
Mohsen confirmed that he was present throughout filming to supervise the execution of the football scenes. He suggested audiences may be surprised by what they see, stressing the team&rsquo;s determination to present a depiction of grassroots football that differs from previous portrayals in cinema and television.
<a href="https://ibb.co/md9KBRk"><img src="https://i.ibb.co/tnq6hHg/Whats-App-Image-2026-02-08-at-9-17-11-AM-2.jpg" alt="Whats-App-Image-2026-02-08-at-9-17-11-AM-2" border="0" /></a>&nbsp;
A Journey Into Sawa Sawa
In "Sawa Sawa," Ahmed Malek plays Ibrahim, a young man navigating the pressures and contradictions of life in working-class neighbourhoods. Set against the backdrop of football, the series explores personal struggle, ambition, and the pursuit of dreams, both his own and those of his partner, Ahlam.
Played by Huda El Mufti, Ahlam becomes caught in a dangerous grey area between two men who represent opposing worlds: one driven by genuine love and devotion, the other by power and control.
"Sawa Sawa" stars Ahmed Malek, Huda El Mufti, Sherif Desouky, Ahmed Abdelhamid, and Noha Abdeen. The series is written by Mohab Tarek and directed by Essam Abdelhamid.
Photo Credit: Coach Maher Mohsen's official page&nbsp;

Exclusive | How Football Coach Maher Mohsen Prepared Ahmed Malek for "Sawa Sawa"

By: Hassan Aboelabbas
Luxor welcomed a high-profile visitor on Saturday as Tiffany Trump, the daughter of US President Donald Trump, arrived in the historic city for a cultural tour of some of Egypt&rsquo;s most renowned archaeological sites.
Accompanied by her husband, businessman Michael Boulos, the visit focused on exploring key landmarks that reflect the depth and legacy of ancient Egyptian civilisation.
Morning Visit to the Valley of the Kings
Dr Mahmoud Moussa, Director of Qurna Antiquities, told <a href="https://www.nogoumfm.net/2026/02/%d8%ae%d8%a7%d8%b5-%d8%aa%d9%81%d8%a7%d8%b5%d9%8a%d9%84-%d8%b2%d9%8a%d8%a7%d8%b1%d8%a9-%d8%aa%d9%8a%d9%81%d8%a7%d9%86%d9%8a-%d8%aa%d8%b1%d8%a7%d9%85%d8%a8-%d9%84%d9%85%d8%b9%d8%a8%d8%af%d9%8a-%d8%a7/">Nogoum FM</a> that the couple arrived in Luxor on Friday and began their tour early the following morning on the West Bank.
Their first stop was the Valley of the Kings, where they were given a detailed briefing on the importance of the royal necropolis, which includes 64 tombs carved into the surrounding mountains. Among the highlights was the tomb of Tutankhamun, with guides outlining the story of the young pharaoh and the enduring global fascination with his discovery and legacy.
Hatshepsut&rsquo;s Temple Draws Admiration
The tour then continued to the Temple of Hatshepsut at Deir el-Bahari. The site&rsquo;s distinctive terraced design and dramatic setting left a strong impression, as guides recounted the reign of the female pharaoh and the historical significance of the monument she commissioned.
Striking Colours at Nefertari&rsquo;s Tomb
At the tomb of Queen Nefertari, attention turned to artistic detail. The vivid colours and finely preserved wall inscriptions prompted visible admiration, with the couple pausing to take photographs and reflect on the craftsmanship and imagination of ancient Egyptian artists. The tomb was described as a powerful example of the creativity and skill of the era.
Extended Visit Inside Karnak
The final stop was the Karnak Temple complex on the east bank of Luxor. Dr Abdel Khaleq Abdel Hamid Helmy, Director General of Karnak Antiquities, said Tiffany Trump expressed great happiness while touring the vast site, praising Egypt&rsquo;s heritage as both magnificent and inspiring.
The towering columns and monumental structures sparked a series of questions from the couple about the origins of the massive stones, how they were transported, and the time and effort required to construct the complex.
What was initially planned as a scheduled visit extended beyond its timeframe as their interest deepened and discussions with guides continued. Before leaving, Tiffany Trump said she hoped to return to Luxor, echoing a sentiment shared by many visitors drawn to the city&rsquo;s enduring historical appeal.

Exclusive | Tiffany Trump Tours Luxor, Marvels at Valley of The Kings and Karnak

Following the success of her latest album The Life of the Showgirl, Taylor Swift is set to release the music video for the album&rsquo;s second single, &ldquo;Opalite,&rdquo; tomorrow, February 6, 2026, on Spotify. Fans can also watch the video on YouTube starting February 8, 2026. Swift began the countdown on her official website, fueling anticipation for the highly awaited release.
<iframe src="//www.youtube.com/embed/3PJC6uPIekc" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> In &ldquo;Opalite,&rdquo; Swift explores her history of choosing the wrong partners before ultimately finding the right one. Speaking to Capital Breakfast, she revealed that the song&rsquo;s title was inspired by her fianc&eacute; Travis Kelce&rsquo;s birthstone, the opal. The track&rsquo;s title, &ldquo;Opalite&rdquo; a man-made version of the gem, serves as a metaphor that happiness isn&rsquo;t something you search for; it can be created. The Life of the Showgirl is Taylor Swift&rsquo;s twelfth studio album, released on 3 October 2025. &ldquo;Opalite&rdquo; follows the success of the album&rsquo;s first single, &ldquo;The Fate of Ophelia,&rdquo; which became her longest-running No. 1 on the Billboard Hot 100, spending nine nonconsecutive weeks at the top and surpassing her previous record-holder, &ldquo;Anti-Hero.&rdquo; With the release of the &ldquo;Opalite&rdquo; video, Swift continues to prove her knack for storytelling, blending personal reflection with cinematic visuals that resonate with fans worldwide. Photo Credit: Taylor Swift&rsquo;s official page

Taylor Swift Announces Release Date for “Opalite” Music Video

If one plot twist feels sufficient, The Rip suggests otherwise. The film is densely layered with narrative turns that reward close attention, where few scenes exist without purpose.
At first, the story presents itself as a conventional crime drama. Around an hour in, however, its ambitions become clearer, as earlier moments begin to reframe themselves as deliberate clues rather than background detail. What You Need to Know Ben Affleck and Matt Damon continue to demonstrate why their long-standing collaboration remains compelling. Their recent choices have favoured tightly constructed stories that prioritise tension over spectacle, and The Rip follows that pattern. Released for streaming on 16 January, the film has quickly positioned itself as one of the early talking points of 2026. What begins as a familiar action thriller gradually unfolds into a more complex narrative, driven by shifting loyalties and moral uncertainty.
<iframe src="//www.youtube.com/embed/yeR5bcbRPak" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Plot Inspired by true events, The Rip opens with the execution of respected captain Jackie Velez (Lina Esco) on the waterfront, carried out by two masked gunmen.
The investigation soon moves into cat-and-mouse territory. Officer Dumars, once close to Jackie, leads a raid on a seemingly unremarkable suburban house, where a hidden attic reveals barrels packed with stacks of $100 bills.
As tensions rise, one member of the group proposes stealing the money, while Detective Sergeant J.D. Byrne (Ben Affleck) focuses on uncovering the truth behind Jackie&rsquo;s killing. Just as the narrative appears to settle, the film introduces another turn, reshaping what the audience thought it understood. Cast Affleck leads the cast as Detective Sgt. J.D. Byrne, alongside Matt Damon as Dumars. They are supported by Steven Yeun (Ro), Catalina Sandino Moreno (Salazar), Teyana Taylor (Baptiste), Lina Esco (Jackie Velez), and Sasha Calle (Desi).
The ensemble performances lend credibility to the film&rsquo;s escalating tension, grounding the story&rsquo;s more dramatic developments in believable character dynamics.
The Viewing Experience
The film&rsquo;s grounding in real events adds a layer of realism that sharpens its suspense. Small details introduced early often return later with greater significance, encouraging careful viewing.
Those expecting something in the vein of Good Will Hunting may be surprised. The Rip is firmly rooted in thriller territory, favouring darker themes and sustained intensity over emotional introspection.
Final Verdict For viewers who enjoy crime thrillers that rely on narrative momentum rather than spectacle, The Rip is a solid addition to the genre, particularly for fans of Affleck and Damon&rsquo;s on-screen collaborations.
With an IMDb rating of 6.8, the film does not redefine the thriller, but it achieves its central aim: maintaining tension and keeping its audience engaged until the final scene.
Photo Credit: Netflix's official page&nbsp;

The Rip Review | When a Simple Case Becomes Something Far Darker

Egyptian actor Hamada Helal is set to return for a sixth season of the Ramadan drama "El Maddah," titled &lsquo;Ostouret El Nehaya&rsquo;, scheduled to air during Ramadan 2026. The long-running series, known for its blend of supernatural horror and religious symbolism, promises a darker and more intense direction than previous instalments.
Recap of Season Five
The fifth season concluded with Saber, played by Helal, discovering the scepter and confronting the Red Jinn and the Daughters of Iblis. The storyline ended on a cliffhanger after Saber defeated his enemies, only to awaken in the desert and realise he had been mysteriously transported to Morocco. The revelation that Nayla was standing alongside him also shocked residents of Set El Hossn.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/video.php?height=476&amp;href=https%3A%2F%2Fwww.facebook.com%2Freel%2F1465312355185810%2F&amp;show_text=false&amp;width=267&amp;t=0" width="267" height="476" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
A Darker Turn
The newly released trailer for season six suggests a noticeable escalation in horror. Saber is seen facing fresh threats, including the return of demonic symbols and a storyline centred on rescuing abducted children. Actress Yousra El Lozy appears prominently, hinting at a key role. The season introduces a symbolic conflict between fire and light, raising the stakes for the central character.
&nbsp;Plot Overview
After relinquishing his supernatural powers for love, Saber finds himself vulnerable as a powerful force from the underworld emerges. He must embark on a dangerous journey to reclaim his abilities and prevent evil from spreading into the human world.
Returning Characters
Actor Fathy Abdelwahab is also set to return as Dr Samih, a character introduced in season four and previously portrayed as the only figure capable of defeating Saber. Their renewed confrontation is expected to be a central element of the new season.
Cast
The series stars Hamada Helal, alongside Fathy Abdelwahab, Hamza El Eily, Heba Magdi, Donia Abd Elaziz, Khaled Anwar, Mofeed Ashour, Alaa Morsy, Gamal Abdel Nasser, Afaf Rashad and Faten Saeed.
Audience Expectations
Online reactions to the trailer have been strong, with viewers praising the darker tone and expanded mythology. Some fans have drawn comparisons to international horror franchises, while others have already called for further seasons.
El Maddah, Ostouret El Nehaya is expected to remain one of Ramadan&rsquo;s most talked-about supernatural dramas.
Photo Credit: MBC Shahid's official page&nbsp;

New Season of "El Maddah" Promises Darker Supernatural Turn

All the latest entertainment news from Nile FM. TV Shows, Movies, Trailers, Clips, International & Arab Celebrity Gossip, Awards, Events & Best Dressed Lists.

