Photo Credit:&nbsp;Justin Higuchi from Los Angeles, CA, USA, <a href="https://creativecommons.org/licenses/by/2.0">CC BY 2.0</a>, via Wikimedia Commons
With a surprise release, the angelic singer-songwriter, Natalie Mering, known as Weyes Blood, dropped the second single &ldquo;Grapevine&rdquo;, from her highly anticipated upcoming fifth studio album &ldquo;And in the Darkness, Hearts Aglow&rdquo;, which is set to be released on the 18th of November.
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<blockquote class="twitter-tweet">
surprise surprise my new song &ldquo;Grapevine&rdquo; is out&hellip; now <a href="https://t.co/U6aE8twMj6">pic.twitter.com/U6aE8twMj6</a>
&mdash; Weyes Blood (@WeyesBlood) <a href="https://twitter.com/WeyesBlood/status/1579692826102988800?ref_src=twsrc%5Etfw">October 11, 2022</a></blockquote>
After the massive success of her previous album &ldquo;Titanic Rising&rdquo;, which was released 3 years ago, the indie darling announced her new album via Facebook saying, &ldquo;' And in the Darkness, Hearts Aglow' is out November 18th on Sub Pop Records. The second in a trilogy, this dystopian romance novel took a lot of dark juice to birth. Forged in fire as they say".
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The announcement was very rewarding to the fans, who were eager to get new material from Weyes Blood. Not only because Natalie assured them that she is continuing her foray into the &ldquo;Dream Pop&rdquo; genre, but also because of her confirmation that what started in 2019 with &ldquo;Titanic Raising&rdquo; was a planned trilogy of albums.
It is worth mentioning that the lead single &ldquo;It's Not Just Me, It's Everybody&rdquo; was released last month, eliciting a positive reaction from fans and critics, and intensifying the excitement for the new album.
According to <a href="https://www.rollingstone.co.uk/music/news/weyes-blood-announces-new-album-shares-first-single-22584/#:~:text=%27And%20in%20the%20Darkness%2C%20Hearts,is%20out%20on%20November%2018&amp;text=Weyes%20Blood%20has%20revealed%20details,and%20released%20its%20first%20single.">Rolling Stone</a>, Natalie described the song as &ldquo;a Buddhist anthem, ensconced in the interconnectivity of all beings, and the fraying of our social fabric.&rdquo; She continued, &ldquo;Our culture relies less and less on people. This breeds a new, unprecedented level of isolation, the promise we can buy our way out of that emptiness offers little comfort in the face of fear we all now live with &ndash; the fear of becoming obsolete.&rdquo;&nbsp;

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