Entertainment

By: Yomna Walid&nbsp;
Music has the power to alter mood in an instant. Creating an experience that listeners can fully inhabit, however, is a more elusive skill; one that only a handful of artists&nbsp;master. This Thursday at 10:00 pm, NileFM&rsquo;s DJ of the Week welcomes Joe Noise, the Egyptian DJ and curator known for his emotionally driven blend of melodic techno and progressive trance. His sound is designed to move people, not just physically, but emotionally. Joe Noise&rsquo;s passion for DJing was sparked by watching how people react to music and fully lose themselves in it. That moment made him realize that sharing emotion and creating impact through sound was his true purpose. NileFM goes behind the decks with Joe Noise for a one-hour set that promises to linger long after it ends, a cinematic experience where listeners feel part of the story and the heroes of it. 1. For listeners discovering you for the first time, who is Joe Noise? And how did your journey behind the decks begin? Joe Noise is an Egyptian DJ and curator focused on melodic techno, progressive trance, and emotionally driven electronic music. My journey started from pure passion. I was always deeply connected to music, not just listening to it but analyzing it, understanding its structure and emotion. That curiosity pushed me behind the decks. What began as a personal exploration evolved into performing at venues like Kanji and launching projects like DeepWave and TranceMission, where the goal has always been to create a musical journey rather than just play tracks.
<a href="https://ibb.co/C5hsXpyQ"><img src="https://i.ibb.co/zhGHLWgZ/1-36.png" alt="1-36" border="0" /></a> 2. Did DJing start as a passion, or was it always a career ambition? Was there a defining moment when you knew this was the path for you? It started as a passion, completely. There was no business plan in the beginning, just an obsession with sound and atmosphere. The defining moment came when I saw how people reacted to a set I played, watching strangers connect, forget their worries, and fully surrender to the music. That was when I realized this isn&rsquo;t just something I enjoy; it&rsquo;s something I&rsquo;m meant to do. From that point forward, I treated it seriously, investing in my craft, building my identity, and shaping my own platforms. 3. Your sound is often described as emotionally rich. How do you channel feeling into a live set and build that connection with a crowd? For me, emotion often starts with vocals. I&rsquo;m very selective about the vocal tracks I play, whether it&rsquo;s trance or melodic techno with subtle, haunting phrases. The voice carries vulnerability, and that creates an instant human connection. I build my sets like emotional waves. I start with atmosphere, then introduce vocals at the right moment to create a memory. I think in chapters, tension and release, depth and light, carefully aligning melodies, harmonics, and breakdowns so the journey feels natural and progressive. It&rsquo;s not just about energy. It&rsquo;s about intention and storytelling. When the crowd closes their eyes, sings along, or feels goosebumps, that&rsquo;s when you know the connection is real. 4. You&rsquo;re closely associated with trance and melodic techno. What first drew you to these genres, and how do they reflect who you are as an artist? Trance was my foundation. Producers like Paul van Dyk, Armin van Buuren, Ferry Corsten, Markus Schulz, and Alexander Popov taught me what emotional build-up truly means. Their music isn&rsquo;t just energetic, it&rsquo;s spiritual, uplifting, and powerful. Trance gave me discipline in structure and melody. Melodic techno later gave me space. It expanded my sonic palette, deeper atmospheres, darker textures, longer transitions. It allows me to blend emotional vocals with hypnotic grooves and gives me a wider range to take the audience on different journeys within the same set. Now, my sound sits between those worlds, emotional trance energy with cinematic melodic techno depth. 5. Projects like DeepWave and TranceMission feel immersive, almost cinematic. How do you approach crafting a musical journey rather than simply selecting tracks? When I craft DeepWave or TranceMission, I approach them as storytelling experiences. I select tracks not based on popularity, but on key, mood, vocal presence, and emotional weight, making sure every transition feels natural, especially when blending trance with melodic techno. TranceMission leans more into trance and melodic techno, focusing on emotional build-ups, powerful vocals, and uplifting climaxes. DeepWave, on the other hand, is where I explore wider realms, blending deep trance, house, tech, afro influences, and deep melodic sounds, all connected through melodic tension and atmosphere. Both projects are structured like a film, intro, build-up, peak, reflection, and resolution, designed to give the audience not just energy, but a complete journey. 6. Every artist faces challenges along the way. What have been some of the toughest moments in your journey, and how have they shaped your sound or mindset? I started playing back in 2010 and stayed deeply committed to trance until around 2015. It was my foundation and the sound that shaped me as an artist. But at one point, I decided to step away. Still, I couldn&rsquo;t stay away from music for long; it&rsquo;s part of who I am. That time away actually gave me perspective. When I came back, it was with a different mindset. I began exploring wider musical realms, melodic techno, deeper progressive sounds, and different textures, blending them with the trance foundation I&rsquo;ve always loved. One of the toughest lessons was learning to evolve without losing authenticity. Instead of chasing trends, I chose growth. That journey shaped my identity and allowed me to return stronger, offering audiences a more refined and dynamic experience. <a href="https://ibb.co/fYdDsrpD"><img src="https://i.ibb.co/LzdN39tN/2-23.png" alt="2-23" border="0" /></a> 7. You&rsquo;ve recently been named NileFM&rsquo;s DJ of the Week, a significant milestone. What does that recognition mean to you at this point in your career? It&rsquo;s truly an honor. I&rsquo;ve been a huge fan of NileFM since the beginning. I&rsquo;ve always respected how the station gives artists a platform to shine. Seeing that growing up made me ambitious, so being chosen as DJ of the Week feels very meaningful. It validates years of consistency and dedication to my sound. At this stage in my career, it feels like momentum, a sign that what I&rsquo;m building through DeepWave, TranceMission, and my curated events is resonating beyond the club scene. It motivates me to keep evolving and raising the standard even further. 8. When you&rsquo;re preparing a set, how much is planned in advance, and how much is shaped by the energy in the room? How do you balance structure with spontaneity? When preparing DeepWave and TranceMission, track selection is both the hardest and the most exciting part. Choosing the right vocals, melodies, and energy levels to shape a journey requires precision and instinct. The right vocal at the right moment can define the entire experience, and that challenge keeps me constantly inspired to build new sets. I create a structured backbone, focusing on key transitions, emotional flow, and energy mapping, but I never lock myself into a rigid playlist. That preparation strengthens my live performances, giving me confidence and direction. 9. For aspiring DJs listening right now, what advice would you give on breaking into the scene and developing a distinctive sound? Focus on identity before popularity. Learn your craft deeply, mixing, phrasing, and harmonic transitions, but also ask yourself: what do you want people to feel when they hear your name? Don&rsquo;t rush visibility. Build taste, build discipline, build patience. Trends fade; identity lasts.
<a href="https://ibb.co/My15LK2y"><img src="https://i.ibb.co/20MYBRn0/3-78.png" alt="3-78" border="0" /></a> 10. And finally, what can listeners expect from your DJ of the Week set today? Any surprises we should be listening out for? Listeners can expect a journey that reflects both my trance roots and my melodic evolution. There will be emotionally powerful melodies combined with deeper melodic techno atmospheres that create tension and space. The set will feature tracks from artists such as Andrew Rayel, Ferry Corsten, Alexander Popov, MORTEN &amp; David Guetta, blending uplifting energy with modern melodic intensity. You&rsquo;ll hear carefully selected vocal moments, progressive builds, and unexpected transitions that connect different eras of electronic music into one cohesive story. It&rsquo;s a set designed to make you feel something, not just dance. Photo Credit: Joe Noise&rsquo;s official page

Exclusive | Meet Joe Noise: NileFM’s DJ of The Week Bringing Melodic Techno to Life

By: Yomna Walid&nbsp;
Her roles are rarely alike. Even in brief appearances, Egyptian actress Sarah Khalil has won over audiences, leaving many asking what comes next.
Khalil began her acting career in 2022 with Hekayat Group El Eaila. A year later, she drew attention in Safah El Giza with a short but memorable role, appearing without make-up and demonstrating strong on-screen presence. In Gawla Akhera (Final Round), she transformed again, this time with make-up and hair extensions. Her Ramadan drama debut came in 2025 with Zolem El Mastaba.
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From portraying a cancer patient in Catalogue to her widely praised performance as Hanan in La Tord Wala Tostabdal, Khalil has focused on portraying ordinary Egyptian women with striking authenticity. For the latter role, she avoided make-up entirely and gained 10 kilograms to realistically depict a pregnant woman.
NileFM spoke to the actress about her career, her approach to roles, and what drives her choices.
Before people knew you as an actress, what is a small detail about your childhood or life that still explains part of who you are? I didn&rsquo;t realize acting was my dream until the moment I stepped onto the stage. I discovered that I wasn&rsquo;t shy. I felt completely free. I didn&rsquo;t fully understand what that feeling was at first, but then I realized that acting carries a powerful sense of freedom.
<a href="https://ibb.co/nsRKZ3x4"><img src="https://i.ibb.co/FbndNsRc/1.png" alt="1" border="0" /></a> Has a scene ever stayed with you after filming wrapped? No. I always make sure that once the scene is done, it is truly finished. I don&rsquo;t take the character home with me, and I don&rsquo;t let it affect my personal life. Appearing without makeup and physically transforming yourself early in your career was seen as a bold choice. How did you approach that decision? It wasn&rsquo;t a bold decision. It was the right one. In &ldquo;Final Round,&rdquo; the character required constant makeup and extensions, but this role was different. She was pregnant and mostly at home, so the look had to be natural. Even in &ldquo;Safah El Giza,&rdquo; I appeared without makeup because authenticity is essential. Things have to be done properly.
<a href="https://ibb.co/Wp46q8TP"><img src="https://i.ibb.co/mFVG1ZxX/2.png" alt="2" border="0" /></a> What drew you most to the role of Hanan? The team behind it. Director Mariam Abu Ouf, the writers Dina Nagem and Samar Abdelnasser, and the incredible cast including Ahmed El Saadany, Dina El Sherbiny, Fadwa Abed, and Hassan Malek. Hanan herself is beautiful in her simplicity. She exists in every Egyptian home. Speech therapy was presented as part of everyday life rather than an exceptional case. Did that change how you view storytelling around social issues? For families who live with these realities, this is their daily life. Presenting such issues naturally, without complications, helps them reach audiences faster. When problems are portrayed as part of ordinary life, people connect with them more easily. I truly hope more productions take this approach.
<a href="https://ibb.co/TxtqJMkk"><img src="https://i.ibb.co/DHQgmftt/3.png" alt="3" border="0" /></a> Did you add anything to Hanan that wasn&rsquo;t originally on the page? It is hard to pinpoint because some details emerge spontaneously during filming. For example, the wedding ring storyline, when it was taken to be sold, highlighted just how interconnected the family was. Everyone supports one another without hesitation. Many viewers felt Hanan&rsquo;s relationship with her siblings was incredibly real. How did you build that authenticity without exaggeration? This dynamic is part of Egyptian culture. There is a deep belief in family responsibility. When you have a brother like Taha, who does everything for his sisters, loving him comes naturally. That kind of relationship already exists in our society. Were you expecting such a strong reaction to the role? What was the most meaningful comment you received? I wasn&rsquo;t expecting it. As beautiful as the response was, it was also a little frightening, because when people see you succeed, they expect even more. It makes me more careful with my choices. One message that meant a lot came from the wonderful actress Reham Abdel Ghafour. She reached out with incredibly kind words. Having an artist of her stature take the time to find and message me was truly special. Most of your scenes were with Ahmed El Saadany, and the sibling bond felt very genuine. How did you avoid slipping into melodrama? The writing was excellent, which made it easier to deliver that sense of truth. Chemistry between actors is also very important, and thankfully, it was there. The relationship felt believable. The series tackled several important issues. Which one impacted you the most? It is difficult to choose just one. The health-related topics, such as kidney failure, speech, and hearing challenges, were especially important. They were presented smoothly and thoughtfully.
<a href="https://ibb.co/gbPCNx55"><img src="https://i.ibb.co/Q7CGL422/4.png" alt="4" border="0" /></a> From &ldquo;Safah El Giza&rdquo; to &ldquo;Catalogue,&rdquo; your roles vary in size but leave a strong impact. What makes you feel a role is right for you? I try not to label myself or chase roles that resemble me. On the contrary, I prefer moving away from anything too similar to who I am, because doing something different is always more challenging.
If you could change one thing about your journey so far, what would it be? I wouldn&rsquo;t change anything. If someone like Hanan saw herself in the series, what would you want her to take from it? I would want her to know that she is seen. Many women like Hanan feel invisible or believe their role in others&rsquo; lives is not significant. To me, Hanan represents the true meaning of home and belonging. Do you want the next phase of your career to build on what you&rsquo;ve done, or completely break away from it? Both. It should be an extension of what came before, but with characters that are not repetitions. Every actor wants diversity. Today I can play Hanan, tomorrow someone entirely different. Variety is essential and creatively very exciting.
<a href="https://ibb.co/k6MfJ4FN"><img src="https://i.ibb.co/FqnMX5tR/5.png" alt="5" border="0" /></a>&nbsp;
Photo Credit: Sarah Khalil's official page&nbsp;
&nbsp;

Exclusive | ‘What Matters is The Story, not How I Look on Screen,’ Sarah Khalil On Her Success in “La Tord Wala Tostabdal”

By: Yomna Walid
For more than five decades, Ibrahim Al-Ariss has been one of the most influential voices in Arab film criticism. Born in Lebanon and closely connected to Egyptian cinema, the renowned critic, cultural history researcher, translator and journalist has translated more than 40 books and written some of the most significant studies on Arab and world cinema.
Al-Ariss studied film directing in Rome before moving to London to study screenwriting and film criticism. Among his most notable books are A Journey in Arab Cinema and Martin Scorsese: A Cinematic Biography. His deep attachment to Egyptian cinema also led him to write extensively about the legendary director &lsquo;Youssef Chahine: The Child&rsquo;s Gaze and the Rebel&rsquo;s Grip&rsquo;.
In 2017, he received the Lifetime Achievement Award at the inaugural Gouna Film Festival. His other works include Gharam fi Istanbul and Sin Path. In 2019, the Arab Cinema Center honoured him with the &lsquo;Critical Achievement Award&rsquo; in recognition of his influential career in film criticism across the Arab world.
NileFM speaks to Ibrahim Al-Ariss about his journey in film criticism, his relationship with Egyptian cinema, his memories of Youssef Chahine, his favourite contemporary stars and behind-the-scenes stories from some of Arab cinema&rsquo;s most celebrated films.
Your journey in film criticism spans more than 50 years. Looking back, which phase most shaped you as a critic?
I believe my path was shaped by two major phases. The first was my time in Rome, where I studied film directing but devoted most of my energy to art-house and experimental cinema, particularly at the Farnese Cinema. There, I watched, almost daily, films of the French New Wave and Italian Neorealism.
The second phase was in London, where I studied criticism and screenwriting at the British Film Institute, especially through the Free University and the lectures of John Blize. We also held regular evening gatherings to watch films, often by a single director or screenwriter, and once focusing entirely on the actor Dirk Bogarde. These sessions would begin at 8:00pm and last until 6:00am, followed by long discussions. This period was my true formative stage, both as a critic and as a cinema practitioner.
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Has Arab film criticism played a real role in supporting Arab cinema globally, or has it remained in directors&rsquo; shadows?
Over the past 25 years, Arab film criticism, particularly in Egypt, played a major role in supporting serious Arab cinema, especially filmmakers who understood how to engage with critics. Among them were Youssef Chahine, Mohamed Khan, Radwan El-Kashef, Daoud Abdel Sayed, Atef El-Tayeb, Borhane Alaoui&eacute;, and Tawfiq Saleh.
These filmmakers read criticism carefully and engaged with it seriously. Some major actors even sought our opinions, as criticism could directly influence careers. That is no longer the case today. Most critics of my generation have passed away, as have many of those directors. Today, critics have largely become festival employees, institutional consultants, or cinema traders. A close friend once told me a Gulf festival had appointed him its &ldquo;official critic.&rdquo;
You are also a researcher, translator, and writer. How has this diversity shaped your approach to film?
I place everything I know and practise at the heart of what I write. For me, there is no separation between criticism and creativity, nor between creativity and research. I often say that criticism is creativity built upon creativity.
A true critic does not aim to correct the artist or change the world, but to express themselves, perhaps creating a form of aesthetic contagion in the reader.
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As we mark the centenary of Youssef Chahine, why do his films still feel alive to each generation?
That is the essence of true creativity: to be born of its time yet remain alive forever. At its core is the relationship between the self and the audience across generations.
That is why I titled one of my books The Language of the Self and the Eternal Modern. We still read Plato and One Thousand and One Nights, watch Chaplin, John Ford and Hitchcock, and listen to Bach, Fairuz and Mozart, just as generations before us did, and as future generations will continue to do.
I often smile ironically when people speak of supposed conflicts surrounding Umm Kulthum, Salah Abu Seif or Abdel Halim Hafez or even Ella Fitzgerald.
You once described Chahine as the pioneer of autobiographical cinema in the Arab world. What does that mean?
Cinema is both an industrial and commercial art, which long imposed a rule: that personal films required large budgets. Chahine was among the first to break that rule.
He did so most clearly in his autobiographical Alexandria quartet: Alexandria&hellip; Why? (1979), An Egyptian Story (1982), Alexandria Again and Forever (1989) and Alexandria&ndash;New York (2004). In truth, he practised this approach, sometimes implicitly, across much of his work.
His success, both artistically and commercially, encouraged many Arab filmmakers to follow. Without Chahine&rsquo;s courage in exposing his personal history on screen, we might not have seen the later autobiographical films of Yousry Nasrallah, Khaled El-Hagar, Mohammad Malas, Nouri Bouzid or F&eacute;rid Boughedir.
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While writing The Child&rsquo;s Gaze and the Rebel&rsquo;s Grip, did you discover anything new about Chahine?
If I were to rewrite the book today, I would add many things; not because it is lacking, but because time reshapes reception.
I read The Brothers Karamazov at 15, again at 30, and many times since. Each reading revealed something new, and my sympathies shifted between characters. This is what reception theory is about.
Which Chahine film holds the most personal meaning for you?
On a human level, "Bayya&lsquo; El-Khawatem" (The Ring Seller) is the most important, as it marked my first meeting with Chahine and my work as his assistant on set between 1964 and 1965.
The film I love most is "Cairo Station," which I consider one of the most important films in Arab cinema history. Abdel Hai Adeeb, its screenwriter, later became my mentor. Working with him prepared me to study screenwriting at the BFI.
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What has Arab cinema lost since the passing of figures such as Chahine and Salah Abu Seif?
Their films remain present and continue to reach audiences worldwide. Each of these directors created cinematic schools and languages that later generations continue to develop.
What we lost, I lost, were friends and exceptional interlocutors.
Is there a memory of Chahine that best reflects his humanity?
There is one memory I will never forget, or rather, two.
The first was when Egypt&rsquo;s Ministry of Culture wanted to honor him in the final years of his life. The distinguished minister Farouk Hosny and the late critic and official Ali Abu Shadi met with Chahine and told him that the ministry intended to publish a book about him. They presented him with a list of around ten Egyptian critics and asked him to choose one.
He looked at the list and said to the minister: &ldquo;They are all my friends and beloved colleagues, and all are great critics, but I want Ibrahim Al-Ariss to write the book.&rdquo;
Ali Abu Shadi immediately left the minister&rsquo;s office to call me in Paris and ask if I agreed. Of course, I did. Despite the fact that Abu Shadi&rsquo;s own name was on the list, he fully supported the decision. Although Chahine later declined the honor and the project was frozen at his request, after his passing, publisher Ibrahim El-Moallem of Dar El Shorouk contacted me to publish the book. That is how The Child&rsquo;s Gaze and the Rebel&rsquo;s Grip was born.
The second moment took place during the night shooting of a scene from &ldquo;Al-Massir&rdquo; (Destiny) at Galal Studio, at a time when I was in a deep disagreement with Chahine. I met actress Laila Elwi, who was extremely happy working with him and invited me to attend the shoot. I told her about my disagreement with Chahine and that my presence might bother him. She convinced me otherwise.
During a break, Laila and I were talking when someone suddenly stood between us, leaning on our shoulders and handing me a sandwich. It was Youssef Chahine himself. Laila laughed and said, &ldquo;I thought you were fighting.&rdquo; He replied jokingly, &ldquo;We&rsquo;ve been fighting and reconciling for thirty years, and both of us explode like bombs.&rdquo;
Throughout your career, which Egyptian actors or actresses did you feel closest to, on a human or artistic level, and why?
First and foremost is my lifelong friend Mahmoud Hemeida, for whom I once wished to write a screenplay about Al-Mutanabbi, though circumstances prevented it.
There is also Laila Elwi, whose creativity, humility, culture, and intellectual curiosity restored my faith in great artists and reminded me that they possess emotional and human particularities that compel us to understand them, even their impulses.
Among other dear friends in cinema are Lebleba, the great cinema lover, Yousra, Yousra El Lozy, Nour El-Sherif, with whom I shared deep cultural ties, as well as Khaled El-Nabawy, the late Mohammad Bakri of Palestine, Nada Abou Farhat from Lebanon, and more recently Boshra and the remarkable Moroccan actress Nisrin Erradi, who restored the presence of the true movie star in Morocco despite her young age, something that had somewhat faded since the unjustified disappearance of the wonderful Mouna Fettou.
<a href="https://ibb.co/F4QYrfZJ"><img src="https://i.ibb.co/5hQj0zpv/5.png" alt="5" border="0" /></a> Finally, what are your upcoming projects? Are you currently working on a new book or project that we will see soon?
My current projects revolve around distancing myself more and more from what is today, somewhat humorously, called film criticism, and focusing instead on my other interests, such as philosophy, political thought, literary criticism, and encyclopedic projects.
Recently, two of my books were published in Saudi Arabia: &ldquo;Cinema and the Desert &ldquo;and &ldquo;Cinema and Its Sisters.&rdquo; I also released The Encyclopedia of the Global Novel in two volumes. In the coming weeks, in Cairo will publish a complete enlightenment library by me, beginning with books on Garc&iacute;a M&aacute;rquez, Naguib Mahfouz, Ibn Khaldun, Bergman, Plato, Picasso, Dostoevsky, and Shakespeare, among others.
Photo Credit: Hanna Ward via Luxor Africa Film Festival&rsquo;s official website
&nbsp;

Exclusive | Ibrahim Al-Ariss: Five Decades Shaping Arab Film Criticism, and Reflections on Youssef Chahine

By: Yomna Walid
A great DJ knows how to read the crowd and turn energy into music. When passion, taste, and timing align, DJing becomes more than a skill. This week on NileFM, that story belongs to Munchy. Driven by passion and sharpened by experience, Munchy knows how to extract energy from the crowd and turn it into a musical moment listener won&rsquo;t forget. Tune in tonight at 10:00 PM on NileFM for a special episode that proves just how powerful music can be when it truly connects. NileFM went behind the decks with DJ of the Week, Munchy, to learn more about his journey, inspirations, and what he has in store for tonight&rsquo;s show. Tell us, who is Munchy? Where are you from, and how did your journey into DJing begin? I&rsquo;m Munchy, coming from Cairo. We had our event company for sound and light equipment in cairo where everything starts from my childhood. At what point did you realise DJing was more than a hobby and something you wanted to pursue professionally? I realized that DJing more than hope, the atmosphere and energy of the crowd and the connection that the DJ builds on the dance floor are unforgettable.
<a href="https://ibb.co/Xr5LGPt3"><img src="https://i.ibb.co/jPwfjYDW/1.png" alt="1" border="0" /></a> Was there a defining moment that helped shape your sound and establish your identity as a DJ? It's the moment where personal taste and crowd energy align, proving that their unique musical identity works. This could happen at a small, low-stakes gig where they had the freedom to experiment, often early in their career. That experience teaches them that their most authentic selector instinct is their greatest asset. What were the most significant challenges you faced in the early stages of your career, and how did you navigate them? Proving Competence: Overcoming self-doubt and earning trust in a professional setting. I navigated this by focusing on diligent preparation, asking thoughtful questions, and delivering consistent, high-quality work on small tasks first to build credibility. As NileFM&rsquo;s DJ of the Week, what can listeners expect from you on air? Are there any surprises planned? Listeners can expect a vibrant mix full of musical surprises and great energy, as I focus on bringing fresh excitement to the decks. Is there a particular set or performance that holds special meaning for you? What makes it so memorable? Every gig is unforgettable, with more challenges and more experience. Take us behind the scenes. How do you prepare before going live on air or stepping behind the decks? Music Curation: Prep a versatile opening crate and key transition tracks, but leave room to adapt. 2. Setup &amp; Soundcheck: Test mixer, decks, and headphones; set initial levels by listening to the room .3. Vibe Assessment: Quickly read the crowd's energy as they enter to gauge the starting point.
<a href="https://ibb.co/TDRTZBqw"><img src="https://i.ibb.co/FkJW9bqh/2.png" alt="2" border="0" /></a> Looking back, what has been the most unforgettable or defining moment of your DJ career so far? The first time I played a sunrise set at an open-air festival. The energy shifted from a high-intensity peak to a quiet, collective, almost spiritual moment as the sun came up, realizing the decks weren't just a tool for music, but for i shaping a shared human experience. When creative momentum slows, where do you typically turn for inspiration? I got my inspiration back by visiting some club to have fun Finally, what advice would you offer to aspiring DJs who are just beginning their journey? Master the Core Technical Skills First &middot; Learn Beat Matching by Ear: This is the fundamental skill of matching the tempo and beats of two tracks. Practice with your software's screen covered to develop your ears, as this will make you versatile and prepared for any equipment &middot; Understand Song Structure: Tracks are built in 8 or 16.
<a href="https://ibb.co/HLmhphTW"><img src="https://i.ibb.co/zWK6H6Vy/3.png" alt="3" border="0" /></a> Photo Credit: Munchy&rsquo;s official page

Exclusive | Meet Munchy: NileFM’s DJ of The Week on Reading The Crowd and Shaping The Night

By: Yomna Walid&nbsp;
Imagine revisiting a novel you grew up with but seeing it through an entirely different lens. That is exactly what comic artist, graphic novelist, and director Migo has set out to do through his ambitious project of transforming the works of Nobel Prize-winning author Naguib Mahfouz into comic books.
Migo began the journey with "Children of the Alley," a project he has been developing for nearly four years, and which has yet to be published. Driven by a shared vision with screenwriter Mohamed Ismail Amin, he went on to adapt "The Thief and the Dogs" and "Miramar" into graphic novels. Both titles are now available in France, marking a significant international milestone.
This year, Migo is also taking part in the Cairo International Book Fair with a new adaptation, "The Three Fat Men" by Russian novelist Yuri Olesha, one of the most influential writers of the 20th century. The comic-style adaptation offers a fresh visual experience aimed at attracting younger readers and book fair visitors alike.
Nile FM spoke to Migo about his creative journey and his mission to revive classic literature through comics.
What was the idea behind choosing the works of Naguib Mahfouz to adapt into comics?
Adapting literature into graphic stories or graphic novels is a globally recognised practice. Literary works naturally contain imagery, conflict and drama that can be translated visually. With the growing popularity of comics as a contemporary visual language that speaks to different ages and generations, they have become a suitable medium for presenting literary works.
The novels of Naguib Mahfouz are especially rich in detail, characters, and human conflict. I was particularly influenced by Children of the Alley, which became the starting point of the project.
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Which books have you worked on so far, and why did you choose them?
"The Thief and the Dogs" and "Miramar." Both have been translated into English and French, which is very important to me, as it allows the project to reach a global audience. Naguib Mahfouz is, at his core, a global literary figure.
What challenges did you face while transforming Mahfouz&rsquo;s novels into a visual comic format?
The first work I started with was "Children of the Alley," which has not yet been published. It took nearly four years to complete, during which every detail was carefully studied, from character development to building the visual world.
The same applied to 'The Thief and the Dogs," which became the project&rsquo;s first official release. However, it differed in that it was developed as a collective studio project.
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Can you tell us about the behind-the-scenes process of preparing the first published work?
In "The Thief and the Dogs," I collaborated with a group of artists, as well as screenwriter Mohamed Ismail Amin. The process was divided into stages, beginning with writing the screenplay, followed by translating it visually through character design, page layouts and overall artistic direction.&nbsp;
How was the collaboration between you and Mohamed Ismail Amin during the adaptations?
We had worked together previously on projects such as "Yagog and Magog," which made it easier for us to agree on the overall spirit of the work, particularly in terms of suspense, movement, symbolism, and human meaning.&nbsp;
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What is the difference between adapting "The Thief and the Dogs" and "Miramar" in terms of visual style?
Artist Gamal Qabtan contributed by illustrating dream sequences and flashbacks in a distinct visual style. Hussein Mohamed handled the inking, Maha Mohamed designed the typography, Aly Galal designed the title, and Riham El-Sayed worked on the book&rsquo;s overall design.
Miramar, by contrast, was developed by a different team within the studio, led by artist Salma Zakaria in collaboration with screenwriter Mohamed Sarsawy. Each work has its own independent visual identity. The character-rich, layered world of "Miramar" is very different from the suspense-driven tone of The Thief and the Dogs.
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What are your upcoming projects? Are there plans to adapt more of Mahfouz&rsquo;s novels?
The upcoming project is Children of the Alley.
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How do you engage with a younger audience, for whom comics may be their first introduction to Naguib Mahfouz?
I am very pleased by the responses from readers of different ages, especially young people who may be discovering Naguib Mahfouz for the first time through comics. For them, comics can serve as a gateway to his world, to literature more broadly, and to our literary heritage.
This year you are participating in the book fair with "The Three Fat Men." What are you offering visitors?
"The Three Fat Men" is presented as a new edition aimed at young adults, translated by Rola Adel. The idea is to present a global literary classic with a contemporary visual treatment, closer to comics, while highlighting the symbolic depth of the story in a way that resonates with a new generation.
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Your books are now available in Paris. How does it feel to reach an international audience?
It is both exciting and a great responsibility. Seeing the books available in Paris confirms that stories created locally can travel and reach readers across different cultures. It also opens the door to a wider global dialogue around Arab comics.
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Finally, what cultural message do you hope to convey through visually reviving Mahfouz&rsquo;s work?
The goal is to bring Naguib Mahfouz&rsquo;s world closer to new generations through a contemporary visual language, without losing the depth or spirit of the original texts. It is not simply a retelling, but a revival, transforming literature into a visual experience that shows these works are still alive and capable of transcending time and medium.
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Photo Credit: Migo's official page&nbsp;

Exclusive | Cairo Book Fair Spotlight: Migo Revives Naguib Mahfouz and Yuri Olesha for a New Generation

Nile FM Exclusive  

Bad Bunny has become the first artist to win Album of the Year at the Grammy Awards with a Spanish-language record, marking a historic moment for Latin music.
The Puerto Rican rapper and global star received the top prize at the 2026 Grammy Awards for Deb&iacute; Tirar M&aacute;s Fotos. The award was presented by singer Harry Styles.
Visibly emotional, Bad Bunny delivered his acceptance speech in both English and Spanish, thanking his fans, collaborators and the Recording Academy. He spoke about themes of unity, resilience and love, and dedicated the award to immigrants and those who have left their home countries in pursuit of their dreams.
He also paid tribute to his home island, Puerto Rico, highlighting its cultural impact and resilience despite its size.
Already a multiple Grammy winner, Bad Bunny also claimed Best M&uacute;sica Urbana Album and Best Global Music Performance on the night, underlining his continued influence on the global music scene.
The artist is set to reach another major milestone later this week when he headlines the Super Bowl LX Halftime Show on 8 February at Levi&rsquo;s Stadium in Santa Clara, California.
Photo Credit: Grammys' official page&nbsp;

Bad Bunny Makes Grammy History With First Spanish-language Album of The Year

Some of the biggest names in music were honoured at the 68th Annual Grammy Awards in Los Angeles, with Bad Bunny, Billie Eilish and Kendrick Lamar emerging as leading winners of the night.
The ceremony opened with a high-energy performance by Bruno Mars and Ros&eacute;, who performed their collaboration "APT."
Several artists received their first Grammy awards, including Olivia Dean, who won &lsquo;Best New Artist&rsquo;.
Bad Bunny made history by winning &lsquo;Album of the Year&rsquo; for Deb&iacute; Tirar M&aacute;s Fotos, becoming the first artist to take the top prize with a Spanish-language album.
Lady Gaga won &lsquo;Best Dance-Pop Recording&rsquo; for "Abracadabra,' one of the ceremony&rsquo;s standout moments, while Sabrina Carpenter continued her recent success with Manchild, following last year&rsquo;s viral hits "Espresso" and "Please Please Please."
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Album of the year Bad Bunny &ndash; Deb&iacute; Tirar M&aacute;s Fotos &ndash; WINNER Justin Bieber &ndash; Swag Sabrina Carpenter &ndash; Man&rsquo;s Best Friend Clipse &ndash; Let Got Sort Em Out Lady Gaga &ndash; Mayhem Kendrick Lamar &ndash; GNX Leon Thomas &ndash; Mutt Tyler, the Creator &ndash; Chromakopia Record of the year Bad Bunny &ndash; DtMF Sabrina Carpenter &ndash; Manchild Doechii &ndash; Anxiety Billie Eilish &ndash; Wildflower Lady Gaga &ndash; Abracadabra Kendrick Lamar with SZA &ndash; Luther &ndash; WINNER Chappell Roan &ndash; The Subway Ros&eacute; &amp; Bruno Mars &ndash; APT. Song of the year Lady Gaga &ndash; Abracadabra Doechii &ndash; Anxiety Ros&eacute; &amp; Bruno Mars &ndash; APT. Bad Bunny &ndash; DtMF Huntr/x &ndash; Golden Kendrick Lamar with SZA &ndash; Luther Sabrina Carpenter &ndash; Manchild Billie Eilish &ndash; Wildflower &ndash; WINNER
<iframe src="//www.youtube.com/embed/n2UnPnOYHNM" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Best pop solo performance Justin Bieber &ndash; Daisies Sabrina Carpenter &ndash; Manchild Lady Gaga &ndash; Disease Chappell Roan &ndash; The Subway Lola Young &ndash; Messy &ndash; WINNER Best pop vocal album Justin Bieber &ndash; Swag Sabrina Carpenter &ndash; Man&rsquo;s Best Friend Miley Cyrus &ndash; Something Beautiful Lady Gaga &ndash; Mayhem &ndash; WINNER Teddy Swims &ndash; I&rsquo;ve Tried Everything But Therapy (Part 2) Best contemporary country album Kelsea Ballerini &ndash; Patterns Tyler Childers &ndash; Snipe Hunter Eric Church &ndash; Evangeline v the Machine Jelly Roll &ndash; Beautifully Broken &ndash; WINNER Miranda Lambert &ndash; Postcards from Texas Best m&uacute;sica urbana album Bad Bunny &ndash; Deb&iacute; Tirar M&aacute;s Fotos &ndash; WINNER Feid &ndash; Ferxxo Vol X: Sagrado J Balvin &ndash; Mixteip Nicki Nicole &ndash; Naiki Trueno &ndash; EUB Deluxe Yandel &ndash; Sinf&oacute;nico (En Vivo)
<iframe src="//www.youtube.com/embed/hhvdOTvdpjs" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Best new artist Olivia Dean &ndash; WINNER Katseye The Marias Addison Rae Sombr Leon Thomas Alex Warren Lola Young
<iframe src="//www.youtube.com/embed/nvl_tV_gf4U" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Best rap album Clipse &ndash; Let God Sort Em Out Glorilla &ndash; Glorious JID &ndash; God Does Like Ugly Kendrick Lamar &ndash; GNX &ndash; WINNER Tyler, the Creator &ndash; Chromakopia Best dance-pop recording Selena Gomez &amp; Benny Blanco &ndash; Bluest Flame Lady Gaga &ndash; Abracadabra &ndash; WINNER Zara Larsson &ndash; Midnight Sun Tate McRae &ndash; Just Keep Watching PinkPantheress &ndash; Illegal Best rap performance Cardi B &ndash; Outside Clipse &ndash; Chains &amp; Whips (ft Kendrick Lamar &amp; Pharrell Williams) &ndash; WINNER Doechii &ndash; Anxiety Kendrick Lamar &ndash; TV Off (ft Lefty Gunplay) Tyler, the Creator &ndash; Darling, I (ft Teezo Touchdown)
<iframe src="//www.youtube.com/embed/ye9f161umeM" width="560" height="314" allowfullscreen="allowfullscreen"></iframe> Best country solo performance Tyler Childers &ndash; Nose on the Grindstone Shaboozey &ndash; Good News Chris Stapleton &ndash; Bad As I Used to Be &ndash; WINNER Zach Top &ndash; I Never Lie Lainey Wilson &ndash; Somewhere Over Laredo Best rap song Doechii &ndash; Anxiety Clipse, Pusha T &amp; Malice ft John Legend &amp; Voices of Fire &ndash; The Birds Don&rsquo;t Sing Tyler, the Creator ft GloRilla, Sexyy Red &amp; Lil Wayne &ndash; Sticky GloRilla &ndash; TGIF Kendrick Lamar ft Lefty Gunplay &ndash; TV Off &ndash; WINNER Best pop duo/group performance Cynthia Erivo &amp; Ariana Grande &ndash; Defying Gravity &ndash; WINNER Huntr/x &ndash; Golden Katseye &ndash; Gabriela Ros&eacute; &amp; Bruno Mars &ndash; APT. SZA Featuring Kendrick Lamar &ndash; 30 for 30 Best R&amp;B album Givēon &ndash; Beloved Coco Jones &ndash; Why Not More? Ledisi &ndash; The Crown Teyana Taylor &ndash; Escape Room Leon Thomas &ndash; Mutt &ndash; WINNER Best rock album Deftones &ndash; Private Music Haim &ndash; I Quit Linkin Park &ndash; From Zero Turnstile &ndash; Never Enough &ndash; WINNER Yungblud &ndash; Idols Best dance/electronic album FKA twigs &ndash; Eusexua &ndash; WINNER Fred Again &ndash; Ten Days PinkPantheress &ndash; Fancy That R&uuml;f&uuml;s Du Sol &ndash; Inhale/Exhale Skrillex &ndash; F U Skrillex You Think Ur Andy Warhol But Ur Not!! &lt;3 Best rock performance Amyl and the Sniffers &ndash; U Should Not Be Doing That Linkin Park &ndash; The Emptiness Machine Turnstile &ndash; Never Enough Hayley Williams &ndash; Mirtazapine Yungblud &ndash; Changes (Live from Villa Park, Back to the Beginning) &ndash; WINNER Best metal performance Dream Theater &ndash; Night Terror Ghost &ndash; Lachryma Sleep Token &ndash; Emergence Spiritbox &ndash; Soft Spine Turnstile &ndash; Birds &ndash; WINNER Best R&amp;B performance Justin Bieber &ndash; Yukon Chris Brown &ndash; It Depends (ft Bryson Tiller) Kehlani &ndash; Folded &ndash; WINNER Leon Thomas &ndash; Mutt Summer Walker &ndash; Heart of a Woman Best traditional R&amp;B performance Durand Bernarr &ndash; Here We Are Lalah Hathaway &ndash; Uptown Ledisi &ndash; Love You Too SZA &ndash; Crybaby Leon Thomas &ndash; Vibes Don&rsquo;t Lie &ndash; WINNER Best R&amp;B song Kehlani &ndash; Folded &ndash; WINNER Summer Walker &ndash; Heart of a Woman Chris Brown ft Bryson Tiller &ndash; It Depends Durand Bernarr &ndash; Overqualified Leon Thomas &ndash; Yes It Is Best alternative music album Bon Iver &ndash; Sable, Fable The Cure &ndash; Songs of a Lost World &ndash; WINNER Tyler, the Creator &ndash; Don&rsquo;t Tap the Glass Wet Leg &ndash; Moisturizer Hayley Williams &ndash; Ego Death at a Bachelorette Party Best traditional country album Charley Crockett &ndash; Dollar a Day Lukas Nelson &ndash; American Romance Willie Nelson &ndash; Oh What a Beautiful World Margo Price &ndash; Hard Headed Woman Zach Top &ndash; Ain&rsquo;t In It for My Health &ndash; WINNER Best global music performance Bad Bunny &ndash; EoO &ndash; WINNER Ciro Hurtado &ndash; Cantando en el Camino Ang&eacute;lique Kidjo &ndash; Jerusalema Yeisy Rojas &ndash; Inmigrante Y Que? Shakti &ndash; Shrini&rsquo;s Dream (live) Anoushka Shankar &ndash; Daybreak (ft Alam Khan &amp; Sarathy Korwar) Best rock song Nine Inch Nails &ndash; As Alive as You Need Me to Be &ndash; WINNER Sleep Token &ndash; Caramel Hayley Williams &ndash; Glu Turnstile &ndash; Never Enough Yungblud &ndash; Zombie Best country song Tyler Childers &ndash; Bitin&rsquo; List &ndash; WINNER Shaboozey &ndash; Good News Zach Top &ndash; I Never Lie Lainey Wilson &ndash; Somewhere Over Laredo Miranda Lambert and Chris Stapleton &ndash; A Song to Sing Best alternative music performance Bon Iver &ndash; Everything is Peaceful Love The Cure &ndash; Alone &ndash; WINNER Turnstile &ndash; Seein&rsquo; Stars Wet Leg &ndash; Mangetout Hayley Williams &ndash; Parachute Best compilation soundtrack for visual media A Complete Unknown F1 The Album Kpop Demon Hunters Sinners &ndash; WINNER Wicked Best music video Sabrina Carpenter &ndash; Manchild Clipse &ndash; So Be It Doechii &ndash; Anxiety &ndash; WINNER OK Go &ndash; Love Sade &ndash; Young Lion Best song written for visual media Nine Inch Nails &ndash; As Alive as You Need Me to Be (From Tron: Ares) Huntr/x &ndash; Golden (from KPop: Demon Hunters) &ndash; WINNER Miles Caton &ndash; I Lied to You (From Sinners) Elton John and Brandi Carlile &ndash; Never Too Late (From Elton John: Never Too Late) Jayme Lawson &ndash; Pale, Pale Moon (From Sinners) Rod Wave &ndash; Sinners (From Sinners) Best Latin pop album Rauw Alejandro &ndash; Cosa Nuestra Andr&eacute;s Cepeda &ndash; Bogot&aacute; (Deluxe) Karol G &ndash; Tropicoqueta Natalia Lafourcade &ndash; Cancionera Alejandro Sanz &ndash; &iquest;Y ahora qu&eacute;? Best folk album Rhiannon Giddens &amp; Justin Robinson &ndash; What Did the Blackbird Say to the Crow Patty Griffin &ndash; Crown of Roses I&rsquo;m With Her &ndash; Wild and Clear and Blue &ndash; WINNER Jason Isbell &ndash; Foxes in the Snow Jesse Welles &ndash; Under the Powerlines (April 24 &ndash; September 24) Best dance/electronic recording Disclosure &amp; Anderson Paak &ndash; No Cap Fred again, Skepta &amp; PlaqueBoyMax &ndash; Victory Lap Kaytranada &ndash; Space Invader Skrillex &ndash; Voltage Tame Impala &ndash; End of Summer &ndash; WINNER Best African music Performance Burna Boy &ndash; Love Davido ft Omah Lay &ndash; With You Eddy Kenzo &amp; Mehran Matin &ndash; Hope &amp; Love Ayra Starr feat. Wizkid &ndash; Gimme Dat Tyla &ndash; PUSH 2 START &ndash; WINNER Best jazz performance Lakecia Benjamin &ndash; Noble Rise (ft Immanuel Wilkins &amp; Mark Whitfield) Chick Corea, Christian McBride &amp; Brian Blade &ndash; Windows (live) &ndash; WINNER Samara Joy &ndash; Peace Of Mind / Dreams Come True Michael Mayo &ndash; Four Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold &amp; Rachel Eckroth &ndash; All Stars Lead to You (live) Best orchestral performance Michael Repper, conductor (National Philharmonic) &ndash; Coleridge-Taylor: Toussaint L&rsquo;Ouverture; Ballade Op 4; Suites From 24 Negro Melodies Andris Nelsons, conductor (Boston Symphony Orchestra) &ndash; Messiaen: Turangal&icirc;la-Symphonie &ndash; WINNER Gustavo Dudamel, conductor (Sim&oacute;n Bol&iacute;var Symphony Orchestra Of Venezuela) &ndash; Ravel: Bol&eacute;ro, M 81 Yannick N&eacute;zet-S&eacute;guin, conductor (The Philadelphia Orchestra) &ndash; Still &amp; Bonds Esa-Pekka Salonen, conductor (San Francisco Symphony) &ndash; Stravinsky: Symphony in Three Movements Best jazz performance Lakecia Benjamin &ndash; Noble Rise (ft Immanuel Wilkins &amp; Mark Whitfield) Chick Corea, Christian McBride &amp; Brian Blade &ndash; Windows (live) &ndash; WINNER Samara Joy &ndash; Peace Of Mind / Dreams Come True Michael Mayo &ndash; Four Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold &amp; Rachel Eckroth &ndash; All Stars Lead to You (live) Best comedy album Bill Burr &ndash; Drop Dead Years by Bill Burr Sarah Silverman &ndash; PostMortem by Sarah Silverman Ali Wong &ndash; Single Lady by Ali Wong Jamie Foxx &ndash; What Had Happened Was &hellip; by Jamie Foxx Nate Bargatze &ndash; Your Friend, Nate Bargatze &ndash; WINNER Best Melodic Rap Performance Fridayy ft Meek Mill &ndash; Proud Of Me JID ft Ty Dolla $ign &amp; 6Lack &ndash; Wholeheartedly Kendrick Lamar with SZA &ndash; luther &ndash; WINNER Terrace Martin &amp; Kenyon Dixon Featuring Rapsody &ndash; WeMaj PARTYNEXTDOOR &amp; Drake &ndash; SOMEBODY LOVES ME Producer of the year Dan Auerbach Cirkut &ndash; WINNER Dijon Blake Mills Sounwave Songwriter of the year Amy Allen &ndash; WINNER Edgar Barrera Jessie Jo Dillon Tobias Jesso Jr Laura Veltz
Photo Credit: Grammys' official page&nbsp;
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Grammy Awards 2026: Bad Bunny, Billie Eilish and Kendrick Lamar Among Top Winners

The Egyptian singer and songwriter Tasneem El Aidy is set to appear on NileFM&rsquo;s entertainment show Watchlist with Hisham on Wednesday, 28 January, from 9:00 pm to 11:00 pm.
El Aidy began her music career in 2022, gaining early attention through videos of her performances shared online. Later that year, she wrote and recorded the song "We Coming Home" for the World Fencing Championships, collaborating with Hisham Kharma and Youssef Gabriel.
In June 2024, she released her single This Ain&rsquo;t No Love. She was also selected by UNICEF Egypt in December 2023 to represent young musicians as part of the organisation&rsquo;s Shabab Balad initiative.
Her growing profile was further recognised in 2024, when she was named among Forbes Middle East&rsquo;s 30 Under 30 Creators.
During the show, El Aidy is expected to discuss her music career and share her perspectives on the contemporary entertainment scene in conversation with host Hisham on 104.2 NileFM.

Tasneem El Aidy to Appear on NileFM’s Watchlist with Hisham

Egypt’s #1 destination for ALL THINGS MUSIC. Nile FM brings you News, Music Reviews, Music Videos, Celebrity Gossip, Live Music sessions and Egyptian Musicians.

Beats

The final putt has dropped, the leaderboard is set, and the excitement that filled Madinaty Golf Club has reached its grand conclusion. After days of intense competition and standout performances, Juan Salama emerged victorious, securing the title at the last leg of the MENA Golf Tour.
Golf fans and players gathered to witness a tournament defined by precision, focus, and remarkable sportsmanship. From powerful drives to nerve-steadying putts, the course challenged competitors while delivering unforgettable moments for spectators.
Salama&rsquo;s performance stood out among a field of talented golfers, reflecting consistency and determination throughout the tournament. His win marks a fitting finale to a thrilling leg that showcased the rising level of competition on the MENA Golf Tour.
The event brought together great players from across the region and beyond, transforming Madinaty Golf Club into a vibrant stage for world-class golf. As the tournament wrapped up, it left behind not only a champion but also lasting memories of exceptional talent and inspiring play.
Salama&rsquo;s victory brought the final leg of the MENA Golf Tour to a close, rounding off a tournament marked by strong performances and high-level competition.

Juan Salama Claims Victory at The Final Leg of The MENA Golf Tour in Madinaty

Under the clear skies of Madinaty Golf Club, the final leg of the MENA Golf Tour delivered a thrilling conclusion. Golfers competed fiercely for the top spot, with a Spanish player setting a new course record of 10 under par and holding a narrow lead with just two holes remaining. NileFM&rsquo;s Mickey and Nadine brought listeners live coverage of every swing and putt, capturing the tension and excitement of the moment.
Mark Bull, tournament director of the MENA Golf Tour, joined the broadcast to discuss the high-level competition and Egypt&rsquo;s growing reputation as a world-class golf destination.
&ldquo;This is our fourth event in the Egypt Golf series in partnership with the Egyptian Golf Federation,&rdquo; Bull explained. &ldquo;We started at New Giza Golf Club, held two back-to-back events at Marassi Resort, and now we are finishing strong here at Madinaty. The hospitality has been superb, and players are thrilled to experience these new courses.&rdquo;
Bull highlighted some standout performances, including the Spanish leader in the final round. &ldquo;It&rsquo;s been a fantastic week with some incredible rounds of golf. With just two holes to play, it&rsquo;s anyone&rsquo;s game, and that&rsquo;s what makes this tour so exciting.&rdquo;
Beyond the competition, Bull emphasised the MENA Golf Tour&rsquo;s role in boosting Egypt&rsquo;s global profile as a golf destination. &ldquo;We have 33 nationalities playing across these tournaments, and many are visiting Egypt for the first time. Players are already asking about next season, and Egypt is now firmly on the map for golf tourism.&rdquo;
Looking ahead, Bull outlined his vision for the tour. &ldquo;We hope to expand the schedule, collaborate with regional federations, and create pathways for local players. This week, eight Egyptian golfers are competing, and we aim to grow these opportunities further. Partnerships with professional tours like the DP World Tour and the Challenge Tour are part of our plan to strengthen golf across the region.&rdquo;
Reflecting on his time in Egypt, Bull praised the quality of the courses. &ldquo;Staying close to the venues has been a highlight. Players can wake up and immediately practice on the range or tee off, which has made the experience seamless and enjoyable.&rdquo;
As the tournament reached its climax, Madinaty Golf Club proved more than just a venue. It became a stage for skill, ambition, and competition, showcasing a country ready to cement its place on the international golf map under the guidance of leaders like Mark Bull.

Mark Bull Discusses MENA Golf Tour and Egypt’s Emerging Status as a Golf Destination

Excitement was in the air at Madinaty Golf Club as NileFM&rsquo;s Mickey and Nadine broadcast live from the final leg of the MENA Golf Tour. Fans and golf enthusiasts gathered to watch some of the region&rsquo;s most promising talent in action, while the mobile studio captured the energy, the cheers, and the striking views of the meticulously maintained greens.
Joining the broadcast was Bruce Glasco, COO of Troon Golf, who has played a key role in elevating Madinaty Golf Club into one of Africa&rsquo;s top courses. &ldquo;We are very fortunate. Troon operates worldwide,&nbsp;and we are deeply committed to hospitality. Here in Egypt, we have been helping developers enhance properties and support the growth of golf across the region,&rdquo; he explained.
Glasco highlighted the importance of the MENA Golf Tour in showcasing Egypt as a rising golf destination. &ldquo;This tour is for aspiring young talent. Many of them follow the same path as the stars of the PGA and European Tours. Golfers like Scotty Scheffler started on smaller tours before becoming world-class. Egypt is now offering that same opportunity for talent to rise.&rdquo;
Madinaty Golf Club has consistently earned recognition as the best golf course in the country for three consecutive years and the top course in Africa. Glasco credits this success to a combination of excellent ownership, a talented team, and ideal Egyptian weather. &ldquo;Warm temperatures help the grass thrive, but it also takes careful planning and expertise. Our superintendent Will,&nbsp;has unlocked the potential of this course with remarkable skill.&rdquo;
He also encouraged newcomers to explore the sport. &ldquo;Golf gets you outside, enjoying nature, and teaches life lessons. It is a sport of integrity. The handicap system makes it accessible for beginners and seasoned players alike, and everyone is welcome here.&rdquo;
As the tournament unfolded, it was clear that Madinaty Golf Club is not just hosting an event but helping put Egypt on the international golfing map. With Troon Golf&rsquo;s guidance, the course promises unforgettable experiences for players and visitors alike.
&nbsp;

Live from Madinaty: Bruce Glasco Discusses Golf and The MENA Tour

NileFM&rsquo;s Mickey and Nadine brought live coverage of the MENA Golf Tour to listeners.&nbsp; Mr. Keith Waters, Chairman and Commissioner of the MENA Golf Tour, joined the live broadcast to share his insights and highlights as the tour reached its final leg in Egypt.
&ldquo;This has been a fantastic experience,&rdquo; Mr. Waters reflected, smiling under the Egyptian sun. &ldquo;Not only the players, but all the staff and everyone involved in the tournament have enjoyed the last three and a half weeks. We are coming to the end of the fourth golf tournament, and it has been nothing short of spectacular.&rdquo;
From the northern coast to Marissa, the tour has seen moments of sheer brilliance. Former Ryder Cup player Chris Wood captured the first tournament victory, while dramatic finishes, playoffs, and last-hole birdies kept audiences on the edge of their seats.
One memory stands out even more. &ldquo;The very first player out in the first round here shot a 60, ten under par, which is a course record,&rdquo; Mr. Waters recalled. &ldquo;Breaking 60 is rare in golf, and achieving this on such a challenging course was truly special.&rdquo;
Players and guests have been equally impressed by the setting. &ldquo;The courses have been beautifully maintained, and the resorts offer a great experience. Even with a bit of mist and fog in Marissa, the weather has been ideal for golf. It&rsquo;s a pleasure to host players from all over, especially those from colder climates who haven&rsquo;t played in months,&rdquo; he added.
Looking to the future, Mr. Waters is eager to explore more of Egypt&rsquo;s golfing potential. &ldquo;We are considering different courses and experiences, perhaps even near the Red Sea. The goal is to keep bringing fresh and exciting tournaments. We are also working on a major international golf event in Cairo this year, so there is plenty to look forward to.&rdquo;
As the live coverage continued, the energy at Madinaty Golf Club remained electric. The day promised more exciting moments, prize ceremonies, and guest appearances, making it clear that golf in Egypt is not just a sport but a celebration of talent, dedication, and unforgettable memories.
With Mr. Keith Waters at the helm, the MENA Golf Tour has delivered world-class golf and unforgettable experiences. As the sun sets over the greens, one thing is certain: the tour&rsquo;s legacy in Egypt is just beginning.

Inside The MENA Golf Tour: Chairman Keith Waters Shares Highlights from Madinaty Golf Club

Nile FM's Guests

Tonight at 6:30pm, football fans in Egypt will be glued to screens for a high-profile Premier League encounter between Liverpool and Manchester City. All eyes will be on the Egyptian internationals, Mohamed Salah for Liverpool and Omar Marmoush for Manchester City, both pivotal figures for the national team. Salah, widely regarded as a mentor for younger players, has been a supportive presence for Marmoush throughout his career, adding extra significance to this matchup for Egyptian supporters.
Premier League Spotlights Egyptian Talent
Earlier this week, the Premier League drew attention to Egypt&rsquo;s footballing talent by sharing a photo featuring Salah, Marmoush and Youssef El Sherif. El Sherif is known for his 2009 role in the Egyptian film &lsquo;Al-Alamy&rsquo;, in which he played &lsquo;Malek&rsquo;, a young footballer chasing his dreams. The story struck a chord with many fans, reflecting the journey from local clubs to international stardom. Viewers often draw parallels between the film and the real-life achievements of Salah and Marmoush, highlighting Egypt&rsquo;s growing influence in top European leagues.
The Stakes
Manchester City currently sits second in the Premier League table, seeking to overtake Arsenal at the summit. Liverpool, in sixth, will be eager to climb back into contention. For Egyptian fans, the fixture is more than a battle between elite clubs; it is also a celebration of national talent performing on one of football&rsquo;s biggest stages.
With Salah and Marmoush going head-to-head tonight, supporters can expect a display of skill, determination and pride, with Premier League drama unfolding in real time.
Photo Credit: TotalEnergies Africa Cup of Nations&rsquo; official page

Salah vs Marmoush: Egyptian Stars Shine in Liverpool vs Manchester City Clash

The US dollar has strengthened slightly against the Egyptian pound, according to figures released by the National Bank of Egypt (NBE).
The dollar was trading at EGP 46.91 on 8 February, up from EGP 46.89 at the previous close.
The modest rise comes amid subdued activity in the foreign exchange market, as the pound continues to face ongoing economic pressures.
<a href="https://ibb.co/GfyNG591"><img src="https://i.ibb.co/RGfdtDNM/Egypt-Weather-2026-02-08-T090852-532.png" alt="Egypt-Weather-2026-02-08-T090852-532" border="0" /></a>
Photo Credit: Freepik&nbsp;

Exchange Rates | US Dollar Edges Higher Against Egyptian Pound to EGP 46.91 – 8 February

Egypt is set to see higher temperatures nationwide on Sunday, 8 February, the Egyptian Meteorological Authority (EMA) has said.
Conditions will be hot during the day, with cooler weather at night. In Cairo, temperatures are expected to reach around 30&deg;C.
Strong winds may raise sand and dust in some areas, reducing visibility on certain roads. Wind speeds of between 30 and 40 km/h are forecast in parts of the Western Desert and northern regions, extending to Greater Cairo, northern Upper Egypt, North and Central Sinai, and the Canal cities.
Suspended dust is also expected across parts of southern Upper Egypt.
Low clouds are forecast over northern areas, including Greater Cairo and the Canal cities, with a chance of light, isolated drizzle that is not expected to have a significant impact.
<a href="https://ibb.co/fzSN3YTs"><img src="https://i.ibb.co/KpGstj8J/Egypt-Weather-2026-02-08-T085843-922.png" alt="Egypt-Weather-2026-02-08-T085843-922" border="0" /></a>
Photo Credit: Freepik&nbsp;

Egypt Weather | Cairo Reaches 30°C as Dust Affects Several Areas – 8 February

The US dollar edged lower against the Egyptian pound on Thursday, according to figures from the National Bank of Egypt (NBE).
The dollar was trading at EGP 46.89, down from EGP 46.96 at the previous close.
The marginal decline comes amid subdued activity in the foreign exchange market, with the pound continuing to fluctuate under ongoing economic pressures and cautious sentiment among traders.
<a href="https://ibb.co/3yhNWwNS"><img src="https://i.ibb.co/WWKyFQyB/Egypt-Weather-2026-02-05-T100701-457.png" alt="Egypt-Weather-2026-02-05-T100701-457" border="0" /></a>
Photo Credit: Freepik&nbsp;
&nbsp;

Exchange Rates | US Dollar Slips Against Egyptian Pound to EGP 46.89 – 5 February

Egypt is set to experience a rise in temperatures across the country, with Cairo expected to reach 24&deg;C on Thursday, 5 February 2026, according to the Egypt Meteorological Authority (EMA).
The weather will remain warm during the day and cold at night across most regions. Meanwhile, there is a slight chance of light rain in parts of the Western Desert, including Salloum and Marsa Matrouh, at intervals.
Low clouds are expected over parts of northern Egypt, extending to Greater Cairo and the Suez Canal cities, which may produce light and insignificant drizzle in some areas.
Wind activity is also forecast and may stir up sand and dust in parts of the northwestern coast, the Western Desert, northern Upper Egypt, and some exposed areas of Greater Cairo and the Nile Delta at intervals. Hazy conditions are expected during the daytime in parts of the Suez Canal cities, Sinai, and southern Upper Egypt.
&nbsp;<a href="https://ibb.co/xq15PQST"><img src="https://i.ibb.co/b5sdqng9/Egypt-Weather-2026-02-05-T083755-949.png" alt="Egypt-Weather-2026-02-05-T083755-949" border="0" /></a>
Photo Credit: Freepik

Egypt Weather | Temperatures Rise to 24°C in Cairo – 5 February

The US dollar has slipped marginally against the Egyptian pound, according to figures released by the National Bank of Egypt (NBE).
On Wednesday, 4 February 2026, the dollar was trading at 46.96 Egyptian pounds, down from 47.04 at the previous close.
The small movement comes amid subdued trading in the foreign exchange market, as the pound continues to fluctuate under ongoing economic pressures.
<a href="https://ibb.co/xqg0c1FV"><img src="https://i.ibb.co/ZzgPwB2y/Egypt-Weather-2026-02-04-T092138-143.png" alt="Egypt-Weather-2026-02-04-T092138-143" border="0" /></a>
Photo Credit: Freepik&nbsp;

Exchange Rates | US Dollar Dips Slightly Against Egyptian Pound – 4 February

Egypt is set to experience generally stable weather conditions on Wednesday, 4 February 2026, with a gradual rise in temperatures expected to begin from Thursday, according to the Egyptian Meteorological Authority (EMA).
Warm conditions are forecast during the daytime across most parts of the country, becoming warmer in southern Upper Egypt. Night-time temperatures, however, will remain very cold nationwide.
Active winds are expected over areas stretching from Salloum to the Matrouh Desert, occasionally raising sand and dust, though no major disruption is anticipated.
The EMA also reported the presence of low clouds extending from northern regions to Greater Cairo and the Canal cities. These may bring light, intermittent drizzle in some areas, with no significant impact expected.
<a href="https://ibb.co/XZ4JXfzd"><img src="https://i.ibb.co/hRM8sxKn/Egypt-Weather-2026-02-04-T090324-154.png" alt="Egypt-Weather-2026-02-04-T090324-154" border="0" /></a>
Photo Credit: Freepik&nbsp;

Egypt Weather | Stable Conditions with Low Clouds – 4 February

Liverpool says Mohamed Salah has become the first player in Premier League history to reach double figures for both goals and assists against a single opponent.
The Egyptian forward achieved the landmark during Liverpool&rsquo;s 4&ndash;1 win over Newcastle United at Anfield. While Salah did not score, his assist for the opening goal, the first of Hugo Ekitike&rsquo;s two, secured his place in the record books.
Salah now has 10 goals and 10 assists against Newcastle, making him the first player to register double-digit goal contributions in both categories against one club in the Premier League era.
The assist also helped him set another record, as he became the player with the most goal contributions at a single venue. Salah has now recorded 107 goals and 45 assists at Anfield, taking his total there to 152.
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In doing so, he moved ahead of Manchester United and Arsenal greats Wayne Rooney and Thierry Henry, who each registered 151 goal contributions at Old Trafford and Highbury respectively.
Liverpool&rsquo;s meetings with Newcastle are among the Premier League&rsquo;s most prolific fixtures, producing 198 goals in total, behind only Liverpool versus Tottenham (209) and Arsenal versus Liverpool (199).
Newcastle currently sit 11th in the Premier League table, while Liverpool is sixth as they look to climb higher.
Liverpool&rsquo;s next match comes on Sunday, 8 February, when they face Manchester City, setting up a possible Egyptian duel between Salah and Omar Marmoush. City are second in the table, with Liverpool continuing their push towards the top.
Photo Credit: Liverpool&rsquo;s official page

Mohamed Salah Sets New Premier League Record at Anfield

Egypt&rsquo;s Micro, Small and Medium Enterprise Development Agency (MSMEDA) has received international recognition after winning an award from International Finance Magazine for its role in supporting innovative startups.
The award, presented at the magazine&rsquo;s International Finance Awards, recognises MSMEDA&rsquo;s venture capital programme and its contribution to developing Egypt&rsquo;s startup ecosystem.
MSMEDA&rsquo;s chief executive, Basel Rahmy, accepted the award, saying it reflected Egypt&rsquo;s growing international standing and the government&rsquo;s focus on youth, innovation and entrepreneurship. He said continued backing for the agency had helped expand funding programmes targeting startups and specialised venture capital funds.
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Mr Rahmy highlighted cooperation with the World Bank, which provided &euro;50m to support the initiative. The programme offers funding and training to entrepreneurs, helping them develop products, expand services and access international markets.
He added that, with the support of Prime Minister Mostafa Madbouly, Egypt plans to continue expanding financing opportunities to enable startups to grow and export globally.
The award ceremony, held in Dubai, was attended by MSMEDA Deputy Chief Executive Mohamed Medhat, Venture Capital Sector Head Hani Emad, and World Bank representative Laila Abdelkader.
The International Finance Awards recognise institutions worldwide for financial innovation, strategic leadership and market impact. The magazine said MSMEDA&rsquo;s programme stood out as one of Egypt&rsquo;s first government-backed initiatives aimed at financing high-growth startups and attracting private and international investment.
The recognition highlights MSMEDA&rsquo;s role in using innovative financing tools, supported by government policy, to address funding challenges faced by startups and fast-growing small businesses. The programme forms part of Egypt&rsquo;s wider strategy to promote innovation, support entrepreneurship and create new jobs.
Photo Credit: Cabinet of Egypt&rsquo;s official page

Egypt’s MSMEDA Wins International Award for Startup Support

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Egyptian youngster Hamza Abdelkarim has officially arrived in Spain after FC Barcelona reached an agreement with Al Ahly to sign the forward on loan until 30 June 2026, with an option to buy at the end of the season. Abdelkarim joins Bar&ccedil;a Atl&egrave;tic after successfully passing his medical tests and touring the club&rsquo;s facilities. He is expected to begin training with his new teammates in the coming days. First Egyptian to Play for a Blaugrana Side Born on 1 January 2008, Hamza Abdelkarim is set to make history as the first Egyptian player to represent a Blaugrana side. The forward came through Al Ahly&rsquo;s youth academy and has represented Egypt at the U-17 level, where he impressed on the international stage. A mobile attacker with strong link-up play and a sharp eye for goal, Abdelkarim has already made appearances for Al Ahly&rsquo;s first team, including matches in the CAF Champions League and the Egyptian Cup. Speaking about his move, Abdelkarim said: &ldquo;The feeling is great. I am ready and excited. I love football; it&rsquo;s my passion. This is a new step for me, and I hope to make everyone proud.&rdquo; Breakout Star at the U-17 World Cup Abdelkarim drew widespread attention during the FIFA U-17 World Cup, where he emerged as one of Egypt&rsquo;s standout performers. He recorded two goals and one assist in four matches, performances that attracted interest from several European clubs. Barcelona moved swiftly to secure the young forward&rsquo;s signature, underlining the club&rsquo;s confidence in his potential and long-term development. Photo Credit: Barcelona&rsquo;s official page

Al Ahly Talent Hamza Abdelkarim Joins Barcelona, Making History as The First Egyptian

Following the conclusion of the AFCON tournament, the Egyptian Premier League officially returns on 21 January, with Al Ahly set to play their first league match since 2 November. The Red Devils face Wadi Degla today at 5:00 PM in a Matchday 16 clash. Al Ahly currently sit third in the league table, while Wadi Degla occupy fourth place, making the fixture one of the most anticipated matches of the round. The Red Devils have played 12 matches so far this season, recording six wins, five draws, and two defeats. Meanwhile, Wadi Degla have contested 14 matches, securing six wins, five draws, and three losses. Al Ahly will be aiming to return to winning ways after their last league appearance on 2 November, which ended in a draw against Al Masry. Alongside their domestic return, Al Ahly continue to balance league action with continental commitments, as they prepare for their upcoming CAF Champions League fixture against Young Africans on 31 January 2026. The two sides last met on Friday, when Al Ahly secured a 2&ndash;0 victory. With the league&rsquo;s return, excitement among Egyptian football fans is rising, as attention shifts back to domestic competition and anticipation builds for the upcoming rounds of the season.
Photo Credit: Al Ahly's official page&nbsp;

Al Ahly Return to Egyptian Premier League Action After AFCON Break

Egyptian fencer Ziad El-Sissy claimed another major victory, winning bronze at the Fencing World Cup held in Salt Lake City, USA, from January 22 to 25, 2026. Ziad&rsquo;s journey to the podium was not easy: he defeated Spain&rsquo;s Jaime Flores 15&ndash;11 to reach the Round of 16, then overcame American Colin Heathcock 15&ndash;12 to advance to the quarterfinals. In the semifinals, he faced Romania&rsquo;s champion and secured victory with a golden touch, guaranteeing a world medal for Egypt before claiming bronze.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyFencing%2Fposts%2Fpfbid028R1Wh6rYAzws1DgeSepuPYcfWuhBVKKbw6mFY2VHy9v2kUHhMcWXdeVPG6NrBH2kl&amp;show_text=false&amp;width=500" width="500" height="498" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> Ziad has a remarkable track record: in 2023, he became the first Egyptian fencer to win a medal in an individual event at the World Championships, earning bronze in Milan. At the 2024 Paris Olympic Games, he finished 4th in individual competition and led the first-ever African/Arab team to win gold at the 2025 Budapest World Cup.
Photo Credit:&nbsp;FIE - International Fencing Federation's official page &nbsp;

Ziad El-Sissy Wins Bronze at Fencing World Cup in The USA

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Under the &ldquo;Rabies-Free Egypt 2030&rdquo; strategy, 293 stray dogs were vaccinated in a single day, as authorities shift from crisis management to long-term solutions. Egypt&rsquo;s Ministry of Agriculture and Land Reclamation has launched the first field phase of its national campaign to vaccinate and sterilize stray dogs, starting in the Ain Shams district of Cairo, in a move aimed at protecting public health and addressing the stray dog issue through sustainable and humane measures. The campaign is part of the national strategy &ldquo;Rabies-Free Egypt 2030&rdquo; and reflects a clear policy shift from short-term crisis management to science-based, long-term solutions. Ain Shams was chosen as the starting point due to repeated public complaints and the need for early intervention to reduce health risks associated with rabies.
<a href="https://ibb.co/JWsns0Bt"><img src="https://i.ibb.co/35C1CGrd/Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1.png" alt="Rabies-Free-Egypt-2030-Instagram-Post-Golden-Dog-1" border="0" /></a> From Crisis Management to Sustainable Solutions Minister of Agriculture Alaa Farouk said the initiative marks a transition toward root solutions, emphasizing that the campaign follows internationally recognized standards and prioritizes cooperation between government institutions and civil society. The field operations are being implemented under the supervision of the General Organization of Veterinary Services, in coordination with the General Administration of Animal Welfare and Licensing, and in cooperation with the Federation of Animal Welfare Associations.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid05FdszQCgiwtgSm1nbRSzVjCPe32zHrAFVWgohq86NmSVrQVunqh5U7mTCJfbqvqFl&amp;show_text=true&amp;width=500" width="500" height="250" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> On the first day of the campaign, veterinary teams vaccinated 293 stray dogs against rabies, while 25 dogs were transferred to designated shelters to undergo surgical sterilization before being safely returned to their original environment. Officials said this approach helps maintain ecological balance and prevents the spread of disease by limiting the entry of unvaccinated animals into treated areas. Alongside vaccination efforts, veterinary awareness teams launched an on-ground community outreach campaign to educate residents on safe interaction with stray dogs and methods of preventing zoonotic diseases. The ministry confirmed that the Ain Shams phase represents the foundation of a nationwide rollout, which will be gradually expanded across all governorates according to a set timeline, in line with Egypt&rsquo;s goal of eliminating rabies by 2030.
Photo Credit: Egyptian Cabinet's official page&nbsp;

Infographic | Egypt Begins Nationwide Stray Dog Vaccination Drive Under ‘Rabies-Free Egypt 2030’ Strategy

CEO Women has announced the launch of She FinTech, a major competitive initiative aimed at empowering women in FinTech and Digital Innovation. The competition comes as part of CEO Women&rsquo;s ongoing commitment to supporting female entrepreneurs across the region and builds on the success of the Entrepreneur Zone featured within CEO Women&rsquo;s flagship events.
The initiative offers total awards of USD 120,000, including USD 50,000 in financial support and USD 70,000 in technical support, designed to fuel innovative ideas and accelerate the growth of women-led ventures. The initiative reflects CEO Women&rsquo;s strong belief that investing in women&rsquo;s creativity is essential to driving economic and social development.
Mona Morad, Founder and CEO of CEO Women, highlighted the significance of the competition, stating: &ldquo;She FinTech represents a vital platform to advance women&rsquo;s presence in both digital and financial sectors. We are committed to creating opportunities for visibility, growth, and regional expansion for women-led businesses.&rdquo;
The competition expands regionally to include participants from across the Middle East and North Africa, establishing She FinTech as a leading platform that brings together women innovators and fosters collaboration and knowledge exchange across the region.
The winning companies will be announced during a special ceremony held at the closing of the CEO Women 2026 events in Cairo, in the presence of distinguished leaders, experts, and key figures from the financial and technology sectors.
CEO Women invites female entrepreneurs in FinTech and Digital Innovation to participate in the competition and benefit from the financial and technical support offered. Further details about the application process will be shared in the upcoming announcements.

CEO Women Launches “She FinTech” Competition to Empower Women in FinTech and Digital Innovation with Total Awards of USD 120,000

At just 23, Wednesday star Jenna Ortega has become the youngest jury member in the history of the Marrakech Film Festival, joining an international panel that includes Bong Joon Ho, Palme d&rsquo;Or winner Julia Ducournau, and Oscar nominee Celine Song.
Speaking about the responsibility, Ortega said she refuses to let pressure overshadow the moment. &ldquo;I&rsquo;m not intimidated because I&rsquo;m so overwhelmed with gratitude,&rdquo; she noted. &ldquo;It would be a shame to come into this experience weighed down by external pressure. At the end of the day, we&rsquo;re all on the same team.&rdquo; Known for her forthrightness, she added: &ldquo;It&rsquo;s very hard for me to put up a front. More than anything, I just want to be as present as possible.&rdquo;
Her presence adds a candid and youthful perspective to a jury reviewing 14 debut and second features, including Akinola Davies Jr.&rsquo;s My Father&rsquo;s Shadow, Zamo Mkhwanazi&rsquo;s Laundry and Morad Mostafa&rsquo;s Aisha Can&rsquo;t Fly Away. Alongside fellow jurors Anya Taylor-Joy, Karim A&iuml;nouz, and Hakim Belabbes, Ortega&rsquo;s role signals how emerging voices are increasingly shaping global cinema conversations.
Fresh Eyes on AI and Storytelling
During a press briefing, Ortega reflected on artificial intelligence in film, referencing her work in Taika Waititi&rsquo;s Klara and the Sun, where she acted opposite a solar-powered AI robot capable of expressing human emotion. Describing AI as &ldquo;a Pandora&rsquo;s box,&rdquo; she said the experience pushed her to consider how technology is redefining narrative, performance, and the boundaries between human and machine.
Facing Challenges Head-On
Ortega also spoke openly about navigating challenges. &ldquo;The only way to deal with these hardships is to face them forward,&rdquo; she said, underlining an approach rooted in honesty and presence. These qualities, she suggested, shape both her craft and her contribution to the jury.
With her blend of modern perspective, transparency, and fearlessness, Jenna Ortega is showing that a younger generation can offer not just fresh insight, but meaningful influence at one of the world&rsquo;s leading film festivals.
Photo Credit: Jenna Ortega's official page&nbsp;

Jenna Ortega at The Marrakech Film Festival: AI, Cinema and Fearlessness

For years, fibromyalgia was that invisible ghost of pain that people whispered about but never really understood. That changed when Montahy Al Salahya&mdash;Farrag&rsquo;s Ramadan series&mdash;threw it into the mainstream, finally showing the exhaustion, confusion and daily battle of living with a condition that has no obvious scars. It was raw, relatable and sparked the question millions have quietly asked: what is&nbsp;fibromyalgia?
 And now, for the first time in nearly 15 years, there&rsquo;s an answer that feels hopeful. The U.S. Food and Drug Administration has approved Tonmya&nbsp;(cyclobenzaprine HCl sublingual tablets), the first new treatment for fibromyalgia since the late 2000s. Unlike older medications that only offered partial relief, this one&rsquo;s non-opioid, placed under the tongue and taken at bedtime&mdash;targeting both chronic pain and sleep disruption, two of the condition&rsquo;s most frustrating hallmarks.
 Clinical trials showed promising results: participants reported a 30 percent or greater drop in pain levels, and their sleep noticeably improved. Sure, side-effects like drowsiness and numbness appeared, but they were mild compared to what patients have endured on previous treatments.
 But let&rsquo;s be honest&mdash;it&rsquo;s not a miracle cure. Fibromyalgia is complex. It messes with sleep, focus, mood and the nervous system all at once. Tonmya&nbsp;may not end the fight, but it finally feels like medicine is taking this battle seriously. The drug is expected to hit pharmacies by late 2025, and when it does, it could redefine what hope looks like for millions living in quiet pain.
 For once, the conversation about fibromyalgia isn&rsquo;t being spoken over&nbsp;patients&mdash;it&rsquo;s being spoken with&nbsp;them.
Photo Credit:&nbsp;geralt, Creative Commons Zero, Public Domain Dedication
&nbsp;

Fibromyalgia Finally Has a New Treatment After 15 Years

In line with President Abdel Fattah El-Sisi&rsquo;s directives, Egypt is intensifying efforts to integrate artificial intelligence (AI) into education through expanded international cooperation with Japan, new training programs, and curriculum reforms.
Training Teachers and &ldquo;Ambassadors of Development&rdquo; The initiative will prioritize training computer science teachers, supervisors, subject advisors, and members of the technology development team&mdash;known as the &ldquo;Ambassadors of Development.&rdquo; This training is part of Egypt&ndash;Japan cooperation aimed at strengthening digital education.
Opportunities for Outstanding Students Exceptional students from governorates across Egypt will be selected to participate in specialized training sessions with leading Japanese companies via video conferencing. These opportunities will expose students to global expertise, help them develop practical skills, and enhance their competitiveness in the labor market.
<iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FEgyptianCabinet%2Fposts%2Fpfbid0pawNwMG6Ugf8dMw651x8Yy85Hzb61zrC5ZzqTDaNXNvLnVtmrjZn6E9TRAomJTmzl&amp;show_text=false&amp;width=500" width="500" height="498" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe>&nbsp;
AI Education Beyond the Classroom Officials highlighted that teaching AI and programming not only enhances critical thinking and problem-solving skills but also contributes to Egypt&rsquo;s national economy and supports sustainable development goals.
Integrating AI into School Curricula Minister of Education and Technical Education Mohamed Abdel Latif announced that AI curricula will be introduced in selected school grades beginning in the 2025&ndash;2026 academic year. A matrix of standards and indicators for AI has been developed for both preparatory and secondary levels, with elements of AI education also incorporated into basic education.
Preparing Teachers and Infrastructure The Minister emphasized that well-trained teachers and specialists are essential to the success of this transformation. Efforts are also underway to strengthen technological infrastructure, including the development of specialized labs, to fully support AI integration into schools.
&nbsp;
Photo Credit: Ministry of Education and Technical Education's official page
&nbsp;

Egypt and Japan Partner to Advance AI and Programming Education

Google has rolled out an exclusive deal for students in Egypt; a free 12-month Gemini Pro Plan. Starting now, anyone aged 18 and above can register before 3rd of November 2025, to unlock the full package. The program is launched in partnership with Egypt&rsquo;s Ministry of Higher Education and Scientific Research.
What&rsquo;s Included &bull; Gemini 2.5 Pro with unlimited image uploads for homework and writing support &bull; Deep Research tools with custom reports from hundreds of sources &bull; NotebookLM featuring expanded audio and video study overviews &bull; Veo3 for transforming text or photos into short videos &bull; 2 TB of cloud storage across Google Photos, Drive, and Gmail
Why It Matters
With its Guided Learning mode, Gemini Pro becomes more than just a tool; it&rsquo;s a study companion. It can break down math problems, refine essays, assist in test prep, and provide step-by-step guidance. Students can also explore interactive quizzes, images, and videos, while teachers gain access to the same resources for classroom use.
Valued at nearly 7,000 EGP per subscription, the offer debuts in Egypt and Saudi Arabia, with more countries expected soon.
Photo Credit: Flickr&nbsp;

For The First Time: Google Offers Free Gemini Pro for Students in Egypt

Skywatchers in Cairo and across Egypt are set for a rare celestial show tonight as the moon turns a fiery red during a total lunar eclipse. On Sunday, 7th of September 2025, the &ldquo;blood moon&rdquo; will light up the sky for more than five hours; one of the year&rsquo;s most breathtaking astronomical events.
Eclipse Schedule in Egypt
<ul>
<li>7:27 PM &ndash; Partial eclipse begins as Earth&rsquo;s shadow touches the moon.</li>
<li>8:31 PM &ndash; Total eclipse starts; the moon is fully covered.</li>
<li>9:12 PM &ndash; Peak eclipse, with the moon glowing its darkest red.</li>
<li>9:53 PM &ndash; Total eclipse ends as the moon begins to emerge.</li>
<li>10:56 PM &ndash; Partial eclipse ends.</li>
<li>11:55 PM &ndash; Eclipse fully ends as the moon leaves Earth&rsquo;s shadow.</li>
</ul>
Why the Moon Turns Red
A lunar eclipse happens when the sun, Earth, and moon align, and Earth blocks direct sunlight from reaching the moon. Instead, the moon reflects sunlight filtered through Earth&rsquo;s atmosphere. Because the atmosphere scatters blue light and lets red light pass through, the moon takes on a dramatic reddish glow; the same effect that makes sunrises and sunsets look red. Dust or clouds can make the color appear even deeper.
Where to Watch
The eclipse will be visible across Asia, Africa, Europe, Australia, and parts of South America. Viewers in North America, however, will only catch partial phases of the event.
Photo Credit: Freepik&nbsp;

Don’t Miss Tonight’s Total Lunar Eclipse Over Egypt

In a rare astronomical phenomenon, Earth is completing its rotation today, Tuesday, 22nd July, in less than 24 hours&mdash;making it the shortest day ever recorded in human history. The planet will spin 1.34 milliseconds faster than the standard 86,400 seconds, surpassing the previous record set just two weeks ago on 9th July.
Although the difference is imperceptible to most, scientists say it reflects a puzzling trend in Earth&rsquo;s rotational behaviour. If this acceleration continues, global timekeepers may need to subtract a second from atomic clocks by 2029&mdash;a historic adjustment known as a &ldquo;negative leap second&rdquo; that has never been implemented before.&nbsp;
Experts remain uncertain about the root cause of the acceleration. Theories range from shifts in the Earth's molten core and melting glaciers to atmospheric changes and a weakening magnetic field. For centuries, the Earth has been gradually slowing due to the moon&rsquo;s tidal pull. But new data from NASA suggest we may have reached a phase of orbital equilibrium, unexpectedly speeding up the planet&rsquo;s rotation.
Geologists and astrophysicists are closely monitoring the development, as it could affect everything from satellite navigation to global timekeeping systems in the near future.

Today Marks the Shortest Day in Recorded Human History

Photo Credit: AI Generated Image Via Freepik
A laptop without a screen sounds like something a bored sci-fi writer would pitch after too many energy drinks. But here it is, not just imagined&mdash;built. A real, functioning device that ghosts the one thing we&rsquo;ve all assumed a laptop needs: the screen.
And the kicker? It kind of works.
The concept flips everything on its head. Instead of a physical display, you get a pair of lightweight glasses that project a curved, panoramic workspace into the air around you. One moment, you&rsquo;re staring at a keyboard. Next, you&rsquo;re immersed in a private, 100-inch digital setup that floats in your vision like a command center only you can see. Spreadsheets over here, Zoom call over there, your cursed to-do list hovering just far enough to ignore.
We&rsquo;ve entered the spatial computing chapter&mdash;where the interface is no longer confined to a slab of glass but extends outward, seamlessly, invisibly.
There&rsquo;s elegance in its logic. No more craning your neck downward. No more squinting at tabs stacked like sardines. No more strangers eavesdropping on your inbox. The screen becomes personal, fluid and (let&rsquo;s be real) kind of magical.
But it&rsquo;s not all stardust and holograms.
Underneath the wow factor is a system still growing into itself. The operating environment leans on streamlined, cloud-first tools. Great for documents, browsing, maybe a few video calls. But don&rsquo;t expect full-fledged desktop muscle. If you&rsquo;re trying to edit a feature film or run simulations, this isn&rsquo;t your ride&mdash;yet.
As for the glasses: surprisingly light, pretty comfortable, prescription-friendly, stylish? Meh. And let&rsquo;s not pretend they&rsquo;re invisible. You will, at best, resemble a time-traveling librarian. People will stare. Deal with it.
Battery life is decent (5-7 Hours)&mdash;enough for a work session, not a marathon. Audio? Functional. Good enough for a call, maybe not your next album listen. But the biggest shift isn&rsquo;t in specs. It&rsquo;s in the mindset.
Because once you remove the screen, you&rsquo;re not just redesigning a device. You&rsquo;re challenging a century of habits. You&rsquo;re saying, &ldquo;What if the display followed me, not the other way around?&rdquo;
And suddenly, your entire environment becomes a workspace. Caf&eacute;s, airports, co-working spaces, your kitchen counter&mdash;no extra monitors, no privacy screens, no weird laptop angles. Just a clean surface, a keyboard and your own private digital expanse.
Will it catch on? Hard to say. It's bold. It's pricey. It's niche. But it also feels like a seed. A prototype of what&rsquo;s coming. Because if a laptop can survive without a screen, what else are we holding onto just because it&rsquo;s always been there?
The future might not be here yet. But this? It&rsquo;s squinting at it, glasses on.

A Screen-less Screen? We're Not In The Future, But It Seems Unreal 

Trends never stop&mdash;whether in fashion, music, or food. The latest fruity obsession is the pink pineapple, a vibrant twist on the classic tropical treat. Celebrities have been quick to join the hype, with music producer Benny Blanco among the first to try it. &ldquo;It smells and looks like a normal pineapple, but inside it&rsquo;s pink,&rdquo; he said, describing the taste as &ldquo;incredible.&rdquo; So what exactly is the pink pineapple and why is everyone talking about it? Here are all the answers you&rsquo;ve been wondering about.
What Is the Pink Pineapple?
The pink pineapple is a rare, pink-fleshed variety of the traditional tropical fruit. It isn&rsquo;t a different species, but rather a genetically modified version that features a soft, pastel-pink interior instead of the usual yellow. Its unique appearance and sweet flavor have made it a must-try novelty in the world of exotic fruits.
How Does It Become Pink?
The pink color comes from lycopene, the same natural pigment found in tomatoes and watermelons. In regular pineapples, lycopene is converted into beta-carotene, which gives them their golden-yellow hue. In pink pineapples, scientists altered the fruit&rsquo;s DNA to turn off the enzyme that performs this conversion, allowing the pink pigment to stay.
Where Is It Grown?
This special variety is grown exclusively in select tropical farms, under carefully controlled conditions. It takes more than two years to cultivate each pineapple, making the process labor-intensive and production limited. That exclusivity plays a big role in its appeal and price.
<blockquote class="tiktok-embed" style="max-width: 605px; min-width: 325px;" cite="https://www.tiktok.com/@itsbennyblanco/video/7494680912244870443" data-video-id="7494680912244870443">
<section><a title="@itsbennyblanco" href="https://www.tiktok.com/@itsbennyblanco?refer=embed" target="_blank" rel="noopener">@itsbennyblanco</a>
pink pineapple
<a title="♬ Bluest Flame - Selena Gomez &amp; benny blanco" href="https://www.tiktok.com/music/Bluest-Flame-7484273435515340801?refer=embed" target="_blank" rel="noopener">♬ Bluest Flame - Selena Gomez &amp; benny blanco</a></section>
</blockquote>
&nbsp;
Why Is It So Expensive?
Pink pineapples are not just rare&mdash;they&rsquo;re also marketed as a luxury fruit. Only limited batches are produced and each fruit is often shipped without its crown to prevent replanting, keeping it exclusive. With elegant packaging and high shipping costs, these pineapples can sell for anywhere from $25 to $50 each.
Is It Safe to Eat?
Yes, pink pineapples are completely safe and approved for consumption. Although they&rsquo;re genetically modified, the changes only involve preserving natural lycopene, which is already found in many healthy fruits. No harmful substances are added and none of the fruit&rsquo;s natural nutrition is lost.
Health Benefits
Pink pineapples aren&rsquo;t just pretty&mdash;they&rsquo;re packed with health benefits:
Rich in Vitamin C: Supports immunity and skin health. High in Antioxidants: Lycopene may reduce cancer and heart disease risk. Aids Digestion: Contains bromelain, an enzyme that helps with digestion and inflammation. Low in Calories: Naturally sweet without the guilt. &nbsp;
The Viral Appeal
Beyond its flavor and health perks, the pink pineapple is a social media sensation. Its pastel color and photogenic charm make it a favorite among influencers, food bloggers and anyone looking for the next Instagram-worthy snack. From celebrity shoutouts to TikTok taste tests, this fruit has quickly become a pop culture favorite.
&nbsp;
Photo Credit: Hippies Happiness page
&nbsp;
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The Pink Pineapple: Nature’s Sweetest Trend Taking Over the Internet — and Benny Blanco Approves

Check out the most important Business, Tech, Startups, Gaming &amp; Entrepreneurship on Nile FM website

Geekdom

Transmissions with Boris is a weekly 60-minute journey into the world of techno and tech-house, featuring expertly crafted DJ sets and immersive soundscapes. Hosted by Boris&mdash;an acclaimed resident at top U.S. clubs like Pacha NY and Space Miami. The show showcases his signature sound alongside sets from outstanding guest DJs. With award-nominated talent and a global club feel, Transmissions delivers cutting-edge dance music every week.
&nbsp;

Transmissions 



The Sound of the Stork is a radio show and event concept by Stoned Stork Records, presented by Valerio Raponi.
The show features DJs from around the world, sharing exclusive mixtapes through an international network of radio partners across Europe, the USA, and South America.

The Sound of the Stork 



Music in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs and the best house Djs.

MITA – Music In The Air



Started back in 1999, Hedkandi evolved into a global dance music phenomenon collecting the best funky, happy and disco house music from all over the world, mixed into a 2-hour weekly show hosted by Mark Doyle.

Hedkandi

DAYS like NIGHTS is a devoted artistic platform founded by renowned Dutch DJ and producer Eelke Kleijn. Since its launch in 2017 as a record label, DAYS like NIGHTS has been dedicated to presenting innovative, organic music from both established artists and emerging talent around the world.
Known for its signature melodic sound and deep passion for music, the label has expanded into live experiences through its exclusive event series, held in major cities including New York, Amsterdam, Buenos Aires, Melbourne, and Toronto. Complementing these events is the label&rsquo;s globally recognized radio show, which continues to showcase affiliated artists, fresh talent, and close collaborators, offering listeners a curated journey through the best of modern electronic music.

Days Like Nights With Eelke Kleijn 

Voyager House Music DJ/Producer Tony Kay takes you on a tour of the planet with his weekly hour of the very finest new and upcoming dancefloor bangers from some of the most exciting Producers and Labels in the scene. With Tony Kay on the wheels of steel you can be sure of nothing but the very best rhythmic and grooving electronic music from his extensive armoury of music. Expect 3 deck live mixing and an organic flow that makes &lsquo;In The Mix&rsquo; a special weekly listen, wherever you may be. &nbsp; &nbsp;

In The Mix 



Let&rsquo;s Dance with Nancy brings the energy of the club straight into everyday life on Nile FM. Packed with high-energy beats, chart-toppers, classics, and fresh releases, Nancy keeps listeners motivated, uplifted, and connected to both the global and Cairo dance scenes. It&rsquo;s your daily dose of feel-good dance music proving that dancing doesn&rsquo;t wait for the night.
&nbsp;

Let’s Dance 




Every Thursday from 1 to 3 pm, Gazlan will be taking listeners on a two-hour journey around different parts of Egypt and the world. Exploring what each place has to offer, from outdoor activities to watersports to simply relaxing and enjoying mother nature.

Gaz Guides

Electronic Music DJ and Producer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music.&nbsp;Influenced by Portuguese and American underground sounds, Chus&rsquo;s musical evolution led him to craft house music infused with Soul, Disco, Latin, and World Music elements. he blends Organic House with Soul, Disco, Latin, and World Music influences. With a career spanning over 30 years, Chus is celebrated worldwide for his productions and remixes for artists like Madonna, Rihanna, and JLO, earning accolades such as DJ of the Year and Best House DJ..

Stereo Productions Podcast With DJ Chus 

Spinning out your favourite classic hits from the 60s to the 90s. Tune in to listen to those good oldies. One great hit after the other from 10:00AM-11:00AM Fridays &amp; Saturdays.&nbsp;

Flash Back

Hisham takes you on a journey through today&rsquo;s crowded entertainment world, from cinema releases to top picks with honest reviews, curated recommendations, and the latest entertainment news, he helps you quickly decide what&rsquo;s worth watching next.&nbsp;

The Watchlist 



Stuck in traffic? Make the ride fun! Join Zeinab &amp; Sami every Sunday to Thursday from 5:00 PM to 7:00 PM on The Big Drive&mdash;your ultimate afternoon escape on Nile FM! Enjoy the best music, real talk, and nonstop energy to carry you through the week

The Big Drive

Girls Talk is a vibrant, empowering show that creates a safe and relatable space for women&rsquo;s voices, stories, and real-life conversations. Presented in rotation by Nadine, Nancy, and Gaz, the show blends friendship-style chats with honest discussions on relationships, self-care, careers, and pop culture. It invites listeners to join the conversation, share their stories, and connect over experiences that truly resonate.

Girls Talk 

Hip-Hop &amp; RNB from the one and only DJ Feedo! With a master&rsquo;s degree in swag, Feedo will give your Friday the kick it needs to. Your Weekly dose of all the newest hip-hop releases, the best old school jams, east coast/west coast, shack town, the dirty south &amp; the Middle East just got a whole lot more flavorful with DJ FEEDO!

Friday Night Flavas

Every Wednesday from 11 am to 1 pm, Kenzy will be counting down the week&rsquo;s biggest 30 songs on the only official chart countdown in the nation &ldquo;Hit 30 Egypt&rdquo;
Find out whether your favorite song will make it to the #1 spot each week and how long it will stay there!

Hit 30 Egypt Live

"Brain Busters" is a 1-hour radio show that&rsquo;ll tickle your curiosity, test your trivia skills, and blow your mind with fresh facts about our fascinating world. Tune in, buckle up, and prepare to get your brain busted!&nbsp;Every Sunday to Thursday from 10 to 11 am.&nbsp;

Brain Busters

Every weekday from 3 to 4 pm, Feedo delivers the hottest chart-topping hit music, mixed back to back, non-stop! All the latest tracks for one hour straight, with no interruptions! You know you&rsquo;re in good hands with Feedo and his stellar music taste!

Mixalicious

AT40 gives you the inside scoop on everything &ldquo;Hollywood&rdquo; as well as counting down through the &ldquo;top 40&rdquo; songs on US charts! Hosted by the one and only Ryan Seacrest, this one is a can&rsquo;t-miss for our pop- culture-obsessed listeners who can&rsquo;t get enough of celebrity shenanigans!

American Top 40

Your morning commute has never been this fun!
An endlessly entertaining blend of games, news tidbits, and the latest hits, &ldquo;The Morning show&rdquo; is the best place to kick-start your morning. What you listen to in the morning can really set the tone of your whole day, and Rob &amp; Sally are here to make sure you are fresh and ready to conquer the day!

The Morning Show

Groove Station brings the party straight to your speakers every Thursday night! Join Arrab as he spins the hottest beats and feel-good tracks from around the world, turning your evening into a global dance floor.
Tune in, turn it up, and groove your way into the weekend every Thursday from 11:00 PM to 12:00 AM on 104.2 NileFM.

Groove Station

DJ of the Week&nbsp;&ndash; Where Egypt&rsquo;s future DJs break through!
It&rsquo;s time to put the spotlight on Egypt&rsquo;s finest local talent with DJ of the Week&nbsp;on Nile FM! 60 minutes of handpicked sets, mixed by rising stars, spinning the sounds you should&nbsp;be hearing.
Think you&rsquo;ve got what it takes? Send us your best mix!&nbsp;
Submission Rules &amp; Guidelines for Guest DJ Sets:
&middot;&nbsp; Contains no explicit words
&middot; Mixed&nbsp;to professional standards
&middot;&nbsp;English language&nbsp;or instrumental music only
&middot; Duration between 55 minutes and 60 minutes
&middot;&nbsp;Exclusive unreleased sets only
&middot;&nbsp;&nbsp;MP3 or WAV format
We also need
&middot;Your&nbsp;DJ name, along with its pronunciation
&middot;&nbsp;Any social media links (Instagram, Facebook)
&middot; Any streaming platform links (SoundCloud, Mixcloud)
Email: djoftheweek@nrp.net.eg, and you could be next playing to Egypt&rsquo;s millions!

DJ of the Week

An hour of non-stop feel good anthems to get you pumped for the weekend. Whether you're getting ready for a fun night out or heading home for a cozy night in, this upbeat soundtrack is guaranteed to put a smile on your face. Turn up the music and sing along to all your favorite happy tunes, every Thursday from 7 to 8 pm.

Feel Good Thursday

Sit back and enjoy the chilled-out sounds of oriental-inspired music; the perfect setting for an introspective drive in your car, or just an escape from the stress of your day. It's the show that brings a little dose of local flavor and a whole lot of Zen. Don't miss it every Friday from 11 am to 1 pm.&nbsp;

Nile Bazaar

A him and her show where Mickey &amp; Kenzy will talk about topics that interest us, that are trending, and that everyone can relate to. Two perspectives &amp; two preferences. Simply this show will be a place where people can listen to funny, interesting, and relatable&nbsp;topics, with his two cents and her takes. Music, movies, habits, career talk, pop culture, how-to, why, and why-not, did you know? and the list goes on and on which is what makes this show powerful. It&rsquo;s all about the now, the current, and the relevant with interesting talks about everything for everyone.

Real Talk

Egypt is strengthening its position on the international golf calendar after hosting the opening event of the MENA Golf Tour at New Giza Golf Club, according to Josh North of the Egyptian Golf Federation. Speaking to NileFM during live coverage of the first leg of the Egypt Golf Series, North said the tournament marked the start of 13 MENA Tour events scheduled across the country. The professional circuit has attracted players from around 32 countries, with nearly $20,000 awarded to the winner of the season-opening event. North said many visiting players had been surprised by the standard of golf facilities in Egypt, as well as the favourable winter playing conditions. &ldquo;Some players arrived without realising how strong the golf scene is here,&rdquo; he said. &ldquo;The courses and the climate have made a big impression.&rdquo; The MENA Tour last visited Egypt in 2023. North said its return followed months of coordination and reflected a growing alignment between the tour&rsquo;s needs and Egypt&rsquo;s ability to host international events. New Giza Golf Club, located on the outskirts of Cairo, provided the venue for the opening tournament and continues to feature prominently in the country&rsquo;s expanding golf programme. Thirteen Egyptian players took part in the event, gaining opportunities to earn world ranking points, which could contribute to Olympic qualification in future cycles, including Los Angeles 2028. North said the federation&rsquo;s focus extended beyond elite competition, with youth and school-based initiatives running alongside the professional tournament. &ldquo;Developing the game at grassroots level is essential,&rdquo; he said. &ldquo;Golf is a sport people can start young and play for life.&rdquo; Following the MENA Tour&rsquo;s four events in Egypt, the Egypt Golf Series will continue with tournaments on the Alps Tour and the Pro Golf Tour, running through to late April. North said the aim was to create a sustainable golf ecosystem, combining international competition with long-term player development.
&nbsp;

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Non-Stop Music

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Sports

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Beats

Exclusive | Meet Joe Noise: NileFM’s DJ of The Week Bringing Melodic Techno to Life

Nile FM's Guests

Josh North Says Egypt ‘Firmly on Global Golf Map’ as MENA Tour Begins at New Giza

Entertainment

Exclusive | Tiffany Trump Tours Luxor, Marvels at Valley of The Kings and Karnak

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